Dragonfly - Thierry Deleruyelle - Euphonium and Piano |
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Dragonfly by Thierry Deleruyelle is a new work for euphonium, commissioned for and first performed by the French euphonium star Bastien Baumet.
Here 's a video of Bastien performing this work
Dragonfly was commissioned by Bastien Baumet, an international French soloist, as a new departure in euphonium repertoire. The concerto can be accompanied by wind band or brass band, as well as with piano accompaniment.
Written in three uninterrupted parts, a slow and warm theme separates two dynamic, swift, and agile sections. Like a dragonfly, the music flies sometimes with jolts, sometimes with serenity, allowing us to discover landscapes, colours, and changing horizons. Dragonfly showcases the soloist's inspired melodic curves, beautiful tone, and virtuosity.
Published by Hal Leonard
Duration: 12.30
Difficulty level 5/6
Supplied with Solo Parts in TC and BC and Piano part
Concert Galop - Philip Wilby - for Euphonium (also Eb solo part incl.) and Piano |
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Here is a charming, easy-going solo for all B-flat or E-flat brass instruments from the prolific Philip Wilby. It's a great concert or recital opener, written for Robert Childs. It's a sparkling work that demands nimble technique and good flexibility. Watch this sparkling video performed by Glenn van Looy
Published by Winwood Music.
Durations: approx 3.30
Difficulty level: 4/6
Supplied with solo parts in Bb and Eb and piano part
The Lark in the Clear Air - Arr. Stephen Roberts - for Euphonium/Baritone with wind band/concert band/harmonie |
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Here is the new version of this beautiful arrangement by Stephen Roberts, for full concert band/wind band/harmonie
(this arrangement is so available on this site with Piano accompaniment)
Stephen Roberts has penned this most attractive setting of this much-loved melody.
Altgough the melodic line is clearly central, there are some lovely extended florid passagesWhich gives the setting a really nice original and fresh touch. A good soloist will really make this sound beautiful and free.
I'm sure this is set to be a very popular work. It was first written in 1999.
Here is the youtube video where this is performed beautifully by Katrina Marzella and the Black Dyke Band.
The first use of this tune seems to have been as an eighteenth-century rebel song. A hundred years later, Belfast writer Samuel Ferguson wrote these words, that were to make it one of the most famous romantic songs in the tradition.
Here are the lyrics of this popular song:
Dear thoughts are in my mind and my soul it soars enchanted
As I hear the sweet lark sing in the clear air of the dayFor a tender beaming smile to my hope has been granted
And tomorrow he shall hear all my fond heart longs to say I will tell him all my love, all my soul's pure adoration
And I know he will hear my voice and he will not answer me nay
It is this that gives my soul all it's joyous elation
As I hear the sweet lark sing in the clear air of the day
Published by Tanglewind Music
Duration approx 5 min
Difficulty level 3.5/6
Supplied with solo part in TC, wind band score and full set of parts.
Duration 5 minutes
Serenata - Jan Van der Roost - Euphonium and Piano - NEW |
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A stunning new work from the well known and highly respected compser Jan Van der Roost. This is a fantastic new solo for the advance player.
Despite the title, this is a major work, at around 12 minutes, and is at times very demanding in the high range, for stamina and with it's technical demands. That said it should become an important work at the 'sharp' end of our euhpnoum repertoire!
It has gorgeous soaring melodies that show off the magnificent possibilities of Euphonium. An advanced player will revel in these melodies and in the technical demands that follow later in the work. This is the version with piano accompaniment but a full band set is also available, and will be on this site very soon.
Introduction in the published work
While composing Serenata, Jan Van der Roost didn't focus too much on virtuality, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the ruphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigadoon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme requires some technique and agility, the overall character mostly remains full. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The piano is definitely not just accompanying but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is most spectacular and sonorous giving an extra boost of energy to the soloist as well as the piano in a grand finale.
Please note there are separate parts included with the piano score for euphonium in treble clef B-flat, bass clef in C and also bass clef in B-flat
You can listen to this YouTube video of the complete performance of this work where you can follow the wind orchestral score and solo part.
Duration approx 12 mins
Difficulty level 5/6
Supplied with solo part in treble clef B-flat, bass clef in C and also bass clef in B-flat and piano score.
Publised by deHaske.
Christmas Classics - Arr. James Curnow - Easy instrumental solos or duets with play-along CD - BC only |
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Christmas Classics is a collection of arrangements featuring new, fresh and dynamic settings of many traditional carols.
What could be more enjoyable than playing Christmas duets with a friend or family member?
Highly recommended and most enjoyable book.
The arrangements can be used as solos or duets, with any combination of instruments.
Works include:
1. Angels from the Realms of Glory
2. The First Noel
3. Go Tell It on the Mountain
4. He Is Born
5. In the Bleak Midwinter
6. Infant Holy, Infant Lowly
7. Joy to the World
8. Mary Had a Baby
9. O Come, O Come Emmanuel
10. Westminster Carol.
Difficulty level 3/6
Supplied with book in bass clef only and CD
Great Carols - Trad. James Curnow - Instrumental Solos for Christmas - Book in BC and TC and backing CD |
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Here is a collection of some of the world's greatest Christmas carols, each in a delightful setting. Arrangements are designed to be flexible by the inclusion of cued notes that allow the performer to choose the difficulty level that is appropriate for them. Capture the essence of Christmas as you perform:
1. Angels We Have Heard on High
2. Ding Dong Merrily on High
3. Good Christian Men, Rejoice
4. He Is Born
5. It Came Upon a Midnight Clear
6. Joy to the World
7. O Come All Ye Faithful
8. O Come O Come Immanuel
9. O Little Town of Bethlehem
10. What Child is This?
With accompanying CD, that gives demo performances as well as backing tracks.
Also suited for trombone or bassoon.
This collection of some of the worlds greatest Christmas carols was created for and his dedicated to Philip Smith.
There are some more difficult moments in these arrangements, so it's more than just Christmas carols, there is some practice needed to perform these!
Difficulty level 3.5/6
Supplied with booked in BC and TC and backing CD
Merry Christmas - Trad. Arr. Robert van Beringen - Book and CD backing BC and TC |
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A great new Christmas album for you to enjoy from the Euphoniumstore.
Very easy to play and enjoy. Something that every performer can play for family and friends this Christmas.
Complete with CD backing to really impress all who hear you.
Deck the Halls Traditional
O Tannenbaum Zarnac, August
O du fröhliche Falk, Daniel Johannes
Jingle Bells Traditional
Angels in the Fields Sing Traditional
God Rest Ye Merry Gentlemen Traditional
Silent Night Gruber, Franz
Once in Royal David's City Gauntlett, Henry John
From Heaven Up, O Little Angel Comes Traditional
Ding Dong Merrily on High Arbeau, Thoinot
The First Noel Traditional
Hark! The Herald Angels Sing Mendelssohn-Bartholdy, Felix
Good King Wenceslas Traditional
Good Christian Men, Rejoice Traditional
We Wish You A Merry Christmas
Difficulty level 2/6
Supplied with book with solo parts in TC and BC and accompanying CD.
BrassTrail: 18 Christmas Duets for baritone, euphonium & tenorhorn (also playable with trombone or bassoon) TC |
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NEW*** 18 Christmas Duets for baritone, euphonium & tenorhorn (also playable with trombone or bassoon)
The collection contains 6 Christmas-themed, newly composed tunes by Maria & Michael as well as varied arrangements of well-known Christmas songs.
Weisen: Sternfunkeln, Winterzauber, Lichterglanz, Im Weihnachtsrausch, Winterlandschaft, Weihnachtswalzer
Christmas songs: Feliz Navidad, Gloria in Excelsis Deo, Merry Christmas everywhere, Joy To The World, O du Fröhliche, O Tannenbaum, Deck the Halls, Jingle Bells, O Holy Night, Silent Night, The First Noël, God Rest Ye Merry Gentlemen
Level of Difficulty:
intermediate
Includes:
Edition German/English, 21 pages
Extra information:
!! All 18 Christmas Duets will soon be released on Spotify, iTunes & Co !!
This is the book in Treble Clef.
(the Bass clef is also available on this site)
Highly recommnded!
BrassTrail: 18 Christmas Duets for baritone, euphonium & tenorhorn (also playable with trombone or bassoon) BC |
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***NEW*** 18 Christmas Duets for baritone, euphonium & tenorhorn (also playable with trombone or bassoon)
The collection contains 6 Christmas-themed, newly composed tunes by Maria & Michael as well as varied arrangements of well-known Christmas songs.
Weisen: Sternfunkeln, Winterzauber, Lichterglanz, Im Weihnachtsrausch, Winterlandschaft, Weihnachtswalzer
Christmas songs: Feliz Navidad, Gloria in Excelsis Deo, Merry Christmas everywhere, Joy To The World, O du Fröhliche, O Tannenbaum, Deck the Halls, Jingle Bells, O Holy Night, Silent Night, The First Noël, God Rest Ye Merry Gentlemen
Level of Difficulty:
intermediate
Includes:
Edition German/English, 21 pages
Extra information:
!! All 18 Christmas Duets will soon be released on Spotify, iTunes & Co !!
This is the book in Treble Clef.
(the treble clef book is also available on this site)
Highly recommnded!
The Hispanic Euphonium for Solo Euphonium - Eduardo Nogueroles |
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From the composer Eduardo Nogueroles:
The Hispanic Euphonium is a work for solo Euphonium dedicated to my talented and great friend Eduardo Diz.
The music was composed for the Spanish Association of Tubas and Euphoniums (AETYB) 2018 Competition and premiered at the Royal Conservatory of Music of Madrid.
Containing avant-garde techniques such as slaps, double voices, and glissandos, The Hispanic Euphonium is Spanish in character and poses formidable technical and musical challenges for the instrumentalist.
The music begins with a beautiful melody offering the soloist the opportunity to display deep expression and lyricism. A second section is a furious and energetic Allegro full of chromatism that leads to a virtuosic Cadenza.
The central part of the piece is a delicate Waltz in the form of theme and variations. The melody is simple and gentle, and its transformation into each of the two variations requires virtuosity on the part of the interpreter.
After a Scherzando in binary form that builds tension, we ultimately arrive at the final Andalusian dance that includes flamenco winks, with kicks in the style of the dancers and hand pops that remind us of conventional flamenco guitar strokes.
Watch a fine performance given by Gail Robertson on YouTube
Duration: approximately 5.45
Difficulty level: 4/6
Supplied with: solo part in BC and TC
Sleep Dancer - Xin Di - Euphonium and Piano |
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Here is a wonderful refreshing and modern work for the advanced e 60uphonium player. This is an extremely impressive work and definitely worth a listen to with this excellent sound file : https://youtu.be/7OPQfcJ-k20?si=v7hfefskshL_J_U2
This piece is a great recital piece or competition piece and should be studied by advanced euphonium players. It is fresh sounding as you will hear from the sound file, excellently performed by the dedicatee Chris Nery.
Duration: about 10 minutes
Difficulty level: 4.5/10
Supplied with: solo parts in TC and BC and piano part
Pavanne pour une infante defunte - Ravel Arr V.Lisjak - for Solo Euphonium and Brass Choir |
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The arranger writes: The idea of arranging this piece for large brass ensemble was a result of my intention to present Steven Mead’s lyrical qualities and the huge potential of his rich and colorful sound to a Croatian audience when he was a guest soloist in Zagreb. While we spoke about the program for the concert, I mentioned Ravel’s Pavane as a nice addition to my Concerto and the other Pavane (one by Faure, for solo euphonium and harp), and Steven supported the idea instantly, as it turned out that this piece was his favorite in his early euphonium soloist days. As he soon became a world famous virtuoso, where listeners constantly asked for higher and faster bravuras, I gladly used my chance to present the forgotten poetic and warm side of the euphonium. I avoided the fashionable stereotypes of many of today’s composers–making an artist break his fingers or lips by choosing extra fast pieces originally for violin or flute and arranging it for tuba.
The inspiring challenge was to create the atmosphere present in Ravel’s own orchestration of this piece, where no instrument plays a typical solo role. It wasn’t easy to achieve so many colors without strings and woodwinds. Yet, here we have the euphonium as a lead voice while it is also well incorporated into vertical blocks with french horns, trombones, and trumpets. Full symphony sized brass sections fuction here mainly to provide harmonic body, with the great percussive and melodic help of marimba and vibraphone. The result is an arrangement that is demanding in a sense of creating the right flow (not too slow – as Ravel hated it this way). Pavane is, after all, a dance.
A recording of this arrangment can be found on Bocchino’s CD release “Croatian Euphonic Brass,” together with a recording of another publication by Potenza, an arrangement of the Pavane by G. Faure, presented on this CD in the best possible way–by Steven Mead, who inspired me to try to give these masterpieces new shape.
