Dragonfly - Thierry Deleruyelle - Euphonium and Piano |
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Dragonfly by Thierry Deleruyelle is a new work for euphonium, commissioned for and first performed by the French euphonium star Bastien Baumet.
Here 's a video of Bastien performing this work
Dragonfly was commissioned by Bastien Baumet, an international French soloist, as a new departure in euphonium repertoire. The concerto can be accompanied by wind band or brass band, as well as with piano accompaniment.
Written in three uninterrupted parts, a slow and warm theme separates two dynamic, swift, and agile sections. Like a dragonfly, the music flies sometimes with jolts, sometimes with serenity, allowing us to discover landscapes, colours, and changing horizons. Dragonfly showcases the soloist's inspired melodic curves, beautiful tone, and virtuosity.
Published by Hal Leonard
Duration: 12.30
Difficulty level 5/6
Supplied with Solo Parts in TC and BC and Piano part
Concert Galop - Philip Wilby - for Euphonium (also Eb solo part incl.) and Piano |
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Here is a charming, easy-going solo for all B-flat or E-flat brass instruments from the prolific Philip Wilby. It's a great concert or recital opener, written for Robert Childs. It's a sparkling work that demands nimble technique and good flexibility. Watch this sparkling video performed by Glenn van Looy
Published by Winwood Music.
Durations: approx 3.30
Difficulty level: 4/6
Supplied with solo parts in Bb and Eb and piano part
Serenata - Jan Van der Roost - Euphonium and Piano - NEW |
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A stunning new work from the well known and highly respected compser Jan Van der Roost. This is a fantastic new solo for the advance player.
Despite the title, this is a major work, at around 12 minutes, and is at times very demanding in the high range, for stamina and with it's technical demands. That said it should become an important work at the 'sharp' end of our euhpnoum repertoire!
It has gorgeous soaring melodies that show off the magnificent possibilities of Euphonium. An advanced player will revel in these melodies and in the technical demands that follow later in the work. This is the version with piano accompaniment but a full band set is also available, and will be on this site very soon.
Introduction in the published work
While composing Serenata, Jan Van der Roost didn't focus too much on virtuality, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the ruphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigadoon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme requires some technique and agility, the overall character mostly remains full. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The piano is definitely not just accompanying but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is most spectacular and sonorous giving an extra boost of energy to the soloist as well as the piano in a grand finale.
Please note there are separate parts included with the piano score for euphonium in treble clef B-flat, bass clef in C and also bass clef in B-flat
You can listen to this YouTube video of the complete performance of this work where you can follow the wind orchestral score and solo part.
Duration approx 12 mins
Difficulty level 5/6
Supplied with solo part in treble clef B-flat, bass clef in C and also bass clef in B-flat and piano score.
Publised by deHaske.
Sleep Dancer - Xin Di - Euphonium and Piano |
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Here is a wonderful refreshing and modern work for the advanced e 60uphonium player. This is an extremely impressive work and definitely worth a listen to with this excellent sound file : https://youtu.be/7OPQfcJ-k20?si=v7hfefskshL_J_U2
This piece is a great recital piece or competition piece and should be studied by advanced euphonium players. It is fresh sounding as you will hear from the sound file, excellently performed by the dedicatee Chris Nery.
Duration: about 10 minutes
Difficulty level: 4.5/10
Supplied with: solo parts in TC and BC and piano part
Preserving CODE - 11 Solos by Percy Code, in TC,BC and Eb - Dr. Matthew Van Emmerik |
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Here's a fabulous new album of solos by the Australian composer Percy Code, 1885-1953
Preserving CODE - Music by Percy Code
The Complete Solo Repertoire of Percy Code takes you back to a time when you may have played, performed or competed in solo competitions using Percy’s wonderful repertoire. This book can be used for the new student, enthusiast, or for the many individuals who sat in the audience in the early years of their children’s or students’ musical journeys; listening to their progress while simultaneously enjoying the gift of Percy Code’s wonderful repertoire – a gift that has now been enjoyed for almost 100 years. Enjoy playing through and performing these solos and working alongside the amazing accompaniment of Peter Baker on piano. Assembled by Matthew van Emmerick
Contents - SOLOS:
Solo brass parts included: B-flat, E-flat, Bass Clef concert pitch, and full piano score
Difficulty level 4/6
Produced by Potenza Music
Highly recommended!
Adagio Op.85 (from the Cello Concerto) - Edward Elgar Arr. Eric Wilson - euphonium and piano |
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Here is one of the famous slow movements form the world of music, the slow movement, from the Elgar Cello Concerto, arranged for the first time for euphonium and piano.
"Elgar completed his last major work, the Cello Concerto Op. 85, in 1990 in Brinkwells, the thatched cottage in Sussex overlooking the South Downs he was renting at the time. Composed in the aftermath of the great war, it has to be said that this is music for a lost world. In this, the third movement, time certainly seems to almost standstill. It is imbued with elegant melancholy, perhaps also pain, and ultimately resignation.
In transcribing the piece for euphonium, (a perfect fifth lower than the original key) there have been various active displacements in both solo part and the piano accompaniment. As Elgar did in his orchestration, I have tried to create a texture where the soloist is not overpowered by the accompani but soloist and accompanies should work closely together. Bear in mind that accents and dynamics are relative and should never be overdone. Elgar frequently uses tiny nuances in dynamics, crescendos and so on, so I'd urge performance to listen closely to some of the worlds greatest cists.
Erik Wilson
This is undoubtedly going to be a very popular work for euphonium and because of the pitch range the arranger uses, should be within the reach of most players.
Difficulty level - 3.5/6
Duration approx 4.50 mins
Supplied with solo parts in BC and TC and piano part.
Published by Winwood Music
Film - Andy Scott - with piano accompaniment, for baritonen or euphonium. TC only, |
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Film was originally written as a movement from the commission ‘Seven Dances & No Looking Back’ for the Aquarelle Guitar Quartet.
It was subsequently arranged, at Andy’s request, by Jim Fieldhouse for brass band, and included on the CD recording ‘Spirit of Foden’s – the music of Andy Scott’, performed by Foden’s baritone soloist Natsumi McDonald & Foden’s Band, conducted by Michael Fowles.
The brass band arrangement has also been performed by notable soloists such as Katrina Marzella, and performed and recorded by Kristy Rowe.
Natsumi approached Andy about the possibility of an arrangement of Film that is scored for baritone and piano, which was completed by the composer and premiered by Natsumi & Yuki Kagajo in Alsager, Cheshire, July 2016.
Film is a gentle and fragile work, expressive and melodic, with subtle interplay between baritone horn and piano
Published by Astute Music
Duration: 3.30
Difficulty 3.5/6
Supplied with solo part in treble clef and piano
Hope - Leigh Baker - Euphonium and Piano - TC only |
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Introducing this beautiful slow solo by conductor, composer Leigh Baker.
This piece was recently put on the Associated Board examination lists for the first time, and this will expose this beautiful music to a wider audience and students. Highly recommended, not difficult and well worth the effort.
Published by Prima Arts, UK
Duration : approx 4.5 minutes
Difficulty level: 3.5/6
Supplied with: solo part in TC only and piano part.
All the Worlds a Stage - Arr. Tony Pickard - album (9 solos) with piano acc. |
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NEW* -Solos with piano accompaniment
All The World's A Stage is a vibrant addition to the operatic solo repertoire for the intermediate euphonium or baritone player. These musically interesting arrangements, with piano accompaniments, will stimulate the interest of the player and increase their traditional concert repertoire. Tony provides brief historical notes for each piece which give a useful guidance.
• I Got Plenty O' Nuttin (from Porgy And Bess) Gershwin
• O Mio Babbino Caro from "Gianni Schicchi" Puccini
• Chacun Le Sait from (La Fille Du Régiment) Donizetti
• Mon Coeur S'ouvre À Ta Voix Softly Awakes My Heart (from Samson Et Delilah) Saint-Saëns
• Bel Piacere (from Agrippina) Handel
• Nessun Dorma! (from Turandot) Puccini
• Dido's Lament (from Dido And Aeneas) Purcell
• Ebben, Ne Andrò Lontana (from Le Wally) Catalani
• Non Disperar; Chi Sa? (from Giulio Cesare) Handel
Published by Brass Wind Publications
Difficulty level: 3/6
Supplied with solo parts in TC and BC and piano part
Omaggio - Euphonium Concerto No.4 - Philip Sparke - Euphonium and Piano |
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Gramercy Favourites (4 solos) - Peter Graham - Solo instrument with piano accompaniment |
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A collection of solo versions of some of Peter Graham's most popular melodies. For brass instrument with piano accompaniment.
Please note that this purchase is for Bb. Instruments. An album of four beautiful Peter Graham solos that are going to enchant your audiences!
Contents: (click on link to hear each movement)
Lady Stewart's Air was commissioned by David King as a birthday tribute to one of New Zealand's most prominent supporters of the arts and in particular the brass band fraternity, Lady Adrienne Stewart.
Meditation is the central theme from The Triumph of Time, a work commissioned for The Black Dyke Band by Music Director Nicholas Childs.
The original brief was for a piece which would showcase the talents of the band's many fine soloists, among them Zoe Hancock on Flugel horn, who has made this particular theme from the larger work her own.
The main theme from the composer's work The Torchbearer, this version was arranged for Flugel Horn soloist Lucy Cutt.
Deep River is one of the best known of the spirituals originating among the enslaved Africans in the United States during the 18th and 19th centuries. This arrangement was made for Eb Tuba soloist Steven Walsh.
Difficulty level: 3.5/6
Duration total c.18-20 mins total
Supplied with solo parts in TC and BC and piano part
A Portrait of Paris - Peter Graham - Duet (cornet/euph or two euphs) with piano accompaniment |
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A Portrait of Paris was written for Alexis Demailly and Bastien Baumet of the Paris Brass Band.
The three movements, Promenade (aux Champs-Élysées), Sur La Seine and Tour de France, are the composer's musical impressions of some of the city's landmarks and events (with occasional references to a famous Parisian composer thrown in for good measure...)
A fantastic extended work.
P{ublished by Gramercy Music
The duet will work great in its original form for cornet and euphonium, but we think it will also work great as a duet for two euphoniums.
Score: https://www.gramercymusic.com/image/Portraitpiano.pdf
Have a listen: https://www.gramercymusic.com/sound/Portsound.mp3
Difficulty level 4.5/6
Supplied with duet parts (Corent in TC and euph (in TC and BC) and piano part
Concerto for Euphonium - Vaclav Nehybel - Euphonium and Piano (Bass clef only) |
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An important concerto in one continuous movement.
This comissioned by the American euphonium played Roger Behrend
Composed by Vaclav Nelhybel (1920-1996)
Sound file
https://www.cimarronmusic.com/concertoforeuphoniumnelhybelpiano
Published by Tuba Euphonium Press
Duration approx 13 minutes
Difficulty level 4.5/6
Supplied with solo part in BC only and piano part
Concerto Per Flicorno Basso Op.155 - Amilcare Ponchielli Arr. Henry Howey - Euphonium and Piano |
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We are pleased to offer this famous composition, one of the oldest surviving works for our instrument, a grand Italian theme and variation solo.
A work in terms of importance, length and difficulty. After a substantial introduction, we get to the main theme and variations follow. In the great operatic tradition, and typical of the important works of the composer. Have a listen to the recording from the Euphonium Virtuoso CD played by Steven Mead.
One of our biggest technical challenges! Musical too!
https://youtu.be/6tWdEICGuzEBc
Published by Tuba Euphonium Press
Length 13.41
Difficulty 5/6
Supplied with solo parts in TC and BC and piano
Four Puccini Arias - G.Puccini Arr. Joseph Spaniola - Euphonium and Piano (Bass clef only) |
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Four beautiful Puccini arias, arranged by Joseph Spaniola.
1. Vissi D'Arte
2. Un Bel Di
3. Dondie Lieta
4. Nessun Dorma
You simply have to have this album in your collection!
Published by Tuba Euphonium Press
Duration approx 15.00
Difficulty level. 3.4/6
Supplied with solo parts in BC and piano part
First Movement from Concertino No.1 in B flat - Julius Klengel Arr. Leonard Falcone - Euphonium and Piano |
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The Klengels (Julies Klengel (1859-1933) were a very musical family in the second half of the 19th century.
This wonderful work, originally for cello, is a real tour de force for euphonium.
Steven Mead recorded this on his Tribute album with the Michigan State Wind Orchestra. The connection of course was with Leonard Falcone, whose arrangement inspired performance on the CD.
It's a great work, and a complete workout for the performer.
Published by Tuba Euphonium Press.
Duration 4.20
Faustbuch - Elizabeth Raum - Euphonium and Piano |
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The Canadian composer Elizabeth Raum composed this work and dedicated it to the Euphonium player, Mark Jenkins, in 2002.
It's a really fascinating and complex work in three movements.
Three movements based on the Faust legend. Also a version for F tuba. Premiered by Jenkins on January 24th at the Army band tuba/euphonium convention at Ft. Myer, Virginia, and band version premiered by John Griffiths at ITEC 2004 in Budapest.
https://elizabethraum.com/solo-accompanied-by-band/
Published by Tuba Euphonium press
DurationL: 13.40
Difficulty level: 5/6
Supplied with solo parts in TC and BC
Nocturne Op.7 - Franz Strauss Arr. Michael Fischer - Euphonium and Piano |
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Here's a super arrangement, by Michael Fischer of the classic solo by Franz Strauss for French horn, now arranged for Euphonium and Piano.
A perfect piece for recitals or concerts, and one that's always sure to please, if you play it nicely!
https://youtu.be/jbHJHHiM-is (horn original, video)
Published by Tuba Euphonium Press
Duration: 6.40
Difficulty level 4/6
Supplied with solo parts in TC and BC and piano part
Hungarian Melodies - Vincent Bach Arr. Harold Brasch - Euphonium and Piano |
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A real virtuoso showpiece from a composer who became better know as a maker of mouthpieces and trumpets etc
A great recital or concert work.
Listen to this fine recording by Dave Werden, accompanied by wind band
http://www.dwerden.com/music-videos/euphonium-music-videos.cfm?vid=1422
Duration 5.40
Difficulty level 4.5 /6
Supplied with solo part in TC
Arcades and Alleys (Sonata for Euphonium) - Alan Lourens - Euphonium and Piano |
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The Sonata for Euphonium is a traditional three movement sonata following classical forms. Movement one is lively Sonata Form, Movement Two is a quiet Ternary Form, and a very lively Rondo rounds out the composition.
This is is post-modern; it is Each movement opens strong in the stated key (G Major, f minor) though in each case the tonality wanders considerably before finishing in the home key. The work is descriptive in nature, but not programmatic.
Arcades and Alleyways explores the whole range of the instrument, from a Pedal B Flat to a C three octaves above that note, and requires professional level technical ability.
Is a really interesting work, essentially a Sonata for Euphonium.
Lourens was born in Perth, Western Australia, and attended Scarborough Senior High School, where he won the prize for music in his graduating year. After completing a degree in Music Education at the Western Australian College of Advanced Education, Lourens taught brass and classroom music in public schools, based at Kelmscott Senior High School, and including conducting and teaching brass at Churchlands Senior High School and Perth Modern School. He returned to study at Indiana University, earning a master's degree in music (in Euphonium Performance) in 1992, and a Doctorate (in Wind Conducting) in 1999, working as an Associate Instructor to Harvey Phillips and in the IU department of bands, working with the Marching Hundred. At Indiana, he studied Euphonium with M.Dee Stewart and Daniel Perantoni. He was also awarded a Performers Certificate for the quality of his Masters recital.
From 2000, Lourens has held leadership positions at the Western Australian Academy of Performing Arts (as Head of Classical Music), and has held positions in Singapore(at Lasalle College of the Arts),[1] and in Dubai.[2] His name was also associated with a possible appointment as Head of the ANU School of Music.[3][4] In 2009, he was elected as a Fellow of the Royal Society of Arts (FRSA).
Listen to the world premiere by Fletcher Mitchell: Finland, July at the opening concert of the Lieksa Brass Week. World premiere performance of Australian composer Dr Alan Lourens's Euphonium Sonata 'Arcades and Alleys'.
https://fb.watch/kxwTBboRjn/
Duration 13.38
Diffiulty level: 4.5/6
Supplied with: solo parts in TC, BC and piano part
Andante and Hungarian Rondo - Carl Maria von Weber Arr. Dave Werden - Euphonium and Piano |
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Here's the wonderful classical solo, originally for bassoon, now arranged by David Werden for the Euphonium. It works brilliantly and it's great to have this addition as a standard text now for the Euphonium.
https://youtu.be/ToI7PAozptE
Published by Cimarron Music Press
Highly. recommended
Duration 10.30
Difficulty 5/6
Supplied solo parts in TC and Bc and piano part
Mountain Silence - Ian Lester - Euphonium and Piano |
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A beautiful evocative piece composed by a euphonium player, and one of the brightest young writers for brass in the USA, Ian Lester.
Listen to the sound file: https://soundcloud.com/ianlester-1/mountain-silence-for-solo-euphonium-and-piano?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Published by Cimarron Music Press
Duration 3.05
Difficulty level: 3.5/6
Supplied with solo parts in TC and BC and piano
International Songbook for Euphonium - Arr. David R.Werden - Euphonium and Piano |
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Nineteen beautiful melodies, both classical and folk style. Sure to be in big demand, some of the most beautiful melodies here. Look at the track listing on the image.
Published by Cimarron music press.
Duration n/a
Difficulty level 3/6
Supplied with Solo parts in TC and BC nad piano part
Fantasia Di Concerto (Sounds from the Riviera) - Ed. Boccalari - Euphonium and Piano |
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Here is the famous and favourite euphonium classic solo from the end of the 19th century.
Often used as a recital work and also with Band. This is the version with piano accompaniment.
Published by Cimarron Music Press.
As heard on Steven Mead ' Tribute' CD
Duration approx: 10 mins
Difficulty 5/6
Supplied with solo parts in TC and BC and piano part
Fantasia Per Tromba - Amilcare Ponchielli - Euphonium and Piano |
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This is a virtuoso showpiece, and perfectly suited to the Euphonium. Based on a melody from La Traviata,
Ponchielli is best known to Euphonium players for his Concerto per Flicorno Basso, but this absolute delight
Listen to a digital sound file:
https://www.cimarronmusic.com/fantasia-la-traviata-op-309
Published by Cimarron Music Press
Duration. approx 8 minutes
Difficulty level. 4/6
Supplied with solo parts in TC and BC and piano part
Arpeggione Sonata - Franz Schubert Arr. David R. Werden - Euphonium and Piano |
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Composer: Schubert, Franz Arranger: Werden, David
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
https://youtu.be/AQgnN0_YOD0
Originally written for an instrument called the Arpeggione (like a fretted cello), Schubert's beautiful Sonata works very well for wind instruments. This arrangement is written by the performer, David Werden, for euphonium and piano. The performance is from a live recital tour of Japan in 1989. A graduate of The University of Iowa, Mr. Werden was the euphonium soloist with The United States Coast Guard Band for more than 20 years. He has performed throughout the United States, as well as in Canada, England, Japan, and the former Soviet Union. Through FM and TV broadcasts, his solos have been heard in dozens of countries around the world. He is a recitalist and clinician, and has performed at local, national, and international symposiums. He was a member of The USCG Band Euphonium/Tuba Quartet, the Atlantic Tuba Quartet, and the Classic Brass Band. He previously taught at the University of Connecticut and is listed in Marquis' Who's Who in American Education. His efforts to expand the role and recognition of the euphonium led the British magazine Sounding Brass in conjunction with the American publication Euphonia to name him "Euphonium Player of the Year" in 1980. He is the first American awarded this honor. In 1981 he was elected to the post of Euphonium Coordinator for the International Tuba-Euphonium Association (formerly called Tubists Universal Brotherhood Association: T.U.B.A). In 1987 he was appointed to the Honory Board of Advisors of ITEA. His many solo performances and his efforts to expand the role of the euphonium in music earned him the prestigious Coast Guard Commendation Medal. He has also been awarded two Coast Guard Achievement Medals, the Coast Guard Special Operations ribbon, two Coast Guard Unit Commendations, and three Coast Guard Merit Somnataorious Unit Commendations. In 1993 he was inducted into the Pi Kappa Lambda honors society. He has published articles in Euphonia magazine, The Instrumentalist magazine and the T.U.B.A. Journal. He is the author of The Blaikley Compensating System, Scoring for Euphonium, co-author with Denis Winter of the Euphonium Music Guide, and a co-author of the Brass Player's Cookbook. He compiled and edited a series of papers by Arthur Lehman into the book The Brass Musician. He has also published over four dozen arrangements for a variety of solo instruments and ensembles. His website, http://www.dwerden.com/, has become a favorite of euphonium players everywhere. Since moving to Minnesota he has performed with Symphonia (America's Premier Large Tuba-Euphonium Ensemble), the Minnesota Orchestra, the Sheldon Theater Brass Band, was a special guest artist at the International Euphonium Institute, and has been heard on live national broadcasts of A Prairie Home Companion.
Duration 9.15
Difficulty 4.5/6
Supplied with solo parts in TC and BC and piano part
Divertimento - Dan Price - Euphonium and Piano |
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Comissioned in 2009 by Welsh College of Music and Drama student Lynsey Orr, Divertimento for euphonium or baritone is written in four distinct and individual movements, each tailored to display a different charecteristic of the instrument.
I Intrada - traditional in style with a pompous melody line which conjures images of the English countryside
II Siciliana - a slow and melancholic movement, full of emotion and a hint of an Irish air.
III Habanara - a rousing passionate movement written with technicallity in mind.
IV Rondo - a combination of jazz and traditional melodic influences, requiring dexterity from the soloist.
Published by Prima Vista Musikk
Difficulty level: 4/6
Duration. 8.30
Supplied with solo parts in TC and BC and piano part
Three Stories - Three Worlds (Concerto for Euphonium) - Peter Meechan - Euphonium and Piano |
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New to the EuphoniumStore and a fine concerto here for the ambitious player!
This exciting concerto by composer Pete Meechan is an important new addition to the euphonium repertoire. It was written at the request of David Thornton and the Black Dyke Band, and composed between June and August 2003. The first performance was given on 8th November of the same year at St. Botolphs Church, Boston, Lincs. The euphonium soloist, David Thornton, was accompanied by the Black Dyke Band, under the baton of Dr. Philip Wilby.
The concerto lasts approximately 15-16 minutes, and is divided into three movements I - Hubris: The House of Atreus, II - Discardation: Lament for Aerope and III - New Order: Flight to Sparta. The original version of the concerto with brass band accompaniment is also available from Prima Vista Musikk.
Duration 15-16 Minutes
Difficulty level: 4.5/6
Supplied with solo parts in TC and BC and piano part
A Simple Song - Joel Collier - Euphonium and Piano |
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The composer Joel Collier writes: "In 2017 I accepted a new job opportunity that required me to move halfway across the country. While it was an exciting opportunity, it meant leaving behind all the friends and colleagues I had grown to love. A Simple Song was a way for me to express this bittersweet goodbye, both sad to leave people behind, yet hopeful of what was to come. The premiere was given with The National Capital Band, where I had served as principal euphonium since 2011, less than a week before I left. It is dedicated to those I left behind."
This is a very beautiful piece of music and one that is sure to enchant any audience who hears it, so long as you play it nicely!
Published by Prima Vista Musikk
Duration 4:30
Difficulty Level: 3.5/6
Supplied with solo part in TC, and BC with piano partfull brass band score and set of brass band parts
Funk Theory - Peter Meechan - Piano or electronic backing |
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Originally composed for euphonium and trombone quartet, Funk Theory became an instant success following its première on 7th October 2003, featuring the all female Bones Apart trombone quartet and David Childs in Manchester's RNCM Concert Hall. Funk Theory is now available in this arrangement with piano and/or CD accompaniment.
The music is based on two simple chord sequences - the first is heard in the first 7 bars and the second is an 8 bar sequence heard throughout the piece. The melody continually varies and develops becoming increasingly busy and difficult. It could almost be considered a small set of 'funk' variations.
Funk Theory has been performed in its various forms by euphonium soloists throughout the world. It is great fun to play and creates a little 'light relief' during any concert. The original version of Funk Theory with trombone quartet accompaniment is also available from Prima Vista.
The electronic backing can be downloaded from the Prima Vista website: https://primavistamusikk.com/
Duration: 4.15
Difficulty level 5/6
Supplied with solo parts in TC and BC and piano part and electronic part (which is a download from the publisher)
Pulcinella - Philip Sparke - Euphonium and Piano |
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New**
PULCINELLA - Philip Sparke
Euphonium (or Baritone) and Piano Reduction
Watch/listen the youtube video: https://youtu.be/qJSVuaz7Vmc
which shows the full score too - Recorded by the Royal Symphonic Band of the Belgian Air Force and its conductor Matty Cilissen. Soloist: Kevin Van Giel, Euphonium
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Pulcinella continues Sparkes series of euphonium solos named after characters of the Italian commedia dellarte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the piano and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The piano then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The piano then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.
Duration: 6:45 Difficulty level: 4.5/6 Supplied with solo part in TC and BC and piano part.
Reverie - Thomas Doss - Euphonium and Piano |
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The composer writes: "Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work, to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities".
This is a very beautiful and extended work for euphonium, and this is the arrangement with piano accompaniment. It also exists with wind orchestra accompaniment. Please contact us at euphstore@gmail.com if you require the band set.
Steve recorded this in the band version on his recent CD entitled Pulse, and it's proved to be a very popular work.
This is suitable for recitals, concerts and festivals.
It is quite an extended work, and put some physical demands on the player, with quite a few high concert C's throughout. That said, it is a work that players should aspire to play. It's one of the most beautiful additions to our repertoire in recent years.
Published by Mitropa Music. highly recommended.
Listen to Steve's performance on Spotify
Commissioned by Wolfgang Weichselbaumer.
Duration: 8 mins
Difficulty level: 4.5/6
Supplied with: solo parts in TC, BC and BC in Bb and piano part.
Spitfire - Nathan Doughtrey for Euphonium or Tuba/Euphonium and Piano |
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Spitfire is a tour-de-force duet for euphonium and piano that takes your breath away from the first flourish of 16th notes and doesn't let go until the final note. Caution: Not for the feint of heart. The set includes an optional tuba, which turns the duet into a trio.
Program Notes
Spitfire was inspired by the British fighter planes of the same name used by the Royal Air Force and several other countries during World War II. Designed as a short-range, high-performance interceptor aircraft, the Supermarine Spitfire was one of the fastest planes in service during the war. The quick moto perpetuo nature of the composition was an attempt to capture the speed and excitement of this historic plane. The word spitfire is also used to describe a quick-tempered or highly excitable person, which is also appropriate.
