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Diamond Concerto (Euphonium Concerto No.3) - Philip Sparke - Euph & Wind Band version |
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In stockPhilip Sparke's Diamond Concerto ( Euphonium Concerto No.3) is a quite outstanding new work for euphonium.
It has been brought to popularity very rapidly due to the success of the Diamonds CD made by Steven Mead and the Central Band of the Royal Air Force, and it this disc was recently crowned Solo CD of the Year 2012 by both the British Bandsman and Brass Band World magazines.
This new work has just been published by Anglo Music Press and we are delighted to offer it to you here.
On this page is the version for euphonium and wind band (supplied with both treble and bass clef solo parts), as heard on the Diamonds CD. Full score and band parts supplied.
Level: Soloist 6 / Band 5
The version with piano accompaniment is also available from this store.
Philip Sparke writes about the Diamond Concerto
Diamond Concerto was commissioned by Musikverein Mörschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.
The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead’s special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.
The village of Mörschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this is was decided to give the commission a local connection by chosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:-
1 EARTH STAR
is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.
2 OCEAN DREAM
uses a varied quote from the composer’s Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.
3 BLUE HEART
was written, at Steven Mead’s suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.
The Diamonds CD can be purchased as a disc from this site or digital download.