–Vanja Lisjak
Steve writes, "its one of the most beautiful pieces I'ver ever recorded".
Solo parts included: Euphonium TC and BC, Trumpet in C 1, Trumpet in C 2, Trumpet in C 3, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Trombone 1, Trombone 2, Bass Trombone, Tuba, Vibraphone, Marimba
Supplied with full set of ensemble parts and solo parts in TC and DC
Duration: 6.24
Difficulty leve: 4.5/6
Published by Potenza Music
Preserving CODE - 11 Solos by Percy Code, in TC,BC and Eb - Dr. Matthew Van Emmerik |
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Here's a fabulous new album of solos by the Australian composer Percy Code, 1885-1953
Preserving CODE - Music by Percy Code
The Complete Solo Repertoire of Percy Code takes you back to a time when you may have played, performed or competed in solo competitions using Percy’s wonderful repertoire. This book can be used for the new student, enthusiast, or for the many individuals who sat in the audience in the early years of their children’s or students’ musical journeys; listening to their progress while simultaneously enjoying the gift of Percy Code’s wonderful repertoire – a gift that has now been enjoyed for almost 100 years. Enjoy playing through and performing these solos and working alongside the amazing accompaniment of Peter Baker on piano. Assembled by Matthew van Emmerick
Contents - SOLOS:
Solo brass parts included: B-flat, E-flat, Bass Clef concert pitch, and full piano score
Difficulty level 4/6
Produced by Potenza Music
Highly recommended!
Pulse - Thomas Doss - Euphonium and Wind Orchestra/Harmonie/Concert Band |
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Just arrived at the store is this fantastic new solo by the Austrian composer, Thomas Doss.
The composer writes: Pulse, a solo work which was originally written for euphonium (or baritone) and wind orchestra. As the title suggests this piece is very rhythmic nature, Pulse represents a life and vitality, which also characterises the work. The tempo remains virtually constant throughout the piece. Even during the cadenza, played by euphonium, the pulse continues to beat steadily.
This work is dedicated to the young baritone soloist Felix Geroldinger from Upper Austria.
You can watch Felix performing it here with the SBO Wind Orchestra from Upper Austria https://www.youtube.com/watch?v=Se-TjZVOEew, and it can also be heard on the CD of the same name, Pulse, played by Steven Mead and the Belgium Air Force band
Published by Mitropa Music.
Highly recommended and sure to be popular.
Difficulty: 4.5/6
Duration: 7 mins
Supplied with : solo parts in TC, BC and BC in Bb, full wind nand score and full set of parts.
Euphonium Eurthymics - Euphonium Studies - Alwyn Green - Treble clef |
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This is a new addition of the superb method book by former bass trombonist and euphonium player Alwyn Green.
Euphonium Eurythmics is a deservedly popular book, 72 pages of excellent exercises from warm-ups to a articulations to flexibility to harmonic exercises, more articulation exercises as well as graded individual studies in different keys increasing difficulty. Inside the book is a QR code to scan for more information including some backing tracks and performance videos.
Highly Recommended
Duratinon 72 pages
Difficulty : 3=5/6
Supplied with bookin TC (BC book also available on this site)
Published by Warwick Music
Euphonium Eurthymics - Euphonium Studies - Alwyn Green - Bass clef |
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This is a new addition of the superb method book by former bass trombonist and euphonium player Alwyn Green.
Euphonium Eurythmics is a deservedly popular book, 72 pages of excellent exercises from warm-ups to a articulations to flexibility to harmonic exercises, more articulation exercises as well as graded individual studies in different keys increasing difficulty. Inside the book is a QR code to scan for more information including some backing tracks and performance videos.
Highly Recommended
Duratinon 72 pages
Difficulty : 3=5/6
Supplied with bookin BC (TC book also available on this site)
Published by Warwick Music
Adagio Op.85 (from the Cello Concerto) - Edward Elgar Arr. Eric Wilson - euphonium and piano |
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Here is one of the famous slow movements form the world of music, the slow movement, from the Elgar Cello Concerto, arranged for the first time for euphonium and piano.
"Elgar completed his last major work, the Cello Concerto Op. 85, in 1990 in Brinkwells, the thatched cottage in Sussex overlooking the South Downs he was renting at the time. Composed in the aftermath of the great war, it has to be said that this is music for a lost world. In this, the third movement, time certainly seems to almost standstill. It is imbued with elegant melancholy, perhaps also pain, and ultimately resignation.
In transcribing the piece for euphonium, (a perfect fifth lower than the original key) there have been various active displacements in both solo part and the piano accompaniment. As Elgar did in his orchestration, I have tried to create a texture where the soloist is not overpowered by the accompani but soloist and accompanies should work closely together. Bear in mind that accents and dynamics are relative and should never be overdone. Elgar frequently uses tiny nuances in dynamics, crescendos and so on, so I'd urge performance to listen closely to some of the worlds greatest cists.
Erik Wilson
This is undoubtedly going to be a very popular work for euphonium and because of the pitch range the arranger uses, should be within the reach of most players.
Difficulty level - 3.5/6
Duration approx 4.50 mins
Supplied with solo parts in BC and TC and piano part.
Published by Winwood Music
Film - Andy Scott - with piano accompaniment, for baritonen or euphonium. TC only, |
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Film was originally written as a movement from the commission ‘Seven Dances & No Looking Back’ for the Aquarelle Guitar Quartet.
It was subsequently arranged, at Andy’s request, by Jim Fieldhouse for brass band, and included on the CD recording ‘Spirit of Foden’s – the music of Andy Scott’, performed by Foden’s baritone soloist Natsumi McDonald & Foden’s Band, conducted by Michael Fowles.
The brass band arrangement has also been performed by notable soloists such as Katrina Marzella, and performed and recorded by Kristy Rowe.
Natsumi approached Andy about the possibility of an arrangement of Film that is scored for baritone and piano, which was completed by the composer and premiered by Natsumi & Yuki Kagajo in Alsager, Cheshire, July 2016.
Film is a gentle and fragile work, expressive and melodic, with subtle interplay between baritone horn and piano
Published by Astute Music
Duration: 3.30
Difficulty 3.5/6
Supplied with solo part in treble clef and piano
Calabria for Solo Euphonium - Cosimo Bombardieri |
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About Calabria (Italian folk song with variations)
This composition, structured in the theme and variation form, draws its inspiration from the Calabrian folk song Pacchianella calabrisi. The melody of the folk song is presented here through five variations, each showcasing varying levels of virtuosity.
Calabria was commissioned by Andrea Graziani and premiered by international soloist Steven Mead for the 10th anniversary of the “Armonie dello Stilaro” music association in Pazzano, Italy.
Italian composer, conductor, and clarinetist Cosimo Daniele Bombardieri has been active on the musical scene for more than a decade in Italy and abroad. As a composer, he received various prizes and commissions. Among others the 2018 first prize of the International Call for Scores for Minue for ensemble, and the first prize at the International Composition Competition “Città di Albenga” with Crystals for piano solo.
audio sample: https://www.editions-bim.com/sheet-music/brass/euphonium/euphonium-solo/cosimo-bombardieri-calabria-for-euphonium-solo
Diiculty level 4.5/6
Supplied with: solo euph part in TC and BC
Concerto for Tuba Euphonium Quartet - Michael Forbes (BC only) |
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About Concerto for Tuba/Euphonium Quartet
This may be Mike Forbes's most expansive and challenging work for the tuba / euphonium quartet. Like Bartók's "Concerto for Orchestra," this composition has no accompaniment and is a tour de force for the quartet.
Drawing on extended techniques (slide removal, multiphonics), Michael Forbes creates a dramatic and colorful work that particularly highlights the virtuosity of each musician.
Michael Forbes (born 1973 in Morgantown, West Virginia, USA), studied first with Mark Lusk and Marty Erickson (Bachelor’s Degree at Penn State University), then with tubist and composer, John Stevens (Master degree from the University of Wisconsin) and finally with world renowned tubist, Toby Hanks (Doctor’s Degree from the University of Maryland). Along the way, he also studyied with Stuart Roebuck, Brian Kingsley and Andrew Duncan (University of Manchester and the Royal Northern College of Music, United Kingdom). He began his career as tuba player, soloist, conductor and arranger with the U.S. Army Band, «Pershing’s Own» in Washington, D.C.
Best known for his fine compositions and arrangements, Michael Forbes has received numerous commissions from a variety of well-known artists and chamber ensembles. Many of his works have been recorded and are also regularly selected in concert programs or as test pieces for international competitions.
As a soloist and as part of the internationally recognized «Sotto Voce Tuba Quartet», Michael Forbes is regularly invited to give performances and clinics at universities and conferences around the globe. He currently teaches at Illinois State University.
Audio clips: https://www.editions-bim.com/sheet-music/brass/tuba/tuba-quartet/michael-forbes-concerto-for-tuba-euphonium-quartet
Difficulty level: 5/6
Supplied with euphonium and tuba parts in BC and full score
Homework - Roland Szentpali - for Four Bass Tubas |
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About Homework
When I was in school I hated homework… Very often I just did not do it, got bad grades and my parents were unhappy.
Biology-Cells: the musical material starts with a structure like a DNA cell and makes different mutations.
Chemistry: every note is a name of a chemical such as H (hydrogen) Ca (calcium), Fe (iron), Ga (gallium), Ge(germanium), Ag (silver), Cd (cadmium), Ba (barium), Hf (hafnium), Hg (mercury), Db (dubnium)
Physics: a dynamic is an amount of energy. Changing this energy helps composers dramatize their music. This is an exercise in going far with dynamics, staying perfectly in tune and keeping in balance.
Mathematics: Prime numbers (2,3,5,7,11, etc) are the numbers which can only be divided with 1 or with itself. I played around with all the possibilities of making these dry structures become music.
Homework done! With love for my parents!
Roland Szentpali, April 2012, Hong Kong
Roland Szentpali was born in 1977 in Nyíregyháza, Hungary. He began his musical studies in his hometown; in 1991 he was admitted to the Béla Bartók Conservatory in Budapest, as the tuba student of József Bazsinka and later of Gábor Adamik. At the age of 16 he won the national “Brasses and Percussion” competition, then wrote and performed his first concerto for tuba and symphony orchestra, recorded and broadcast by Hungarian state television. From here, his career as tubist and composer rapidly gained an international dimension. He entered the Ferenc Liszt Music Academy in Budapest where he studied with László Szabó, while taking private lessons with Roger Bobo. Since 1998 he has won first prizes at seven international competitions: Gdansk, Poland; Munich, Germany; Budapest, Hungary; Chéju, Republic of Korea; Brno, Czech Republic; Lieksa, Finland and second prize at the competitions of Guebwiller, France and Markneukirchen, Germany. His opus includes chamber music works, orchestral pieces and concerti for various wind instruments, most of it is published by Editions Bim
Difficulty level 4.5/6
Supplied with bass tuba parts in BC and full score
Deus Ex Machina - Michael Forbes - Bass Tuba Quartet |
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The main character is trapped. There’s no way out. It is surely doomed. The movie is over. Then all of a sudden, an inconceivable solution appears from out of the blue. This is what is referred to as a deus ex machina and it is one of the most frowned upon tropes in filmmaking. Coined during Ancient Greek theatre, deus ex machina ...
Michael Forbes (born 1973 in Morgantown, West Virginia, USA), studied first with Mark Lusk and Marty Erickson (Bachelor’s Degree at Penn State University), then with tubist and composer, John Stevens (Master degree from the University of Wisconsin) and finally with world renowned tubist, Toby Hanks (Doctor’s Degree from the University of Maryland). Along the way, he also studyied with Stuart Roebuck, Brian Kingsley and Andrew Duncan (University of Manchester and the Royal Northern College of Music, United Kingdom). He began his career as tuba player, soloist, conductor and arranger with the U.S. Army Band, «Pershing’s Own» in Washington, D.C.
Best known for his fine compositions and arrangements, Michael Forbes has received numerous commissions from a variety of well-known artists and chamber ensembles. Many of his works have been recorded and are also regularly selected in concert programs or as test pieces for international competitions.
As a soloist and as part of the internationally recognized «Sotto Voce Tuba Quartet», Michael Forbes is regularly invited to give performances and clinics at universities and conferences around the globe. He currently teaches at Illinois State University.
Sound clips: https://www.editions-bim.com/sheet-music/brass/tuba/tuba-quartet/michael-forbes-deus-ex-machina-for-tuba-quartet
Difficulty level 4/6
Supplied with four bass tuba parts in BC and full score
Moondance - John Stephens for Tuba Quartet |
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The work emplies both the sonorous harmonies and rhythmic drive and power that can be generated by a group of four bass tubas.