Spitfire was written for Dr. Brian Meixner for performance at the Southeast and Northeast Regional Tuba and Euphonium Conferences (SERTEC & NERTEC). Dr. Meixner and the composer performed the world premiere of the work on March 15, 2013 at the University of North Florida in Jacksonville, FL as part of SERTEC. The set includes an optional tuba, which turns the duet into a trio.
Take a listen HERE:
P:ublished by C.Alan Publications
Instrumentation
Euphonium
Tuba (optional)
Piano
Duration: 7.15
Difficulty level: 4/6
Supplied with Solo euph part in TC and BC, optional tuba part (BC) and piano score.
Bounce - Nathan Doughtrey - Euphonium and Piano |
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Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the euphonium as both a classical and a jazz instrument, offering moments of blazing virtuosity and expressive lyricism.
Program Notes
Commissioned by the West Forsyth High School Band (Jim Kirkpatrick & Phil Spencer, directors) and a consortium of North Carolina high school band programs, Bounce was originally written to feature the talents of NYC jazz trumpeter (and NC native) Mike Sailors. The original version for trumpet and wind ensemble received its world premiere at the NC Music Educator's In-Service Conference in Winston-Salem in November 2014. Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the euphonium as both a classical and a jazz instrument, offering moments of blazing virtuosity and expressive lyricism.Bounce by Nathan Daughtrey
Take a listen HERE
Published by C.Alan Publications
Duration: 6 minutes
Difficulty level: 4/6
Supplied with: solo parts in TC and BC and piano part
Sonata for Euphonium and Piano - David Gillingham |
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Herer's the Sonata for Euphoniumm and Piano by the very popular US composer David Gillingham. He is a prolific composer for the euphonium and so many of his works have become an integral part of the modern euphonium repertoire.
Program Notes
The Sonata for Euphonium and Piano was written for and commissioned by Chris McGinty. The work is cast in the usual three-movement format with the outer movements structured in sonata form and the middle in simple song form (ABA). As the title suggests, the piano has an equal role to the euphonium and is hardly ever “accompanying” the euphonium.
The first movement features an aggressive primary theme characterized by octave leaps over fluctuating simple and compound meter. By contrast, the second theme group is comprised of graceful chord outlines and descending scale figures following modal harmony and chromatic mediant progressions in compound quadruple and quintuple meter. The development section utilizes the material from both theme groups moving through constantly shifting tonality. Solo piano brings back the primary theme in the recapitulation eventually joined by the euphonium. The second theme group finds the euphonium playing material related to the piano’s figuration in the exposition while the piano plays the melodic line, originally stated by the euphonium. A sprightly coda utilizing the primary thematic material ends the movement.
Like distant bells, the piano begins the second movement with a mixture of thirds and seconds in the warmth of D-flat major under which the euphonium plays a lovely arching melody. A transition leads to C major and the piano repeats the thematic material. A development ensues with the euphonium playing an ornamented version of the theme in compound duple meter with the piano moving in continuous 16ths. The passage modulates to D major and the euphonium plays an augmented version of the theme with the piano articulating the opening bell-like figure in diminution. The piano continues its figuration in an interlude which serves as a transition back to D-flat major and changes its pattern to pan-diatonic clusters that serve as a backdrop to a return of the theme in the euphonium. A coda shifts to F major, then A major, back to D-flat major, and then ends, longingly, on an F major seventh.
The final movement centers around the tonality of B-flat minor and begins tenaciously with a undulating pattern of 16ths in the piano in a very fast tempo. Against this, the euphonium plays an aggressive and foreboding theme following a mixture of the harmonic and melodic minor scale, ascending and descending. The foreboding mood changes drastically when the mode changes to B-flat major and the euphonium sings a celebratory theme derived from the primary theme. The piano enhances the celebration with quick octave leaps on three and four note diatonic clusters alluding to the ringing of bells. An extensive development section follows reworking both themes through transient modulations, sequences, diminution and augmentation, all of which fluctuate in mood from foreboding to celebratory. In the recapitulation, the euphonium begins with a dance-like version of the theme in 6/8 rhythm while the piano states the theme in augmentation. The two soon return to their roles as they were in the exposition. The second theme becomes even more celebratory with the piano playing the undulating pattern of the beginning of the movement in E-flat major and the euphonium augmenting the theme. There is a retransition to B-flat minor, but the rhythmic excitement continues through the coda to definitive closure.
Published C.Alan Publications
Duration:13.30 mins
Difficulty level: 4.5/6
Supplied with solo parts in TC and BC and piano part
Diversive Elements for Euphonium, Tuba and Piano - David Gillingham |
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Here is the fantastic composition by David Gillingham for euphonium, tuba and piano. This is a very advanced composition and requires great dexterity by all three participants. It's a work that Steven Mead has performed on a few occasions and it is a very serious recital – concert work.
5 Movements entitled: Intrada; Jazz Walk; Euphony; Caccia; Fanfare & March.
Date completed: 1996
Take a listen: https://gillinghammusic.com/chamber/diversive-elements/
Duration : 10 mins
Difficulty level: 5/6
Supplied with Euph parts in TC and BC , tuba part in BC in C and piano part.
Fiddlydee - Kimberley Archer - Euphonium and Piano |
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What if, on the night of a barn dance, the fiddle player got sick and couldn't make it? What if only a euphonium player were available to fill in? A spirited work which requires a little singing, whistling, kazoo playing, and even audience.
https://soundcloud.com/c-alanpublications/fiddlydee-by-kimberly-archer
Chamber Ensemble Euphonium & Piano (euphonium, piano) - medium difficult
Composed by Kimberly Archer. Published by C. Alan Publications (CN.11680).
Duration: 7 minutes
Difficulty level 4/6
Supplied with solo part in Bass clef only amnd piano part
Sonata for Euphonium and Piano - David Gillingham |
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Herer's the Sonata for Euphoniumm and Piano by the very popular US composer David Gillingham. He is a prolific composer for the euphonium and so many of his works have become an integral part of the modern euphonium repertoire.
Program Notes
The Sonata for Euphonium and Piano was written for and commissioned by Chris McGinty. The work is cast in the usual three-movement format with the outer movements structured in sonata form and the middle in simple song form (ABA). As the title suggests, the piano has an equal role to the euphonium and is hardly ever “accompanying” the euphonium.
The first movement features an aggressive primary theme characterized by octave leaps over fluctuating simple and compound meter. By contrast, the second theme group is comprised of graceful chord outlines and descending scale figures following modal harmony and chromatic mediant progressions in compound quadruple and quintuple meter. The development section utilizes the material from both theme groups moving through constantly shifting tonality. Solo piano brings back the primary theme in the recapitulation eventually joined by the euphonium. The second theme group finds the euphonium playing material related to the piano’s figuration in the exposition while the piano plays the melodic line, originally stated by the euphonium. A sprightly coda utilizing the primary thematic material ends the movement.
Like distant bells, the piano begins the second movement with a mixture of thirds and seconds in the warmth of D-flat major under which the euphonium plays a lovely arching melody. A transition leads to C major and the piano repeats the thematic material. A development ensues with the euphonium playing an ornamented version of the theme in compound duple meter with the piano moving in continuous 16ths. The passage modulates to D major and the euphonium plays an augmented version of the theme with the piano articulating the opening bell-like figure in diminution. The piano continues its figuration in an interlude which serves as a transition back to D-flat major and changes its pattern to pan-diatonic clusters that serve as a backdrop to a return of the theme in the euphonium. A coda shifts to F major, then A major, back to D-flat major, and then ends, longingly, on an F major seventh.
The final movement centers around the tonality of B-flat minor and begins tenaciously with a undulating pattern of 16ths in the piano in a very fast tempo. Against this, the euphonium plays an aggressive and foreboding theme following a mixture of the harmonic and melodic minor scale, ascending and descending. The foreboding mood changes drastically when the mode changes to B-flat major and the euphonium sings a celebratory theme derived from the primary theme. The piano enhances the celebration with quick octave leaps on three and four note diatonic clusters alluding to the ringing of bells. An extensive development section follows reworking both themes through transient modulations, sequences, diminution and augmentation, all of which fluctuate in mood from foreboding to celebratory. In the recapitulation, the euphonium begins with a dance-like version of the theme in 6/8 rhythm while the piano states the theme in augmentation. The two soon return to their roles as they were in the exposition. The second theme becomes even more celebratory with the piano playing the undulating pattern of the beginning of the movement in E-flat major and the euphonium augmenting the theme. There is a retransition to B-flat minor, but the rhythmic excitement continues through the coda to definitive closure.
Published C.Alan Publications
Duration:13.30 mins
Difficulty level: 4.5/6
Supplied with solo parts in TC and BC and piano part
Diversive Elements for Euphonium, Tuba and Piano - David Gillingham |
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Here is the fantastic composition by David Gillingham for euphonium, tuba and piano. This is a very advanced composition and requires great dexterity by all three participants. It's a work that Steven Mead has performed on a few occasions and it is a very serious recital – concert work.
5 Movements entitled: Intrada; Jazz Walk; Euphony; Caccia; Fanfare & March.
Date completed: 1996
Take a listen: https://gillinghammusic.com/chamber/diversive-elements/
Duration : 10 mins
Difficulty level: 5/6
Supplied with Euph parts in TC and BC , tuba part in BC in C and piano part.
Fiddlydee - Kimberley Archer - Euphonium and Piano |
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What if, on the night of a barn dance, the fiddle player got sick and couldn't make it? What if only a euphonium player were available to fill in? A spirited work which requires a little singing, whistling, kazoo playing, and even audience.
https://soundcloud.com/c-alanpublications/fiddlydee-by-kimberly-archer
Chamber Ensemble Euphonium & Piano (euphonium, piano) - medium difficult
Composed by Kimberly Archer. Published by C. Alan Publications (CN.11680).
Duration: 7 minutes
Difficulty level 4/6
Supplied with solo part in Bass clef only amnd piano part
Short Story - George Gershwin Arr. Luc Vertommen - Euphonium and Piano |
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A new addition to the Euphoniumstore, February 2022 :
Gershwin's Novelettes, written in 1925, were arranged by the Polish-born violinist Samuel Dushkin, pupil of Auer and Kreisler and a friend and collaborator with Stravinsky, for violin and piano, under the title Short Story. The piece takes the performer and listener to the entrance, at least of Tin Pan Alley.
An elegant recital/concert work.
This has been skifully arranged by Luc Vertommen and published by BandPress VOF.
Listen to the original version: https://www.youtube.com/watch?v=yodCDOdk7CE
Duration: approx 3 minutes
Difficulty 3.5,4/6 (some optional 8ve writing in places)
Supplied with solo parts in TC, BC in C, and BC in Bb and piano score.
Sonatina Frivola for Euphonium and piano - Andrew Wilson-Dickson |
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A brand new publication from Brass Wind Publication.
These three new pieces invite musical sleuths to discover three well-known classics concealed inside them, while enjoying the euphonium's wide range of colour, dexterity and tone.
...After Rachmaninoff's Prelude op 3 no 2 • After Elgar's Pomp and Circumstance March no 1• After Albinoni's Adagio
A nice innovative set of three pieces offering a fresh challenge and really fun to play.
Duration - total 12 mins (3 pieces)
Difficulty level 3.5,4/6
Supplied with solo parts in TC and BC and piano part.
The Euph of Yesterday - Arr. Chris Mowat - Euphonium and Piano (TC version) - NEW |
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10 baroque pieces.
We all know that the euphonium was not developed until well into the 19th century, so there is no authentic classical or baroque repertoire. This is especially frustrating when you consider the agility and expressiveness of the instrument in the hands of our best players. We can be sure that the composers of the baroque era would have leapt at the chance of writing for the euphonium, and this volume of pieces attempts to show what might have resulted, had it been around.
...Bourée (from Music for the Royal Fireworks) HANDEL • Sarabande (from English Suite no 6) JS BACH • O Ruddier than the Cherry HANDEL • Winter (from The Four Seasons) VIVALDI • Bourée (from English Suite no 2) JS BACH • Theme and Variations HANDEL • Allegro (from Harpsichord Suite no 1) MONZA • Arioso (from Church Cantata no 156) JS BACH • Minuet and Badinerie (from Orchestral Suite no 2) JS BACH • Allegro (from Sonata no 6) BESOZZI
Published by BrassWind Publications (UK)
A great new addition to the rep, beautifully produced and not so difficult!
Duration: complete around 35 mins
Difficulty level: 3/6
Supplied with solo part in BC and piano part.
The Euph of Yesterday - Arr. Chris Mowat - Euphonium and Piano (BC version) - NEW |
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10 baroque pieces.
We all know that the euphonium was not developed until well into the 19th century, so there is no authentic classical or baroque repertoire. This is especially frustrating when you consider the agility and expressiveness of the instrument in the hands of our best players. We can be sure that the composers of the baroque era would have leapt at the chance of writing for the euphonium, and this volume of pieces attempts to show what might have resulted, had it been around.
...Bourée (from Music for the Royal Fireworks) HANDEL • Sarabande (from English Suite no 6) JS BACH • O Ruddier than the Cherry HANDEL • Winter (from The Four Seasons) VIVALDI • Bourée (from English Suite no 2) JS BACH • Theme and Variations HANDEL • Allegro (from Harpsichord Suite no 1) MONZA • Arioso (from Church Cantata no 156) JS BACH • Minuet and Badinerie (from Orchestral Suite no 2) JS BACH • Allegro (from Sonata no 6) BESOZZI
Published by BrassWind Publications (UK)
A great new addition to the rep, beautifully produced and not so difficult!
Duration: complete around 35 mins
Difficulty level: 3/6
Supplied with solo part in BC and piano part.
Ncore - Roland Szentpali - Euphonium and Piano (+ optional conga drum ad lib) |
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About Ncore
Roland Szentpali presents a light and playful piece with Latin American flavors. An excellent encore!
A very challenging work for the advanced player!
Commissioned and recorded by Swiss euphonium soloist Fabian Bloch.
Spot on!
The Next Generation of Euphonium Music
Fabian Bloch (euphonium)
Francoise Killian (piano)
Michael Meinen (percussion)
GENUIN Recordings: CD GEN19679
Roland Szentpali was born in 1977 in Nyíregyháza, Hungary. He began his musical studies in his hometown; in 1991 he was admitted to the Béla Bartók Conservatory in Budapest, as the tuba student of József Bazsinka and later of Gábor Adamik. At the age of 16 he won the national “Brasses and Percussion” competition, then wrote and performed his first concerto for tuba and symphony orchestra, recorded and broadcast by Hungarian state television. From here, his career as tubist and composer rapidly gained an international dimension. He entered the Ferenc Liszt Music Academy in Budapest where he studied with László Szabó, while taking private lessons with Roger Bobo. Since 1998 he has won first prize at seven international competitions: Gdansk, Poland; Munich, Germany; Budapest, Hungary; Chéju, Republic of Korea; Brno, Czech Republic; Lieksa, Finland and second prize at the competitions of Guebwiller, France and Markneukirchen, Germany. His opus includes chamber music works, orchestral pieces and concerti for various wind instruments, most of it is published by Editions Bim
Duration: 5 mins
Difficulty level: 5/6
Supplied with solo part in TC annd BC, piano part and optional conga drum, part)
Euphonium Concerto - Edward Gregson - Euphonium and Piano |
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Here is the Euphonium Concerto by Edward Gregson, just published with piano accompaniment.
This is certain to be a highly sought-after concerto and one that advanced players will want to study and perform in the future.
Program notes by the composer:
The Euphonium Concerto was commissioned by the Euphonium Foundation UK and was written for, and dedicated to, David Childs. Lasting some 22 minutes, it is a large-scale symphonic work in both its structure and scale. Its three movements, subtitled Dialogues, Song without Words, and A Celtic Bacchanal, explore the full range of the technical, musical, and emotional scope of the euphonium.
The first movement, Dialogues, is concerned with contrast and development, using as a reference point a five note musical cypher (BACH – B flat, A, C, B natural – followed by a tritone F). This cypher is used in various guises throughout the movement and beyond and acts as a ‘pillar’ in an ever-changing musical canvass. The movement’s sonata form structure contrasts highly charged rhythmic ideas with a lyrical second section, where perhaps the euphonium takes on the cloak of a cello with its soaring melodicism. This leads to a central section, with scurrying semiquavers culminating in a frenetic fugal climax before returning to the opening ideas, now further explored and developed.
An extended cadenza, with brief but dramatic interruptions from the timpanist, leads directly into the slow movement – Song without Words. Here, the peaceful mood of the opening tutti section leads to a wistful ballad for the soloist, which pays nostalgic homage to another era long since gone. The opening music returns, this time developing into an intense climax, before quietly sinking into a reprise of the opening music, with the soloist’s ballad now transferred from minor to major. The movement ends quietly and leads without a break into the final movement.
A Celtic Bacchanal is, as the title suggests, a wild dance that takes on some of the character of Celtic folk music (the dedicatee is a Celt, and the composer half-Celt!). Whilst primarily being a technical tour-de-force, a lyrical central section once again exploits the euphonium’s singing qualities, reaching a majestic peroration before subsiding into tranquility. The folk-like dance starts up again, this time culminating, via a reference to the first movement, into an exuberant and life-affirming coda.
The work exists in FOUR versions, with symphony orchestra, wind orchestra, brass band and here on this site , with piano accompaniment.
Published by Novello.
Listen on Youtube:
1st movement. https://youtu.be/HQpRkoieEsU
2nd movement. https://youtu.be/s1jiTR68Avo
3rd movement. https://youtu.be/z-Q77JWaibo
Highlly recommended!
Duration: 22minutes
Difficulty level: 5/6
Supplied with: solo parts in TC and BC and piano part.
Contest Piece - Misa Mead - Euphonium and Piano |
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Here is a brand-new composition by Misa Mead entitled Contest Piece.
There are many solo competitions the world over, and Misa decided to create a work that would be very suitable for some of these events, that allows the soloist to demonstrate various skills and techniques, all within a two octave range and of a duration of four minutes.
To get a full appreciation of this work we recommend that you watch Misa's performance with piano accompaniment. We feel sure that this work is going to become very popular as it's accessible for many performers, creates a great impression of sound and technique, and also great fun to play.
Click HERE to view the video performance of this, performed by Misa accompanied by Dr. Howard J Evans.
Published by Bocchino Music, 2021.
Duration: 4 minutes
Difficulty level: 3/6
Supplied with solo parts in TC and BC and piano part.
Kristy's song - Pete Meechan - Baritone or Euphonium and Piano |
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Here is a beautiful lyrical solo suitable for euphonium or baritone, composed for the Australian baritone soloist Kristy Rowe.
The composer writes:
“I got to know Kristy when she moved over to the UK from Australia. I enjoyed getting to know her personally, and also enjoyed getting to know her beautiful playing, so was delighted when she asked if I would write something for this project. I had produced a CD for Leyland Band during Kristy’s time with Leyland, on which she performed John Golland’s ‘Peace’, and her lyrical playing, and her sound, blew me away. So I wanted to write something that reflected those qualities.” Peter Meechan – 2013
Duration - 4 minutes
Difficulty level - 3/6
Supplied with solo parts in TC and BC and piano part.
Ave Maria - Astor Piazzolla Arr. Luc Vertommen - Euphonium and Piano - now back in stock |
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This is Piazzolla's beautiful and haunting Ave Maria. This is a brand-new release from Band Press, the company owned by the arranger of this work, Luc Vertommen. This was recently recorded on video by Steven Mead, and you can watch the video here.
PROGRAM NOTES
Ave Maria (Tanti anni prima – Many years ago) is one of two hauntingly beautiful tunes drawn from Ástor Piazzola’s score for the 1984 Marco Bellocchio film Enrico IV (Henry IV) based on the eponymous play by Luigi Pirandello with the same title, starring Marcello Mastroianni and Claudia Cardinale.
An unnamed Italian aristocrat falls off his horse while playing the role of Henry IV during carnevale festivities. After he comes to, he believes himself to be Henry. For the next twenty years, his family, maintain an elaborate charade in a remote Umbrian villa, staffed with servants hired to play the roles of Henry's privy councillors and simulate the eleventh-century court. During the play it appears that after 12 years of illness, he notices that he is cured, but decides to continue in his role.
The movie contains two of Piazzolla's most beautiful and haunting songs. Of the two songs, Oblivion, which is heard at the close of the movie, became one of Piazzolla’s best known songs and more frequently performed, but Tanti anni prima is no less beautiful. The theme is associated with the character Matilda, a widow whom Henry loved, unrequited, before the accident, portrayed by Claudia Cardinale in the movie.
The song is also known as Ave Maria, a later name most likely given it for commercial reasons by Piazzolla’s Italian agent, Aldo Pagani. One must agree that the new name fits, the Ave Maria does bring to mind a church organ during a meditative moment. Ave Maria consists of two parts, both with smooth, broad melodic lines to show of the composers lyrically sentimental side. In the second movement more passion and character is requiered especially to colour with the modern, more dissonant chords.
Although originally for oboe and piano, the version for cello and piano is among the more frequently performed. This version for euphonium and piano of Piazzolla’s Ave Maria is arranged by Luc Vertommen.
Highly recommended, sure to be very popular
Duration 4.45
Difficulty level 3.5/6
Supplied with Solo part in TC, BC in C, and BC in Bb and piano part.
Childs Play - John Golland Op.73 - Euphonium solo or duet and Piano |
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Written for Bob and Nick Childs by John Golland, 'Childs Play' is based on 'Twinkle, Twinkle, Little Star' and can be used either as a solo or duet for Euphoniums.
Lot's of fun. Good dexterity needed!!
Duration: approx 4 mins
Difficulty: 5/6
Supplied with: solo part in TC, 2 duet parts in TC, and piano part
Caprice - Ray Woodfield - Euphonium and Piano |
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Here is the popular solo Caprice by Ray Woodfield. This solo has been around since the late 1970's but still is sure to have a popular appeal.
This version is with piano accompaniment. The version with wind orchestra/harmonie accompaniment is also available on this site. Listen to a recording made by Robbert Vos wirth brass band acc.
It's a fun fast jazz waltz with frequent fast scales and intervallic phrases, with a showy cadenza in the middle of the work.
From the publishers Hallamshire Music:
Difficulty level 4.5/6
Duration 4.30 approx
Supplied with Solo part in TC and BC and piano part
Peace - John Golland - Euphonium or Baritone and Piano |
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This gentle and moving solo has its origins in an organ piece written by John Golland for the funeral of his niece who died tragically young.Later he arranged the work as a solo for euphonium and brass band, and its gentle, consoling phrases speak more than words ever could. This version is with piano accompaniment.
It's quite possibly one of the most popular and often played slow solos for euphonium and baritone.
Here's a recording by Tormod Flaten with brass band acc.
Highly recommended. (Also available with wind ensemble accompnaiment on this site)
Duration 5.00
Difficulty: 3/6
Supplied with solo part in TC and BC and piano part
Fantasie - Impromptu - Chopin Arr. Derek Ashmore - Euphonium and Piano |
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Hear the ORIGINAL version for piano here, So are there any advanced euphonium players who want a fantastic technical challenge?
Here is Chopin's famous fantasie impromptu. A more unlikely piece to arrange for euphonium you ccouldn't find!
However in this fantastic arrangement which tests flexibility and dexterity to the limits, there is perhaps here the most astonishing encore showpiece waiting to be played.
Even if you never actually get the chance to perform it, this can stay on your music stand to permanently remind you that there are challenges as yet unconquered!!
From the publishers:
Hear the ORIGINAL verison for piano here
Duration from 6 mins...!!
Difficulty level 5.5/6
Supplied with solo parts in TC and BC and piano part
Meditation from Thais - Jules Massenet Arr. John Golland - Euphonium and Piano (TC only) |
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Here is one of the most beautiful classical melodies ever to be arranged for brass solo. It is the famous Meditation from Thais.
Here the origin version for violin here played by Nicola Benedetti
For many years this has been seen as a real challenge for euphonium and baritone players.
Here, just arrived at the Euphoniumstore is the classic arrangement by the late John Golland.
Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece was written originally for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
Published by Hallamshire Music.
highly recommended.
Duration approx 6 minutes
Difficulty 4.5/6
Supplied with solo parts in TC only, and piano part.
Vintage - David Gillingham - Euphonium and Piano |
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This is undoubtedly one of the modern classics in the euphonium solo repertoire. It has been used in many recitals, auditions and competitions over the last 30 years or so, since it was first performed in January 1991. Here at the Euphoniumstore we are offering this now for the very first time! It's beautifully produced in the USA by C.Alan Publications and as well as the piano part, we offer the solo part in both treble and bass clef.
Vintage combines Gillingham's intimate knowledge of how to write effectively for the instrument. This composition features wonderful soaring lines in the euphonium (ascending up to the high C's, and higher in an optional element of the cadenza) while at the same time mixing in a jaunty and highly rhythmic 5/4 section. All the technical aspects of the piece, while challenging, are well thought out and effective for performer and audience.
Vintage was premiered on January 18, 1991 at the Midwestern School Band and Orchestra Conference in Ann Arbor, Michigan by the Big Rapids High School Band with Ed Mallet as euphonium soloist.
Highly recommend, if You are an advanced player, or very enthusiastic and ambitious amateur!
Duration approx 10 minutes
Difficulty level: 4.5,5/6
Supplied with piano part and solo parts in TC and BC.
Fantasia Fandango for Euphonium and Piano - Fernando Deddos - out of stock now 25-1-22 |
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A driving rhythmic piece for euphonium/trombone and piano. Multi-metric Brazilian showpiece from Fernando Deddos, euphoniumist and composer!
solo parts included: bass clef, treble clef
available on: Eufonium Brasileiro
Gramercy Euphonium Album (4 extended solos) - Peter Graham - Euphonium and Piano |
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Here is a brand-new album of four extended solos by the fantastic Peter Graham. This is published now, end October 2020 and is sure to be a very popular album with all euphonium players. All the solos are pretty advanced, although there are some very 'kind' alternative sections (ossias) in the extreme range sections.
These are sure to be taken up and used by advanced students, ambitious intermediate players, and top players alike.
The four works are as follows:
1. Cossack Fire Dance (From Call of the Cossacks) - Peter Graham
2. Fantasy on Sempre Libera - Verdi arr. Peter Graham
3. A Minstrel Boy (From Gailforce) - Perter Graham
4. Encore - Peter Graham (based on Spinnlied by David Popper)
Each of them are quite a workout, but with the piano accompaniment provided, can be really great solos to master and add a real zip to your practice routine!
Highly recommended.
Published by Gramercy Music
Duration approx 22 mins total
Difficulty level 4.5-5/6
Supplied with solo parts in TC and BC and piano part.