Video live performance: https://www.youtube.com/watch?v=_jhuizGWQZw
Difficculty level: 4/6
Supplied with four tuba parts in BC and full scxore
Concerto in D Minor BWV 596 - Vivaldi/Bach arr. Michael Forbes - Tuba Euphonium Quartet |
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The Concerto in D minor, BWV 596, is a notable work in the repertoire of Johann Sebastian Bach. It is a transcription of Antonio Vivaldi’s Concerto for Strings in G minor, RV 156. Bach, known for his exceptional skills in adaptation and arrangement, took Vivaldi’s original composition and transformed it into a concerto for organ.
The transcription process was a common practice during the Baroque era, where composers frequently adapted and rearranged works by their contemporaries or predecessors. In the case of BWV 596, Bach not only transcribed the original work but added his own artistic touches.
In this publication, Michael Forbes takes Bach’s organ transcription and adapts it to the euphonium/tuba quartet. Brass ensembles have the advantage of being able to easily imitate the sound of the organ in its various registers.
euphonium parts in bass & treble clef
Difficulty level: 5/6
Supplied with euph parts in TC and BC and tuba parts in BC and full score
Les Barricades Mistérieuse - F.Couperin Trans. Michael Forbes for Bass Tuba Quartet |
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"Les Barricades Mistérieuses" is part of François Couperin's Second Livre de Pièces de Clavecin (1717). This musical gem attests to Couperin's mastery of the elegance and sophistication of the French Baroque. The piece captivates with its mysterious charm and timeless beauty.
François Couperin le Grand (1668–1733), a prominent French Baroque composer and harpsichordist, hailed from a distinguished musical lineage. Trained by his father and uncle, both accomplished musicians, he showcased his virtuosity early on. Couperin served as the organist at the Church of Saint-Gervais in Paris from 1693 until his death.
As a composer, his lasting contributions include the 1716 collection "L'Art de toucher le clavecin" (The Art of Playing the Harpsichord). This work, a testament to his mastery, offers insights into Baroque performance. His compositions, known for their expressive ornamentation and evocative titles, exemplify his sensitivity to emotion.
François Couperin's impact transcended his era, and his works continued to influence musicians for centuries. Revered for their elegance and sophistication, his compositions contribute significantly to the rich tapestry of Baroque music. Couperin le Grand's legacy endures as a key figure in the history of classical music.
alternative parts Eb Bass and Bb Bass in treble clef
Difficulty 4/6
Supplied with tuba parts in BC and alternative parts Eb Bass and Bb Bass in treble clef and full score
Chaconne - Bach/Busoni for Tuba Euphonium Quartet |
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About Chaconne
Ferruccio Busoni (1866–1924), an Italian composer and pianist, made significant contributions through his creative transcriptions of Johann Sebastian Bach’s works. His fascination with Bach’s music led him to reimagine compositions with virtuosity, adding unique touches to bring the timeless beauty of the Baroque era to a broader audience.
One of Busoni’s most renowned transcriptions is the “Chaconne” from Bach’s Violin Partita No. 2. This monumental work for piano captures Bach’s essence while infusing Busoni’s expressive interpretations. The transcription showcases Busoni’s virtuosic technique, expanding the tonal possibilities of the piano.
Beyond the “Chaconne,” Busoni transcribed organ works, chorale preludes, and keyboard suites, often adding ornamentations and harmonic explorations in the late-Romantic style. His approach reflected a belief in tradition and the evolution of musical styles, preserving and revitalizing the past.
Beautiful produced score and parts form The Brass Press- Editions BIM
sound sample: https://www.editions-bim.com/sheet-music/brass/tuba/tuba-quartet/busoni-bach-chaconne-for-euphonium-tuba-quartet
Difficulty level 4.5/6
Supplied with euph parts in TC and BC, tuba parts in BC and full score
Hope - Leigh Baker - Euphonium and Piano - TC only |
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Introducing this beautiful slow solo by conductor, composer Leigh Baker.
This piece was recently put on the Associated Board examination lists for the first time, and this will expose this beautiful music to a wider audience and students. Highly recommended, not difficult and well worth the effort.
Published by Prima Arts, UK
Duration : approx 4.5 minutes
Difficulty level: 3.5/6
Supplied with: solo part in TC only and piano part.
All the Worlds a Stage - Arr. Tony Pickard - album (9 solos) with piano acc. |
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NEW* -Solos with piano accompaniment
All The World's A Stage is a vibrant addition to the operatic solo repertoire for the intermediate euphonium or baritone player. These musically interesting arrangements, with piano accompaniments, will stimulate the interest of the player and increase their traditional concert repertoire. Tony provides brief historical notes for each piece which give a useful guidance.
• I Got Plenty O' Nuttin (from Porgy And Bess) Gershwin
• O Mio Babbino Caro from "Gianni Schicchi" Puccini
• Chacun Le Sait from (La Fille Du Régiment) Donizetti
• Mon Coeur S'ouvre À Ta Voix Softly Awakes My Heart (from Samson Et Delilah) Saint-Saëns
• Bel Piacere (from Agrippina) Handel
• Nessun Dorma! (from Turandot) Puccini
• Dido's Lament (from Dido And Aeneas) Purcell
• Ebben, Ne Andrò Lontana (from Le Wally) Catalani
• Non Disperar; Chi Sa? (from Giulio Cesare) Handel
Published by Brass Wind Publications
Difficulty level: 3/6
Supplied with solo parts in TC and BC and piano part
WIN! WIN! arr. Peter Lawrance - 62 well known tunes for Treble Clef Brass (TC version) - with CD accomppaniment! |
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NEW** WIN! WIN! arr. Peter Lawrance with CD backing included
A bumper collection of pieces carefully selected and arranged for players of all ages to delve into and enjoy. From popular film, show and television themes to classical, folk and Christmas titles this collection has something for everyone.
The choice of range, technique and style of music have been carefully geared to the instrument and ability range.
The titles in Win! Win! have been arranged as unaccompanied solos but combined with the easy piano accompaniments (also available on this site!) they offer an even greater opportunity to explore the wide variety of styles found in the collection.
... Alice o Apollo 13 o Aslan's Theme o Mr Bean Theme o A Clare Benediction o Comedy Tonight o Dixie o Everybody Loves Somebody o Eye of the Tiger o Gaudete o The Golden Spinning Wheel o Hallelujah o He's a Pirate o Hey, Look Me Over o Higitus Figitus o Hogwart's Hymn o Hogwart's March o I Have a Dream o In Dreams o It's a Small World o Java Jive o John Barleycorn o Lady Maisry o Last Christmas o Love is Like a Butterfly o The Magnificent Seven o La Marmotte o Les Moissonneurs o On an Eagle's Wing o One More Step o Overture o Puttin' On The Ritz o Rocka my Soul o Ronde No 2 Mon Amy o Slavonic March o Stairway to Heaven o Star Carol o Strictly Come Dancing o They All Laughed oThine Be The Glory o Vilia o Waltz from 'Sleeping Beauty' o Waltz from Jazz Suite No 2 o The Winner Takes it All o Y.M.C.A. o You Raise Me Up o Zulu Stamp
Difficulty level 2/6
Supplied with TC solo part (piano part also available at the EuphoniumStore) and backing CD (+mp3)
WIN! WIN! arr. Peter Lawrance - 62 well known tunes for Bass Clef Brass (BC version) with CD backing |
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NEW** WIN! WIN! arr. Peter Lawrance with CD backing included
A bumper collection of pieces carefully selected and arranged for players of all ages to delve into and enjoy. From popular film, show and television themes to classical, folk and Christmas titles this collection has something for everyone.
The choice of range, technique and style of music have been carefully geared to the instrument and ability range.
The titles in Win! Win! have been arranged as unaccompanied solos but combined with the easy piano accompaniments (also available on this site!) they offer an even greater opportunity to explore the wide variety of styles found in the collection.
... Alice o Apollo 13 o Aslan's Theme o Mr Bean Theme o A Clare Benediction o Comedy Tonight o Dixie o Everybody Loves Somebody o Eye of the Tiger o Gaudete o The Golden Spinning Wheel o Hallelujah o He's a Pirate o Hey, Look Me Over o Higitus Figitus o Hogwart's Hymn o Hogwart's March o I Have a Dream o In Dreams o It's a Small World o Java Jive o John Barleycorn o Lady Maisry o Last Christmas o Love is Like a Butterfly o The Magnificent Seven o La Marmotte o Les Moissonneurs o On an Eagle's Wing o One More Step o Overture o Puttin' On The Ritz o Rocka my Soul o Ronde No 2 Mon Amy o Slavonic March o Stairway to Heaven o Star Carol o Strictly Come Dancing o They All Laughed oThine Be The Glory o Vilia o Waltz from 'Sleeping Beauty' o Waltz from Jazz Suite No 2 o The Winner Takes it All o Y.M.C.A. o You Raise Me Up o Zulu Stamp
Difficulty level 2/6
Supplied with BC solo part (piano part also available at the EuphoniumStore) and backing CD (+mp3)
WIN! WIN! arr. Peter Lawrance - Piano Accompaniment only (62 well known tunes) |
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The titles in Win! Win! for brass have been arranged as unaccompanied solos but combined with this easy piano accompaniment they offer an even greater opportunity to explore the wide variety of styles found in the collection. These 46 simple piano accompaniments have been especially arranged.
... Alice • Apollo 13 • Aslan's Theme • Mr Bean Theme • A Clare Benediction • Comedy Tonight • Dixie • Everybody Loves Somebody • Eye of the Tiger • Gaudete • The Golden Spinning Wheel • Hallelujah • He's a Pirate • Hey, Look Me Over • Hogwart's Hymn • Hogwart's March • I Have a Dream • In Dreams • It's a Small World • Java Jive • John Barleycorn • Lady Maisry • Last Christmas • Love is Like a Butterfly • The Magnificent Seven • La Marmotte • Les Moissonneurs • On an Eagle's Wing • One More Step • Overture • Puttin' On The Ritz • Rocka my Soul • Ronde No 2 Mon Amy • Slavonic March • Stairway to Heaven • Star Carol • Strictly Come Dancing •They All Laughed •Thine Be The Glory • Vilia • Waltz from 'Sleeping Beauty' • Waltz from Jazz Suite No 2 • The Winner Takes it All • Y.M.C.A. • You Raise Me Up • Zulu Stamp
Supplied with piano accompaniment book
(solo parts in TC and BC are available here at the Euphoniumstore)
Scaramouche - Philip Sparke - Wind band/Harmonie/Concert Band accompaniment |
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Scaramouche - Baritone or Euphonium Solo (with Wind band/Harmonie/Concert Band accompaniment
From the composer Philip Sparke - "Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund. Undoubtedly the finest baritone player of her generation, Katrina was granted an education bursary from the BBC Performing Arts Fund as a result of winning the BBC Radio 2 Young Brass Soloist of the Year in 2004. This has allowed her to commission a series of new works for her instrument, including Scaramouche. In this version for euphonium and concert band, Scaramouche continues Sparke’s series of works which uses the Italian improvisational theatre tradition of commedia dell’arte as an inspiration. Pantomime, Harlequin and, now, Scaramouche draw on the contrasting moods of pathos and comedy characterised by the ‘happy/sad’ masks which symbolise European theatre. A slow expressive ballad, followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the euphonium, therefore giving the soloist the chance to display the full capabilities of their instrument."
A really super solo, sure to be widely played!
Watch Bastien Baumet perform it (euphonium and brass band) and Felix Geroldinger (baritone and piano) and Tobias Reifer (euph and wind band)
Published by Anglo Music
Duration: approx 6.45'
Difficulty: 4.5/6
Supplied with solo parts in TC and BC full band score and full set of Wind band/Harmonie/Concert Band accompaniment
Omaggio - Euphonium Concerto No.4 - Philip Sparke - Euphonium and Piano |
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Gramercy Favourites (4 solos) - Peter Graham - Solo instrument with piano accompaniment |
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A collection of solo versions of some of Peter Graham's most popular melodies. For brass instrument with piano accompaniment.
Please note that this purchase is for Bb. Instruments. An album of four beautiful Peter Graham solos that are going to enchant your audiences!
Contents: (click on link to hear each movement)
Lady Stewart's Air was commissioned by David King as a birthday tribute to one of New Zealand's most prominent supporters of the arts and in particular the brass band fraternity, Lady Adrienne Stewart.
Meditation is the central theme from The Triumph of Time, a work commissioned for The Black Dyke Band by Music Director Nicholas Childs.