Valse Sentimentale (Op.51 No.6) - Tchaikovsky Arr. Eric Wilson - Euphonium and Piano |
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Here is a brand new arrangement of a delightful Tchaikovsky classic. Originally for piano, the arranger Eric Wilson has successfully created a beautiful euphonium solo that can be enjoyed by players of all ages and abilities.
Here is a link to enjoy the original for piano: https://youtu.be/4Puw49Bry7U
In treble clef pitch there are a couple of top C's, but the rest is all within the range and is a great work to study and perform.
Highly recommended.
Published by Winwood Music
Duration approx 5.00
Difficulty level: 3,3.5/6
Supplied with: Solo part in TC and BC/tenor clef and piano part.
Euphonium Concerto - Paul Mealor - Euphonium and Piano |
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Here is the new Euphonium Concerto, by Paul Mealor, composed in 2017, that was premiered and recorded (Chandos: Symphonic Euphonium Vol.2) by David Childs.
It is a truly wonderful and very difficult concerto, only for the advanced player!
The work is inspired by a Gaelic poem about lost love, telling the tale of a fisherman and his wife. She accompanies her love to the shores of the sea to wave him off; but tragically he never returns. Each day she returns to the sea and sings to him, but no answer ever comes. In the tradition of Celtic songs it is dark and full of passion and pain.
No I: Adagio
No II: Allegro
No III: Largo No
IV: Cadenza No
V: Allegro Vivace
Hear it hear on Youtube
Duration: 15.5 mins
Difficult level: 6/6
Suppplied with Solo parts in TC and BC and piano part
Flight - Philip Wilby - Euphonium (or Flugel,Cornet,Trumpet) and Piano |
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Flight is a wonderful extended solo by the great British composer Philip Wilby.
It was composed in 1992 for Mark Walters who was then the flugel horn player with the Grimethorpe Colliery Band.
Since that time it's gone on to also be a very popular solo for advanced euphonium players, and fantastic for recitals, competitions and serious music events!
The composer writes:"Flight is a virtuoso solo which seeks to investigate many of the various aspects of flying. It attempts to portray the effort of powered flight, the ease of gliding and soaring, the thrill of rising on natural thermals, and the chaotic swirling of rapid descent."
Philip Wilby biography:
Born in Pontefract in 1949, Philip Wilby was educated at Leeds Grammar School and Keble College, Oxford. Wilby attributes the awakening of his interest in composition to Herbert Howells, whose extra-curricular composition classes he attended while a violinist in the National Youth Orchestra of Great Britain. A serious commitment to composition developed during the years at Oxford and, having gained his B Mus in composition in 1971, Wilby continued to write music even while working as a professional violinist (first at Covent Garden and later with the City of Birmingham Symphony Orchestra). He returned to Yorkshire in 1972 and is Principal Lecturer in Composition at the University of Leeds.
In recent years, Wilby has established a very significant reputation in the field of brass band and wind band music. His first commission for brass band - The New Jerusalem (1990) for the National Youth Brass Band - was an instant success and led to further commissions: Paganini Variations (a BBC commission in 1991 for the Grimethorpe Band); Flight for solo flugelhorn and band (Grimethorpe, 1991); Revelation (1995, for the British Open Championships). Much of Wilby's recent wind band music has been commissioned by the Fresno campus of the University of California, where he has had a regular residency since 1985.
Wilby has also given much time to writing for liturgical purposes and works include St Paul's Service (1988) commissioned by St Paul's Cathedral for John Scott and the Choir of St Paul's Cathedral, and The Trinity Service (1992) commissioned by Norwich Cathedral for the 1992 Norwich Festival of Contemporary Church Music.
Other recent projects include a commission (The Cry of Iona) for BBC2's 1992 series of music videos for Advent; and, in 1993, the second symphony Voyaging, commissioned and premiered by the BBC Philharmonic Orchestra; Partita, commissioned by Fine Arts Brass Ensemble and premiered at the Harrogate International Festival; An Imagined Fable commissioned by the Athelas Ensemble and premiered at the Danish Radio Concert House; and a Percussion Concerto commissioned by the English Northern Philharmonia and Yorkshire Youth and Music, premiered in Leeds, performed by Chris Bradley and the English Northern Philharmonia conducted by John Price-Jones. In January 1995 Philip Wilby was a featured composer in the PLG Young Artists New Year Series, London.
In addition to concert music, Philip Wilby has written educational works and incidental music for television. The academic environment at Leeds has also fostered a number of scholarly interests which have led to a remarkable series of reconstructions of Mozart fragments. In 1985 these were the subject of a Yorkshire television documentary featuring the Amadeus String Quartet, and in 1990 they were recorded by the Academy of St Martin-in-the-Fields for the complete Philips Mozart Edition.
As recorded by Steven Mead on The World of the Euphonium Vol.3
Published by Novello.
Duration: approx. 9.30 minutes
Difficulty: 5.5/6
Supplied with: solo part in TC only and piano part
La Belle Americaine - John Hartmann - Euphonium and Piano |
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This is indeed a classic solo for brass, and often played on euphonium, composed by the great John Hartmann. Check out his life and works on his wikipedia entry
Highly recommended, and this solo Is probably to be found in the personal library of many hundreds of euphonium players worldwide.
Publsihed by Wright & Round
Duration: approx 6 minutes
Difficulty level: 4/6
Supplied with solo part in TC only and piano part.
Weber's Last Waltz - William Rimmer - Euphonium and Piano |
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This is also one of the most popular of all team in variation solos, described on the title page as a Grand Fantasia. Hugely popular in its day, it also became one of the Rimmer solos that became 'adopted' by euphonium players.
It certainly finds its way into the top 10 of classic euphonium theme and variation solos, and therefore should be in the library of all keen amateur and professional players.
As recorded by Steven Mead on the World of the Euphonium Volume 1 CD (Polyphonic)
Duration: 9 minutes approx
Difficulty: 4,4.5/6
Supplied with solo part in TC only and piano part.
Long, Long Ago - Stanley Boddington - Euphonium and Piano |
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Here is another classic solo from way back when. Stanley Boddington MBE (1905-1986) was a famous brass band conductor, mainly remembered for his incredible work with the GUS (Footwear) Band, but he was also a prolific composer and arranger.
This theme and variations solo is part of our incredible heritage of variation solos that date back to the end of the 19th century.
See a recent article on Stanley Boddington posted on 4barsrest
It's also a great test for euphonium players, especially as it's written in C major (for Bb instruments), meaning it has some extra demands on stamina.
Published by Wright and Round
Duration 6 minutes approx
Difficulty level: 4.5/6
Supplied with solo part in TC only and piano part.
Grandfather's Clock - George Doughty - Euphonium and Piano |
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Could this possibly be the most-played theme and variation solo ever composed for the euphonium?!!
Steven Mead played this when he was a very young man, and has continued to play it at various intervals during his career. Most of the great euphonium players of the past have also performed this with brass bands, and sometimes with piano. Here is the original version with piano accompaniment, and if you are a euphonium player who doesn't know this, well this is a very important part of euphonium heritage which you should know and be able to 'rattle off', as the expression goes!
Published by Wright & Round
Duration: 5.50 approx (depends how fast you play it!)
Difficulty level: 4/6
Supplied with solo part in TC only and piano part
Rule Britannia - John Hartmann - Euphonium and Piano |
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Here is the classic theme and variation solo, Rule Britannia by John Hartman, that's been much loved by soloist and audiences for a century!
This has really been adopted by euphonium players for generations, and still is one of the most popular solos of its genre. Here is the full original version of the solo, and should be in all euphonium players repertoire!
Published by Wright&Round.
Duration - 10 minutes (It's possible to edit this of course for use in solo contests)
Difficulty level - 4.5/6
Supplied with: solo part in TC only and piano part
Hebridean Lullaby - Philip Harper - Baritone (or Euph) and Piano |
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Composed for the renowned soloist Katrina Marzella and the Cornwall Youth Brass Band, A Hebridean Lullaby is a beautiful and haunting melody from the pen of Philip Harper, taking its inspiration from the music and folksong of the Hebrides; a cluster of islands off the west coast of Scotland. Commissioned through a BBC Fame Academy Bursary, this piece is one which is enjoyed and admired by both performers and audiences the world over. The atmosphere created by the score is simply stunning. It’s an outstanding addition to the baritone horn’s concert repertoire
Highly recommended.
This is the version for soloist with piano accompaniment.
Duration approx 5 mins
Difficulty: 3/6
Supplied with solo part in TC only and piano part
Jenny Jones - William Rimmer - Euphonium and Piano |
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Here is the timeless classic solo Jenny Jones, by William Rimmer, in it's original version.
This famous fantasia on the Welsh melody Jenny Jones has tested soloist for generations, and is really a very important part of the solo repertoire of the cornet and euphonium.
Published by Wright & Round.
Duration (uncut version): approx 10 mimutes
Difficulty level 4.5/6
Supplied with solo part in TC only and piano part.
Donegal Bay - Paul Lovatt-Cooper Arr. Judith Hayes - Baritone or Euphonium and Piano |
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This is the arrangment of Paul Lovatt-Cooper's popular solo Donegal Bay with piano accompnaiment.
Donegal Bay was the first work for brass band that Paul Lovatt-Cooper composed when he was just 18 years old. Written for a solo baritone and brass band, Donegal Bay has become a staple in many band rooms around the world. It is a homage to an Irish lyrical style that has become even more popular in recent years. Lovatt-Cooper’s warm harmonies and lyrical baritone solo makes Donegal Bay a true delight to listen to and to play.
The MusicOpening with sonorous muted cornets, followed by warm lower band chords, the band set up a serene atmosphere for the soloist. The baritone enters with a nostalgic melody that hones in on the Irish Air style that Lovatt-Cooper was aiming for. The accompaniment is sparse, but each part that comes in and out adds to the overall shimmering effect. Muted cornets fluctuate underneath the soloist, with the basses playing a constant sequence of pedal notes.
As the melody begins to build traction, so do the dynamics written in the score. More of the band join into the mix, which leads to the cornets taking their mutes out and playing a lyrical response to the main melody. The baritone enters once more to play an obbligato line that is still very much lyrical in style. As the soloist begins to push into its upper register the harmonies below begin to cleverly knit together, creating a wholly warming experience.
The melodic material here soon leads back to the original opening theme. The baritone soloist and soprano cornet begin to intertwine their melody lines, creating a sense of sweetness together. Although the music begins to drop in dynamic, the warm harmonies and rich texture remains, creating that spine-tingling feeling before the emotionally-driven final few notes led by the baritone.
Paul Lovatt-Cooper’s Donegal Bay is a straightforward, no-nonsense work for a solo baritone and brass band. The simplicity in the harmonic movement adds to the feelings of nostalgia and sereneness. The solo line is lyrical, and demands much control from the soloist. Donegal Bay is a classy work that does not require gimmicks and other lavish techniques to make it effective.
Duration 4.30
Difficulty 3/6
Suppplied with solo part in TC only and piano part
In Gardens of Peace - Philip Harper - Euphonium and Piano |
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In Gardens of Peace was composed in response to a commission from Micah Parsons in 2014 to commemorate the life of his great grandfather, Henry Nichols, killed in the battle of the Somme in 1917.
The music attempts to recreate the special and unique aura which provides burial grounds and cemeteries-there is a peaceful tranquillity, but also a deep sense of tragedy and loss. The euphonium is the ideal solo voice to articulate this mood, with its soulful depth of sound, and its ability to saw passionately over the ensemble, both characteristics which are developed throughout the piece.
The music ends positively, with the wish that hope can come from desperation.
As recorded by Steven Mead on his CD: Lyrical Virtuoso with BB Buizingen (BOCC125)
The version of this work with brass band accompaniment is also available on this site.
Duration 5.30 mins
Difficulty: 4/6
Supplied with: solo part in TC only and piano part
Arban Studies 1-14 - Ed. Gomm and Mayes (solo part, piano part and 2CDs) Treble Clef version |
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Here is a superb new release from Brass Wind Publications which is sure to bring a new and fresh dimension to your technical practice, with these famous 14 Characteristic Studies, found at the back of the Arban Grand Method.
As well as a beautifully producted solo part and piano accompaniment, this set includes 2 two highquality cds with the piano accompaniment (with a real pianist and real piano!), each in three different tempi: 1. slow practice 2. performance tempo 3. fast performance tempo!
From the publishers:
For nearly 150 years Jean-Baptiste Arban's 14 studies have been an essential part of a brass player's practice routine. Arban's original parts contain many inaccuracies and inconsistencies. Whilst we had no intention of creating an 'Urtext' edition, we have attempted to make each study's phrasing, articulation and where necessary, dynamics consistent with itself, without losing the character and intentions of Arban's manuscript. We, therefore, chose not to add dynamics at the beginning of studies where Arban has omitted them, as you will quickly discover the right dynamic (for you) on practising the piece. You may also, as performer, wish to change or ignore our suggestions, for that is what they are and you must feel free to do so.
This edition includes imaginative piano accompaniments written to reflect the nature of the solo part and enhance the soloist's practice whilst lending these studies also to the concert repertoire. Our hope is that you will gain more from playing these great studies 'with accompaniment’ rather than the traditional way 'without'.
The CD that accompanies this edition contains John Alley's accompaniments in three tempi. One for slow practice, one for general performance and then one for the virtuoso! Also included are stylish performances of all 14 studies by leading UK trumpeter Paul Mayes which are retained for guidance in this euphonium edition. In order to produce an artistically cohesive CD Paul Mayes’ performances are a mix of the two featured performance tempi
Highly recommended!
Duration n/a
Diffiulty level 4-5.5/6
Supplied with: solo part in treble clef (bass clef version also available on this site), piano accompaniment, and 2CDs with playalong accompaniments in 3 different tempi (and demo performance)
Arban Studies 1-14 - Ed. Gomm and Mayes (solo part, piano part and 2CDs) Bass Clef version |
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Here is a superb new release from Brass Wind Publications which is sure to bring a new and fresh dimension to your technical practice, with these famous 14 Characteristic Studies, found at the back of the Arban Grand Method.
As well as a beautifully producted solo part and piano accompaniment, this set includes 2 two high quality cds with the piano accompaniment (with a real pianist and real piano!), each in three different tempi: 1. slow practice 2. performance tempo 3. fast performance tempo!
From the publishers:
For nearly 150 years Jean-Baptiste Arban's 14 studies have been an essential part of a brass player's practice routine. Arban's original parts contain many inaccuracies and inconsistencies. Whilst we had no intention of creating an 'Urtext' edition, we have attempted to make each study's phrasing, articulation and where necessary, dynamics consistent with itself, without losing the character and intentions of Arban's manuscript. We, therefore, chose not to add dynamics at the beginning of studies where Arban has omitted them, as you will quickly discover the right dynamic (for you) on practising the piece. You may also, as performer, wish to change or ignore our suggestions, for that is what they are and you must feel free to do so.
This edition includes imaginative piano accompaniments written to reflect the nature of the solo part and enhance the soloist's practice whilst lending these studies also to the concert repertoire. Our hope is that you will gain more from playing these great studies 'with accompaniment’ rather than the traditional way 'without'.
The CD that accompanies this edition contains John Alley's accompaniments in three tempi. One for slow practice, one for general performance and then one for the virtuoso! Also included are stylish performances of all 14 studies by leading UK trumpeter Paul Mayes which are retained for guidance in this euphonium edition. In order to produce an artistically cohesive CD Paul Mayes’ performances are a mix of the two featured performance tempi
Highly recommended!
Duration n/a
Diffiulty level 4-5.5/6
Supplied with: solo part in bass clef (treble clef version also available on this site), piano accompaniment, and 2CDs with playalong accompaniments in 3 different tempi (and demo performance)
Robin Robin - Liz Lane - Euphonium and Piano (TC solo part) |
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Robin Robin was especially adapted for David Thornton (euphonium) from the song of the same name, originally recorded by Belinda Evans (soprano) with Stephen Marquis (piano), to help raise funds for Yeovil Hospitals Flying Colours Appeal.
Words written by Jennifer Henderson trace a robin's journey through the seasons: Spring-'fearless and bold', Summer-'a bird with attitude', through to Autumn-'when other birds fly away, you're loyal'.
This beautiful solo was also recorded by Steven Mead on his recent CD, UFO recorded with the Brighouse and Rastrick band.
This is the version for euphonium and piano and is sure to be in great demand.
Published by Kirklees Music.
Duration: 5 minutes
Difficulty level: 3.5,4/6
Supplied with: Solo part (in treble clef ONLY) and piano part.
Euphonium Concerto - Michael Ball - Euphonium and Piano |
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This is a really outstanding euphonium concerto and deserves to be played a lot more than it is currently.
It was composed in 2002 and premiered by David Childs with the Parc and Dare Band.
Although active in all main areas of composition, in recent years Michael Ball has contributed particularly substantially to the repertoire for wind and brass.
The piece falls naturally into four interconnected sections. A gentle opening, marked 'as if awakening' , leads into an initially aggressive Allegro, gaining in energy and momentum as it proceeds. The succeeding slow movement is lyrical and wistful in character in its outer parts although containing a more urgent central passage this leads into a thoughtful cadenza which in its turn leads without a break into the scherzo finale.
The section now combines new figures with, in its later stages, return to the main ideas from the first movement.
This difficult and very beautiful concerto would suit advanced and professional players.
David Childs' recent recording Symphonic Euphonium II, which includes this concerto, can be found on Spotify.
Published by Kirklees Music.
Duration: c.19 minutes
Difficulty level 5/6
Supplied with : Solo part (in TREBLE CLEF ONLY) and piano part.
Napoli - Hermann Belstedt - Euphonium or Cornet and Piano |
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Here is the classic solo Napoli, making its debut in the Euphoniumstore!
This is the well known solo version with its characteristic piano part. It's full of verve and energy, and well loved by so many soloists over the years.
Please note the solo part is only available here in treble clef.
Published by Kirklees Music.
Duration: c.5 minutes
Difficulty level: 4.5/6
Supplied with: solo part (treble clef only) and piano part.
Journey - Misa Mead - Euphonium and Piano |
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This piece was originally composed for euphonium tuba octet (4 euphs and 4 tubas ideally), commissioned by Roger Bobo in 2013
Here is the version that Misa made for euphonium and piano.
There are many difficult pieces for euphonium in the world, so the composer wrote it especially for young students and amateur players.
There are 5 movements in this euphonium and piano version.
1. Morning
2. Hard Worker
3. Dream
4. Sloping Road
5. Scene
So here is a perfect suite of five pieces for young students and amateur players. Great fun, original and very creative!!
Difficulty level: 2or3/6
Total performance time: 8.00
Supplied with : Euphonium parts in both TC and BC and piano
Concerto Classico - Stuart Johnson - Euphonium and Piano |
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Here is a really fun and interesting 'classical' style concerto composed by Stuart Johnson, ex Head of music for Staffordshire.
This has some very challenging writing, but all of it a real joy to play. This has just been published by Brass Wind Publications in the UK.
Concerto Grosso was premiered at St. Mary's Church, Portsmouth in November 2016 by the Band of the Royal Marines, Collingwood. The soloist was Steven Boyes and the conductor was Lieutenant Nick Grace OBE, Principal Direcotr of the Royal Marines.
1st Mov. Andante Moderato/Allegro
2nd Mov. Sarabande
3rd Mov. Rondo Allegro vivace
Duration 15.00
Difficulty level 4.5/6
Supplied with solo parts in TC and BC and piano part
Albion (Remembrance of things part) - Stephen Roberts - Euphonium/Baritone and Piano |
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Here is a beautiful reflective solo from Stephen Roberts; an original that really captures the spirit of remembrance and casts a fond eye to the past.
It's a truly lovely solo, not difficult and one that should be played well by players of intermediate standard and higher. Ideal for a contrasting work in a recital, or a church service.
Duration: 3 minutes
Difficulty level: 2-3/6
Supplied with solo part in TC and BC and piano part.
The Lark in the Clear Air - Arr. Stephen Roberts - for Euphonium/Baritone or Horn in F and Piano |
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Stephen Roberts has penned this most attractive setting of this much-loved melody.
Altgough the melodic line is clearly central, there are some lovely extended florid passagesWhich gives the setting a really nice original and fresh touch. A good soloist will really make this sound beautiful and free.
I'm sure this is set to be a very popular work. It was first written in 1999.
Here is the youtube video where this is performed beautifully by Katrina Marzella and the Black Dyke Band.
The first use of this tune seems to have been as an eighteenth-century rebel song. A hundred years later, Belfast writer Samuel Ferguson wrote these words, that were to make it one of the most famous romantic songs in the tradition.
Here are the lyrics of this popular song:
Dear thoughts are in my mind and my soul it soars enchanted
As I hear the sweet lark sing in the clear air of the day
For a tender beaming smile to my hope has been granted
And tomorrow he shall hear all my fond heart longs to say I will tell him all my love, all my soul's pure adoration
And I know he will hear my voice and he will not answer me nay
It is this that gives my soul all it's joyous elation
As I hear the sweet lark sing in the clear air of the day
Published by Tanglewind Music
Wind band version also now available on this site - NEW!
Duration 5 minutes
Difficulty level 4/6
Supplied with solo part in TC, BC and for Horn in F, and piano part
Sicilienne - Maria Theresa Von Paradis Arr. S. Roberts - Brass (in Bb) solo and Piano |
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Maria Theresia Paradis (also von Paradies) (May 15, 1759 – February 1, 1824), was an Austrian musician and composer who lost her sight at an early age, and for whom Mozart may have written his Piano Concerto No. 18 in B-flat major.
The beautful Sicilienne is a much loved classic melody, with a gently lilt.
This arrangement by Stephen Roberts makes it very accessible to brass players, in a nice friendly key and not too high at the high climax.
Here's a nice version on youtube , played on the violin: https://www.youtube.com/watch?v=90z1KgGhtAw
Suitable for cornet, trumpet, Flugelhorn, euphonium, baritone, trombone.
Duration 2.40
Difficulty 3.5/6
Supplied with solo parts in TC annd BC and piano part.
Three Dances - Stephen Roberts - Euphonium or Baritone and Piano |
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Here is a brand new (2020) original work for Euphonium or Baritone and Piano from Stephen Roberts, the prolific brass pedagog, horn player, composer/arranger and brass band adjudicator.
This suite is really fun and quite challenging. In three movements:
1. Toreadors 2. Sarabande 3. Spring Dance
All are in beautiful stylistic settings, demanding quite advanced technique and a good high range. The last movement in particular with its rapid mixed meter writing will be quite a challenge.
This is a very welcome addition to the repertoire and short to be in demand from good students and players looking for something fresh in their recital.
Published by Tanglewind Music
Duration 11 minutes
Difficulty: 4/6
Supplied with solo part in TC and BC and piano part.
Cats Calling (A Suite of Seven Easy Pieces for Brass and Piano)- Stephen Roberts |
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Here is a really fun original suite for brass soloist and piano, suitable for young and intermediate players, composed by Stephen Roberts.
Instruments that this suite can be for: Bb trumpet, Cornet, Flugelhorn, Trombone, Euphonium, Baritone, Bb Tuba
The titles of the movements:
1. Copy Cat
2. Cat Nap
3. Cool Cat
4. Cat Burglar
5. Showbiz Cat
6. Ballet Cat
7. Alley Cat
The pieces are all composed in a light fun style, and is sure to popular with young players, and not so young players who have a youthful spirit!
Published by Tanglewind Music
Duration: approx 12 minutes
Difficulty: 3/6
Supplied with: solo parts in TC and BC and piano part.
Carrickfergus - Trad. Irish Air Arr. Stephen Roberts - Euphonium (or baritone or trombone) with piano accompaniment |
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Stephen Roberts' famous arrangement of the classic traditional Irish air Carrickfergus, as played by many fine euphonium, baritone and trombone soloists.
This version with piano accompaniment is sure to be very popular.
Highly recommended
Duration 3.45
Difficulty 3/6
Supplied with: solo parts in TC and BC and piano part
Euphory Concerto - Adam Wesolowski - Euphonium and Piano - DIGITAL DOWNLOAD sheet music |
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Here is the brand-new euphonium concerto by the Polish composer Adam Wesolowski, composed for Steven Mead and premiered by him in Poland in November 2019.
Here are the YouTube links to listen and watch each of the three movements:
1st movement: https://youtu.be/alXcOzzy658
2nd movement: https://youtu.be/Yq6l89avPJo
3rd movement: https://youtu.be/FLCUssb2BLA
This brilliant and fresh sounding concerto is now available for everyone to perform. This page is for the version with piano accompaniment.
As you can hear from the YouTube links. The first movement is a beautiful slow melody shared between soloist and the orchestra. It explores the rich lyrical sound of the euphonium, in the most romantic setting.
The second movement is the most original and daring, And we have happily described this movement as the beatbox movement, as you will see from the video. Maybe you need this challenge!
The final movement is a virtuoso tour-de-force with rapid scales, double tonguing, and contrasting motives.
We highly recommend this Concerto for outstanding students, advanced players and professionals, and all players who relish a challenge!
The parts for string orchestra are also available on this site.
Duration 12.00
Difficulty 4.5/6
Supplied with BASS CLEF (in C) solo part and piano accompaniment
Largo - Frederic Chopin Arr. Eric Wilson - Euphonium and Piano |
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Here is a technically easy yet very beautiful melody by Chopin, arranged by Eric Wilson
It's a brand new publication from Winwood Music.
It's the third movement from the composer's Cello Sonata Op.65
Listen/watch the original version here: https://www.youtube.com/watch?v=BlzeUi9rv2w
Arranger Eric Wilson has unearthed a real gem here, and we hear it may be be on an Associated Board Euphonium exam list soon!
Only 3.45 in lduration, it will be a real delight to play in a longer recital, slow melody contest, or college performance.
Duration 3.45
Difficulty: 2.5 or 3/6
Supplied with solo part in TC and BC and piano score
Prelude and Tarantella - Anthony Plog - Euphonium and Piano |
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This super release is one the Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music, Indiana University, Bloomington, Indiana, USA. Anthony Plog’s characteristic and original style of composition is clearly in evidence here in this series of six contrasting and idiomatic short pieces (between 3’30’’ and 4’). Each of them can enrich a recital program.
Anthony Plog (*1947)
Anthony Plog was born on November 13th, 1947 in Glendale, California. He received his music degree from UCLA (University of California Los Angeles). Trumpet studies were first with his father Clifton Plog and later with Irving Bush, Thomas Stevens and James Stamp. He has a successful international career as a soloist and has made many recordings
Duration 4 mins
Difficulty: 3,4/6
Supplied with solo parts in TC and BC and piano part
Turbulence, Tide and Torque - Concerto for Baritone (or Euphonium) - Peter Graham - solo with piano accompaniment |
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Here is the brand new concerto for baritone (or euphonium) composed for and performed by Katrina Marzella.
Composer Peter Graham writes:
"Turbulence, Tide and Torque can be considered to be a companion piece to my 2008 Euphonium Concerto In League with Extraordinary Gentlemen, and indeed can be performed on Euphonium (vintage or medium bore instrument preferred). Whereas the gentlemen in question in the latter work were fictional (e.g. Sherlock Holmes and Phileas Fogg), the former pays tribute to three real life women who were very much true pioneers and heroines of their age.
Turbulence: Harriet Quimby (b. 1875) was one of the world's best woman aviators, her significant and historic achievement being the first woman to fly across the English Channel. Sadly, in her lifetime very few people were aware of her 1912 accomplishment; potential press coverage was dominated by the sinking of The Titanic only two days before.
Grace Darling (b. 1815) is a name much more familiar to the public today, and in her lifetime she was lauded as a national heroine. A humble lighthouse keeper's daughter from Northumberland, her participation in the rescue of survivors from the wrecked paddle-steamer Forfarshire is well documented (a museum dedicated to her achievements located in Bamburgh, the town of her birth). This movement, Tide, develops a main theme from my large scale work Harrison's Dream, reflecting on the souls lost in the disaster.
The final movement Torque, opens with a sudden gear change such as might have been undertaken by Dorothy Levitt (b. 1882), the woman's world land speed record holder, in her Napier racing car. Levitt, who following her 1906 record-breaking achievement was described as the Fastest Girl on Earth, went on to write extensively about her experiences, encouraging females to take up motoring through her articles in The Graphic newpaper.
Turbulence, Tide and Torque was commissioned by and is dedicated to Katrina Marzella as part of an Arts Council of England funded residency I was awarded with the Black Dyke Band in 2018.
Peter Graham
As recorded on Katrina's new CD with Black Dyke Band: Full recording available on Spotlight from World of Brass.com
Duration 15 mins
Difficulty 4.5/6
Supplied with Solo part in TC and BC and piano part
Step Out! - Robin Dewhurst Euphonium and Piano |
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A new and really fun new work by Robin Dewhurst, composed for Glenn Van Looy. Here an audio clip for euphonium and band.
This is the version for euphonium and piano.
In a light easy style, in swing time, which should be very popular for audiences and soloists alike.
Robin also has contributed to the euphonium repertory with his Panache, composed around 20 years ago!!
Highly recommended!
Duration. 3.5 minutes
Difficulty: 3 or 4/6
Supplied with solo parts in TC, BC and BC in Bb.
Concertino (originally for bassoon) - Ferdinand David Arr Vertommen - Euphonium and Piano |
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Ferdinand David (1810— 1873) was a German virtuoso violinist and composer.
David was born in the same house in Hamburg where Felix Mendelssohn had been born the previous year. David was a pupil of Louis Spohr and Moritz Hauptmann and became concertmaster (Konzertmeister) at the Gewandhaus in Leipzig working with Mendelssohn. In 1843 David became the first professor of violin at the newly founded Leipziger Konservatorium fu"r Musik. David worked closely with Mendelssohn, providing technical advice during the preparation of the latter's Violin Concerto. He was also the soloist in the premiere of the work in 1845. David's own compositions number about 50 opuses including Concertinos for violin, bassoon, clarinet & trombone and orchestra. David’s most played piece today is without a doubt his Concertino for trombone and orchestra. This piece is very often used as the test piece for trombonists auditioning for symphony orchestras around the world. His Concertino for bassoon was used as test piece at the Paris Conservatoire. During the first century of the Conservatoire’s existence, the pieces for the competition were mostly written by the bassoon professors but near the end of the 19th century the Conservatoire had a policy of commissioning new works from established composers in most years. The Concertino by Ferdinand David was used as a test piece in 1881. The arrangement for euphonium and piano (or orchestra/band) was made by Luc Vertommen. Duration 9.50 Difficulty 4.5/6 supplied with solo parts in TC, BC and BC in Bb and piano part
Carmen Fantasy No.2 - Bizet Arr Vertommen - Euphonium and Piano |
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This is the new second set of variations that now exists for euphonium and piano!!
Georges Bizet’s opera Carmen is based on the story of the same title by Prosper Merimee and concerns the renowned Carmen, a beautiful gypsy with a fiery temper. Several well-known pieces from the opera have taken on a life separate to the work: the Prelude (overture), the Toreador song and the Habanera. A number of classical composers have used themes from Carmen as the basis for works of their own. This Carmen Fantasy is a virtuoso showpiece in the tradition of fantasias on operatic themes. Like in the opera, the soloist most not only have a great range, but also exhibit superior dramatic skills in order to portray Carmen’s character. Almost every technical challenge for the brass soloist is contained here or what is more the soloist must fully understand beautiful song like aspect and stylistic demands of this music. This Carmen Fantasy No.2 is mainly based on the ‘fantaisie brillante’ for flute by Francois Borne (1840-1920) which is a staple of the romantic flute repertoire. This is fun to play but not for the faint-hearted. It is a huge challenge for the advanced euphonium player. Fancy a challenge ?? Here it is! Duration : 12 minutes Difficulty 6/6 Supplied with solo parts in TC, BC and BC in Bb.
Pieces Breves Op. 84 - Gabriel Faure Arr. Luc Vertommen - Euphonium and Piano |
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A set of five movements from this suite of pieces by Gabriel Faure.
Faure did not intend these pieces to be published as a set; they were composed as individual works between 1869 and 1902. his publishers, insisted on issuing them together as "Eight Short Pieces" in 1902, the composer successfully demanded that none of the eight must be allocated its own title. When he moved on to another publisher, Hamelle ignored his earlier instructions and issued subsequent editions with titles for each piece.
1. Capriccio Dedicated to Madame Jean Leonard Koechlin.[Morrison calls it "capricious indeed", and notes a harmonic twist at the end "as nonchalant as it is acrobatic".It was originally written as a sight-reading test for students at the Paris Conservatoire, of which Faure was the professor of composition from 1896 and director from 1905 to 1920.
2. Adagietto An andante moderato, "serious, grave, at once firm and pliant, attaining real beauty" (Koechlin).
3. Improvisation Orledge calls this piece a middle period "song without words". It was composed as a sight-reading test for the Conservatoire.[
4. Allégresse "A bubbling perpetuum mobile whose surging romantic feelings are only just kept under restraint" (Orledge). "A song, pure and gay, uplifted to a sunlit sky, a youthful outpouring, full of happiness." (Koechlin).
5. Nocturne As noted above, this piece stands apart from the larger-scale works to which Fauré gave the title "nocturne". It would not be listed among them were it not for the publisher's unauthorised use of the title in this case. It is the longest of the eight pieces of Op 84, but is much shorter and simpler than the other 12 nocturnes, consisting of a song-like main theme with a delicate semiquaver accompaniment in the left hand.
What a super collection of music, and brilliantly edited and arranged by Gabriel Faure. Movements can of course by played separately.
Highly recommended
Duration approx 10 mins
Difficulty 4.5+/6
Supplied with solo parts in TC, BC and BC in Bb and piano score
A Dark Night - Gilles Rocha - Euphonium and Piano |
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Another exciting solo from the pen of Gilles Rocha, originally composed for trombone but in this edition for euphonium and piano it's clear it's a very effective and exciting solo for euphonium.
A great contest/display/recital solo.
Duration: 6.15
Difficulty 5/6
Supplied with solo parts in TC and BC and piano part
A Breath of Air - Gilles Rocha - Euphonium and Piano |
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This solo is another virtuoso piece from Gilles Rocha, dedicated to the superb bass trombonist Lionel Fumeaux.
Despite it's creation for the talened Mr. Fumeaux, it works great on euphonium. There are several writeen glisses, but we can have some fun trying to reaslise these!
In this euphonium edition there are not the crazy pedal tones that we have come to expect from the combination of Rocha and Fumeaux!
Duration 7.00
Difficulty 5/6
Supplied with solo parts in TC and BC and piano part
Love Is Here To Stay - George Gershwin Arr. Jirka Kadlec - Euphonium and Piano |
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A very good arrangment of this classic Gershwin song. Not difficult and can be used in a vareity of situations.
Highly recommended
Duration 3.50
Difficulty 3/6
Supplied with solo parts in TC and BC and piano score.
Japanese Dance - Bertrand Moren - Euphonium and Piano |
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Bugaku is a very ancient form of traditional Japanese dance music. Executed only by men at imperial court ceremonies, Bugaku reinforces the gravity of Gagaku by the absence of string instruments. Some pieces are danced with masks, others with the face bare and without make-up. The Togaku (left-hand) dancers enter the stage from the left and are dressed in red with gold ornaments. The Komagaku (right-hand) dancers enter from the right and have blue costumes with silver accessories.
There are three movements in a Bugaku piece : Jo — very slow and free Ha - regular beat, but still slow Kyu - the tempo quickens and concludes the dance. This solo is inspired by Bugaku, trying to recreate the atmosphere of this music and using traditional Japanese modes and rhythms. The structure follows the three parts mentioned above, first a slow free cadenza, then a slow but metrically regular part, then a fast and virtuosic finale. The composer has not however attempted to create authentically Japanese music, because the latter does not use the same tuning, sounds or tonal structure as Western music. This is a free adaptation of oriental music to the Euphonium. Listen to this solo in a version for cornet: https://www.reift.ch/popupPlayerCd.php?id=15028&ModPagespeed=off
Duration 7.30
Difficulty 4+/6
Supplied with solo parts in TC and BC and piano score
American Sketches - Bertrand Moren - Euphonium and Piano |
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A superb concert/recital work by the Swiss composer Bertrand Moren.
Challenging and huge fun to play. Great for solo contests too!
Duration 5.30
Diffuculty 5/6
Supplied with solo parts in TC and BC and piano part
Concertino No.2 - Charles Gauchet - Euphonium and Piano |
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to be heard:
Complete recording: Anthology of Flemish Band Music volume 6 - Une soirée musicale chez Adolphe Sax - Glenn Van Looy (euphonium), Geert Callaert (piano) Lost Treasures - Glenn Van Looy (euphonium), Geert Callaert (piano) Duration 10 minutes Difficulty 4/6 sSpplied with piano part and solo parts in TC, BC and BC in Bb
Premier Concertino - Charles Gauchet - Euphonium and Piano |
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PROGRAM NOTES Charles Gauchet (1863—1922) was born in Liege and studied cornet at the conservatory in the class of Dieudonne Gerardy between 1880 and 1888. He won a first prize for fugue in the class of Jean-Théodore Radoux and a first prize for harmony in the class ofJoseph Delsemme and Sylvain Dupuis. Afterwards he became a teacher in a primary school and at the normal school in Liege. He was a member of the orchestra of the Theatre Royal and from 1890 to 1896 he was assistant in Gerardy's class. He conducted the Harmonie des Orphelins for over thirty years. In addition to the opera Else’a, he mainly composed works for brass, including Petit pie‘ce dans Ie style ancien (1893) for trumpet and a Concertina in fminor (1889) for trumpet and piano and a Concertino for horn. For the six-valved trombone, he composed a Romance with piano accompaniment and the well—known (Premier) Concertino with string quintet (or piano) accompaniment and a second Concertina. It was composed for the 1890 competition and dedicated to Emile Daloze, trombone teacher at the Lie‘ge conservatoire. The version with piano accompaniment was published in Liege by Veuve Léopod Muraille and the parts for string quintet were found in the archives of the Antwerp conservatoire. The Concertino became hugely popular and was used as test piece in Ghent (1892), Brussels (1894) and Antwerp (1895). Jules Blangenois (teacher at Brussels conservatoire) made a version with wind band or fanfare band accompaniment. It was soon followed by a second Concertino in a more romantic mood. A copy of the original version for trombone and piano is preserved in the library of the Antwerp conservatoire. Both concertinos by Gaucet follow the pattern of a three-movement concerto (fast-slow-fast) and remind us of a more romantic style and language in the style of the Russian national school. Both concertinos (although sadly neglected and unknown) could easily be compared with the much admired Trombone Concerto by Nicolai Rimski-Korsakov composed in 1877. The core of both concertinos is the slow movement which reminds us of the music of Camille Saint Saens and the era of salon music.
to be heard:
Complete recording: Anthology of Flemish Band Music volume 6 - Une soirée musicale chez Adolphe Sax - Glenn Van Looy (euphonium), Geert Callaert (piano) Lost Treasures - Glenn Van Looy (euphonium), Geert Callaert (piano) Duration 10 minutes Difficulty 4/6 sSpplied with piano part and solo parts in TC, BC and BC in Bb
Cafe 1930 - Astor Piazzolla Arr. Luc Vertommen - Euphonium and Piano |
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I'm delighted to say that we can present this new published arrangement of this much-loved classic from Astor Piazzolla. Several euphonium artists including Steven Mead have performed and recorded this work, and this appears to be a virtually identical arrangements to those played by these artists during the last years.
Congratulations to Luc Vertommen and his company Brass Press VOF For now making this available. It's sure to be very popular indeed.
"Histoire du Tango" Is one of the most famous compositions by tango composer Astor Piazzolla, originally written for flute and guitar in 1986. It was Piazzolla's lifes work to bring the tango from the bordello's and dance halls of Argentina Into the concert halls of Europe and America. It attempted to convey their history and evolution of the tango in four movements, Bordello 1900, Cafe 1930, Nightclub 1960, and Concert d'Aujourd'hui.
Cafe 1930 describes another age of the tango. People stopped dancing it as they did in 1900, preferring instead simply to listen to it. It became more musical, and more romantic. This tango has undergone total transformation: the movements are slower, with new and often melancholy harmonies. Tango orchestras came to consist of two violins, two concertinas, a piano, and a bass. The tango is sometimes sung as well.
Highly recommended
Duration approx 6 mins
Difficulty 4/6
Supplied with solo parts in TC, BC and BC in Bb and piano score.
Blind Spot - Gilles Rocha - Euphonium and Piano |
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Gilles Rocha is a well-known Swiss music personality, known for his outstanding euphonium playing, teaching, composing and arranging. He teaches at the Conservatoire in Fribourg. This astonishing solo, with its huge demands placed on the soloist was composed for the young Swiss virtuoso Euphonium player Stephanie Gaspov for the Swiss national brass solo competition a couple of years ago. It is a real display work, suitable for the advanced player in a recital, concert even examination situation. Some extraordinary technical sections sitting side-by-side with some very beautiful sections in this 6.5 minute work.
This work is also available with brass band accompaniment on this website.
Duration: 6.30 mins
Difficulty level: 6/6
Supplied with, solo part in TC, and BC and piano accompaniment.
15 Intermediate Christmas Carols - Arr. Philip Sparke - with piano accompaniment and play along CD accomp. |
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Philip Sparke's 15 Intermediate Christmas Carols, a bundle that is part of the Anglo Music Play-Along Series, is intended for the young instrumentalist who can play about one and a half octaves. The book, which in terms of notes is tailored to the instrument in question, is a sequel to 15 Easy Christmas Carols and allows musicians in development to discover some of the world's most popular Christmas songs - simple yet beautiful melodies that suit their limited range. This book contains valuable material that is an excellent addition to every teaching method; it comes with piano accompaniment and a CD with demo and play-along tracks.
Content:
- Angels We Have Heard on High
- Christians, Awake, Salute the Happy Morn
- Come, Thou Long-expected Jesus
- Coventry Carol
- Deck the Halls
- Ding Dong! Merrily on High
- He is Born, the Holy Child
- Here We Come A-Wassailing
- Joy to the World
- Lo, How a Rose E'er Blooming
- O Come, All Ye Faithful
- Or the Father's Love Begotten
- O Little Town of Bethlehem
- Silent Night
- The Twelve Days of Christmas
Difficulty 2,3/6
Duration approx 40 mins total
Supplied with : solo parts in TC and BC, piano part and play-along/demo CD
15 Easy Christmas Carols - Arr. Philip Sparke - with piano accompaniment and play along CD accomp. |
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Philip Sparke's 15 Easy Christmas Carols, a bundle that is part of the Anglo Music Play-Along Series, is meant for the young instrumentalist who can play just over an octave. The book is custom-tailored to the instrument concerned and introduces the novice musician to some of the world's most popular Christmas songs - simple yet beautiful melodies that suit their limited range. This book contains valuable material that is an excellent addition to every teaching method; it comes with piano accompaniment and a CD with demo and play-along tracks.
Content:
- As With Gladness Men of Old
- Away in a Manger
- The First Noël
- God Rest Ye Merry, Gentlemen
- Good Christian Men, Rejoice
- Good King Wenceslas
- Rake! The Herald Angels Sing
- The Holly and the Ivy
- In the Bleak Midwinter
- O Come, O Come, Immanuel
- On Christmas Night all Christians Sing
- Once at Royal David's City
- Rocking Carol
- We Three Kings of Orient Are
- We Wish You a Merry Christmas
Difficulty 1/6
Duration: approx 35 minutes total
Supplied with: solo parts in TC and BC, piano accompaniment and play-along CD backing.
Sonata - Doug Bristol - Euphonium and Piano |
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This is a challenging three movement work that Demondare Thurman and Kathryn Fouse premiered at the 2015 U.S. Army Tuba-Euphonium Workshop at Fort Myer, VA. This is a wonderful addition and perfect all aspiring college Euphonium players.
Highly recommend for all serious students and advanced players everywhere.
Listen!!
Published by Cimarron Music Press
Duration: 12.00
Difficulty: 5/6
Supplied with solo parts in TC and BC and piano part.
A Caged Bird - Barbara York - Trombone or Euphonium and Piano |
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An attractive work for trombone that will also work well for euphonium, and piano.
Barbara York writes, "This piece was not written specifically in response to either the poem by Maya Angelou or that by Paul Dunbar that both refer to the 'caged bird'. However, there is no doubt that both poems have inspired my own further exploration and now musical extrapolation on the subject of being 'caged' and still 'singing' in spite of this... Even within the many bonds and restrictive boundaries that we often find ourselves, it still seems to be a fundamental part of Nature as both human and spiritual beings that we cannot help but sing in both joy and praise both from ourselves and to our own Creator despite the sometimes, even apparently insurmountable obstacles we encounter."
listen: https://www.youtube.com/watch?v=H_KIuFa9dVQ or https://www.youtube.com/watch?v=WtgOld3IdVk
Legend of a Big Friendly Giant - Kevin Houben (transcribed Alexandre Korovitch) - Euphonium and Piano |
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At night The Big Friendly Giant catches dreams and nightmares in jars. Playing on his ´big trumpet´, he gives the beautiful dreams back to the sleeping children and he keeps the nightmares with him.
The composition ´The legend of a big friendly giant´ is all about this ´big trumpet´, in this case the euphonium. The euphonium doesn´t need special effects.
All his lyrical and technical capacities are used in function of creating beautiful musical dreams. As in a classical concerto, the soloist combats with the orchestra. At first they are playing alternately, afterwords they play fraternal together.
This work was created in Torrent (Spain) and dedicated to Steven Mead and Frank De Vuyst.
Kevin Houben was born in Peer (Belgium) in 1977.
At the Lemmens Institute in Leuven, he attained a first prize in trumpet (with Leon Pétré) and pedagogy. He also obtained a masters in concert band conducting (with Jan Van der Roost), symphonic band conducting (with Edmond Saveniers), composition and orchestration (with Jan Van der Roost), chamber music and solfège.
Kevin Houben’s work (from 2001), composed only on commission, comprises pieces for solo instrument, brass quintet, brass ensemble, wind orchestra, fanfare orchestra, brass band and symphonic orchestra.
In 2003, he won the ‘Sabam’ and the public’s prize at the ‘2ième Concours International de composition pour orchestre à vents de Comines-Warneton’ for the work Arcana. With this same composition, he won the ‘3rd European Composer’s Competition 2006 European Brass Band Association’ in Belfast (Northern Ireland) in April 2006.
In 2009, he won the EBBC public’s prize with the work Thyellene – ‘Battle on the Heath’ as well as the 3th place at the composition contest for brass bands during the EBBC in Belgium (Ostend).
In 2016, he won the prestigious international BUMA brass award.
In 2017, he composed his first Symphony, it was premiered by the Belgium National Symphonic Orchestra (NOB) and conducted by the maestro, Brossé.
The same year he also was Composer in Residence in Lithuania and he wrote Where Angels Fly, Commissioned for the 2017 European Brass Band Championships by Vlamo, the Flemish Association for Music Bands and Musicians. It was the test piece for the champion division during the EBBC in Ostend.
Besides being a versatile and prolific composer he is also very much in demand as an adjudicator, clinician and guest conductor. His musical activities have taken place in various countries in three continents and his compositions have been performed and recorded around the world.During the 2015 festival ‘TOMORROWLAND’ in Belgium, he worked closely with the Belgium National Symphonic Orchestra (NOB) as an arranger and orchestrator of dance tracks including David Guetta, Armin van Buuren and Dimitri Vegas. Houben also orchestrated the special composition Hymne (by Hans Zimmer) for the event.
Duration : 10 minutes
Difficulty: 4.5-5/6 (due to sustained high range playing
Supplied with: Solo parts in TC (Bb) BC (Bb) nd BC (in C) and piano part
Concertino for Euphonium - Rolf Wilhelm - Euphonium and Piano |
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This super work was composed for Steven Mead, at the suggestion of Bob Tucci, in 1998.
The composer wrote: "July 1997 the international tuba and euphonium conference was held under the motto Verson il Millenio at Riva del Garda. During those days that I spent at Lake Garda under sunny Italian skies, I met so many outstanding international instrumentalists and heard so much fascinating and wonderfully interpreted music, that I spontaneously resolved to compose a new work for euphonium. It would be a companion piece to my 1983 Concertino for Tuba and Wind Instruments which we also performed there. The present work is herewith made available to performing artists, and I hope that they, the musicians, as well as the public, receive it as well and enjoy it as much as they did its predecessor. This new work is also a short, uncomplicated peace, striving solely to express the love of music and joie de vivre."
Written in three movements: Allegro mon troppo; Andante ma non troppo, piacevole; Moderato con animo. A contemporary classic for the euphonium, the Concertino highlights the qualities of the euphonium very well. The opening movement features a slightly technical style with a great energy. There are no extremely awkward sections, but Wilhelm does occasionally use a bar with numerous accidentals. The second movement allows the soloist to show excellent control and features very lovely writing, especially the descending motive that reappears three times. The technique is manageable as the level dictates, but the range does occasionally create problems in the final movement. This remains the main challenge and features the most range extremes. The articulations are very detailed.
Highly recommended.
This is the version for euphonium and piano. The concert band set is also available, and please contact us directly regarding this.
Watch the Youtube version of the band version performed by Steven Mead, also available on the Concertino CD recorded by Steven Mead and the Lillestrom Musikorps
Duration approx 10 minutes
Difficulty level: 4/6
Supplied with : solo parts in TC (Bb) and BC (in C)
Euphonism - Philip Sparke - Duet for 2 Euphoniums and brass band |
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A real gem of a euphonium duet, not so well known as the famous Two Part Invention by the same composer, but really delightful and deserves to be heard a lot more.
It was commissioned by Brass Band World Magazine for Riki MacDonnell and Mike Kilroy, and exists just in this version for 2 euphoniums and brass band.
The subtitle is 'Te Hononga' - That meeting or friends from across The water.
It has a two-part structure (Lento/Fast in 6/8) giving each player the chance to play beautiful lyric lines and virtuosic playing. It ends slowly and with a beautiful mood.
Youtube of a Brazilian performance HERE (wind band version)
Duration 8.30 approx
Difficulty 4/6
Supplied with duet parts in TC (Bb) and full score and full set of brass band parts.
Cococerto Grosso - Frank Steckar - Euphonium/Saxhorn/Baritone and Piano |
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A brand new and truly original work, not too difficult, by one of France's most notable brass composers of the modern era, Frank Steckar.
Just released a few weeks ago, this workIs a superb vehicle for the intermediate player to play a work that has serious yet more relaxed and fun moments, very well constructed, an excellent piece for recitals, competitions and festivals. It has a rich harmonic language In the accompaniment, and is an fine work for a teacher coach a student on, as there are so many excellent musical elements involved.
Highly recommended.
Duration , approx. 8 mins
Difficulty level 3+
Supplied with solo parts in TC (Bb) BC (C) and BC (Bb)
Holalola - Xavier Denis - Euphonium/Saxhorn/baritone and Piano |
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A brand new publication from the leading French publishers Robert Martin, with a really fun piece, in jazzy style, and not too difficult!!
A really fresh sounding piece for players who are cool...or want to be cool!
Fun jazzy rythms, some mixed metre sections...a really good recital/concert work and not too technically difficult.
From a new series called Collection Duo Fact,
Duration: approx 6 mins
Difficult: level 3/6
Supplied with solo parts in TC (Bb) BC (C) and BC (Bb) and piano part
Old Italian Arias for Brass - Trans. Donato Semeraro - Euphonium or Trombone (BC only) - with piano accompaniment + free mp3 backing tracks |
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Here is a fabulous collection of old Italian Arias, available in this album, transcribed for euphonium/baritone or trombone by Donato Semeraro. It comes with a beautifully produced book for piano and a set of free Mp3 backing tracking tracks (piano) - Euphoniumstore sends you the link to download these backing tracks once you've purchased this book.
"Old Italian Arias for Brass". Selection of ancient arias transcribed for brass and piano, composed by some of the most important Italian composers who lived between the seventeenth and eighteenth centuries. Songs belonging to the "Bel Canto" school, of great educational use for all those teachers and students of trumpet, horn, trombone, euphonium and tuba, who base their "musical belief" on the importance of singing, sound, phrasing and of musicality.
18 songs by composers such as :Scarlatti, Caccini, Cesti, Cimarosa, Giordani, Pergolesi, Wivaldi and Marcello
Duration: approx 1 hour
Difficult level 3/6
Supplied with solo book in BASS CLEF only and piano accompaniment book and free Mp3 backing tracks (we send you the link)!!!
Quick March: 'Throw Away' - Tom Davoren - Euphonium and Piano |
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A brand new encore-type work from the pen of the popular composer Tom Davoren. Unashamedly virtuosic, of course!
Composed over Christmas 2017 for Steven Mead! Tom writes: "Intended as a tongue in cheek encore, the piece is a bombastic virtuoso take on an American style circus march".
Duration: approx 2 minutes
Difficulty: 5/6
Supplied with solo parts in TC and BC and piano part
Fantasia di Falcone - James Curnow - Euphonium and Piano |
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This is a superb extended work for euphonium, also available with wind orchestra accompaniment.