The original brief was for a piece which would showcase the talents of the band's many fine soloists, among them Zoe Hancock on Flugel horn, who has made this particular theme from the larger work her own.
The main theme from the composer's work The Torchbearer, this version was arranged for Flugel Horn soloist Lucy Cutt.
Deep River is one of the best known of the spirituals originating among the enslaved Africans in the United States during the 18th and 19th centuries. This arrangement was made for Eb Tuba soloist Steven Walsh.
Difficulty level: 3.5/6
Duration total c.18-20 mins total
Supplied with solo parts in TC and BC and piano part
Alarum - Edward Gregson - for unaccompanied tuba |
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Alarum for solo tuba was written, especially for James Gourlay, and was first performed by him at the Adrian Boult HJall, Birmingham on February 13,, 1994.
The title of the work derives from an old English word, meaning a 'call to arms', and I have taken this to be a primitive (that is primeval) call, and hence the opening gesture of the piece, which is meant to imitate a tribal like intensity. The opening four note set of pitches is taken from the name of the dedicatee.
The piece is divided into three main sections and runs continuously. The first section is by turns, aggressive, nervous and lyrical. The second section is melodic and peaceful, but reaches a climax when the two themes, lyrical and rhythmic, are juxtaposed against each other. The last section is dance-like in character with changing time patterns which lead back to the very opening statement of the piece.
Published by Gramercy Music
Difficulty 5.5/6
Duration: 8 minutes
Supplied with solo part in BC only.
A Portrait of Paris - Peter Graham - Duet (cornet/euph or two euphs) with piano accompaniment |
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A Portrait of Paris was written for Alexis Demailly and Bastien Baumet of the Paris Brass Band.
The three movements, Promenade (aux Champs-Élysées), Sur La Seine and Tour de France, are the composer's musical impressions of some of the city's landmarks and events (with occasional references to a famous Parisian composer thrown in for good measure...)
A fantastic extended work.
P{ublished by Gramercy Music
The duet will work great in its original form for cornet and euphonium, but we think it will also work great as a duet for two euphoniums.
Score: https://www.gramercymusic.com/image/Portraitpiano.pdf
Have a listen: https://www.gramercymusic.com/sound/Portsound.mp3
Difficulty level 4.5/6
Supplied with duet parts (Corent in TC and euph (in TC and BC) and piano part
Concerto for Euphonium - Vaclav Nehybel - Euphonium and Piano (Bass clef only) |
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An important concerto in one continuous movement.
This comissioned by the American euphonium played Roger Behrend
Composed by Vaclav Nelhybel (1920-1996)
Sound file
https://www.cimarronmusic.com/concertoforeuphoniumnelhybelpiano
Published by Tuba Euphonium Press
Duration approx 13 minutes
Difficulty level 4.5/6
Supplied with solo part in BC only and piano part
Concerto Per Flicorno Basso Op.155 - Amilcare Ponchielli Arr. Henry Howey - Euphonium and Piano |
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We are pleased to offer this famous composition, one of the oldest surviving works for our instrument, a grand Italian theme and variation solo.
A work in terms of importance, length and difficulty. After a substantial introduction, we get to the main theme and variations follow. In the great operatic tradition, and typical of the important works of the composer. Have a listen to the recording from the Euphonium Virtuoso CD played by Steven Mead.
One of our biggest technical challenges! Musical too!
https://youtu.be/6tWdEICGuzEBc
Published by Tuba Euphonium Press
Length 13.41
Difficulty 5/6
Supplied with solo parts in TC and BC and piano
Four Puccini Arias - G.Puccini Arr. Joseph Spaniola - Euphonium and Piano (Bass clef only) |
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Four beautiful Puccini arias, arranged by Joseph Spaniola.
1. Vissi D'Arte
2. Un Bel Di
3. Dondie Lieta
4. Nessun Dorma
You simply have to have this album in your collection!
Published by Tuba Euphonium Press
Duration approx 15.00
Difficulty level. 3.4/6
Supplied with solo parts in BC and piano part
First Movement from Concertino No.1 in B flat - Julius Klengel Arr. Leonard Falcone - Euphonium and Piano |
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The Klengels (Julies Klengel (1859-1933) were a very musical family in the second half of the 19th century.
This wonderful work, originally for cello, is a real tour de force for euphonium.
Steven Mead recorded this on his Tribute album with the Michigan State Wind Orchestra. The connection of course was with Leonard Falcone, whose arrangement inspired performance on the CD.
It's a great work, and a complete workout for the performer.
Published by Tuba Euphonium Press.
Duration 4.20
Faustbuch - Elizabeth Raum - Euphonium and Piano |
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The Canadian composer Elizabeth Raum composed this work and dedicated it to the Euphonium player, Mark Jenkins, in 2002.
It's a really fascinating and complex work in three movements.
Three movements based on the Faust legend. Also a version for F tuba. Premiered by Jenkins on January 24th at the Army band tuba/euphonium convention at Ft. Myer, Virginia, and band version premiered by John Griffiths at ITEC 2004 in Budapest.
https://elizabethraum.com/solo-accompanied-by-band/
Published by Tuba Euphonium press
DurationL: 13.40
Difficulty level: 5/6
Supplied with solo parts in TC and BC
Nocturne Op.7 - Franz Strauss Arr. Michael Fischer - Euphonium and Piano |
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Here's a super arrangement, by Michael Fischer of the classic solo by Franz Strauss for French horn, now arranged for Euphonium and Piano.
A perfect piece for recitals or concerts, and one that's always sure to please, if you play it nicely!
https://youtu.be/jbHJHHiM-is (horn original, video)
Published by Tuba Euphonium Press
Duration: 6.40
Difficulty level 4/6
Supplied with solo parts in TC and BC and piano part
Hungarian Melodies - Vincent Bach Arr. Harold Brasch - Euphonium and Piano |
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A real virtuoso showpiece from a composer who became better know as a maker of mouthpieces and trumpets etc
A great recital or concert work.
Listen to this fine recording by Dave Werden, accompanied by wind band
http://www.dwerden.com/music-videos/euphonium-music-videos.cfm?vid=1422
Duration 5.40
Difficulty level 4.5 /6
Supplied with solo part in TC
60 Etudes for High Tuba or Euphonium - Georg Kopprasch ed. Bryan Doughty (bass clef only) |
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A terrific method book that will challenge you with hours of study, both lyrical and technical. Many people know the name Kopprasch, and he studies have challenged brass players for generations. These studies are progressive and provide intereting study material for players of all levels.
Duration n/a
Difficulty level: 3-4.5/6
Suuplied with book in BC only
25 Duets for Low Brass - Anthony O'Toole (bass clef only) |
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A great book of duets for either two euphoniums, or euphonium and tuba, or baritone and euphonium.
Very well, written with some nice rhythmic, stylistic and counting challenges. Also explores the Mixolydian and Dorian scales.
Not too difficult and well worth the effort.
Published by Cimarron Music Press.
About the Author
Anthony O'Toole , born 1988 in Philadelphia, Pennsylvania, holds a bachelor's degree in Music Theory & Composition from the Indiana University of Pennsylvania where he studied composition with Daniel Perlongo, Jack Stamp and David Martynuik. He is currently a master's student in Composition at George Mason University where he studies with Mark Camphouse. Anthony O'Toole's music is unique and fresh with its intense rhythmic energy, lush jazz-influenced harmonic language, and his talent for highly effective and colorful orchestration. Mr. O'Toole has written more than 100 works for almost every medium and began writing music in his early teens. In high school his interest in composition stemmed from his studies as a percussionist and love of performing. He also became a competent multi-instrumentalist learning piano, viola, saxophone, clarinet, trombone and tuba. Although he is largely self-taught as a composer he credits many of his teachers for being mentors and advocates of his music. While at IUP he had the pleasure of receiving lessons and attending lectures from guest composers such as Cindy McTee, Samuel Hazo, Christopher Marshall, Frank Ticheli, Clark MacAllister, Richard Danielpour, Bruce Yurko and Drew Hemenger. After graduation from IUP in 2011 he worked full-time as a composer while also working as an orchestrator and arranger for 2 years before beginning his MM in Composition at GMU. In the last 5 years Mr. O'Toole has seen success as a composer winning numerous prizes which include the Grand Prize in the 2012 Garritan Composition Contest for his orchestral work 'CA-91' as well as other accolades and honorable mentions. His music has been featured in the GIA Publication 'Teaching Music Through Performance in Band' (Solos with Wind Band Accompaniment edition) and a large amount of his music is published by Cimarron Music Press, Euphonium.com and Bandworks Publications. In particular, his band music has become rather popular and has been played by some of the finest ensembles including the University of North Texas Wind Symphony, The Indiana University of Pennsylvania Wind Ensemble and the United States Coast Guard Band. His band music and chamber music have been performed all over the country and internationally in Canada, Australia, Tawain, Portugal, Britain, Brazil and Singapore.
Duration n/a
Difficulty level 3.5,4/6
Supplied wirth book in BC only
Twelve Jazz Duets - Jack Gale - for Trumpet and Trombone (or two euphs/baris) - with play along CD |
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A great of jazz duets, very suitable for our instruments. A chance for you to explore some jazz style duets, with a backing CD, that can be used in performance.
A really great challenge to play something different and refreshing.
Play play along CD has the 12 tracks in both duet form, accompanied by bass and drums, and just drum and bass accompaniments only that can be used for performance.
Published by Cimarron Music Press
Duration : n/a
Difficulgty level: 4/6
Supplied with book and playalong CD, trumpet in TC and trombonw part in BC.
Arcades and Alleys (Sonata for Euphonium) - Alan Lourens - Euphonium and Piano |
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The Sonata for Euphonium is a traditional three movement sonata following classical forms. Movement one is lively Sonata Form, Movement Two is a quiet Ternary Form, and a very lively Rondo rounds out the composition.
This is is post-modern; it is Each movement opens strong in the stated key (G Major, f minor) though in each case the tonality wanders considerably before finishing in the home key. The work is descriptive in nature, but not programmatic.
Arcades and Alleyways explores the whole range of the instrument, from a Pedal B Flat to a C three octaves above that note, and requires professional level technical ability.
Is a really interesting work, essentially a Sonata for Euphonium.
Lourens was born in Perth, Western Australia, and attended Scarborough Senior High School, where he won the prize for music in his graduating year. After completing a degree in Music Education at the Western Australian College of Advanced Education, Lourens taught brass and classroom music in public schools, based at Kelmscott Senior High School, and including conducting and teaching brass at Churchlands Senior High School and Perth Modern School. He returned to study at Indiana University, earning a master's degree in music (in Euphonium Performance) in 1992, and a Doctorate (in Wind Conducting) in 1999, working as an Associate Instructor to Harvey Phillips and in the IU department of bands, working with the Marching Hundred. At Indiana, he studied Euphonium with M.Dee Stewart and Daniel Perantoni. He was also awarded a Performers Certificate for the quality of his Masters recital.
From 2000, Lourens has held leadership positions at the Western Australian Academy of Performing Arts (as Head of Classical Music), and has held positions in Singapore(at Lasalle College of the Arts),[1] and in Dubai.[2] His name was also associated with a possible appointment as Head of the ANU School of Music.[3][4] In 2009, he was elected as a Fellow of the Royal Society of Arts (FRSA).
Listen to the world premiere by Fletcher Mitchell: Finland, July at the opening concert of the Lieksa Brass Week. World premiere performance of Australian composer Dr Alan Lourens's Euphonium Sonata 'Arcades and Alleys'.
https://fb.watch/kxwTBboRjn/
Duration 13.38
Diffiulty level: 4.5/6
Supplied with: solo parts in TC, BC and piano part
Andante and Hungarian Rondo - Carl Maria von Weber Arr. Dave Werden - Euphonium and Piano |
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Here's the wonderful classical solo, originally for bassoon, now arranged by David Werden for the Euphonium. It works brilliantly and it's great to have this addition as a standard text now for the Euphonium.
https://youtu.be/ToI7PAozptE
Published by Cimarron Music Press
Highly. recommended
Duration 10.30
Difficulty 5/6
Supplied solo parts in TC and Bc and piano part
Kaleidoscopic Overdrive - Ben McMillan - euphonium and brass quintet |
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A very exciting work for euphonium and brass quintet . composed for Steven Mead and Spanish Brass; The title comes from the constantly-shifting meter and somewhat hectic feel, the melody bouncing back and forth between soloist and quintet, and the shifts between somewhat unconnected sections.
The composer Ben McMillan writes: The main melody was something that had been in my head for a while, one of the many musical seeds that I constantly find myself humming or whistling absentmindedly. This became the first piece I ever had published, and the second ever recorded.