The title makes an obvious reference to Mr. Curnow's teacher, mentor and renowned baritone horn teacher/soloist Leonard. This is a four-movement suite of fantasy variations, based on a theme from one of Falcone's favorite band transcriptions: Andrea Chanier (Opera Excerpts) by Umberto Giordano. This theme is only referenced (not quoted) in the opening cadenza of Movement #1, then developed throughout the overall construction of all four movements.
Composed for the Falcone International Euphonium and Tuba Competition.
It is dedicated to Mrs. Beryl Falcone on the 20th anniversary of the festival in Leonard's name.
see Youtube VIDEO
Duration: 13.20
Difficulty 4.5/6
Supplied with solo parts in TC and BC and piano part.
Fantasia - Gordon Jacob - Euphonium and Piano |
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One of the earliest major works written for the euphonium, Gordon Jacob's Fantasia remains a standard work in the repertoire. Its haunting opening melody, fun and quirky Allegro section, lyrical melodic writing, triple tonguing intensity, low muted section, and demanding cadenza make it a composition worthy of performance. There are numerous ossias to assist with range limitations and the technical demands will prove a challenge for many players, but this should certainly be a familiar piece for all serious euphonium players.
This is undoubtedly one of our most important pillars in our historic original euphonium repertoire. It has for many years being a standard audition work for wind orchestra auditions and examination recitals.
Published by Boosey and Hawkes
Highly recommended
Duration approx 11 mins
Difficult 4/6
Supplied with solo parts in TC and BC and piano part
Concerto for Euphonium - Robert Jager - Euphonium and Piano (BC only) |
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Robert Jager's Concerto for Euphonium was originally commissioned as a concerto for trombone and orchestra, But in 1996 the composer decided to rewrite and rescore the work as a concerto for euphonium with accompaniments for band, symphony orchestra and piano.The Concerto for Euphonium is a highly demanding work for both soloist and the accompaniment. The outer movements are filled with rhythmic and metric complexities that demand a virtuoso group of musicians is the second movement, while less technically demanding, requires mature musicianship because of its sensitive lines and shaded instrumental colours.
After a dramatic introduction dominated by euphonium the first movement moves into a highly rhythmic dialogue between soloist and accompaniment.
The second movement is designed to be played at slowly and reflectively. It is this mood, one of reflection, that dominates the quasi-impressionistic character of the music.
The third movement returns to the fiery rhythmic character of the first movement but this time more emphasis is placed upon mixed and is symmetrical metres so that the solid feel of the barline is lost.The form of this movement is that of a Rondo, and in the typical capricious mood of the Rondo literally rushes headlong into an exciting and brilliant finale.
Written in three movements: Slowly, Dramatically, Freely; Slowly, Reflectively; Brightly, but Forcefully. This challenging work features high intensity writing that translates to complex rhythms and syncopations. Flutter tonguing, lip trills, double tonguing, rapid meter changes, awkward trills and sections in seven flats encapsulate most of the difficulties of the work. Yet, its vigor and drive, especially in the third movement, can compensate the performer and listener for these challenges. The second movement has some nice recitative sections with ornamental runs. A strong addition to the more contemporary repertoire of the euphonium.
This work deserves to be more widely used in recitals, concerts and competitions!
Difficultly level: 4.5,5/6
Duration approx 12.5 mins.
Supplied with solo part in BC only and piano part
Scaramouche - Philip Sparke - Baritone or Euphonium and Piano |
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Scaramouche - Baritone or Euphonium Solo (with piano accompaniment)
From the composer Philip Sparke - "Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund. Undoubtedly the finest baritone player of her generation, Katrina was granted an education bursary from the BBC Performing Arts Fund as a result of winning the BBC Radio 2 Young Brass Soloist of the Year in 2004. This has allowed her to commission a series of new works for her instrument, including Scaramouche. In this version for euphonium and concert band, Scaramouche continues Sparke’s series of works which uses the Italian improvisational theatre tradition of commedia dell’arte as an inspiration. Pantomime, Harlequin and, now, Scaramouche draw on the contrasting moods of pathos and comedy characterised by the ‘happy/sad’ masks which symbolise European theatre. A slow expressive ballad, followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the euphonium, therefore giving the soloist the chance to display the full capabilities of their instrument."
A really super solo, sure to be widely played!
Watch Bastien Baumet perform it (euphonium and brass band) and Felix Geroldinger (baritone and piano) and Tobias Reifer (euph and wind band)
Published by Anglo Music
Duration: approx 6.45'
Difficulty: 4.5/6
Supplied with solo parts in TC and BC and piano part.
Sweet Euphonium - Gilles Rocha - Euphonium and Piano |
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From the pen of one of Switzerland's most prolific brass composers and outstanding euphonium soloists, Gilles Rocha. Sweet Euphonim is a very elegant lyrical solo that really sings, especially in the upper register.
Ideal for lyrical slow melody contests. Highest note is treble clef high D. Gives great scope for a players artistry to shine.
Published by Editions Marc Reift
Duration c.4 minutes
Difficulty level 3.5,4/6
Supplied with solo parts in TC and BC and piano part
Bravo! Euphonium - Carol Barratt - 20 pieces for Euphonium and Piano |
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A fine collection of 20 easy pieces for Euphonium and Piano. A separate piano accompaniment is supplied, and the solo parts are published in both treble and bass clef.
From the pubishers: "The pieces in Bravo! Euphonium take the student progressively through the early grades.They consist mainly of original material, with a few arrangements too, some well known, some more unusual. These pieces are intended to encourage the student to perform, rather than merely play, whenever the opportunity arises. All too often, the early stages of learning an instrument can be a solitary process. Whenever possible, these pieces should be played with their keyboard accompaniments. Hearing the keyboard parts will lead to an awareness and appreciation of different musical styles and a sense of harmony, not just the melody. In addition, playing with an accompaniment develops the pupils ability to maintain his or her own part while listening to another.
Highly recommended for the beginner player who is starting to develop well.
Published by Boosey and Hawkes
Difficulty level 1,2/6
Supplied with piano part and solo parts in TC and BC.
Euphonium Concerto Op.120 - Derek Bourgeois - Euphonium and Piano |
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Here is one of the euphonium's most fearsome yet lyrical challenges, the Euphonium Concerto by Derek Bourgeois, commissioned and first performed by Wendy Picton.
Derek Bourgeois composed his Euphonium Concerto in the spring of 1990. It is a straightforward tuneful work in three contrasted movements. The first movement is in regular sonata form with a lively first subject that has a strong rhythmic character. The second subject is lyrical and wistful. The development is mainly concerned with material derived from the opening subject. The movement concludes with a jaunty coda.
The second movement again has two main themes. The first is slow and melancholy with a marching bass line. The second is more overtly melodic with lush accompanying harmonies.
The finale is brief, highly rhythmical, and in three sections. There is some complex time juggling in the outer portions, though the character of the music is light hearted. The central episode is more lyrical, with a close affinity to the second subject of the first movement.
The whole piece makes great virtuosic demands on the soloist, who for much of the time plays in a high tessitura. It calls for tremendous agility, yet also requires musicianship and shaping in its more reflective moments.
A version for Euphonium and Brass Band is available from the composer.
A magnificent concerto and a monumental challenge for the advanced soloist.
Published by Brass Wind Publications
Duration: 16.5 minutes
Difficulty: 6/6
Supplied with: solo parts in TC and BC and piano score.
Derek Bourgeois
Derek Bourgeois was born in Kingston on Thames in 1941. He graduated from Cambridge University with a first class honours degree in music, and a subsequent Doctorate. He spent two years at the Royal College of Music where he studied composition with Herbert Howells and conducting with Sir Adrian Boult.
He has composed seventeen symphonies, twelve concertos, several other extended orchestral works, seven major works for chorus and orchestra, two operas and a musical. As well as a considerable quantity of chamber, vocal and instrumental music, he has composed twelve extended works for Brass Band and five symphonies for Symphonic Wind Orchestra. He has also written a considerable amount of music for television productions.
He has written four works specifically about Mallorca: Symphony No 8 - "The Mountains of Mallorca", Symphony No 16 - "Songs of Mallorca", which is a setting for Soprano and Orchestra of four Poems by Miquel Costa I Llobera. A Symphonic Suite in four movements for Wind Band called simply "Mallorca", and a piece called "Felanitx Fantasy" for the Felanitx Band, of which he conductor elect.
From 1970 to 1984 he was a Lecturer in Music at Bristol University. He was the conductor of the Sun Life Band from 1980 until 1983, and during the same period was Chairman of the Composers' Guild of Great Britain, and a member of the Music Advisory Panel of the Arts Council.
In September 1984 he gave up his university post to become the Musical Director of the National Youth Orchestra of Great Britain. In 1988 he founded the National Youth Chamber Orchestra of Great Britain which held its first course in the Summer of 1989. In 1990 he was appointed Artistic Director of the Bristol Philharmonic Orchestra.
He left the National Youth Orchestra in August 1993 to become the Director of Music of St Paul's Girls' School in London. He retired to Mallorca in July 2002 where he now lives as a full-time composer.
Derek Bourgeois died in September 2017.
Pulse - Thomas Doss - for solo euphonium (or baritone) and piano |
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Just arrived at the store is this fantastic new solo by the Austrian composer, Thomas Doss.
The composer writes: Pulse, a solo work which was originally written for euphonium (or baritone) and wind orchestra, presented here with piano reduction.
As the title suggests this piece is very rhythmic nature, Pulse represents a life and vitality, which also characterises the work. The tempo remains virtually constant throughout the piece. Even during the cadenza, played by euphonium, the pulse continues to beat steadily.
This work is dedicated to the young baritone soloist Felix Geroldinger from Upper Austria.
You can watch Felix performing it here with the SBO Wind Orchestra from Upper Austria https://www.youtube.com/watch?v=Se-TjZVOEew
Published by Mitropa Music.
Highly recommended and sure to be popular.
Difficulty: 4.5/6
Duration: 7 mins
Supplied with : solo parts in TC, BC and BC in Bb, and piano part.
Concertpiece - Philip Wilby - Euphonium and Piano |
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Concertpiece by Philip Wilby is an exciting and demanding concert work, suitable for recitals and competitions.
It was written in celebration of the life of David Thornton Snr. (1944-2008) who was the father of the famous euphonium soloist and teacher David Thornton.
In this version with piano it is an outstanding concert work with alternate virtuoso and lyrical sections, with lively rhythms, cross rhythms and syncopations requiring great agility and dexterity. Excellent control is also demanded in the soft high passages. All in all it's a quite outstanding composition, deserving to be more widely played.
(the brass band set is also available on this site)
Here is a video of the premiere (in the the version for euph and brass band) given by David Thornton and The Black Dyke Band in June 2010
Duration approx 10.5 minutes
Difficulty 5/6
Supplied with piano part and solo parts in TC and BC
Tours et Detours - for Saxhorn or Euphonium and Piano - Thierry Thibault |
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Here is a brand-new modern composition composed by very popular French performer (tuba) and composer, Thierry Thibault.
It has been specially commissioned for the 2017 solo competition in Tours, France.
At just over eight minutes duration, this will make for an exciting and challenging recital piece, audition work and competition repertoire.
Congratulations to Edition BIM for this beautifully produced new work.
Duration: 8.20
Difficulty: 4/5-6
Supplied with : Piano parts and solo parts in TC and BC.
Symphony Concertante - Roland Szentpali - Euphonium and Piano |
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The Symphony Concertante was commissioned by the Belgrade Philharmonic Orchestra and premiered by the composer himself in July 2015 on serpent, cimbasso, ophicleïde and saxhorn. Roland Szentpali dedicates this work to his friend Steven Mead and to his French friends who play saxhorn and the French instruments.
This is a really outstanding addition to the euphonium repertory. Roland Szentpali is a supremely gifted composer, in addition to his tuba performing skills. His Pearls and PearlsII as well as his Sketches1998 have been well-received by performers and audiences. There is a freshness and spontaneity about his music.
With Symphony Concertante we see a maturing of his harmonic and melodic language, which ranks this is one of the most important works composed for our instrument in recent years.
The first movement is entitled Introduction, which alternates between some recitatives as well as bold striking gesture in an Allegro tempo. The recitative section returns at the end before a dramatic climax.
The second movement is entitled Passepied (a Breton dance similar to a quick minuet, popular in the 17th and 18th centuries.) and is absolutely charming and intoxicating.
The third moment, From Nora, once again shows Roland bringing elements of his personal and family life into his compositions, and here the music is a times passionate, gentle. it ends peacefully .
The final movement 'Play, is in a super-fast tempo, quarter note equals 240! As you might expect it is indeed fun to 'play', and you need three very fast fingers to coordinate all this at tempo. The quick figures are interspersed with a couple of andante sections with a short and exuberant finale, ending on high concert C.
This work is really highly recommended by Steve, and of course he is honoured to receive the dedication this work, along with mutual low brass friends, very active in France.
Duration: 25 mins
Difficulty level: 4.5,5/6
Supplied with: piano part and solo parts in BC and TC
Tantalus - Kevin Houben - solo for Euphonium or Baritone and Piano |
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EuphoniumStore is delighted to introduce this super work (2011) by the popular and very talented composer Kevin Houben.
Published by Scherzando, this work is certain to find its way into examination lists, competition repertoire and recitals.
A short programme note:
The composer writes: When Tantalus, a figure from Greek mythology, invited the gods to a banquet, he served them his son Pelops who he had cut into pieces. He did so to test whether his guests were omniscient. The gods were immediately aware of the food and did not eat the meat offered. Except Demeter, who could not think of anything but her daughter who had been captured by Hades, inadvertently ate a piece of Pelops shoulder. Zeus, the ruler of the gods, instructed Hermes to collect the parts make the body whole again. Tartarus, offered offered a piece of ivory to rebuild the shoulder and Rhea brought Pelops to life again.
As a punishment, Zeus sent Tantalus to the deepest part of the underworld to suffer everlasting torture Tantalus had to stand in water up to his chin, but every time he got thirsty and moved his lips towards the water, it sank to the earth. As he was hungry as well, he tried to pick fruit of trees that seemed within reach, but his efforts were in vain. Whenever he almost got hold of a piece of fruit, a strong wind rose and blew the branches out of reach. Above him towered a boulder that could fall at any moment.The term 'torment of Tantalus' refers to this predicament presenting things much desired but that are out of reach.
Kevin Houben used the story of Tantalus as inspiration for this composition.
We're pretty sure that this piece is going to be widely appreciated by all intermediate and advanced players.
Duration 6.30mins
Difficulty: 4/6
Supplied with solo parts in TC and BC and piano accompaniment
Euphonium Concerto - Vladimir Cosma - Euphonium and Piano |
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Returning to the Euphonium Store is the famous Euphonium Concerto by Vladimir Cosma.
This is an epic and majestic euphonium concerto, written very much in a Spanish style, especially the two outer movements.
The middle movement, Andantino, is beautifully reflective and passionate.
One of the most challenging and rewarding solos in the repertoire, this concerto embodies in many ways the spirit of Paganini and Liszt for the euphonium and represents one of the most outstanding selections for euphonium and large ensemble. It features virtuoso technique, intense melody, and a need for panache and flair. The technical and range challenges are formidable, but WELL worth the practice. Of particular note involves the flexibility, clarity, and tone quality needed in the low range from BB-flat to F as there are numerous sections of slurred and tongued passages in these ranges. There is also a strong need for excellent double and triple tonguing as Cosma wrote the final few sections with the violin (his instrument) in mind versus the euphonium, so some of the passages are not as idiomatic as they could be. The Andantino creates an atmosphere mindful of Piazzolla, the famous tango writer. The melody sails with the euphonium. This piece stands at the top of the list of recommended repertoire for those capable. Taking this challenge will be extremely rewarding and the only caveat involves the cost of the large ensemble rental parts (more than $400) and the piano reduction. The publisher has chosen to make these choices and they greatly hinder the wide spread of this fantastic work.
I do feel I should apologise for the cost of this work, as it is very expensive. Since its release, the publishing company Larghetto Music has sought to make this perhaps the highest priced sheet music for euphonium and piano that exists. It is disappointing. Compare this to the price of the Horovitz or Sparke concerti.
Anyway, it's here and if you wish to play it, legally!!, you need to buy it!
Please enjoy this wonderful music
Duration: 23 mins
Difficulty level: 5/6
Supplied with : piano part and solo parts in Tc and BC
Steve has recorded this twice, once with piano, on the World of the Euphonium volume four CD and once with brass band, Bravura CD
Concertpiece - Philip Wilby - Euphonium and Piano |
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Concertpiece by Philip Wilby is an exciting and demanding concert work, suitable for recitals and competitions.
It was written in celebration of the life of David Thornton Snr. (1944-2008) who was the father of the famous euphonium soloist and teacher David Thornton.
In this version with piano it is an outstanding concert work with alternate virtuoso and lyrical sections, with lively rhythms, cross rhythms and syncopations requiring great agility and dexterity. Excellent control is also demanded in the soft high passages. All in all it's a quite outstanding composition, deserving to be more widely played.
(the brass band set is also available on this site)
Here is a video of the premiere (in the the version for euph and brass band) given by David Thornton and The Black Dyke Band in June 2010
Duration approx 10.5 minutes
Difficulty 5/6
Supplied with piano part and solo parts in TC and BC
Premier Solo de Concert - J.B. Singelee - Euph and Piano (Lost Treasures Series) |
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The Lost Treasures series of euphonium solos arranged by Luc Vertommen offers study and performance opportunities to every aspiring soloist.
During his studies in Brussels, Singelee met Adolphe Sax for whom he subsequently wrote a lot of music, solos for saxophone, fantasies, quartet and test pieces for the classes of the Conservatory. This work was originally written for an instrument described as 'tuba with six independent valves'. This is a terrific work, and very suitable for examinations, and recitals, as well as for brightening up a practice routine.
Duration: 6.10 minutes
Difficulty: 4
Supplied with solo parts in TC, BC in C and BC in Bb and piano part
Serenade Napolitaine - Ruggero Leoncavallo Arr. Vertommen - Euph and Piano |
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Ths is the second track on Steve's Lyrical Virtuoso CD, and has been highly popular. Now you get the chance to perform it yourself!
Sérenade Napolitaine - Ruggero Leoncavallo/Vertommen
Ruggero Leoncavallo (1857-1919), the composer of two such popular tunes as Vesti la Giubba and the song Mattinata didn’t have the easiest of lives as a composer. In 1899 Leoncavallo was constantly moving and being hunted by creditors. He returned to Paris to prepare I Pagliacci at the Opéra. While there he sold the editor Choudens, Les deux Sérénades (the Sérenade Français and his Sérénade Napolitaine) for 400 francs (about 2000 euro in current currency) for both songs. The Sérénade Napolitaine is an unadulterated love song that sounds to be an authentic Neapolitan folk song. In the Sérénade Napolitaine the merry troubadour sings for his beloved and begs her to receive his confession and answer his prayers, because life is to love.
Not difficult to play and sure to be appreciated by your audience!
This is the version for euph and piano (brass band version is also available)
Duration: 2.5 minutes
Difficulty 3/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano score
Ich Bin Der Welt Adhanden Gekommen - Gustav Mahler Arr.Vertommen - Euph and Piano |
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Another big 'hit' from the Lyrical Virtuoso CD was this wonderful piece of music by Mahler.
Here is it now published for euphonium and piano (brass band set also available)
Ich bin der welt abhanden gekommen (I Am Lost To The World) - Gustav Mahler/Luc Vertommen This is one of the most beautiful of all songs in the history of classical music. Ich bin der welt abhanden gekommen (1901) is one of the five Rückert-Lieder by Gustav Mahler. The Rückert-Lieder are a song cycle based on poems written by Friedrich Rückert (1788-1866). The first four songs of the Rückert-Lieder were premiered on 29th January 1905 in Vienna, with Mahler conducting himself. The poetry’s tone of peaceful resignation is captured and amplified in Mahler’s music. He was a master at composing music to convey complex emotions with seemingly simple melodic lines. The transparent interweaving of the instrumental and solo lines and the subtle fluctuation between inner tension and repose represent one of Mahler’s supreme achievements. In the brass band arrangement Luc Vertommen captures the subtle colours and the fragile Mahlerian orchestration in a colourful version for brass exploring the illuminating colours of a harp, the melodic percussion and muted brass to the full.
This version with piano is definitely performable in concerts and recitals. Beautiful music!
Duration 5.5mins
Difficulty: 2/6
Supplied with solo parts in TC, BC in C and BC in Bb and piano score
The Auld Noost - Ronald Jamieson Arr. Tony Swainson - Euph and Piano |
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As heard and loved by many of the Lyrical Virtuoso CD recorded by Steve and BB Buizingen.
The Auld Noost - Ronald Jamieson/Anthony Swainson
Noost is the Shetland word for a rocky creek where boats can be pulled up. This exquisite melody was composed for violin, or more correctly, ‘fiddle’, by Ronald Jamieson. The highly respected Scottish brass musician, conductor and arranger Tony Swainson sent his arrangement for euphonium and brass band to Steve a short while ago. After performing it once with a band, also in Belgium, he resolved to record it as soon as possible. This warmhearted work simply oozes charm.
This is the version for euph and piano. The version for euph and brass band is also available on this site.
Highly recommended.
Duration: 4 minutes
Difficulty: 3/6
Supplied with solo parts in TC, BC in C, BC in Bb
La Campanella - Nicolo Paganini - Euph and Piano |
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A tremendous challenge for the advanced soloist !!!
As heard on Steve's Lyrical Virtuoso album BOCC126
This is the version for euphonium and piano. The version with brass band accompaniment is also available on this site.
Niccolò Paganini composed his Second Violin Concerto in Italy in 1826 and performed the premiere himself the following year at La Scala, Milan. The third movement, Allegro spiritoso, owes its nickname, La Campanella to the little bell which Paganini prescribes to presage each recurrence of the rondo theme. The character of the bell is also imitated in the orchestra and in some of the soloist's passages featuring harmonics. This movement has served as the basis of compositions by other composers, such as Liszt and Johann Strauss. La Campanella is renowned for its intricate and technically demanding solo passages with flashy finger work, numerous double-stops and constantly bouncing bow. It was such a crowd pleaser that Paganini often chose to perform it as a stand-alone showpiece. La Campanella has become a popular display piece with transcriptions available for other solo instruments. Luc Vertommen challenged Steven Mead to the impossible by arranging La Campanella as a euphonium solo. For this virtuoso arrangement Luc Vertommen had to convert the multi-octave original full of seemingly impossible acrobatics into an (almost) playable version for a brass instrument. Luc Vertommen was inspired by the shortened version played by Leonid Kogan (1924-1982) one of the greatest representatives of the Soviet School of violin playing. Steve really enjoyed this ultimate workout. The sound of a little bell will always remind, even haunt him, of the countless hours necessary to master this work!
Airs Espagnoles - Pablo de Sarasate Arr. Luc Vertommen - Euph and Piano |
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This is the Airs Espagnoles - Pablo de Sarasate Arr. Luc Vertommen in an arrangement for Euph and Piano. The version with brass band is available on request.
Pablo de Sarasate (1844-1908) was a Spanish violinist and composer. As son of a military bandmaster he began to play the violin at the age of five. As his abilities developed, he was sent to study under Jean-Delphin Alard at the Paris Conservatoire at the age of twelve.Sarasate. Sarasate had been publicly performing since childhood and made his Paris debut as a concert violinist in 1860. The popularity of Sarasate's Spanish flavour in his compositions is reflected in the work of his contemporaries. For example Édouard Lalo’s dedicated his Symphonie Espagnole to Sarasate and Camille Saint-Saëns composed his Introduction and Rondo Capriccioso especially for him.
Sarasate also achieved some fame as a composer of virtuoso violin music. His compositions are mainly show-pieces designed to demonstrate his exemplary technique. The best known of his works is Zigeunerweisen. His Airs espagnols op. 18 is dedicated to his friend, the Spanish tenor Lorenzo Pagans (1833-1883. As his two books of Spanish Dances, his Airs Espagnols are a musical tribute to the folk music and especially the dances of his native country.
Listen to the original version with violin and orchestra: https://www.youtube.com/watch?v=CMes1LEa9ZE
Duration: 8 mins
Difficulty: 6/6
Supplied with solo parts in TC and BC in C, and piano part
Hungarian Rondo - Jospeh Haydn - Euph and Piano |
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The classic virtuoso showpiece bought to life in this great new edition from Luc Vertommen.
Also available on this site with brass band accompaniment.
Duration 4 mins
Difficulty: 4.5/6
Supplied with solo parts in TC, BC and BC in Bb and piano
La Saint-Louise - Antoine Simon - Euph and Piano (Lost Treasures Series) |
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Another gem from the Lost Treasures Series edited and prepared by the Belgian conductor and arranger Luc Vertommen.
Lyrical and techincal, a perfect example of mid 19th century brass writing.
Duration: 5.10 mins
Difficulty: 3.5,4/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano score
Fantasie Varie - Diedonne Dagnelies - Euph and Piano (Lost Treasures Series) |
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Dagnelies (1825-1894) became a pupil of Jean-Valentin Bender Whom he succeeded in 1873 as the conductorOf the wind band in Saint-Marie of Oignies.He lived and worked – Charleroi district of Northern France, composing and arranging many works for his bands including theme and variations solos for almost all wind instruments.He was a virtuoso cornet player and also wrote a method for cornet.This fantasie Is suitable for either ophicleide Paul bassoon. As far as we know it has never been used as a test piece. It consists of an introduction, theme and four variations.
A very exciting work!
Duration: 11.10 mins
Difficulty: 4.5
Supplied with solo parts in TC, BC in C, BC in Bb.
Variations sur un theme de Bellini - Stanilas Verroust - Euph and Piano (Lost Treasures Series) |
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Verroust (1814-1863) was born in Hazebbrouck in the dsmall town in the French Nord pas de Calais. He received several prizes at the Paris Conservatory. This famous set of variations were used as test pieces over many years in Belgium and France.
Duration: 7.45 mins
Difficulty: 4.5/6
Supplied with aolo parts in TC, BC in C and BC in Bb and piano part
Variations Brillantes - Jean Paque - Euph and Piano (Lost Treasures Series) |
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Another formulaic theme and variation solo by Jean Paque. Many charming lyrical moments, dramatic and virtuosic cadenzas, and an exciting finale.
Duration approx 6-7 mins
Difficulty level : 4/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano part
Premier Solo - Henri Potier (Lost Treasures Series) |
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Another great addition to the Lost Treasures series. A real gem, so inventive, and at times expressive and virtuosic. Fabulos choice for recitals and competitions.
Duration: 6.25
Difficulty: 3.5,4/6
Supplied with solo parts in TC, BC in C and BC in Bb and piano score
Fantasie sur 'L'ame en Peine' - Jules Demersseman - Euph and Piano (Lost Treasures Series) |
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Another classic and quite brilliant Demersseman theme and variation solo, based on themes from a relatively new opera. It was used as a test piece in 1892 in Brussels and consists of an introduction, theme and four variations. Highly recommended.
Duration: 8.30 mins
Difficulty: 4.5/6
Supplied with solo parts in TC, BC in C, BC in Bb
Grand Duo sur Robert le Diable - Jules Demersseman - Euph Duet and Piano (Lost Treasures Series) |
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Demersseman (1833-1866) was a famous flute teacher and performer, who composed a lot of music for brass, most of it at the behest of Adolphe Sax.
This marvellous duet was premiered on 21 November 1831.
Duration: 9.10 mins
Difficulty: 4.5/6
Supplied with duet parts in TC, BC in C, BC in Bb and piano score
Air Varie - J.Ramain (Lost Treasures Series) |
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A very fine theme and variation solo from the mid 19th century, with demands on the players agility and rhythmic precision.
Duration: 8 mins
Difficulty: 4/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano score
Andante - Peter Benoit - Euph and Piano (Lost Treasures Series) |
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Benoit composed the Andante for trombone for the trombone exam in 1864 at the Antwerp Conservatory.
A very attractive slow melody.
Duration: 3.20 mins
Difficulty: 3/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano score
Solo - Georges Pfeiffer - Euph and Piano (Lost Treasures Series) |
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Georges Pfeiffer (12 December 1835-14 February 1908) was born in Versailles, into a family of piano builders. This solo, originally for trombone was used in 1899 and 1906 as a test piece at the Paris Conservatory. It was also used as a test piece in Belgium in 1906 and 1914. This Solo is freely constructed and, with its influences from Richard Wagner, harmonically rather adventurous for its time.
Duration: 8 mins
Difficulty : 4/6
Supplied with solo parts in TC, BC in C and BC in Bb and piano part
Air Varie - Hyacinthe Klose - Euph and Piano (Lost Treasures Series) |
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Hyacinthe Eleonore Klose, (male!), was born in Corfu and taught clarinet at the Paris Conservatory. While working with the instrument may get Buffet he became the inventor of the modern clarinet fingering system. With its similar fingering, the ophicleide was in that period the only brass instrument which could cope with music for inherently more nimble woodwind instruments. His Air Varie Op. 21 is remarkable for its technical demands and was used as a test piece in Paris in 1843.
Duration: 10.20mins
Difficulty: 4.5/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano part
Air Varie - Philippe Gattermann - Euph and Piano (Lost Treasures Series) |
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Philippe Gattermann was a German flautist and composer, born in 1860, and wrote a method for his own instrument using the new Bohm system. This Air Varie was never used as a test piece and consists of an introduction, theme and four variations.
This theme and variations soloIs one of the most advanced in the series and of its genre and will suit and show off the advanced player.
Duration 8.30
Difficulty 5/6
Supplied with solo parts in TC, BC in C, BC in Bb
Air Varie - Vasseilliere Fils - Euph and Piano (Lost Treasures Series) |
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One of the very best of the old style theme and variations solo, and difficult too. You need strong chops for this one!
A long rhapsodic intro, a high pitched arching theme, followed by 5 variations.
Steve was given this music in a very old edition when he was 16...and it's great to see it in this shiny new edition, for many others to enjoy!
Highly recommended for the advanced soloist.
Duration: 11.50 minutes
Difficulty: 5/6
Supplied with solo parts in TC, ,BC in C and BC in Bb and piano part
Sonate (Sonata) - Peter Benoit - Euph and Piano (Lost Treasures Series) |
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The key figure in the Flemish National School (1850-1870) was Peter Benoit (1834-1901). The Antwerp city government interested him with the leadership of its music school which he thoroughly reorganised and developed into the Royal Flemish Conservatory. This three movement Sonata, was originally written for trombone in February 1863.
Excellent extended work, with some great moments. un Poco Larghetto,, Scherzo, Finale en style fugue
Duration: 13.25 mins
Difficulty: 4.5/6
Supplied with solo parts TC, BC in C, BC in Bb.
Grand Air Varie - JB. De Lannoy - Euph and Piano (Lost Treasures Series) |
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Here is another in the Lost treasures Series, and a theme and variations solo from the little-known Jean-Baptiste Lannoy. Delightful and characteristic with a great finale, great for a solo competition for an intermedaite level euphonium or baritone player.
Difficulty: 3/6
Duration: 5 mins
Supplied with solo parts in TC , BC in C, BC in Bb and piano score
Piece de Concert (Concert Piece) - de la Nux - Euph and Piano (Lost Treasures Series) |
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Here is a new performing addition of the highly popular Concert Piece, by Paul Veronge de la Nux, I work often used in solo competitions worldwide. Here it is in a new performing edition edited by Luc Vertommen, and part of the Lost Treasures series. To avoid confusion, this work here goes under it's French title 'Piece de Concert', but it is one and the same.
It is structured in two sections, Andante which is then followed after a short cadenza, by an Allegro section which forms the entire second-half of the work
Duration: 5 mins
Difficulty: 4/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano part
Fantasie - Victor Frederic Verrimst - Euph and Piano (Lost Treasures Series) |
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Victor Frederic Verrimst (1825-1893) was a bassist and composer, was admitted to the Paris Conservatoire at an early age, and went on to receive several prizes for composition. He became involved with the Comic Opera in Paris and different music societies.
Like many others in the Lost Treasures series, Fantasie continues the stylistic traditions with a bold, strong operatic opening, some contrasting beautiful melodies and a return to the opening material which is then decorated as we lead to the finale.
Duration: 8.30 mins
Difficulty: 3/6
Supplied with solo parts in TC, BC in C and BC in Bb and piano part
Grand Air Varie - JB. De Lannoy - Euph and Piano (Lost Treasures Series) |
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Here is another in the Lost treasures Series, and a theme and variations solo from the little-known Jean-Baptiste Lannoy. Delightful and characteristic with a great finale, great for a solo competition for an intermedaite level euphonium or baritone player.
Difficulty: 3/6
Duration: 5 mins
Supplied with solo parts in TC , BC in C, BC in Bb and piano score
Piece de Concert (Concert Piece) - de la Nux - Euph and Piano (Lost Treasures Series) |
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Here is a new performing addition of the highly popular Concert Piece, by Paul Veronge de la Nux, I work often used in solo competitions worldwide. Here it is in a new performing edition edited by Luc Vertommen, and part of the Lost Treasures series. To avoid confusion, this work here goes under it's French title 'Piece de Concert', but it is one and the same.
It is structured in two sections, Andante which is then followed after a short cadenza, by an Allegro section which forms the entire second-half of the work
Duration: 5 mins
Difficulty: 4/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano part
Fantasie - Victor Frederic Verrimst - Euph and Piano (Lost Treasures Series) |
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Victor Frederic Verrimst (1825-1893) was a bassist and composer, was admitted to the Paris Conservatoire at an early age, and went on to receive several prizes for composition. He became involved with the Comic Opera in Paris and different music societies.
Like many others in the Lost Treasures series, Fantasie continues the stylistic traditions with a bold, strong operatic opening, some contrasting beautiful melodies and a return to the opening material which is then decorated as we lead to the finale.
Duration: 8.30 mins
Difficulty: 3/6
Supplied with solo parts in TC, BC in C and BC in Bb and piano part
Souvenir de Paris - J.B. De Lannoy - Euph and Piano (Lost Treasures Series) |
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Another great addition to the Lost Treasures Series, with a solo of moderate difficulty. It starts with a cadenza, followed by a quasi-operatic Lento, an Andantino section, which presents the main theme, and two variations leading to the vivace finale.
Duration 4.30
Difficulty : 3/6
Supplied with solo parts in TC, BC in C, BC in Bb and piano part
Grand Solo - Hedwige Cretien - Euph and Piano (Lost Treasures Series) |
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As part of the Lost Teasures Series edited by Luc Vertommen, here is a superb addition to our repertory, Grand Solo (Andante and Allegro). Superb for studying the styles of the mid-19th century, with a mix of quasi operatic, aria and suits the euphonium perfectly. A little more extented high range than with some of this series, up to high Eb (treble clef). Well worth the effort. A good medium length recital/concert work.
Duration: 5 mins
Difficulty: 4/6
Supplied with solo parts in TC, BC in C and BC in Bb.
Grande Fantasie - Joseph Reynaud - Euph and Piano (Lost Treasures Series) |
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Another gem from the Lost Treasures, arranged by Luc Vertommen, who has indeed brought many gems to life from the 19th century. This work, Grande Fantasie is an excellent showpiece , with some fine dramatic moments and opportunities for some fine 'vocal' moments as well as some technical challenges and an exciting finale.
Great for a contrasting recital item.
Duration: 5 mins
Difficult: 3:4-6
Supplied with solo parts in TC, BC in C and BC in Bb and piano part
Solo de Concours - Adrien Barthe - Euph and Piano (Lost Treasures Series) |
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A short attractive concert piece from the pen of Adrien Barthe (1828-1898), full of lyrical and dramatic moments, and ideal for a recital programme.
Part of the Lost Treasures Series, as recorded by Glenn van Looy on the album of the same name.
Duration: 3.30mins
Difficult: 3/6
Supplied with : solo parts TC, BC in C and BC in Bb.
Hamlet - Amboise Thomas - Euph and Piano (Lost Treasures Series) |
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A beautiful slow melody from the mid 18th century, and included in the popular Lost Treasures series.
Hamlet is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play Hamlet.
Duration 4 mins
Difficulty level: 3/6
Supplied with solo parts in TC, BC in C and BC in Bb and piano part.
As recorded by Glenn Van Looy on the Lost Treasuures CD
Bliss - Hermann Pallhuber - Euphonium and Piano |
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Just released, the piano accompaniment version of this simply brilliant solo by Herman Pallhuber.
BLISS - now released for Euph & Piano. First Performed in 2011 by Steven Mead for Wind and BrassBand, performed recently at RNCM Brass Band Festival in Manchester in its present form (transcribed by Peter Knockaert).
In two main sections, the first being expressive and quite slow and then, following a short cadenza, a stunning rhythmic and virtuosic Allergo Vivace. A central slower contrasting section introduces the main 'blissful' them which then returns in the finale. A huge crowd pleaser.
Watch/listen to a live performance (with wind orchestra) in La Coruna, Spain by Steven Mead.
https://www.youtube.com/watch?v=Ren6ONUHVTU
From the publishers, Beriato Music : Bliss is one of the most spectacular euphonium solos around. It was commissioned by the euphonium virtuoso, Steven Mead. This two-part concerto brings all the characteristics of the instrument into the spotlight: it contains a slow, colourful section that resembles a typical English air, in which the full round warmth of the instrument is revealed, followed by an extremely virtuoso, dynamic fast movement. A great one for any soloist looking for a challenge!
As heard on the 'Diamonds' CD recorded by Steven Mead and the Central Band of the RAF
Duration : Approx 11.30
Difficulty: 5/6
Supplied with solo parts in BC and TC and piano accompaniment
As heard on the 'Diamonds' CD recorded by Steven Mead and the Central Band of the RAF
Symphony Concertante - Roland Szentpali - Euphonium and Piano |
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The Symphony Concertante was commissioned by the Belgrade Philharmonic Orchestra and premiered by the composer himself in July 2015 on serpent, cimbasso, ophicleïde and saxhorn. Roland Szentpali dedicates this work to his friend Steven Mead and to his French friends who play saxhorn and the French instruments.
This is a really outstanding addition to the euphonium repertory. Roland Szentpali is a supremely gifted composer, in addition to his tuba performing skills. His Pearls and PearlsII as well as his Sketches1998 have been well-received by performers and audiences. There is a freshness and spontaneity about his music.
With Symphony Concertante we see a maturing of his harmonic and melodic language, which ranks this is one of the most important works composed for our instrument in recent years.
The first movement is entitled Introduction, which alternates between some recitatives as well as bold striking gesture in an Allegro tempo. The recitative section returns at the end before a dramatic climax.
The second movement is entitled Passepied (a Breton dance similar to a quick minuet, popular in the 17th and 18th centuries.) and is absolutely charming and intoxicating.
The third moment, From Nora, once again shows Roland bringing elements of his personal and family life into his compositions, and here the music is a times passionate, gentle. it ends peacefully .
The final movement 'Play, is in a super-fast tempo, quarter note equals 240! As you might expect it is indeed fun to 'play', and you need three very fast fingers to coordinate all this at tempo. The quick figures are interspersed with a couple of andante sections with a short and exuberant finale, ending on high concert C.
This work is really highly recommended by Steve, and of course he is honoured to receive the dedication this work, along with mutual low brass friends, very active in France.
Duration: 25 mins
Difficulty level: 4.5,5/6
Supplied with: piano part and solo parts in BC and TC
Euphonium Concerto - Vladimir Cosma - Euphonium and Piano |
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Returning to the Euphonium Store is the famous Euphonium Concerto by Vladimir Cosma.
This is an epic and majestic euphonium concerto, written very much in a Spanish style, especially the two outer movements.
The middle movement, Andantino, is beautifully reflective and passionate.
One of the most challenging and rewarding solos in the repertoire, this concerto embodies in many ways the spirit of Paganini and Liszt for the euphonium and represents one of the most outstanding selections for euphonium and large ensemble. It features virtuoso technique, intense melody, and a need for panache and flair. The technical and range challenges are formidable, but WELL worth the practice. Of particular note involves the flexibility, clarity, and tone quality needed in the low range from BB-flat to F as there are numerous sections of slurred and tongued passages in these ranges. There is also a strong need for excellent double and triple tonguing as Cosma wrote the final few sections with the violin (his instrument) in mind versus the euphonium, so some of the passages are not as idiomatic as they could be. The Andantino creates an atmosphere mindful of Piazzolla, the famous tango writer. The melody sails with the euphonium. This piece stands at the top of the list of recommended repertoire for those capable. Taking this challenge will be extremely rewarding and the only caveat involves the cost of the large ensemble rental parts (more than $400) and the piano reduction. The publisher has chosen to make these choices and they greatly hinder the wide spread of this fantastic work.
I do feel I should apologise for the cost of this work, as it is very expensive. Since its release, the publishing company Larghetto Music has sought to make this perhaps the highest priced sheet music for euphonium and piano that exists. It is disappointing. Compare this to the price of the Horovitz or Sparke concerti.
Anyway, it's here and if you wish to play it, legally!!, you need to buy it!
Please enjoy this wonderful music
Duration: 23 mins
Difficulty level: 5/6
Supplied with : piano part and solo parts in Tc and BC
Steve has recorded this twice, once with piano, on the World of the Euphonium volume four CD and once with brass band, Bravura CD
Euphonium Concerto - Yukka Linkola - Euphonium and Piano |
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This is certainly near the top of the list of super impressive euphonium concertos we have, and that this was composed just over 20 years ago by the Finnish composer Yukka Linkola, who is equally skilled in the jazz world as he is in the modern classical world.
This concerto came to prominence thanks to the performances and CD recording by the Finnish euphonium star Yukka Myllys.
It goes without saying that this work is not for the fainthearted. The high range peaks at high concert F and goes down as low as pedal Eb.
It is quite beautiful music, with a few gentle jazz elements heard. This is very clever writing indeed and this concerto has justifiably and its place in perhaps one of the top five euphonium concertos in existence.
Total duration, depending on tempi is 26-27 minutes, and the concerto is in three movements.
Duration: 26-27 mins
Difficulty Level : 6/6
Supplied with: piano part part and solo part in TC.
Steve's recording of this, with piano, is on the Audacious double album
Euphonium Concerto - Joseph Horovitz - Euphonium and Piano |
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What more can be said about this famous concerto. It was composed back in 1972 for Trevor Groom and he gave the premiere at the Royal Albert Hall with the GUS Footwear Band.
It probably is the most famous euphonium concerto in the world, and often used for examinations Competitions and auditions. The first and third movements are basically fast, although always lyrical and the second movement is one of the most beautiful second movements that we have in our entire repertoire.
Euphonium Concerto - Karl Jenkins - Euphonium and Piano version |
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This has become a highly sought after Concerto in recent years. Karl Jenkins is no doubt one of the composers at the moment, and this four movement concerto, championed by David Childs is a real audience pleaser.
Duration: C. 23 mins
Difficulty: 5.5/6
Supplied with: piano part and solo parts in TC and BC
Euphonium Concerto No.1 - John Golland - solo euphonium with piano accompaniment |
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Here is the classic Euphonium Concerto No.1 by John Golland, published by Chester Music.
It is one of the absolute classics from euphonium repertoire, and recently recorded by Steve on his new album Lyrical Virtuoso.
John Golland wrote some extraordinary music in his life, and perhaps none finer than the works he wrote for euphonium, in particular his two concerti. The first was given its premiere in 1981 by Bob Childs whilst on tour in Australia with the Grimethorpe Colliery Band.
Although the music can be divided into three quite separate movements, it is performed without breaks, and each movement has quite clearly defined characteristics. It was written quite autobiographically and the underlying darkness of much of the music reflects the physical difficulties from which the composer suffered all his life. Richard Strauss in his masterwork Ein Heldenleben had showed us the full extent of such self-representation in music, and here with this Euphonium Concerto we are taken on a rollercoaster of emotions, that culminate in intensity at the close of the beautiful slow movement, where the euphonium accompanied by the slow heartbeat of a bass drum seems to represent the very life spirit of the composer hanging by a thread. The final movement is joyous and celebratory, perhaps another life hurdle temporarily overcome. John Golland died shortly after his 50th birthday
Difficult Level : 5/6
Duration: Approx: 17 minutes
Supplied with solo parts in TC and BC and piano accompaniment
The Green Hill - Bert Appermont - solo euphonium with piano accompaniment |
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EuphoniumStore now has in stock this excellent and popular work by Bert Appermont, The Green Hill
It was commissioned by the Swiss euphonium virtuoso Erich Schmidli. The composer dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of our instrument.
It's been recorded by Glenn Van Looy and is a well suited to popular concerts and recital
It's described as a Celtic Fantasy, and is always well received ...so long as you play it nice !
Publised by Beriato Music (part of Hal Leonard)
Difficulty level: 4/6
Duration: 7.20 mins
Supplied with : Solo parts in TC and BC and piano accompaniment.
Versions with brass band and wind band/harmonie also available now on this site.
Tours et Detours - for Saxhorn or Euphonium and Piano - Thierry Thibault |
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Here is a brand-new modern composition composed by very popular French performer (tuba) and composer, Thierry Thibault.
It has been specially commissioned for the 2017 solo competition in Tours, France.
At just over eight minutes duration, this will make for an exciting and challenging recital piece, audition work and competition repertoire.
Congratulations to Edition BIM for this beautifully produced new work.
Duration: 8.20
Difficulty: 4/5-6
Supplied with : Piano parts and solo parts in TC and BC.
The Four Elements (Partita for Solo Euphonium and Piano) - Martin Ellerby |
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The EuphoniumStore is proud to introduce a stunning new work from the pen of Martin Ellerby. This is a very advanced work for very mature performers!
Martin Ellerby: The Four Elements (Partita for Solo Euphonium and Brass Band) Commissioned by and dedicated to the Black Dyke Band (Musical Director Professor Nicholas J. Childs) and Gary Curtin (euphonium) with funds made available by the John Golland Trust.
This is the version for euphonium and piano.
Composer Martin Ellerby writes:
"The first performance was given by these forces in the RNCM Concert Hall, Manchester, on 23 January 2015 as part of the RNCM Festival of Brass.
The Four Elements was written for Gary Curtin and the Black Dyke Band as part of a recording project of my music for brass band, released in 2015.
Having previously written a large scale concerto for the euphonium I decided to write something much more concise though still enabling the soloist to display flair and lyricism in equal measure. I aimed at around two minutes per movement, which meant I would be creating a set of miniatures, and based each on one of the four elements of earth, water, air and fire though they are primarily given their Latin names of terra aqua aer ignis in the score. The term is used to indicate that the work is a collection, or suite of pieces, and in keeping with former examples uses both song and dance forms to provide suitable musical structures.
1. Terra (Earth) an intrada set in ABABAC form in which A, for the band, is built on a 12 note row, B is a duet between the soloist and elements of the band and C an enigmatic . The ‘elemental’ interval of a perfect 5th proves dominant in all aspects of the opening movement.
2. Aer (Air) cast in the form of a fleeting scherzando - the music makes play between the rhythmic possibilities of contrasting common and compound time signatures giving it an unsettled edge.
The flavour is light and breezy, possibly somewhat oriental in manner.
3. Aqua (Water) a lyrical interlude or intermezzo , where the soloist has more of a free reign to their lines and the band support in a delicate legato style.
4. Ignis (Fire) - the virtuosic fianel celebrates the spirit of a pagan dance. Much use is made of mixed metres and the cornets and trombones remain muted throughout giving a metallic quality to the ensemble. Just prior to the climax proper there is heard a fiery statement of the traditional Dies Irae (‘Day of Wrath’) melody in the form of a band interlude.
One other point of interest is that of the percussion section which I have tried to vary in each section, acknowledging their vital contribution to the overall sound world. ‘Earth’ has darker combinations of timpani, marimba, bass drum, a low suspended cymbal and tam-tam. ‘Air’ utilises two antiphonally placed glockenspiels, a bright suspended cymbal and triangle. ‘Water’features delicate tuned percussion consisting of vibraphone, a ‘guest’celesta, crotales and a binding mark-tree. ‘Fire’ exploits most of what has not gone before with rhythmic, punchy bongoes, side drum, xylophone and timpani plus a set of tubular bells, cymbals and tam-tam in the closing stages."
This version here is with Piano accompaniment and the brass band set is also available on this site
Duration: approx 9.25minutes
Difficult: 5-6/6
Supplied with piano part and TC and B solo parts
Publisher: Studio Music, UK
Aces - (Frank Gulino) - Euphonium solo with piano accompaniment |
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Aces was composed in 2015 for Steven Mead and is the first track on the Dream Times CD.
Here it is in a version with piano accompaniment. (also available on this site with brass quintet)
This is sure to be extremely popular with many soloists. It is not excessively difficulty and is very easy on the ear, and a lot of fun to play.
Appropriate for any aspiring High School or College Euphonium player.
Difficulty: 3/4 of 6
Duration: approx. 7mins
Supplied with : piano score and solo parts in TC and BC
Song of India - Rimsky Korsakov Arr.E.Wilson - Euphonium and Piano |
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Here is a famous and totall gorgeous slow melody for ALL euphonium and baritone players to enjoy.
Sure to be popular!
Song of India’ (or more accurately the ‘Song of the Hindu’) from Rimsky-Korsakov’s 'opera-bilina’ Sadko provides not so much a technical challenge as a musical one, requiring a great degree of control and accurate intonation as the subtly varied chromatic phrases weave their way over a gently undulating, almost hypnotic accompaniment.
Engraved and presented to the highest standards as you’d expect from Winwood Music. Played by Steve in his recent recitals.
Difficult level: 2/6
Duration : 4 mins
Supplied with piano part and solo parts in TC and BC
Sonata for Euphonium (originally Bassoon) - C.Saint Saens Arr.E.Wilson- Euphonium and Piano |
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Arranger and Music Editor Eric Wilson has provided euphonium players with another gem!
Nocturne and Dance - Meryn Burtch - Euphonium and Piano |
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Nocturne and Dance was commissioned by David Childs and was written in November and December 2012, receiving its first performance by David Childs and Christopher Williams on 13th October 2013 during a recital at Cardiff University's Concert Hall forming part of the Arcomis International Brass Event.
The Nocturne (A Dream) opens with a slow, quiet, and rather menacing slow march on the piano, while the euphonium has a quieter and less aggressive role. Tension rises as the music for both instruments becomes more agitated, faster, and louder. Whatever the dream is, it is increasingly disturbing until the sleeper wakes and the tension subsides. The opening music now returns, but the menace is held in check: the nocturne fades away.
The Dance, by contrast, is a much more extrovert movement with each instrument playing off rhythmically against the other in a texture that becomes more and more complex, leading eventually to a final flourish bringing reconciliation between the two instruments.
This publication comes complete with composer biography and performance tips from David Childs
Duration : 8.30
Difficulty level: 5.5/6
Supplied with piano part and solo parts in TC and BC
Phoenix Song - David Harrington - Euphonium and Piano |
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Phoenix Song is a dramatic and challenging fantasy for Euphonium and Piano. The piece was inspired by the myth surrounding the great firebird of Persian legend. According to the story, the Phoenix spends 1000 years living on earth before returning to its nest, only to incinerate itself in enveloping flames as if part of an eternal ritual. The spirit of the bird is then released and reborn in a new body. I wanted to recreate this enchanting lifecycle in music using the Euphonium to personify the legendary bird, and capture the song that the Phoenix sings on its perpetual journey.
The work is divided into a storyboard of events beginning with the bird's flight back to the nest, a reflection on the nostalgia of its heroic life, moving onto the discovery of the nest, the incineration and finally the rebirth of the bird.
The Euphonium part is highly decorated and aims to sound organic and improvisatory, particularly during the quasi-cadenza at the very beginning. Virtuoso, precise and expressive playing is required in the faster sections. The Euphonium is given much lyrical writing in equal measure to passages requiring aggressive gusto and command by contrast.
The role of the accompaniment is to reinforce the scene painting, whilst twisting and turning the thematic material, propelling the story forward. The very heavy sounding piano passages extending to all registers of the instrument reflect the vast life span of the bird, coupled with violent flutter tonguing from the Euphonium (towards the end of the work) to resemble the furious flames of the nest.
The final section is very tonal, with celestial semi-quaver decorations in the piano part and a warm, cantabile Euphonium theme that should sing high in the instrument's range, soaring like the firebird it seeks to represent.
This publication comes complete with composer biography and performance tips from David Childs.
Part of The Leading Edge Series
Duration : 7.30
Difficulty Level: 5/6
Supplied: piano part and solo part in TC and BC
Skunk - Simon Parkin - Euphonium and Piano |
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Here is Skunk - one of the new Leading Edge series of publications, in contemporary idiom, and perfect for the recital use where the soloist needs a modern work with fresh original colours and In demanding in range for the soloist.
its original form, Skunk was first performed by David Childs and Simon Parkin on January 26th 2001 at the RNCM Festival of Brass. Following subsequent revisions, the work later received its official premiere on January 7th 2004 in London's Purcell Room on the South Bank, performed by David Childs and pianist Harvey Davies.
Composed in a jazz-rock idiom the work seeks to explore both the technical and lyrical boundaries of the euphonium soloist and pianist. The music is rhythmically complex throughout and following a return to the original material; Skunk comes to an abrupt end with a series of fortissimo grunt noises depicting the sound a skunk might make!