As recorded with Steven Mead and Spanish Brass Quintet on the Brass and Wines CD: https://youtu.be/NrmPgxwVjeU
Highly recommended.
Duration : 6.20
Difficulty 4.5/6
Supplied with solo parts in TC and BC. brass quintet score and full serts of berass quintet parts
Mountain Silence - Ian Lester - Euphonium and Piano |
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A beautiful evocative piece composed by a euphonium player, and one of the brightest young writers for brass in the USA, Ian Lester.
Listen to the sound file: https://soundcloud.com/ianlester-1/mountain-silence-for-solo-euphonium-and-piano?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Published by Cimarron Music Press
Duration 3.05
Difficulty level: 3.5/6
Supplied with solo parts in TC and BC and piano
International Songbook for Euphonium - Arr. David R.Werden - Euphonium and Piano |
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Nineteen beautiful melodies, both classical and folk style. Sure to be in big demand, some of the most beautiful melodies here. Look at the track listing on the image.
Published by Cimarron music press.
Duration n/a
Difficulty level 3/6
Supplied with Solo parts in TC and BC nad piano part
Fantasia Di Concerto (Sounds from the Riviera) - Ed. Boccalari - Euphonium and Piano |
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Here is the famous and favourite euphonium classic solo from the end of the 19th century.
Often used as a recital work and also with Band. This is the version with piano accompaniment.
Published by Cimarron Music Press.
As heard on Steven Mead ' Tribute' CD
Duration approx: 10 mins
Difficulty 5/6
Supplied with solo parts in TC and BC and piano part
Fantasia Per Tromba - Amilcare Ponchielli - Euphonium and Piano |
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This is a virtuoso showpiece, and perfectly suited to the Euphonium. Based on a melody from La Traviata,
Ponchielli is best known to Euphonium players for his Concerto per Flicorno Basso, but this absolute delight
Listen to a digital sound file:
https://www.cimarronmusic.com/fantasia-la-traviata-op-309
Published by Cimarron Music Press
Duration. approx 8 minutes
Difficulty level. 4/6
Supplied with solo parts in TC and BC and piano part
Bravura Variations - Adolphe Adam Arr. Henry Howey - Euphonium Solo and Brass Quintet |
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Some great variations on the tune, most commonly known as Twinkle Twinkle, Little Star!
Stylistically, this is Mozart from beginning to end.
As heard on a performance given by Steven Mead and Spanish Brass Quintet:
https://open.spotify.com/track/0TGNZpanbsWD3aU4XEsu1B?si=67b0cfb807834055
Take a listen
Duration 5.50
Difficulty 4/6
Supplied with solo part in TC and BC , brass quintet score and set of BQ parts.
Arpeggione Sonata - Franz Schubert Arr. David R. Werden - Euphonium and Piano |
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Composer: Schubert, Franz Arranger: Werden, David
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
https://youtu.be/AQgnN0_YOD0
Originally written for an instrument called the Arpeggione (like a fretted cello), Schubert's beautiful Sonata works very well for wind instruments. This arrangement is written by the performer, David Werden, for euphonium and piano. The performance is from a live recital tour of Japan in 1989. A graduate of The University of Iowa, Mr. Werden was the euphonium soloist with The United States Coast Guard Band for more than 20 years. He has performed throughout the United States, as well as in Canada, England, Japan, and the former Soviet Union. Through FM and TV broadcasts, his solos have been heard in dozens of countries around the world. He is a recitalist and clinician, and has performed at local, national, and international symposiums. He was a member of The USCG Band Euphonium/Tuba Quartet, the Atlantic Tuba Quartet, and the Classic Brass Band. He previously taught at the University of Connecticut and is listed in Marquis' Who's Who in American Education. His efforts to expand the role and recognition of the euphonium led the British magazine Sounding Brass in conjunction with the American publication Euphonia to name him "Euphonium Player of the Year" in 1980. He is the first American awarded this honor. In 1981 he was elected to the post of Euphonium Coordinator for the International Tuba-Euphonium Association (formerly called Tubists Universal Brotherhood Association: T.U.B.A). In 1987 he was appointed to the Honory Board of Advisors of ITEA. His many solo performances and his efforts to expand the role of the euphonium in music earned him the prestigious Coast Guard Commendation Medal. He has also been awarded two Coast Guard Achievement Medals, the Coast Guard Special Operations ribbon, two Coast Guard Unit Commendations, and three Coast Guard Merit Somnataorious Unit Commendations. In 1993 he was inducted into the Pi Kappa Lambda honors society. He has published articles in Euphonia magazine, The Instrumentalist magazine and the T.U.B.A. Journal. He is the author of The Blaikley Compensating System, Scoring for Euphonium, co-author with Denis Winter of the Euphonium Music Guide, and a co-author of the Brass Player's Cookbook. He compiled and edited a series of papers by Arthur Lehman into the book The Brass Musician. He has also published over four dozen arrangements for a variety of solo instruments and ensembles. His website, http://www.dwerden.com/, has become a favorite of euphonium players everywhere. Since moving to Minnesota he has performed with Symphonia (America's Premier Large Tuba-Euphonium Ensemble), the Minnesota Orchestra, the Sheldon Theater Brass Band, was a special guest artist at the International Euphonium Institute, and has been heard on live national broadcasts of A Prairie Home Companion.
Duration 9.15
Difficulty 4.5/6
Supplied with solo parts in TC and BC and piano part
Euphonium Concerto - Edward Gregson - Euphonium and Brass Band |
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Here is the Euphonium Concerto by Edward Gregson, just published with brass band accompaniment.
This is certain to be a highly sought-after concerto and one that advanced players will want to study and perform in the future.
Program notes by the composer:
The Euphonium Concerto was commissioned by the Euphonium Foundation UK and was written for, and dedicated to, David Childs. Lasting some 22 minutes, it is a large-scale symphonic work in both its structure and scale. Its three movements, subtitled Dialogues, Song without Words, and A Celtic Bacchanal, explore the full range of the technical, musical, and emotional scope of the euphonium.
The first movement, Dialogues, is concerned with contrast and development, using as a reference point a five note musical cypher (BACH – B flat, A, C, B natural – followed by a tritone F). This cypher is used in various guises throughout the movement and beyond and acts as a ‘pillar’ in an ever-changing musical canvass. The movement’s sonata form structure contrasts highly charged rhythmic ideas with a lyrical second section, where perhaps the euphonium takes on the cloak of a cello with its soaring melodicism. This leads to a central section, with scurrying semiquavers culminating in a frenetic fugal climax before returning to the opening ideas, now further explored and developed.
An extended cadenza, with brief but dramatic interruptions from the timpanist, leads directly into the slow movement – Song without Words. Here, the peaceful mood of the opening tutti section leads to a wistful ballad for the soloist, which pays nostalgic homage to another era long since gone. The opening music returns, this time developing into an intense climax, before quietly sinking into a reprise of the opening music, with the soloist’s ballad now transferred from minor to major. The movement ends quietly and leads without a break into the final movement.
A Celtic Bacchanal is, as the title suggests, a wild dance that takes on some of the character of Celtic folk music (the dedicatee is a Celt, and the composer half-Celt!). Whilst primarily being a technical tour-de-force, a lyrical central section once again exploits the euphonium’s singing qualities, reaching a majestic peroration before subsiding into tranquility. The folk-like dance starts up again, this time culminating, via a reference to the first movement, into an exuberant and life-affirming coda.
The work exists in FOUR versions, with symphony orchestra, wind orchestra, piano (available on this site)and here with brass band accompaniment
Published by Novello.
Listen on Youtube:
1st movement. https://youtu.be/HQpRkoieEsU
2nd movement. https://youtu.be/s1jiTR68Avo
3rd movement. https://youtu.be/z-Q77JWaibo
Highlly recommended!
Duration: 22minutes
Difficulty level: 5/6
Supplied with: solo parts in TC and BC and brass band score and full set of brass band parts.
Be My Love - Brodsky and Cahn Arr. Ray Farr - Euphonium and Brass Band |
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Be My Love was written for the film The Toast of New Orleans in 1950, and was nominated for an Academy Award in the same year. The story revolves around a rough-and-tumble fisherman from the Louisiana bayous, who is gifted with a wonderful, if unschooled voice. He is discovered by the director of the New Orleans French Opera (David Niven), and falls in love with the prima donna, a refined young soprano (Kathryn Grayson). The film has sunk into obscurity, but Be My Love survives as one of Mario Lanza's best known signature songs.
This version for euphonium and brass band was expertly crafted by Ray Farr in the late 80's for the Grimethorpe Colliery Band
This arrangement has firmly established itself in the euphonium repertoire over the years, and remains one of Ray Farr's most popular arrangements.
Published by Prima Vista Musikk.
Duration: 4 mins
Difficulty level: 4/6
Supplied with solo parrt in TC, brass band score and full set of parts
Be My Love - Brodsky and Cahn Arr. Ray Farr - Euphonium and Wind, Harmonie, Concert Band |
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Be My Love was written for the film The Toast of New Orleans in 1950, and was nominated for an Academy Award in the same year. The story revolves around a rough-and-tumble fisherman from the Louisiana bayous, who is gifted with a wonderful, if unschooled voice. He is discovered by the director of the New Orleans French Opera (David Niven), and falls in love with the prima donna, a refined young soprano (Kathryn Grayson). The film has sunk into obscurity, but Be My Love survives as one of Mario Lanza's best known signature songs.
This arrangement has firmly established itself in the euphonium repertoire over the years, and remains one of Ray Farr's most popular arrangements.
A famous traditional solo, much loved by audiences everywhere.
Published by Prima vista Musikk
Duration approx 4 mins
Difficulty 4/6
Supplied with solo part in BC, wind band score and full set of parts.
Divertimento - Dan Price - Euphonium and Piano |
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Comissioned in 2009 by Welsh College of Music and Drama student Lynsey Orr, Divertimento for euphonium or baritone is written in four distinct and individual movements, each tailored to display a different charecteristic of the instrument.
I Intrada - traditional in style with a pompous melody line which conjures images of the English countryside
II Siciliana - a slow and melancholic movement, full of emotion and a hint of an Irish air.
III Habanara - a rousing passionate movement written with technicallity in mind.
IV Rondo - a combination of jazz and traditional melodic influences, requiring dexterity from the soloist.
Published by Prima Vista Musikk
Difficulty level: 4/6
Duration. 8.30
Supplied with solo parts in TC and BC and piano part
Three Stories - Three Worlds (Concerto for Euphonium) - Peter Meechan - Euphonium and Piano |
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New to the EuphoniumStore and a fine concerto here for the ambitious player!
This exciting concerto by composer Pete Meechan is an important new addition to the euphonium repertoire. It was written at the request of David Thornton and the Black Dyke Band, and composed between June and August 2003. The first performance was given on 8th November of the same year at St. Botolphs Church, Boston, Lincs. The euphonium soloist, David Thornton, was accompanied by the Black Dyke Band, under the baton of Dr. Philip Wilby.
The concerto lasts approximately 15-16 minutes, and is divided into three movements I - Hubris: The House of Atreus, II - Discardation: Lament for Aerope and III - New Order: Flight to Sparta. The original version of the concerto with brass band accompaniment is also available from Prima Vista Musikk.
Duration 15-16 Minutes
Difficulty level: 4.5/6
Supplied with solo parts in TC and BC and piano part
A Simple Song - Joel Collier - Euphonium and Brass Band |
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The composer Joel Collier writes: "In 2017 I accepted a new job opportunity that required me to move halfway across the country. While it was an exciting opportunity, it meant leaving behind all the friends and colleagues I had grown to love. A Simple Song was a way for me to express this bittersweet goodbye, both sad to leave people behind, yet hopeful of what was to come. The premiere was given with The National Capital Band, where I had served as principal euphonium since 2011, less than a week before I left. It is dedicated to those I left behind."
This is a very beautiful piece of music and one that is sure to enchant any audience who hears it, so long as you play it nicely!
Published by Prima Vista Musikk
Duration 4:30
Difficulty Level: 3.5/6
Supplied with solo part in TC, full brass band score and set of brass band parts
A Simple Song - Joel Collier - Euphonium and Piano |
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The composer Joel Collier writes: "In 2017 I accepted a new job opportunity that required me to move halfway across the country. While it was an exciting opportunity, it meant leaving behind all the friends and colleagues I had grown to love. A Simple Song was a way for me to express this bittersweet goodbye, both sad to leave people behind, yet hopeful of what was to come. The premiere was given with The National Capital Band, where I had served as principal euphonium since 2011, less than a week before I left. It is dedicated to those I left behind."
This is a very beautiful piece of music and one that is sure to enchant any audience who hears it, so long as you play it nicely!
Published by Prima Vista Musikk
Duration 4:30
Difficulty Level: 3.5/6
Supplied with solo part in TC, and BC with piano partfull brass band score and set of brass band parts
Euph'Tudes - Progressive Concert Etudes - Phil Snedecor - Treble clef |
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Phil writes: These euphonium-specific studies were inspired by Hiram Diaz (that’s right-The President’s Own euphonium player!), who had me pull out all the stops to explore the amazing versatility of this instrument. You’ve never seen anything like this before! BC or TC Bb versions now avaliable!
I've always been fascinated by the Euphonium and their owners. They seem to be stuck between so many different worlds, both technically and musically. They can play gorgeous melodies as well as lightning, fast, technical passages, and often do, not only in the same piece, but sometimes in the same line of music for years, the great Robert King tried to get the Boston Symphony Orchestra to endow a Euphonium chair and make that voice take up permanent residence in the orchestra. Certainly, the orchestral works that exist in the repertoire by Strauss, Holst, and others that score for Euphonium (or tenor tuba) are richer for this addition. The fact that Mr King was not successful in his quest, speaks more to the orchestral worlds inflexibility than to the versatility of this fascinating instrument. Certainly the musical ensembles that regularly use this voice find it indispensable. In my many brass ensemble arrangements for the Washington Symphonic Brass, the euphonium part was one of the most fun to imagine.
In the pages of this book, I offer up a small addition to your ever increasing and expanding repertoire. My hope is that it will find a place on your music stand as a book. That's both fun to play and challenging. Here's to the next 200 years of Euphonium!"
Steve Mead writes: this book is highly recommended. It's very challenging as lots of euphonium-inspired classical influences can be detected, and it's all over the instrument! Fantastic to study and work up to a high level.
Difficulty 4.5/6
Supplied with : book in bsss clef, 44 pages
Euph'Tudes - Progressive Concert Etudes - Phil Snedecor - Bass clef |
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Phil writes: These euphonium-specific studies were inspired by Hiram Diaz (that’s right-The President’s Own euphonium player!), who had me pull out all the stops to explore the amazing versatility of this instrument. You’ve never seen anything like this before! BC or TC Bb versions now avaliable!
I've always been fascinated by the Euphonium and their owners. They seem to be stuck between so many different worlds, both technically and musically. They can play gorgeous melodies as well as lightning, fast, technical passages, and often do, not only in the same piece, but sometimes in the same line of music for years, the great Robert King tried to get the Boston Symphony Orchestra to endow a Euphonium chair and make that voice take up permanent residence in the orchestra. Certainly, the orchestral works that exist in the repertoire by Strauss, Holst, and others that score for Euphonium (or tenor tuba) are richer for this addition. The fact that Mr King was not successful in his quest, speaks more to the orchestral worlds inflexibility than to the versatility of this fascinating instrument. Certainly the musical ensembles that regularly use this voice find it indispensable. In my many brass ensemble arrangements for the Washington Symphonic Brass, the euphonium part was one of the most fun to imagine.
In the pages of this book, I offer up a small addition to your ever increasing and expanding repertoire. My hope is that it will find a place on your music stand as a book. That's both fun to play and challenging. Here's to the next 200 years of Euphonium!"
Steve Mead writes: this book is highly recommended. It's very challenging as lots of euphonium-inspired classical influences can be detected, and it's all over the instrument! Fantastic to study and work up to a high level.
Difficulty 4.5/6
Supplied with : book in bsss clef, 44 pages
Super Duets - Philip Sparke - 15 progressive duets for trombones or euphonium - TC |
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Philip Sparke’s Super Duets is the third volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first books in the series (Starter Duets, Skilful Duets) this collection contains longer pieces that are suitable for the more advanced player. Specifically tailored for each instrument, Super Duets takes the player into new keys, with new technical and musical challenges, and contains pieces suitable for concert or recital. The series provides invaluable additional material to complement any teaching method.
This is book in is TREBLE clef.
Super Duets - Philip Sparke - 15 progressive duets for trombones or euphonium - BC |
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Philip Sparke’s Super Duets is the third volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first books in the series (Starter Duets, Skilful Duets) this collection contains longer pieces that are suitable for the more advanced player. Specifically tailored for each instrument, Super Duets takes the player into new keys, with new technical and musical challenges, and contains pieces suitable for concert or recital. The series provides invaluable additional material to complement any teaching method.
This is book in is BASS clef.
BrassTrail Duets series Vol.2 - 15 Concert Duets - Maria Sturm and Michael Muller - BASS CLEF |
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15 Concert Duets for Baritone, Euphonium & Tenorhorn - NEW
The following collection includes 15 concert duets, which were composed and arranged especially for the instruments baritone, euphonium, and tenorhorn. These are arrangements of classical pieces from the baroque to the modern era, as well as new compositions covering different styles. Look forward to 15 exciting duets!
Duets:
1. Danza barocca (M. Sturm
2. Flowers (M. Sturm)
3. Fuge in G-Moll (J.S. Bach)
4. The Strenous Life (S. Joplin)
5. Chill out! (M. Sturm)
6. Allegro (G.P. Telemann)
7. Rondò alla Turca (W.A. Mozart) - watch on Youtube: https://www.youtube.com/watch?v=yR8H24YHsAM
8. Flowing River (M. Sturm)
9. Allegro Scherzoso (F.A. Kummer)
10. Springtime (M. Sturm)
11. Cuba Libre (M. Sturm)
12. Wade in the water (Spiritual)
13. Schiffwirt´s Leo sagt “Rumba” (D. Häusler)
14. Gankino Oro (Bulgarian Folk Dance)
15. Lost in thoughts (M. Sturm)
Level of Difficulty:
3-4.5/6. This is the bass clef book
Includes:
Edition German/English, 29 pages
Highly recommended!
BrassTrail Duets series Vol.2 - 15 Concert Duets - Maria Sturm and Michael Muller - TREBLE CLEF |
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15 Concert Duets for Baritone, Euphonium & Tenorhorn - NEW
The following collection includes 15 concert duets, which were composed and arranged especially for the instruments baritone, euphonium, and tenorhorn. These are arrangements of classical pieces from the baroque to the modern era, as well as new compositions covering different styles. Look forward to 15 exciting duets!
Duets:
1. Danza barocca (M. Sturm
2. Flowers (M. Sturm)
3. Fuge in G-Moll (J.S. Bach)
4. The Strenous Life (S. Joplin)
5. Chill out! (M. Sturm)
6. Allegro (G.P. Telemann)
7. Rondò alla Turca (W.A. Mozart) - watch on Youtube: https://www.youtube.com/watch?v=yR8H24YHsAM
8. Flowing River (M. Sturm)
9. Allegro Scherzoso (F.A. Kummer)
10. Springtime (M. Sturm)
11. Cuba Libre (M. Sturm)
12. Wade in the water (Spiritual)
13. Schiffwirt´s Leo sagt “Rumba” (D. Häusler)
14. Gankino Oro (Bulgarian Folk Dance)
15. Lost in thoughts (M. Sturm)
Level of Difficulty:
3-4.5/6. This is the treble clef book
Includes:
Edition German/English, 29 pages
Highly recommended!
Funk Theory - Peter Meechan - Piano or electronic backing |
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Originally composed for euphonium and trombone quartet, Funk Theory became an instant success following its première on 7th October 2003, featuring the all female Bones Apart trombone quartet and David Childs in Manchester's RNCM Concert Hall. Funk Theory is now available in this arrangement with piano and/or CD accompaniment.
The music is based on two simple chord sequences - the first is heard in the first 7 bars and the second is an 8 bar sequence heard throughout the piece. The melody continually varies and develops becoming increasingly busy and difficult. It could almost be considered a small set of 'funk' variations.
Funk Theory has been performed in its various forms by euphonium soloists throughout the world. It is great fun to play and creates a little 'light relief' during any concert. The original version of Funk Theory with trombone quartet accompaniment is also available from Prima Vista.
The electronic backing can be downloaded from the Prima Vista website: https://primavistamusikk.com/
Duration: 4.15
Difficulty level 5/6
Supplied with solo parts in TC and BC and piano part and electronic part (which is a download from the publisher)
Rhapsody in Blue - George Gershwin Arr Doksitzer/Andrews - Concert Band/Harmonie/Wind Orchestra |
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The classic arrangement for trumpet, and also suitable we believe for euphonium (as played by Misa Mead) in the full version for soloist and wind orchestra (Concert Band/Harmonie/Blasorchester)
An outstanding major work for any concert with a great soloist and excellent band.
Published by Editions Marc Reift.
Difficulty 5/6 Duration. 12'14 Supplied by full score and full set of parts, including Special Parts and Fanfare Parts
100 Days of Trumpet Practice - Rex Richardson - Practice Book (TC) |
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100 Days of Trumpet Practice is a solid practice ritual. A true recipe book covering all aspects of trumpet (brass) playing. Rex Richardson establishes the structure of a disciplined routine. A concept that reveals the meticulous and efficient daily work of one of the great virtuosos. Ear training and mouthpiece buzzing, sound production, flexibility, articulation, fingers, range, improvisation, reading and transposition, repertoire, scales and arpeggios.
Renowned as a performer and composer of new, genre-busting music, Yamaha Performing Artist Rex Richardson has been called “One of the finest virtuosos of our time” (Brass Herald) “a standout soloist with the power, range and flexibility to rival Freddie Hubbard and Woody Shaw” (DownBeat), and “among the very best trumpet soloists in the world today” (Journal of the International Trumpet Guild).
A professor at Virginia Commonwealth University (VCU) since 2002, he has served as International Tutor in Trumpet at England’s Royal Northern College of Music and at Austria’s JAM Music Lab University.
Although conceived for the trumpet, we believe that this method has many many outstanding benefits for Euphonium and Baritone players also. Highly recommended.
TC only
Published by Edition BIM (Switzerland)
Pulcinella - Philip Sparke - Euphonium and Piano |
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New**
PULCINELLA - Philip Sparke
Euphonium (or Baritone) and Piano Reduction
Watch/listen the youtube video: https://youtu.be/qJSVuaz7Vmc
which shows the full score too - Recorded by the Royal Symphonic Band of the Belgian Air Force and its conductor Matty Cilissen. Soloist: Kevin Van Giel, Euphonium
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Pulcinella continues Sparkes series of euphonium solos named after characters of the Italian commedia dellarte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the piano and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The piano then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The piano then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.
Duration: 6:45 Difficulty level: 4.5/6 Supplied with solo part in TC and BC and piano part.
Reverie - Thomas Doss - Euphonium and Piano |
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The composer writes: "Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work, to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities".
This is a very beautiful and extended work for euphonium, and this is the arrangement with piano accompaniment. It also exists with wind orchestra accompaniment. Please contact us at euphstore@gmail.com if you require the band set.
Steve recorded this in the band version on his recent CD entitled Pulse, and it's proved to be a very popular work.
This is suitable for recitals, concerts and festivals.
It is quite an extended work, and put some physical demands on the player, with quite a few high concert C's throughout. That said, it is a work that players should aspire to play. It's one of the most beautiful additions to our repertoire in recent years.
Published by Mitropa Music. highly recommended.
Listen to Steve's performance on Spotify
Commissioned by Wolfgang Weichselbaumer.
Duration: 8 mins
Difficulty level: 4.5/6
Supplied with: solo parts in TC, BC and BC in Bb and piano part.
Fiddlydee - Kimberley Archer - Euphonium and Piano |
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What if, on the night of a barn dance, the fiddle player got sick and couldn't make it? What if only a euphonium player were available to fill in? A spirited work which requires a little singing, whistling, kazoo playing, and even audience.
https://soundcloud.com/c-alanpublications/fiddlydee-by-kimberly-archer
Chamber Ensemble Euphonium & Piano (euphonium, piano) - medium difficult
Composed by Kimberly Archer. Published by C. Alan Publications (CN.11680).
Duration: 7 minutes
Difficulty level 4/6
Supplied with solo part in Bass clef only amnd piano part
Diversive Elements for Euphonium, Tuba and Piano - David Gillingham |
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Here is the fantastic composition by David Gillingham for euphonium, tuba and piano. This is a very advanced composition and requires great dexterity by all three participants. It's a work that Steven Mead has performed on a few occasions and it is a very serious recital – concert work.
5 Movements entitled: Intrada; Jazz Walk; Euphony; Caccia; Fanfare & March.
Date completed: 1996
Take a listen: https://gillinghammusic.com/chamber/diversive-elements/
Duration : 10 mins
Difficulty level: 5/6
Supplied with Euph parts in TC and BC , tuba part in BC in C and piano part.