This publication comes complete with composer biography and performance tips from David Childs
Duration: 5/6
Difficulty level: 8.30
Supplied with piano part and solo parts in TC and BC
Jazz Disasters - Alan Williams - Euphonium and Piano |
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Here is another brand new work, part of the Leading Edge series of contemporary works for the euphonium.
Jazz Disasters was premiered by David Childs, the dedicatee of the work during a solo recital at the Bridgewater Hall Manchester in 2004. The genres of music I'm most influenced by are jazz, and the "Barbaric" tendency of early 20th century composers like Bartók and Stravinsky. I suppose they have rhythmic ostinato in common, and to me, having at one time played guitar in a big band, the marriage between (in this case) funk and brass seems a natural one.
David had a big input into my piece, encouraging me to explore the extreme regions of the instrument, and of its virtuoso capabilities. It is a kind of collision between the "Balkan" rhythms of the first and last sections and the funk-fusion feel of the middle, with some walking bass thrown in for good measure. The piece should feel like a runaway train, always on the point of coming off the tracks.
Duration : 6'
Difficulty : 5.5, 6/6
Supplied with piano part and solo part in BC and TC
Pulbisher: Prima Vista Musikk
Fujiko - Andy Scott Euphonium and Piano |
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Here's another great new work from the pen of Manchester based composer and saxophonist, Andy Scott.
Fujiko initially explores the low register of the instrument before embarking on a journey upwards! A beautifully scored reflective and melancholy piece.
A number of euphonium players have performed 'Fujiko' over the past couple of years, adapting the music from the tenor saxophone and piano version. In this publication the composer, Andy Scott, has re-voiced the piano part specifically to balance with euphonium, and has created a definitive part for solo euphonium.
Its a gorgeous mood piece.
Duration: 4.30
Piano part and TC solo part.
Difficulty 4/6
Respectfully Yours - Andy Scott Euphonium and Piano |
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New from Andy Scott and Astute Music an engaging, thought provoking and emminently playable piece !
Respectfully Yours was commissioned by Fabian Bloch, and is scored for euphonium and piano (and can be heard on his Drive CD, also available on this site.)
The world premiere was given by Fabian Bloch (euphonium) & François Killian (piano) on the 6th of September 2015, and recorded on the CD ‘Drive’. Andy Scott had the privilege of collaborating on a number of occasions with composer/pianist Richard Rodney Bennett, and composed Respectfully Yours in memory of RRB, who passed away in December 2012.
The composer writes;
“I was delighted when Fabian approached me to commission a new work, and it felt appropriate to write a piece that was melodic with jazz-influenced harmony that I think of as a simple ‘thank you’ to Richard Rodney Bennett, for being an inspirational musician and kind and generous person. I know that Fabian is a virtuosic and sophisticated musician, and felt that a new work with this underlying sentiment would be in very capable hands.
4 mins duration
Piano part and TC solo part
Difficulty: 3/6
Morceau de Concert (C.Saint-Saens Arr. S.Johnson) - Euphonium and Piano |
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This Morceau de Concert was originally composed for French Horn and Piano for the Paris Conservatoire exams. Saint-Saens composed several pieces for this purpose, including a fine Cavatina for trombone. The work which is essentially a set of variations is very well suited to the euphonium.
This work really suits the euphonium.
Solo parts in TC and BC
Difficulty 4/6
Euphoria (Alwyn Green) - Euphonium and Piano |
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Here is a fun concert work, easy on the ear, and a challenge for the intermediate/college level musician.
It's been described as "a celebration of the wide range, dexterity and tone of the Euphonium.
Tricky but quite playable and hopefully, rewarding."
Solo parts in TC and BC.
Beautifully produced by BrassWind Publications.
Difficulty 3,4/6
Composer biography - Alwyn Green was born and educated in Norwich. He studied at the Guildhall School of music and Drama from 1968 - 1971 and was awarded the Brass Prize in his second year. At this time he also passed diplomas at the Royal Academy 9of Music (performance) and Trinity College London (teaching).
On leaving Guildhall he was immediately appointed to the Principal Bass Trombone chair in the Bournemouth Symphony Orchestra. Since then he has played Trombone or Euphonium with almost all the British orchestras. In 1986 he was invited to take up a principal position in the City of Birmingham Symphony Orchestra where he is still employed. He was a founder member of the Palm Court Theatre Orchestra and the Prince of Wales Brass. He is the founder and musical director of the Berkley Salon Ensemble and is also principal guest conductor of the Shirley Band.
He teaches at both Birmingham University and the Birmingham Conservatoire and is frequently engaged to coach at other colleges and similar institutions.
As a composer and arranger he undertakes regular commissions from the City of Birmingham Symphony Orchestra and other groups and a number of his pieces have been broadcast and commercially recorded. He lives in Solihull with his wife Madelyn, who is a lecturer in higher education. They have two grown up children.
Adagio and Allegro Op.70 - R.Schumann Arr. S.Johnson - Euphonium and Piano |
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Schumann composed the Adagio and Allegro Opus 70 for Horn and Piano in 1849. In this work he explored some of the possibilities created by the invention of the valve system which made the horn a fully chromatic instrument. The valve system also brought in instruments such as the euphonium, which the Adagio and Allegro is well suited to.
This work has been arranged and performed by other instruments, for violin and cello, for example and more recently has been regarded as a highly popular work for tuba.
This work really suits the euphonium perfectly. Enjoy it!
Solo parts in TC and BC
Difficulty: 4/6
Concertino Op.45 - Weber - Euphonium and Piano |
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This will be a popular addition to your repertoire, and is sure to be a highly sought after concert/recital work.
This Concertino, Opus 45, was originally written for natural horn in E minor but has been adapted for euphonium by Stuart Johnson. The music is well suited to the euphonium with the variations on the main theme gaining in intensity and complexity. The final section can be performed as a stand alone piece.
Solo parts in BC and TC.
Difficulty: 4/6
Otemoyan Fantasy - Misa Mead - for euphonium and piano |
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A superb original work ( approx . 7 mins duration) from the talented Misa Mead, first performed by her in Kumamoto, Japan in 2010 and recently, to much critical acclaim at the Tubamania Festival in Bangkok and the SouthWest Regional ITEC in USA, in 2013.
Based on a beautful Japanese song this demanding work will prove to be very popular in recitals and concerts
The difficulty level is : MODERATE/DIFFICULT
Solo parts in BC and TC
Concertino - Misa Mead - Euphonium and Piano |
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Here's the brand new original composition by Misa Mead, Concertino, for euphonium and piano, that was recently premiered by her at the NERTEC Festival at Ithaca College, NY, USA, to great critical acclaim.
The duration is 8 minutes and will prove to be an exciting recital/concert work with piano accompaniment. The musical language is traditional, at times neoclassical with a lot of audience appeal!
It's in one continuous movement.
Difficulty : 4 or 5/6 (ossia/options available at the most difficult moments)
Supplied with piano score and solo parts in TC and BC
Published by Bocchino Music
Steven Mead Euphonium Song Book Vol.2 - Arr.Luc Vertommen |
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Here is the brand new Euphonium Song Book Vol.2, a successor to the highly Vol.1 released 18 months before.
Here we have another superb collection of beautiful melodies; some simple and folk inspired, some instrumental solos, some operative arias and within this collection are some incredible little-known gems !
It's with great pleasure that I introduce the second volume of the Euphonium Song Book.
I'm very grateful to my good friend Luc Vertommenfor for discovering so many fine works to be included in this book. He and I share the same passion for beautiful lyrical music. However, a quick look through this volume will also reveal some music of a very technical nature, and I think this is going to be a real challenge for many musicians, although of course at the heart of all technical playing should be a constant lyricism, and therein lies the challenge. As I suggested with the first book, I would urge all of you to seek out fantastic performances and recordings of the original setting of these pieces, as composers can never write down all the nuance that is now associated with these magnificent pieces. The challenge as always is to go beyond the notes, the black and white dots you see on the page. To really be successful with these you not only need some working knowledge of the original, but really try to find a true vocal quality to your performance. Not enough brass players sing, either in their head to learn the music, or out loud, to fully realise the musical thoughts they have. I was very lucky as a boy to have singing lessons for seven years, and this has never left me. You won't hear me singing in public, don't worry, but I 'sing' with my instrument every day.
Please enjoy these beautiful works, by some of the greatest composers who ever lived, and the mix of these works with some folk inspired compositions. Good luck and enjoy the music making.
The set includes the piano accompaniments to all pieces, and solo parts : TC (Bb), BC (in Bb), BC (in C)
Solos contained in this volume:
1. Andante Religioso – Georg Goltermann
2. Because – Guy d’Hardelot Page
3. Berceuse – Armas Järnefelt
4. Canzone – Max Bruch
5. Elégie – Henri Vieuxtemps
6. Elégie – Jules Massenet Page
7. Eriskay Love Lilt – Irish traditional
8. Hungarian Rondo – Fritz Kreisler
9. Ich liebe dich – Edvard Grieg
10. La Capricieuse – Edward Elgar
11. Mattinata – Ruggero Leoncavallo
12. Oh my beloved father (O mio babbino caro)- Giacomo Puccini
13. Sérénade – Gabriel Pierné
14. Serenade – Franz Schubert
15. Four Robert Burns Songs – scottish traditional
16. Oberon (Von Jugend auf in dem Kampf gefild) – Carl Maria von Weber
17. Salve Maria – Saverio Mercadente
18. Sicilienne – Maria Theresia von Paradis
19. The Flower Song (La Fleure que tu n’avias jetée) – Georges Bizet
20. Weep no more – Roger Quilter
21. Three Stephen Foster Songs – Stephen Collins Foster
22. Tuscan Serenade – Gabriel Fauré Page
23. Valse Bluette – Richard Drigo
24. Ved Rondane – Edvard Grieg
25. The Little Admiral – Charles Stanford
Please understand, we have had to add an additional shipping charge for this album and solo parts,
as it weighs just over 1 kilo !!
Baron Piquant's Pas de Deux - Donald Grantham - Euphonium (or Tuba) & Harpsichord (or Piano) |
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Baron Piquant’s Pas de Deux is one of a series of dance pieces based on characters drawn from voodoo lore; the previous ones are Baron Cimetiére’s Mambo, Son of Cimetiére, Baron Samedi’s Sarabande (and Soft Shoe), Baron La Croix’s Shuffle and Baron Piquant on Pointe. The four Barons are all members of the family Ghede (pronounced Gay-day), the spirits in charge of the intersection between the living and the dead. Despite this grim association, the Barons have a lighter side. All three are notorious tricksters with a marked fondness for brandy and tobacco. All dress alike—in black tailcoats and tall black hats, dark glasses with one lens missing, and carry canes and smoke cigars. The music depicts both their dark and light sides. Textures are primarily transparent and ethereal, but the atmosphere of all four works is a bit sinister, mordant and menacing.
Solo parts included: Euphonium BC/TC
UFO Concerto - Johan de Meij - euphonium and piano version |
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Here is the superb UFO Concerto by the Dutch composer Johan de Meij.
The composer writes of the work:
UFO Concerto, my first solo work for euphonium and wind orchestra, is not a traditional concerto in the classical sense. It consists of five movements that are thematically related to one another. The opening chord may sound familiar to some listeners: This chord and the first theme are based on the same five-note chord used in ‘Extreme Makeover’ and ‘Planet Earth’ in 2005: a major triad with an added 4th and a 7th. This chord has been obsessively present in my head ever since -- I could not resist using it again! Both the chord as well as the main theme make appearances in various shapes and forms throughout the entire piece.
I Andante – Con moto
II Giocoso – Vivo
III Andante cantabile
IV Vivace
V Alla Marcia – Vivace
Jason Ham, solo-euphonium player with the West Point Band (USA), initiated the consortium for UFO Concerto. He performed the world premiere on February 15th, 2012 in Baltimore (MD) with the Peabody Wind Ensemble, conducted by Harlan Parker. Jason also invited British virtuoso David Childs to join the consortium and play the European performances. At the request of both players, I also made a version for euphonium and brass band. David premiered this version with The Cory Band, conducted by his father Robert Childs at the 2012 RNCM Festival of Brass in Manchester, and recorded the wind version on CD [Extreme Beethoven] with the Banda de Lalín.
Watch highlights of the Concerto on YouTube HERE
Duration approx 24 mins
Difficulty level 5.5/6
Solo parts in TC and BC
Healing Power of Flame - Tom Davoren - Baritone (or Euphonium) and Piano |
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Here is a exciting new composition by one the UK's best young composing talents, Tom Davoren.
This was composed for the Australian baritone virtuoso Kristy Rowe who performed this at the ITEC2012 in Linz, Austria, accompanied by Brassband Oberosterreich. Here is the youtube video of the finale of the Linz performance: http://www.youtube.com/watch?v=vBeGC6JgM40
Here is the soundcloud version of a whole performance, performed by Kristy and the Gunnedah Band :
https://soundcloud.com/tom-davoren/the-healing-power-of-flame-1
As you can see this is an exciting concert work, with a passionate lyrical opening which is followed by a driving exciting fast section.
It's a refreshingly attractive and exciting work which everyone can enjoy now.
Duration approx 10 minutes
Solo part in BC and TC
Aria for Bozza - Johan van der Linden - Euphonium and Piano |
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Here is a brand new concert/recital work from the pen of one of Europe's leadng saxophonists, Johan van der Linden.
He writes: "In my career as a saxophone teacher, I have much enjoyed the Aria by Eugene Bozza. A beautiful melancholic tune.
Instead of the 'Aria of Bozza', I thought it will be fun to have an 'Aria for Bozza'. A tribute to a masterpiece that is played by every classical saxophonist. Now in a version for Euphonium and Piano/Organ (dedicated to Steven Mead)."
We are very proud to present this beautiful and atmosphere new original work by Johann van der Linden.
Solo parts in TC and BC.
Simone Mantia - A Collection of Works for Euphonium and Piano - edited by Gretchen Renshaw and Steven Mead |
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Simone Mantia is one of the most important euphonium virtuosi in the history of the instrument. His contributions to the euphonium repertoire are significant. A composer and arranger, Mantia recognized the need to expand the euphonium repertoire and was active in bringing the euphonium from the back of the band to the front of the stage as a solo instrument.
This solo collection presents modern editions of some of the most well-known pieces in Mantia's repertoire. These editions are based on the materials found in the Simone Mantia Collection, a resource archived in 2009 by Gretchen Renshaw which contains many of Mantia's musical possessions. Through collaboration with Steven Mead, Renshaw has aimed to correct the errors in the original versions of these pieces and provide editorial suggestions that will aid in exciting performances of these works.
The titles included in this collection are: Believe Me, If All Those Endearing Young Charms, Valse Caprice "Priscilla", Rio Rita, The Southerner, Old Black Joe, Solvejg's Song and Fantasie Originale.
An important must-have album of sheet music for all dedicated serious players !!
Now you can play Simone Mantia's most beloved solos the way he would have seen them, thanks to the meticulous work of Gretchen Renshaw.
After receiving a Summer Discovery Grant from Penn State University, Gretchen archived a collection of Mantia's personal music. She then worked with Steven Mead to publish The Simone Mantia Solo Collection, now available here.
Gretchen's work with these historic documents gives players around the world the unprecedented opportunity to perform Mantia's classic solos in their most authentic form. For more information visithttp://www.simonemantia.com/
— with Gretchen Renshaw and Steven Mead.
Solo Parts Included: Euphonium (BC and TC)
Fantasia di Concerto - Euphonium and Piano - Eduardo Boccalari |
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Fantasia di Concerto is one of the best works for euphonium from the turn of the century Sousa Band era. This large scale work features wonderful lyrical melodies that highlight the sound of the euphonium along with a number of phrases that allow the euphonium to demonstrate consumate technical skill and prowess. Highly recommended as a showpiece!
Recorded by Steven Mead with wind orchestra and brass band.
Solo Parts Included: Euphonium BC only
Steven Mead Euphonium Song Book Vol.1 - Arr.Luc Vertommen |
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A brand new collection of 25 great lyrical works, The Steven Mead Euphonium Song Book, Volume 1.
This beautifully produced book with solo parts in TC (Bb), BC (C) and BC (Bb), with full piano accompaniments, is essential for all brass musicians.
Here is the full list of works contained in the album:
1. Air – Johann Mattheson
2. Ave Maria – Max Bruch
3. Banks of Doon – Scottish traditional
4. Cantilena – Henri Vieuxtemps
5. Caruso – Lucio Dalla
6. Cavatina – Joachim Raff
7. Chants Russes – Edouard Lalo
8. Wexford Carol – Irish traditional
9. Elégie – Gabriel Fauré
10. Doretta’s Song – Giacomo Puccini
11. Vissi d’Arte – Giacomo Puccini
12. Your tiny hand is frozen – Giacomo Puccini
13. Lejos de ti (Far From You)– Manuel Ponce
14. Melodie – Pijotr Ilych Tchaikovsky
15. Nocturne – Piotr Ilych Tchaikovsky
16. Non ti scordar di me – Ernesto De Curtis
17. Panis Angelicus – César Franck
18. Pièce – Gabriel Fauré
19. Pieta Signore – Alessandro Stradella
20. Poem – Zdenko Fibich
21. Romance – Carl Maria von Weber
22. Romance – Reinhold Glière
23. Romance orientale – Alexander Glazunov
24. Sérénade – Ruggero Leoncavallo
25. The Turtle Dove – English traditonal
The pieces last in duration anywhere from 2 minutes to 10 minutes!!
Enjoy this wonderful album.
Luc Vertommen in collaboration with Steve, has done a fabulous job choosing and editing these works. Steve has provided an introduction to the book and given some performance notes.
Please understand, we have had to add an additional shipping charge for this album and solo parts,
as it weighs just over 1 kilo !!
Suite for Euphonium and Piano (2013) - Robert Groslot |
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We are very proud to announce another brand-new, and very challenging work from the pen of Robert Groslot, Just available and recently completed. It is for the advanced player and follows on from the incredible Euphonium Concerto that was recorded and premiered recently.
This Suite is in four movements: Prelude & Fugue, Toccata, Waltz and Bossa Nova
The prelude starts with a flowing melody alternating with a rhythmic hunting motif, which is further developed in the Toccata.The theme of the Fugue contains many silences. The Waltz contains motifs which the composer later elaborated further in his violin concerto. The Bossa Nova brings a very cheerful and energetic finale.
Parts supplied: TC in Bb and BC in C.
Difficult level 6/6
About the composer:
Robert Groslot (°1951) began his career as a pianist. His piano studies at the Royal Conservatory of Antwerp were followed by masterclasses with Leon Fleisher and Alexis Weissenberg. After winning laureate prizes in the piano competition Alessandro Casagrande (Terni 1974) and the Queen Elisabeth Competition (Brussels, 1978), he undertook concert trips through Europe, Israel, Asia, Africa, New Zealand and the United States. His repertoire consisted of more than 50 concertos for piano as well as many solo and chamber music. Robert Groslot made many studio, radio and television recordings, as well as about 100 CD's.
Later on he started conducting: as conductor and director of the Philharmonic Youth Orchestra, he formed many young musicians from Belgium and abroad who are now professional musicians. He also appeared as a conductor with the Rotterdam Philharmonic Orchestra, the London Symphony Orchestra, the Ulster National Orchestra, the Belgian National Orchestra and the Flanders Philharmonic, among others, and is the founder-director of the orchestra II Novecento which he conducted in concerts troughout Euroupe.
At the same time he taught piano and chamber music at the Royal Conservatory of Antwerp until 2011 and has been also Artistic Director there from 1996 until 2001.
Nowadays, Robert Groslot mainly works as a composer. Black Venus, The Great Globe, Si le monde… and The Wake are some of his most important works for symphonic orchestra. Recently he wrote a series of twelve concertos for solo instruments and orchestra. He chose a variety of solo instruments such as piano, violin, cello, the classical concerto instruments, but also viola, saxophone, harp, piccolo, flute, oboe, marimba, euphonium and guitar. These concertos are one by one very challenging and inspirational pieces for the performer. At the same time they are very enjoyable and understandable for the public, as a continuation of tradition, but not without a clear and very personal perspective to music as a whole.
Find out more about music and art from Robert Groslot on his personal website: www.robertgroslot.eu
Otemoyan Fantasy - Misa Mead - for euphonium and piano |
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A superb original work ( approx . 7 mins duration) from the talented Misa Mead, first performed by her in Kumamoto, Japan in 2010 and recently, to much critical acclaim at the Tubamania Festival in Bangkok and the SouthWest Regional ITEC in USA, in 2013.
Based on a beautful Japanese song this demanding work will prove to be very popular in recitals and concerts
The difficulty level is : MODERATE/DIFFICULT
Solo parts in BC and TC
Studies for Pedal Piano, Op.56 - Schumann Arr. Misa Akahoshi- for euphonium duet and piano |
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There are six pieces in this suite by Robert Schumann originally for the harmonium, beautifully arranged for two euphoniums and piano by the talented Japanese euphonium soloist/arranger/composer Misa Akahoshi.
The difficulty level is : EASY
Solo parts in BC and TC
Papageno and Papagena (Magic Flute) - Mozart Arr.Misa Mead - for euphonium duet and piano |
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The famous duet from Mozart's Magic Flute arranged for two euphoniums and piano by the talented Japanese euphonium soloist/arranger/composer Misa Akahoshi.
The difficulty level is : EASY
Solo parts in BC and TC
Ave Maria - Giulio Caccini Arr. M.Akahoshi - duet for 2 euphoniums and piano |
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The famous aria by Caccini, now available for two euphoniums and piano in this new arrangment by the talented Japanese euphonium soloist/arranger/composer Misa Akahoshi.
The difficulty level is : EASY
Solo parts in BC and TC
La Fille aux Cheveux de lin (The Girl with the Flaxen Hair) - C. Debussy Arr. M.Akahoshi - for euphonium duet and piano |
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The much-loved classic by Debussy, beautifully arranged for two euphoniums and piano by the talented Japanese euphonium soloist/arranger/composer Misa Akahoshi.
The difficulty level is : EASY
Solo parts in BC and TC
Kokyu - Misa Mead for euphonium duet and piano |
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A short original work (about 2 minutes) based on the Japanese word Kokyu, meaning 'breathe', for two euphoniums and piano, by the talented Japanese euphonium soloist/arranger/composer Misa Akahoshi.
The difficulty level is : EASY
Solo parts in BC and TC
Calabrese - A.Bazzini Arr.Geren - euphonium and piano |
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Calabrese for Euphonium
Antonio Bazzini/arr. Geren
First published in 1859, Antonio Bazzini's Calabrese, Op. 34, No. 6 comes from a collection of six characteristic pieces written for violin. The euphonium version of the work was premiered by American virtuoso Dr. Benjamin Pierce and Tomoko Kashiwagi at the University of Arkansas in February 2013. The constant mixture of duple and triple rhythms provides the opportunity to display firm control over rhythmic accuracy. Additionally, the endurance, flexibility and technical prowess required will challenge the performer to sustain a light approach throughout. -Patrick Geren (arranger)
This is a fabulous piece but only for the advanced player. It's similar to some of the other crazy encore-type piece Steve plays from time to time, including the Dance of the Goblins, by the same composer!
Congrats to Patrick Geren for finding these fabulous works to arrange.
Solo Parts Included: Euphonium BC and TC
Morceau de Concours - G Ed.Barat - euphonium and piano |
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Morceau de Concours for Euphonium and Piano
J. Ed. Barat
Morceau de Concours is a staple of the euphonium repertoire, especially for study of the French style. This work follows the standard Paris Conservatoire contest piece format; the beginning is slow and rubato, while the ending is technical and accelerates to the end.
This new edition by Potenza Music gives everyone the chance to play this famous, excellent and not-too-difficult work.
Solo parts included: Euphonium TC and BC
None But The Lonely Heart - Tchaikovsky Arr.Caldarise - euphonium and piano |
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None But the Lonely Heart for Euphonium and Piano
P.I. Tchaikovsky/arr. Caldarise
"None But the Lonely Heart" was composed in 1869 as part of a set of Six Romances. Tchaikovsky used a text from a novel by Goethe to create this famous Romance. This piece has been set for nearly all instruments, so it was only natural to extend this gem to the realm of the euphonium. As is was originally a vocal work, a strong musical sound is required, as well as attention to phrasing and inflection, and a strong sense of musical expression.
Solo Parts Included: Euphonium BC, TC
Six Romances - Tchaikovsky Arr. Caldarise - euphonium and piano |
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Six Romances for Euphonium and Piano
Peter Tchaikovsky/arr. Caldarise
In his lifetime, Tchaikovsky wrote over 100 short lyrical pieces for voice and piano called "Romances". Nearly all of them were published in groups of six. This set is a compilation of six of his finest and most powerful Romances spanning his entire career. Plucked from their original sets, these six have been placed in such and order that they tell an entirely new musical story.
The romances included in this set are:
Solo Parts Included: Euphonium BC, TC
Not too difficult to play and highly recommended by EuphoniumStore
Symphonic Variants - James Curnow - with piano accompaniment |
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Here is James Curnow's iconic euphonium solo Symphonic Variants.
One of the core repertoire works for the euphonium and also one of the most demanding works ever written for the instrument, Symphonic Variants runs the gamut of technical facility, range, endurance, and power to project and balance. This superb work opens with a flourish of technique and runs to high c before presenting the lyrical theme. There are numerous ossia throughout the work that make the very high tessitura more accessible. The accompaniment parts are difficult and thickly textured and require a good pianist. This is one of the most physical works in the repertoire and one of the standard works frequently performed.
As recorded on Steve's Symphonic Variants CD, accompanied by the JWF Military Band. Duration approx 20 mimutes.
This version is with piano accompaniment, and solo parts in TC and BC. The full wind band score and parts are available also from the EuphoniumStore.
Samples of the solo part (BC) JPG1 JPG2
Three Fantasias (from Nos.7,8,9 from 12 Fantasias for Violin) - G.P.Telemann - adapted by Roland Szentpali |
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Here is a brand new publication from Editions BIM, for solo unaccompanied euphonium, and it's the music of George Philipp Telemann.
The great Hungarian tuba player, composer and arranger Roland Szentpali has adapted these three fantasias for Violin.
These are sure to prove to be great stylistic and musical challenges to euphonium players everywhere, for the keen amateur and advanced players.
From the publisher:
The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly evident. The fantasias no. 7, 8 and 9 selected by Roland Szentpali are the most suitable for adaptation for brass instruments, while the other nine make use of double-stopped technique, a rather Germanic tendency in works for solo violin.
We see this as a great new addition to the repertoire for solo euphonium; and very suitable for recitals, examinations and competitions.
Duration: total 22 minutes
Difficult level: 4.5/6
Supplied with solo part in TC and BC.