Sonata for Euphonium and Piano - David Gillingham |
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Herer's the Sonata for Euphoniumm and Piano by the very popular US composer David Gillingham. He is a prolific composer for the euphonium and so many of his works have become an integral part of the modern euphonium repertoire.
Program Notes
The Sonata for Euphonium and Piano was written for and commissioned by Chris McGinty. The work is cast in the usual three-movement format with the outer movements structured in sonata form and the middle in simple song form (ABA). As the title suggests, the piano has an equal role to the euphonium and is hardly ever “accompanying” the euphonium.
The first movement features an aggressive primary theme characterized by octave leaps over fluctuating simple and compound meter. By contrast, the second theme group is comprised of graceful chord outlines and descending scale figures following modal harmony and chromatic mediant progressions in compound quadruple and quintuple meter. The development section utilizes the material from both theme groups moving through constantly shifting tonality. Solo piano brings back the primary theme in the recapitulation eventually joined by the euphonium. The second theme group finds the euphonium playing material related to the piano’s figuration in the exposition while the piano plays the melodic line, originally stated by the euphonium. A sprightly coda utilizing the primary thematic material ends the movement.
Like distant bells, the piano begins the second movement with a mixture of thirds and seconds in the warmth of D-flat major under which the euphonium plays a lovely arching melody. A transition leads to C major and the piano repeats the thematic material. A development ensues with the euphonium playing an ornamented version of the theme in compound duple meter with the piano moving in continuous 16ths. The passage modulates to D major and the euphonium plays an augmented version of the theme with the piano articulating the opening bell-like figure in diminution. The piano continues its figuration in an interlude which serves as a transition back to D-flat major and changes its pattern to pan-diatonic clusters that serve as a backdrop to a return of the theme in the euphonium. A coda shifts to F major, then A major, back to D-flat major, and then ends, longingly, on an F major seventh.
The final movement centers around the tonality of B-flat minor and begins tenaciously with a undulating pattern of 16ths in the piano in a very fast tempo. Against this, the euphonium plays an aggressive and foreboding theme following a mixture of the harmonic and melodic minor scale, ascending and descending. The foreboding mood changes drastically when the mode changes to B-flat major and the euphonium sings a celebratory theme derived from the primary theme. The piano enhances the celebration with quick octave leaps on three and four note diatonic clusters alluding to the ringing of bells. An extensive development section follows reworking both themes through transient modulations, sequences, diminution and augmentation, all of which fluctuate in mood from foreboding to celebratory. In the recapitulation, the euphonium begins with a dance-like version of the theme in 6/8 rhythm while the piano states the theme in augmentation. The two soon return to their roles as they were in the exposition. The second theme becomes even more celebratory with the piano playing the undulating pattern of the beginning of the movement in E-flat major and the euphonium augmenting the theme. There is a retransition to B-flat minor, but the rhythmic excitement continues through the coda to definitive closure.
Published C.Alan Publications
Duration:13.30 mins
Difficulty level: 4.5/6
Supplied with solo parts in TC and BC and piano part
Motions for Euphonium and String Quartet - David Gillingham |
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There are not many works for Euphonium and string quartet of an original nature, so this major work, Motions is to be welcomed and for the ambitious euphonium player, can be an extremely useful and effective piece of music..
Program Notes
Motions was commissioned by the Tuba Bach Festival of Big Rapids, Michigan, Ed Mallett, director, for performance by the Harlem String Quartet with Ed Mallett on euphonium.
The work is in five movements, each alluding to a different “motion.” Movement 1, “perpetual,” uses a continuous pattern of 16th notes depicting perpetual motion. Movement 2, “slow,” makes obvious reference to very slow motion. The harmony provides much of the interest of this movement with suspended figures, added note chords, extended tertian sounds, and shifting tonality. “Contrary,” the motion of Movement 3, uses contrary motion throughout within the melodic vocabulary of a blues scale and traditional jazz-like harmonies and rhythms. Movement 4, “stationary” is based on a pedal “B” throughout the whole movement played by euphonium, cello and violin 1. As in Movement 2, the harmony provides interest and variance around the sustained “B.” “Oscillatory” motion is the subject of Movement 5. The movement is based on an oscillating minor third with driving rhythms and fluctuating dynamics.
Take a listen HERE
Publisher: www.c-alanpublications.com
Duration: 16 minutes
Difficulty level: 4.5/6
Supplied with: solo parts in TC and BC, and string quartet parts and full score.
Bounce - Nathan Doughtrey - Euphonium and Piano |
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Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the euphonium as both a classical and a jazz instrument, offering moments of blazing virtuosity and expressive lyricism.
Program Notes
Commissioned by the West Forsyth High School Band (Jim Kirkpatrick & Phil Spencer, directors) and a consortium of North Carolina high school band programs, Bounce was originally written to feature the talents of NYC jazz trumpeter (and NC native) Mike Sailors. The original version for trumpet and wind ensemble received its world premiere at the NC Music Educator's In-Service Conference in Winston-Salem in November 2014. Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the euphonium as both a classical and a jazz instrument, offering moments of blazing virtuosity and expressive lyricism.Bounce by Nathan Daughtrey
Take a listen HERE
Published by C.Alan Publications
Duration: 6 minutes
Difficulty level: 4/6
Supplied with: solo parts in TC and BC and piano part
Spitfire - Nathan Doughtrey for Euphonium or Tuba/Euphonium and Piano |
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Spitfire is a tour-de-force duet for euphonium and piano that takes your breath away from the first flourish of 16th notes and doesn't let go until the final note. Caution: Not for the feint of heart. The set includes an optional tuba, which turns the duet into a trio.
Program Notes
Spitfire was inspired by the British fighter planes of the same name used by the Royal Air Force and several other countries during World War II. Designed as a short-range, high-performance interceptor aircraft, the Supermarine Spitfire was one of the fastest planes in service during the war. The quick moto perpetuo nature of the composition was an attempt to capture the speed and excitement of this historic plane. The word spitfire is also used to describe a quick-tempered or highly excitable person, which is also appropriate.
Spitfire was written for Dr. Brian Meixner for performance at the Southeast and Northeast Regional Tuba and Euphonium Conferences (SERTEC & NERTEC). Dr. Meixner and the composer performed the world premiere of the work on March 15, 2013 at the University of North Florida in Jacksonville, FL as part of SERTEC. The set includes an optional tuba, which turns the duet into a trio.
Take a listen HERE:
P:ublished by C.Alan Publications
Instrumentation
Euphonium
Tuba (optional)
Piano
Duration: 7.15
Difficulty level: 4/6
Supplied with Solo euph part in TC and BC, optional tuba part (BC) and piano score.
Spitfire - Nathan Doughtrey for Euphonium or Tuba/Euphonium and Vibraphone and Marimba |
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Spitfire is a tour-de-force duet for euphonium and piano that takes your breath away from the first flourish of 16th notes and doesn't let go until the final note. Caution: Not for the feint of heart. The set includes an optional tuba, which turns the duet into a trio.
This is the version for euphonium (with optional tuba part)and percussion (marimba and vibraphone).
Program Notes
Spitfire was inspired by the British fighter planes of the same name used by the Royal Air Force and several other countries during World War II. Designed as a short-range, high-performance interceptor aircraft, the Supermarine Spitfire was one of the fastest planes in service during the war. The quick moto perpetuo nature of the composition was an attempt to capture the speed and excitement of this historic plane. The word spitfire is also used to describe a quick-tempered or highly excitable person, which is also appropriate.
Spitfire was written for Dr. Brian Meixner for performance at the Southeast and Northeast Regional Tuba and Euphonium Conferences (SERTEC & NERTEC). Dr. Meixner and the composer performed the world premiere of the work on March 15, 2013 at the University of North Florida in Jacksonville, FL as part of SERTEC. The set includes an optional tuba, which turns the duet into a trio.
Take a listen HERE:
P:ublished by C.Alan Publications
Instrumentation
Euphonium
Tuba (optional)
Vibraphona and Marimba
Duration: 7.15
Difficulty level: 4/6
Supplied with Solo euph part in TC and BC, optional tuba part (BC) and percussion parts.
Spitfire II - Nathan Doughtrey for Euphonium or Tuba/Euphonium and large Percussion Ensemble |
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Spitfire is a tour-de-force duet for euphonium and piano that takes your breath away from the first flourish of 16th notes and doesn't let go until the final note. Caution: Not for the feint of heart. The set includes an optional tuba, which turns the duet into a trio.
This is the version for euphonium (with optional tuba part) and large percussion ensemble.
Program Notes
Spitfire was inspired by the British fighter planes of the same name used by the Royal Air Force and several other countries during World War II. Designed as a short-range, high-performance interceptor aircraft, the Supermarine Spitfire was one of the fastest planes in service during the war. The quick moto perpetuo nature of the composition was an attempt to capture the speed and excitement of this historic plane. The word spitfire is also used to describe a quick-tempered or highly excitable person, which is also appropriate.
Spitfire was written for Dr. Brian Meixner for performance at the Southeast and Northeast Regional Tuba and Euphonium Conferences (SERTEC & NERTEC). Dr. Meixner and the composer performed the world premiere of the work on March 15, 2013 at the University of North Florida in Jacksonville, FL as part of SERTEC. The set includes an optional tuba, which turns the duet into a trio.
Take a listen HERE
P:ublished by C.Alan Publications
Instrumentation
Euphonium
Tuba (optional)
Vibraphona and Marimba
Duration: 7.15
Difficulty level: 4/6
Supplied with Solo euph part in TC and BC, optional tuba part (BC) and percussion parts for large ensemble (8 players)
Sonata for Euphonium and Piano - David Gillingham |
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Herer's the Sonata for Euphoniumm and Piano by the very popular US composer David Gillingham. He is a prolific composer for the euphonium and so many of his works have become an integral part of the modern euphonium repertoire.
Program Notes
The Sonata for Euphonium and Piano was written for and commissioned by Chris McGinty. The work is cast in the usual three-movement format with the outer movements structured in sonata form and the middle in simple song form (ABA). As the title suggests, the piano has an equal role to the euphonium and is hardly ever “accompanying” the euphonium.
The first movement features an aggressive primary theme characterized by octave leaps over fluctuating simple and compound meter. By contrast, the second theme group is comprised of graceful chord outlines and descending scale figures following modal harmony and chromatic mediant progressions in compound quadruple and quintuple meter. The development section utilizes the material from both theme groups moving through constantly shifting tonality. Solo piano brings back the primary theme in the recapitulation eventually joined by the euphonium. The second theme group finds the euphonium playing material related to the piano’s figuration in the exposition while the piano plays the melodic line, originally stated by the euphonium. A sprightly coda utilizing the primary thematic material ends the movement.
Like distant bells, the piano begins the second movement with a mixture of thirds and seconds in the warmth of D-flat major under which the euphonium plays a lovely arching melody. A transition leads to C major and the piano repeats the thematic material. A development ensues with the euphonium playing an ornamented version of the theme in compound duple meter with the piano moving in continuous 16ths. The passage modulates to D major and the euphonium plays an augmented version of the theme with the piano articulating the opening bell-like figure in diminution. The piano continues its figuration in an interlude which serves as a transition back to D-flat major and changes its pattern to pan-diatonic clusters that serve as a backdrop to a return of the theme in the euphonium. A coda shifts to F major, then A major, back to D-flat major, and then ends, longingly, on an F major seventh.
The final movement centers around the tonality of B-flat minor and begins tenaciously with a undulating pattern of 16ths in the piano in a very fast tempo. Against this, the euphonium plays an aggressive and foreboding theme following a mixture of the harmonic and melodic minor scale, ascending and descending. The foreboding mood changes drastically when the mode changes to B-flat major and the euphonium sings a celebratory theme derived from the primary theme. The piano enhances the celebration with quick octave leaps on three and four note diatonic clusters alluding to the ringing of bells. An extensive development section follows reworking both themes through transient modulations, sequences, diminution and augmentation, all of which fluctuate in mood from foreboding to celebratory. In the recapitulation, the euphonium begins with a dance-like version of the theme in 6/8 rhythm while the piano states the theme in augmentation. The two soon return to their roles as they were in the exposition. The second theme becomes even more celebratory with the piano playing the undulating pattern of the beginning of the movement in E-flat major and the euphonium augmenting the theme. There is a retransition to B-flat minor, but the rhythmic excitement continues through the coda to definitive closure.
Published C.Alan Publications
Duration:13.30 mins
Difficulty level: 4.5/6
Supplied with solo parts in TC and BC and piano part
Diversive Elements for Euphonium, Tuba and Piano - David Gillingham |
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Here is the fantastic composition by David Gillingham for euphonium, tuba and piano. This is a very advanced composition and requires great dexterity by all three participants. It's a work that Steven Mead has performed on a few occasions and it is a very serious recital – concert work.