Euphonium Concerto - Robert Groslot - euphonium and piano |
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Here is the brand-new Euphonium Concerto by the Belgian composer/ conductor Robert Groslot, as recorded recently by Steven Mead accompanied by the band of the Belgian Guides.
It is a quite stunning new work, modern in its language but still accessible. About 18 min in duration.
This work is available here with piano accompaniment, but will also be available soon with Wind Orchestra and Symphony Orchestra. Suitable for only advanced players this work features quite extreme registers, as well as one or two extended multi-phonic sections.
Steven regards this as one of the finest euphonium concertos of this genre in existence, highly recommended!
Here is some more information on the composer: http://www.robertgroslot.eu/index.php?p=home
Here are some sound clips (7) that you can download, from the forthcoming CD that demonstrate aspects of this incredible concerto:
Clip 1 Clip 2 Clip 3 Clip 4 Clip 5 Clip 6 Clip 7
and here is a PDF of the 1st page of the treble clef version:
This music is supplied with both treble and bass clef solo parts, in addition to the piano accompaniment.
It is hoped that the CD will be released soon.
Diamond Concerto (Euphonium Concerto No.3) - Philip Sparke Euph & Piano version |
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Philip Sparke's Diamond Concerto ( Euphonium Concerto No.3) is a quite outstanding new work for euphonium.
It has been brought to popularity very rapidly due to the success of the Diamonds CD made by Steven Mead and the Central Band of the Royal Air Force, and it this disc was recently crowned Solo CD of the Year 2012 by both the British Bandsman and Brass Band World magazines.
This new work has just been published by Anglo Music Press and we are delighted to offer it to you here.
On this page is the version for euphonium and piano ( supplied with both treble and bass clef solo parts).
The version with wind band accompaniment (as heard on the Diamonds CD) is also available from this store.
Philip Sparke writes about the Diamond Concerto
Diamond Concerto was commissioned by Musikverein Mörschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.
The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead’s special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.
The village of Mörschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this is was decided to give the commission a local connection by chosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:-
1 EARTH STAR
is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.
2 OCEAN DREAM
uses a varied quote from the composer’s Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.
3 BLUE HEART
was written, at Steven Mead’s suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.
The Diamonds CD can be purchased as a disc from this site or digital download.
Concerto for Euphonium - Stephen Roberts (with piano accompaniment) |
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Concerto for Euphonium - Stephen Roberts
The composer writes:
"The Concerto for Euphonium was written in the summer of 2011 after hearing a series of euphonium recitals whilst examining at various music colleges in the UK. I was reminded of the virtuosic potential and wide range of the euphonium and immediately started to write a movement based on the songs of a particularly vociferous (and virtuosic) blackbird in my Harborne garden. Two further movements swiftly followed and the piece came together very quickly, with the piano score being completed within just five days.
I chose to use a lyrical musical language that was familiar to many euphonium players rather than something overtly modernistic or atonal and have pushed some technical boundaries as a challenge.
The first movement is the most 'meaty' and is based on sonata form, but does not follow the traditional tonal format. It is rather eclectic in style and celebrates typically British sounds, but all the themes stem from the blackbird resident in my garden and the opening fanfare is the strident territorial call that brightens summer days. The 2nd main subject (tranquillo) is hyper romantic with rich chromatic harmonies redolent of the 20th-century British light music genre. There are 2 cadenzas: one just before the recapitulation and the other before the virtuosic coda.
The slow movement features the upper register of the euphonium in a manner reminiscent of Baroque concertos where brass players were called upon to sing in the high harmonics. It is essentially a chaconne with the solo part sounding related modal material at a faster tempo over the slow-moving chord progression.
The finale is an ebullient rondo based on the Mexican huapango dance style, which alternates duple and triple meters. The coda recalls that of the first movement to conclude with a virtuoso flourish."
This Concerto is available on this site with piano, wind band and brass band accompaniment. On this page you can order the version with piano accompaniment.
It is a very difficult work for the soloist, but very rewarding to study and play. It can be heard on Steven Mead's Diamonds CD, where he performs this concerto accompanied by the Central Band of the Royal Air Force Band.
Solo part is in treble clef only
Romanze - an album of classical romantic works arranged By Kristy Rowe |
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Here is the album of music heard on Kristy's stunning debut CD, Romanze, suitable for all euphonium and bartone players.
It is all stunningly beautiful music and now you get the chance to play it for yourself.
Arranger Kristy Rowe writes the following about Romanze:
"The idea of creating an album of romantic pieces came about in 2011 while studying at the Royal Northern College of Music. I found the Schumann Romances in a pile of old music in the RNCM library during my first week of studies. A few months later, I prepared them for a lesson with my mentor, Steven Mead, and he immediately realized the suitability of this genre of music for the baritone. It was this inspiration that ignited the idea of creating an album of romantic pieces for the baritone. While some changes were necessary in the process of making the pieces "baritone friendly", I have tried to stay as true to the original composers' intent as possible. I have always been drawn to Romantic music and the musical freedom that it encourages. I hope others find the same sense of enjoyment from playing or listening to this music."
Romanze is a collection of sheet music from the album "Romanze" (available on this site, on the Bocchino Label).
Titles include:
Romanze, Friedrich Diethe
Notturno, Robert Clerisse
Three Romances (op. 94), Robert Schumann
Arioso, Joseph Hector Fiocco
Six Nocturnes (op. 186), Johann Wenzel Kalliwoda
Adagio (op. 9), Vojtech Jirovec
Nocturne (op. 55, nr. 1), Josef Holbrooke
Romanze (op. 85), Max Bruch
Solo Parts Included: Baritone/Euphonium TC and BC
Let There Be Peace - Euph and Piano - Andy Scott |
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Here is wonderful new lyrical work from the pen of Andy Scott.
On 28th February 2012 a Landmark Poem from Lemn Sissay was unveiled in The Atrium, University Place, Manchester. ‘Let There Be Peace' is a call for calm, or as Lemn says ‘a press release for peace'.
In 1998 Lemn & Andy collaborated to create the work ‘My Mountain Top', which is performed worldwide & has been recorded to date on nine CDs. Andy's piece ‘And Everything Is Still', initially scored for flute & piano, took its title from one of Lemn's poems from ‘The Emperor's Watchmaker'.
Andy writes; "I find Lemn's words inspiring, and in some cases the right vehicle for me to try and capture the spirit of his words via music. The writing of this piece coincided with the launch of ‘Let There Be Peace' in Manchester, it all fitted well conceptually as I was writing this piece for the Manchester based euphonium player Aaron Rivkin. Aaron had won the Open Class in the inaugural Foden's Band Solo Competition. In my role as Composer in Residence I was to compose a short piece for the competition winner as part of the prize."
The music mirrors the form of the poem, three main sections, with euphonium cadenzas linking these sections. An overall yearning for tranquility is tested in the cadenzas, with an insistency and potential conflict, however calm prevails. World Premiere given by Aaron Rivkin & Iva Navratova at the International Tuba & Euphonium Conference 2012 (Artistic Director Steven Mead), Brucknerhaus, Linz, Austria on 25th June 2012.
Solo part in treble clef, with piano accompaniment
Difficult rating: 3.5 /6
Concerto for Euphonium - piano part only - Andy Scott |
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This is the piano part of the Concerto for Euphonium. The solo part is available separately on this site.
This new Concerto for Euphonium is sure to become one of the most sought-after modern concertos in euphonium literature in the next years.
Commissioned by Glyn Williams & Foden's Band, from Foden's Band Composer in Residence Andy Scott. Premiered at the Royal Northern College of Music Festival of Brass on 29th January 2011. The 'Concerto for Euphonium' with Brass Band is scored in three movements.
1. The Lure of the Red Jacket
2. Far Beyond the Stars
3. The Dragon's Den
Recorded on the CD ‘The Lure of the Red Jacket' (Doyen287), Glyn Williams' with Foden's Band conducted by Michael Fowles. Brass Band World Solo CD of the Year 2011.
It was recently performed by Glenn Van Looy at the ITEC 2012 in Linz, Austria, accompanied by the James Madison University Brass Band.
Composer: Andy Scott
Instrumentation: piano reduction
Size: Pages : 1 part @ 28 pages
Total Duration: 15 minutes
ISMN: 979 0 57031 185 9
Difficulty rating: 5.5/6
Concerto for Euphonium - solo part- Andy Scott |
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This is the solo part of the Concerto for Euphonium. The piano accompaiment is available separately on this site.
This new Concerto for Euphonium is sure to become one of the most sought-after modern concertos in euphonium literature in the next years.
Commissioned by Glyn Williams & Foden's Band, from Foden's Band Composer in Residence Andy Scott. Premiered at the Royal Northern College of Music Festival of Brass on 29th January 2011. The 'Concerto for Euphonium' with Brass Band is scored in three movements.
1. The Lure of the Red Jacket
2. Far Beyond the Stars
3. The Dragon's Den
Recorded on the CD ‘The Lure of the Red Jacket' (Doyen287), Glyn Williams' with Foden's Band conducted by Michael Fowles. Brass Band World Solo CD of the Year 2011.
It was recently performed by Glenn Van Looy at the ITEC 2012 in Linz, Austria, accompanied by the James Madison University Brass Band.
Composer: Andy Scott
Total Duration: 15 minutes
ISMN: 979 0 57031 185 9
Difficulty rating: 5.5/6
Move Their Mind - Euph and Piano - Stan Nieuwenhuis |
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Here is a brand-new solo that is set to become a great target for all ambitious and advanced euphonium players.
Stan Nieuwenhuis' Move There Mind was commissioned by Glenn Van Looy. For his first solo album he was looking for new interesting euphonium solos written by young composers, to expand the existing repertoire. Move There Mind became the title track of Glenn's first CD, that he recorded with the Gunnedah Shire Band in Australia in 2011.
Move There Mind symbolises the quest for a new sound and style for the euphonium. It's a challenging piece that consists of 3 parts. A furious opening pushes the soloist to the limit of range and speed. The dramatic introduction mellows into the slow melancholic 2nd movement. Despite the calmness there is unease to be heard through grace notes and fast runs. As earlier movements move from one to another without a break with the theme of the final movement gradually introduced through wide intervals, and multi-phonics in the lower range at high speed. We hear the theme disguised in various forms before leading to a dramatic climax. This is followed by a return of the theme before the music rushes to a chaotic finale.
This solo is available with piano accompaniment (here), and also with brass band accompaniment (to be found elsewhere on this site).
Solo parts are supplied in: treble clef, bass clef in C, bass clef in Bb
Difficulty rating: 6/6
Elegie op.30 for euphonium and piano - Henri Vieuxtemps arr. Patrick Geren |
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Elegie, or elegy, refers to a song expressing sorrow or lamentation for someone deceased. More simply, a sad song. Vieuxtemp's Elegie, Op. 30 was composed in 1854 originally for viola and piano. Transcriptions by the composer for violin and cello followed. This arrangement is set for euphonium and piano. It allows the soloist to show off their beautiful tone and fluidity in expressive phrases throughout. While the piece as a whole is not technically challenging, there are moments of virtuosity that require skilled technique and delicacy for the soloist and accompanist. The cadenza and "a piacere" sections are purposefully left without directional phrasing for the soloist to develop their own interpretation. There is one brief opportunity of extending technique for the soloist to utilize multiphonics.
--Patrick Geren
This is a beautiful brand new arrangement, with TC and BC solo parts included, produced with the highest quality by Potenza Music
Milori Blue (piano) - Jonathan Newman |
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Named after a lush and misty pigment, "Milori Blue" is a sonata for solo euphonium in the tradition of the many contemporary "color" pieces I always enjoy. In three movements (a sontata-like fast/slow/fast structure), the work plays with moods of "blue," both harmonic and evocative. Written for euphoniumist Pat Stuckemeyer, "Milori Blue" was premiered at the 2010 International Tuba-Euphonium Association Conference.
-Jonathan Newman
Solo parts included: Euphonium TC, Euphonium BC
Pearls II - Roland Szentpali |
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Pearls 2 was commissioned by the 2008 Euphonium Foundation Commission Project Donors, written for Adam Frey. This is the sequel piece to the every-popular Pearls Suite. While still true to the original format, Pearls II is more difficult in terms of range and flexibility. A great piece by a great composer!
This was recorded by Steve on the 'Pearls' CD, with the Central Band of the Royal Air Force
Concert Piece no.1 - Joseph Turrin |
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Written for and commissioned by Jason Ham, Principal Euphonium with the US Military Academy Band at West Point (USA). I wanted to write something technically challenging yet had sections of expressiveness. Since the euphonium is such a versatile instrument in regard to both technique and expressiveness I found myself writing this piece rather quickly. I will admit that while composing the piece I thought of the composer Bartok. Not only because I have always been attracted to his music but for the fact that Jason Ham was to premiere the work in Hungary. So I must admit to this bit of influence throughout. Concert Piece No. 1 is also a work were both instruments (euphonium and piano) each share an equal part.
Joseph Turrin, Nov. 2010, Clifton, USA
The Concert Piece No. 1 was first recorded by Steven Mead and was recently selected as the first round piece for ITEC2012 in Linz, Austria.
with Treble and Bass Clef solo parts supplied
Symphonic Rhapsody for Euphonium - Edward Gregson |
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A note by the composer:
'The Symphonic Rhapsody was published in 1976, although the genesis of the piece dates back to the early '60s when I was a teenager and played the euphonium in a Salvation Army band. The work incorporates an old gospel song - 'So we'll roll the old chariot along' - into a symphonically structured form. Motifs from the gospel song permeate the rest of the musical material so that the work hopefully has a unified whole. The 'variations' are less actual variations on the tune itself, but more a comment on certain melodic aspects.
Although the writing is naturally virtuosic in a way which is obvious for such a solo instrument within the brass band, it never the less unfolds many more lyrical aspects of the instrument's capabilities. Towards the end of the piece the tune is heard once again in its full version, leading to a coda where the euphonium takes centre stage in a bravura manner.'
This fantastic piece is now finally available with piano accompaniment thanks to a skillful reduction by Brian Bowen. Make sure you get your hands on this quickly!!
A La Suite Classique - Ito Yasuhide |
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A la Suite Classique is a seven-movement work by Yasuhide Ito. Various dance forms are presented with a twist - Allemande in the form of a Tango, Sarabande in the form of a Chaconne. Truly an interesting and challenging piece!
As recorded by Steve on World of the Euphonium Vol.5!
Adagio and Rondo (PIano) - Mozart arr.Wilby & Childs |
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One of Mozart's best-loved and most performed pieces is the lively ‘Rondo Alla Turca' from the Piano Sonata in A minor, K331, written in Paris in 1778.
In this arrangement the Rondo is preceded by a little-known adagio, K580a, which existed previously as a fragment scored for solo clarinet and three basset horns.
This completed version of the adagio is in sonata form, its main theme closely resembling Mozart's famous motet Ave verum corpus.
Allegro Appassionato, Op. 43 (Piano) - Saint-Saëns/arr. Luc Vertommen |
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The Allegro Appassionato opus 43 for cello and orchestra was the first work that Camille Saint-Saëns wrote after marrying Marie Laurie Emilie Truffot on February 3th, 1875. Saint-Saëns claimed to compose music as naturally as ‘an apple tree produces apples' The Allegro Appassionato was composed around the same period as his more famous Fourth Piano Concerto, the Danse Macabre and the String Quartet. The piece remains very popular amongst cellists these days mainly because of its ‘showy character' with a lot of rising semi-quavers in the first theme. Although the piece breathes the romantic atmosphere it is fast moving and virtuoso. This delectable miniature creates the impression that it could go on forever, and it seems to have a real dynamo of energy in its relatively short time span. There are only very small sections of calm in this exciting work.
solo parts included: TC, BC, Bb BC
Alu (Piano) - Pete Meechan |
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Grade: band 2 / soloist 4
Alu was commissioned by Pat Herak for his wife Diana, for their 10th wedding anniversary. It was premiered by Diana and the Brass Band of Columbus, USA.
A reflective solo, Alu is suitable for players grade 6 upwards. All sets of music come complete with score, parts, with the soloists part in both bass clef concert and Bb treble clef parts.
Also available with brass band!
Andante and Rondo (piano) - Capuzzi arr.Wilby & Childs |
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Capuzzi was an Italian violinist and composer who worked in Venice in the 1780s. His Concerto for Double Bass is charming and sports simple lines, crisp rhythms, and elegance of form. As a result, it is a great favourite.
An ideal addition to recital and exam programmes, the present version of the second and third movements is perfect for young players and professionals alike, and fills a substantial hole in the euphonium repertoire of eighteenth century classics.
Andante Cantabile (Piano) - Tchaikovsky/arr. Luc Vertommen |
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The Euphonium Virtuoso Collection is a new series of euphonium solos arranged by Luc Vertommen especially for Steven Mead and offers exciting study and performance opportunities for every aspiring soloist.
Top quality arrangements available in different versions for soloist and brass band, symphonic wind band or piano accompaniment.
Tchaikovsky's ‘Andante Cantabile' is one of the most famous and inspiring romantic movements. Is was either the singing of a workman or baker - there are two versions of the story - that introduced Tchaikovsky to the folk melody that he immortalized in his slow movement of his String Quartet nr 1, opus 11, composed in 1871. Clearly he was not put off by the tune's unromantic words, ‘Vanya sat on the divan and smoked a pipe of tobacco'. An immediate hit, the movement was quickly extracted from the quartet and published in numerous arrangements through which it became one of Tchaikovsky's most famous short works. It didn't only inspire Johan De Meij for a fantastic and extreme make-over (see recent brass band test-piece!) , Tchaikovsky himself made an arrangement for cello and string orchestra sometime between 1886 and 1888 for cellist Wilhelm Fitzenhagen (1848-1890) who premiered the Rococo Variations in 1877.
difficulty rating: 3 (1-6)
solo parts included: BC, TC, BC Bb
Apres un Reve – Faure/arr. Mead |
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Sometimes the simplest melodies are the most beautiful and Faure certainly can claim to have produced one of the world's most enduring melodic gems. Aprés un Rêve adapts so well for many instruments by suits the euphonium particularly.
Arioso and Allegro (Piano) - Fiocco arr.Wilby & Childs |
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Joseph Hector Fiocco (1703-41) was the most famous member of a family of Belgian musicians. As well as being a church musician, Joseph was a violin maker, professor of Latin and Greek, and a distinguished harpsichord player.
His famous allegro, originally written for harpsichord, lies well for the euphonium. It requires a steady tempo throughout its compass and dynamic range, and is ideal for improving technique and stamina.
The lyrical arioso demands well-shaped phrases and fine breath control.
Aubade - Philip Sparke |
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A beautiful melody from the pen of Philip Sparke. Not challenging technically, but a beautiful melody in itself.
Auld Lang Syne for Euphonium and Piano - Simone Mantia |
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Simone Mantia, former soloist with 'Sousa and His Band' authored many pieces for euphonium. Auld Lang Syne is one of his most popular and technically difficult theme and variation solos. Now it has just recently come back into print with this new edition by Matthew White and Steven Mead. Enjoy this Mantia classic here for a great price!
solo parts included: TC, BC
available on: Steve Mead's Tribute CD, in the version for wind band
Barcarolle from The Tales of Hoffmann - Offenbach/arr. Mead |
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Delightfully simple in construction, this piece has a gentle lilt with a dream-like quality. From the pen of Steven Mead, this piece will be sure to delight audiences and performers alike.
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Baritone Concerto - Martin Ellerby |
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Believe Me If All Those Endearing Young Charms - arr. Boddington |
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This classic solo has been reset by Stanley Boddington. Enjoy a piece of euphonium history while playing this gem.
Blue Bells of Scotland - Arthur Pryor/arr. Sparke |
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This classic solo has been reset by Philip Sparke in to concert Eb. Whilst still maintaining the integrity of Pryor's original manuscript, Sparke updates the solo with all-new challenges for the performer. This is definitely a great arrangement of this solo that has proven the test-of-time.
Bravura (piano) - Peter Graham |
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Bravura is a companion piece to the composer's earlier euphonium display piece Brillante, utilising the same traditional 19th century "fantasy variation" structure, familiar to generations of brass soloists. Folk songs from the four corners of Great Britain are featured; Oranges and Lemons, (England), The Blue Bells of Scotland, The Minstrel Boy (Ireland) and the famous Welsh anthem Men of Harlech.
The solo is a conflation of the original version, written for the 2002 Royal Albert Hall Gala Concert, which followed the National Brass Band Championships of Great Britain. On that occasion the combined talents of virtuosi David Childs, Derick Kane, Steven Mead and David Thornton (with guests Robert and Nicholas Childs) were on display, each personalising the cadenza section towards the end. This version incorporates a published cadenza, though soloists should feel free to improvise their own material at this point.
Now finally available in a version with piano accompaniment! An absolute cracker get your hands on it now!!!
Brillante (piano) - Peter Graham |
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Fantasy on Rule Britannia
By Gaslight - Tadeusz Kassatti |
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Check out this exciting recital and competition piece as recorded by Steve on the 4th volume of the world of the euphonium series!
By The Waterside - Fauré arr.Wilson |
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There are not many works written or arranged expressly for the baritone horn (as opposed to the euphonium) so Eric Wilson's arrangement of this lovely Fauré melody is a welcome one.
The slightly smaller, more intimate tone, of the baritone is perfectly suited to this lilting, reflective piece.
ABRSM Baritone & Euphonium Grade 4
Cantabile - Paganini/arr. Goff Richards |
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Goff Richards arrangement of the Paganini Cantabile is a great lyrical showpiece. This short work will be a great addition to any program!
Caoine (Lament) - Stanford arr.Wilby & Childs |
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Caoine (pronounced ‘keen') is the beautiful lament which forms the expressive second movement of Stanford's Clarinet (or Viola) Sonata, written in 1912.
Its long, meandering and sometimes unpredictable phrases need detailed preparation for concert performances, and its musical rewards are unsurpassed.
Capriccio - Jean Balissat |
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Jean Balissat's Capriccio for euphonium and orchestra (2005) was commissioned by the High School for Music, Berne (Switzerland) for the Soloists' Diploma Examination for Roland Fröscher, a brilliant young euphonium virtuoso. The Capriccio consists of four movements, played attacca: the first, marked Moderato, presents the main theme in the form of a recitative which is then developed lyrically. The motifs of soloist and orchestra are refined and interwoven until they culminate in a vehement climax, with violent glissandi from the euphonium being answered three times by the orchestra. The Lento espressivo fulfils a desire of the soloist for long expressive cantilenas, for which he has a particular fondness. The Finale is a technical challenge for the soloist. In this movement, which is full of contrasts, the work's principal themes are combined, to a greater or lesser degree. The Capriccio was given its première on 1st July 2005 in the Great Hall of the Casino in Berne, with Roland Fröscher (euphonium) accompanied by the Berne Symphony Orchestra conducted by Matthias Kuhn.
Carmen Fantasy (Piano) - Georges Bizet/arr. Luc Vertommen |
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Georges Bizet's opera Carmen is based on the story of the same title by Prosper Mérimée and concerns the renowned Carmen, a beautiful gypsy with a fiery temper. Several well-known pieces from the opera have taken on a life separate to the work : the Prelude (overture), the Toreador song and the Habanera. A number of classical composers have used themes from Carmen as the basis for works of their own. This Carmen Fantasy is a virtuoso showpiece in the tradition of fantasias on operatic themes. Like in the opera, the soloist must not only have a great range, but also exhibit superior dramatic skills in order to portray Carmen's character. Almost every technical challenge for the Brass soloist is contained here or what is more the soloist must fully understand beautiful song like aspect and stylistic demands of this music.
solo parts included: TC, BC, BC Bb
Childs' Choice (album) ed.Eric Wilson |
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An album of music selected and arranged especially for Robert and Nichoias Childs and including four pieces:
Lucy Long: a traditional air with variations
Tambourin: a boyant little galop
Chanson de Matin: Elgar's famous melody cleverly arranged to work as either a solo or a duet
The Riders of Rohan: an original work by Rodney Newton inspired by Tolkein's classic The Lord of the Rings.
This beautiful new edition is supplied with parts for soloist in bass clef and B-flat treble clef.
Cityscapes, with piano acc.- Peter Graham |
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As the title suggests, this new collection of 10 solos is presented in the form of a musical travelogue with visits to Moscow, New York, Buenos Aires, New Orleans, San Juan and Paris being among the destinations reached.
The music makes reference in pastiche to composers forever associated with these cities, from Gershwin (New York) to Satie (Paris), ensuring a familiarity for the performer and listener alike.
The collection is progressively graded, making it suitable for beginners through to performers at medium advanced level.
Steven highly recommends this so check it out!!!!
Cityscapes is available in Bb
Classical Album Vol.1 arr. Edrich Siebert |
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CLassical Album Vol.2 arr. Edrich Siebert |
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Complete Works for Euphonium, V. 1 - Jules Demersseman |
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Repertoire
- Premier Solo
- Premiere Solo de Concert
- Deuxieme Solo de Concerto
- Cavatine op. 38
- Cavatina op. 47
- Introduction et Polonaise op. 30
The works can be heard on this cd, here's the preview: https://www.youtube.com/watch?v=ztSve5h_8d0
Additional Info
Jules Demersseman (1833-1866) was in his time a remarkable flautist and noted composer. Today this little known composer is only 'famous' with flute and saxophone players and his name is not mentioned in most reference books. Demersseman wrote many works for trombone with six independent valves, which is a modern-cousin to the euphonium. Through the work of editors, Luc Vertommen and Gery Dumoulin, the entire catalog is now available in two volume editions. These are spectacular editions for study and practice. Very well done, indeed!
Solo-part included: bass clef, Bb bass clef, treble clef and piano score
Complete Works for Euphonium, V. 2 - Jules Demersseman |
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Repertoire
- Grande Fantaisie Dramatique
- Fantasie sur 'Le Desir' de Beethoven
- Grande Fantasie sure Don Juan de Mozart
- Introduction et Varations sur le 'Carnaval de Venise'
Additional Info
Jules Demersseman (1833-1866) was in his time a remarkable flautist and noted composer. Today this little known composer is only 'famous' with flute and saxophone players and his name is not mentioned in most reference books. Demersseman wrote many works for trombone with six independent valves, which is a modern-cousin to the euphonium. Through the work of editors, Luc Vertommen and Gery Dumoulin, the entire catalog is now available in two volume editions. These are spectacular editions for study and practice. Very well done, indeed!
The works can be heard on this CD, https://www.youtube.com/watch?v=ztSve5h_8d0
This 2nd album contains his less 'academic' works and will prove to be extremely popular concert works. Theme and Variation solos of the highest quality. Hugely important historic works from our musical heritage.
Solo-parts included: bass clef, Bb bass clef, treble clef, and piano score