5 Movements entitled: Intrada; Jazz Walk; Euphony; Caccia; Fanfare & March.
Date completed: 1996
Take a listen: https://gillinghammusic.com/chamber/diversive-elements/
Duration : 10 mins
Difficulty level: 5/6
Supplied with Euph parts in TC and BC , tuba part in BC in C and piano part.
Fiddlydee - Kimberley Archer - Euphonium and Piano |
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What if, on the night of a barn dance, the fiddle player got sick and couldn't make it? What if only a euphonium player were available to fill in? A spirited work which requires a little singing, whistling, kazoo playing, and even audience.
https://soundcloud.com/c-alanpublications/fiddlydee-by-kimberly-archer
Chamber Ensemble Euphonium & Piano (euphonium, piano) - medium difficult
Composed by Kimberly Archer. Published by C. Alan Publications (CN.11680).
Duration: 7 minutes
Difficulty level 4/6
Supplied with solo part in Bass clef only amnd piano part
Short Story - George Gershwin Arr. Luc Vertommen - Euphonium and Piano |
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A new addition to the Euphoniumstore, February 2022 :
Gershwin's Novelettes, written in 1925, were arranged by the Polish-born violinist Samuel Dushkin, pupil of Auer and Kreisler and a friend and collaborator with Stravinsky, for violin and piano, under the title Short Story. The piece takes the performer and listener to the entrance, at least of Tin Pan Alley.
An elegant recital/concert work.
This has been skifully arranged by Luc Vertommen and published by BandPress VOF.
Listen to the original version: https://www.youtube.com/watch?v=yodCDOdk7CE
Duration: approx 3 minutes
Difficulty 3.5,4/6 (some optional 8ve writing in places)
Supplied with solo parts in TC, BC in C, and BC in Bb and piano score.
Sonatina Frivola for Euphonium and piano - Andrew Wilson-Dickson |
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A brand new publication from Brass Wind Publication.
These three new pieces invite musical sleuths to discover three well-known classics concealed inside them, while enjoying the euphonium's wide range of colour, dexterity and tone.
...After Rachmaninoff's Prelude op 3 no 2 • After Elgar's Pomp and Circumstance March no 1• After Albinoni's Adagio
A nice innovative set of three pieces offering a fresh challenge and really fun to play.
Duration - total 12 mins (3 pieces)
Difficulty level 3.5,4/6
Supplied with solo parts in TC and BC and piano part.
Arturo Sandoval - Brass Playing Concepts and 12 Original Studies (TC only) |
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This is one of Steve's favourite books, since MANY years, and here now for the first time at the Euphoniumstore.
About Brass Playing Concepts
The Work
The art of the brass musician is measured by the extent, the intensity and the quality of his mastery as well as the influence of his personality. The phenomenal mastery of Arturo Sandoval has aroused the admiration, respect and even the incredulity of audiences, of his colleagues and of young students. Not a few imagine that there must be sorne kind of special trick involved here ...
The approach proposed here by Arturo Sandoval - as perhaps that of every artist who has made his way to success and can verbalize his experience - may appear simple. In fact, it is. As simple as is the solution to every problem, once it is found...
Arturo Sandoval was born November 6th,1949 in Artemis, province of Havanna, Cuba. At the age of fifteen he entered the Cuban National School of the Arts where he studied classical trumpet. In 1965 he met the great Russian trumpet player Timofey Dokshidser and was deeply impressed by his artistry. From 1974 to 1980 he played with the famous Cuban Irakere big band. Then he created his own band, started to travel to foreign countries, getting finally the international recognition he deserved. In 1990 he left Cuba for good and settled in the USA. He has since toured all over the world, recording many CDs and his fame is growing constantly. His phenomenal virtuoso trumpet playing and his great talent as a pianist and film music composer are admired worldwide by classical and jazz musicians.
49 pages. With special sections devoted to breathing, lip buzzing, the mouthpiece, warming up, the tongue, the attack, pedal tones, muscles of the body, endurance, diet and health, the teeth and their configuration, flexibility, relaxation and more!
You will never tire of these 12 original studies!
Published by Editions BIM
Duration N/A
Difficulty level 3-6!!
Supplied with book (49 pages) with all studies in Treble Clef.
The Euph of Yesterday - Arr. Chris Mowat - Euphonium and Piano (TC version) - NEW |
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10 baroque pieces.
We all know that the euphonium was not developed until well into the 19th century, so there is no authentic classical or baroque repertoire. This is especially frustrating when you consider the agility and expressiveness of the instrument in the hands of our best players. We can be sure that the composers of the baroque era would have leapt at the chance of writing for the euphonium, and this volume of pieces attempts to show what might have resulted, had it been around.
...Bourée (from Music for the Royal Fireworks) HANDEL • Sarabande (from English Suite no 6) JS BACH • O Ruddier than the Cherry HANDEL • Winter (from The Four Seasons) VIVALDI • Bourée (from English Suite no 2) JS BACH • Theme and Variations HANDEL • Allegro (from Harpsichord Suite no 1) MONZA • Arioso (from Church Cantata no 156) JS BACH • Minuet and Badinerie (from Orchestral Suite no 2) JS BACH • Allegro (from Sonata no 6) BESOZZI
Published by BrassWind Publications (UK)
A great new addition to the rep, beautifully produced and not so difficult!
Duration: complete around 35 mins
Difficulty level: 3/6
Supplied with solo part in BC and piano part.
The Euph of Yesterday - Arr. Chris Mowat - Euphonium and Piano (BC version) - NEW |
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10 baroque pieces.
We all know that the euphonium was not developed until well into the 19th century, so there is no authentic classical or baroque repertoire. This is especially frustrating when you consider the agility and expressiveness of the instrument in the hands of our best players. We can be sure that the composers of the baroque era would have leapt at the chance of writing for the euphonium, and this volume of pieces attempts to show what might have resulted, had it been around.
...Bourée (from Music for the Royal Fireworks) HANDEL • Sarabande (from English Suite no 6) JS BACH • O Ruddier than the Cherry HANDEL • Winter (from The Four Seasons) VIVALDI • Bourée (from English Suite no 2) JS BACH • Theme and Variations HANDEL • Allegro (from Harpsichord Suite no 1) MONZA • Arioso (from Church Cantata no 156) JS BACH • Minuet and Badinerie (from Orchestral Suite no 2) JS BACH • Allegro (from Sonata no 6) BESOZZI
Published by BrassWind Publications (UK)
A great new addition to the rep, beautifully produced and not so difficult!
Duration: complete around 35 mins
Difficulty level: 3/6
Supplied with solo part in BC and piano part.
30 Etudes Melodiques - Emile Joseph Trognee (TC only) |
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Emile Joseph Trognée was born on 4th of July 1868 in Tirimon, Belgium. He studied trumpet at the Brussels Conservatory. After winning a European competition in 1902, he became solo trumpet and cornet at the Mariinskiy Theatre (now called Kirov Theatre) in St. Petersburg. He spent the rest of his life in Russia, working at the Mariinskiy for 25 years, and he died in 1942 of hunger during the three year siege of Leningrad by German troops.
Trognée was an outstanding musician. A well-known Russian conductor, Karl Eliasberg, wrote: “Trognée had a unique feeling of ensemble; his sense of dynamics and musical phrasing was remarkable. His sound was never forced but always bright, powerful and even in all registers. He was also a great master of very soft legato playing and well-known for his performances of the “Ring”, “Rienzi” and “Lohengrin” as well as of the operas of Tchaikovsky and Verdi.”
Trognée was respected by both musicians and composers. He advised Rimsky-Korsakow to make some changes in the trumpet part of his opera the “The Legend of the invisible City of Kitezh” (the well known difficult trumpet passage in the symphonic poem of the “Battle at Kerzhenets”).
Trognée taught at the Baltic Fleet Music School from 1911-1917 and at the Rimsky-Korsakov Music School of St.Petersburg from 1928 to 1941. He wrote several works for trumpet and cornet. His “Fantasia-Caprice”, published in Moscow in 1946 in Tabakov’s “Elementary and progressive Trumpet Method” was especially popular for many years.
The “Studies for Trumpet”, published 1932 by Triton in St.Petersburg were also well known. These 15 final etudes have been dedicated to Mikhail Tabakov (1877-1956), the father of the modern Russian trumpet school. Serguej Bolotin, the Russian trumpet player, preserved them together with Trognée’s complete muscial work. These studies, as well as the works of Vassili Brandt or Oskar Böhme, have greatly contributed, to the history of the Russian trumpet school.
About 15 Grandes Etudes
This edition of Trognée' s studies gives us an opportunity to study the work of someone who, like Vasiliy Wurm, Vasiliy Brandt and Oskar Böhme, made a great contribution to the history of the trumpet in Russia.
Product details
Composed 1932Genre: romanticPages:33Publisher: Editions BimDuration N/ADifficulty level 4/6Supplied with book in TC only (33 pages)
15 Grand Etudes - Emile Joseph Trognee (TC only) |
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Emile Joseph Trognée (1868-1942)
Emile Joseph Trognée was born on 4th of July 1868 in Tirimon, Belgium. He studied trumpet at the Brussels Conservatory. After winning a European competition in 1902, he became solo trumpet and cornet at the Mariinskiy Theatre (now called Kirov Theatre) in St. Petersburg. He spent the rest of his life in Russia, working at the Mariinskiy for 25 years, and he died in 1942 of hunger during the three year siege of Leningrad by German troops.
Trognée was an outstanding musician. A well-known Russian conductor, Karl Eliasberg, wrote: “Trognée had a unique feeling of ensemble; his sense of dynamics and musical phrasing was remarkable. His sound was never forced but always bright, powerful and even in all registers. He was also a great master of very soft legato playing and well-known for his performances of the “Ring”, “Rienzi” and “Lohengrin” as well as of the operas of Tchaikovsky and Verdi.”
Trognée was respected by both musicians and composers. He advised Rimsky-Korsakow to make some changes in the trumpet part of his opera the “The Legend of the invisible City of Kitezh” (the well known difficult trumpet passage in the symphonic poem of the “Battle at Kerzhenets”).
Trognée taught at the Baltic Fleet Music School from 1911-1917 and at the Rimsky-Korsakov Music School of St.Petersburg from 1928 to 1941. He wrote several works for trumpet and cornet. His “Fantasia-Caprice”, published in Moscow in 1946 in Tabakov’s “Elementary and progressive Trumpet Method” was especially popular for many years.
The “Studies for Trumpet”, published 1932 by Triton in St.Petersburg were also well known. These 15 final etudes have been dedicated to Mikhail Tabakov (1877-1956), the father of the modern Russian trumpet school. Serguej Bolotin, the Russian trumpet player, preserved them together with Trognée’s complete muscial work. These studies, as well as the works of Vassili Brandt or Oskar Böhme, have greatly contributed, to the history of the Russian trumpet school.
About 15 Grandes Etudes
This edition of Trognée' s studies gives us an opportunity to study the work of someone who, like Vasiliy Wurm, Vasiliy Brandt and Oskar Böhme, made a great contribution to the history of the trumpet in Russia.
Originally composed for trumpet, but the extended studies work extremely well for euphonium and baritone
Published by Editions BIM
Duration N/A
Difficulty level: 4,4.5/6
Supplied with book in TC only (33 pages)
Ncore - Roland Szentpali - Euphonium and Piano (+ optional conga drum ad lib) |
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About Ncore
Roland Szentpali presents a light and playful piece with Latin American flavors. An excellent encore!
A very challenging work for the advanced player!
Commissioned and recorded by Swiss euphonium soloist Fabian Bloch.
Spot on!
The Next Generation of Euphonium Music
Fabian Bloch (euphonium)
Francoise Killian (piano)
Michael Meinen (percussion)
GENUIN Recordings: CD GEN19679
Roland Szentpali was born in 1977 in Nyíregyháza, Hungary. He began his musical studies in his hometown; in 1991 he was admitted to the Béla Bartók Conservatory in Budapest, as the tuba student of József Bazsinka and later of Gábor Adamik. At the age of 16 he won the national “Brasses and Percussion” competition, then wrote and performed his first concerto for tuba and symphony orchestra, recorded and broadcast by Hungarian state television. From here, his career as tubist and composer rapidly gained an international dimension. He entered the Ferenc Liszt Music Academy in Budapest where he studied with László Szabó, while taking private lessons with Roger Bobo. Since 1998 he has won first prize at seven international competitions: Gdansk, Poland; Munich, Germany; Budapest, Hungary; Chéju, Republic of Korea; Brno, Czech Republic; Lieksa, Finland and second prize at the competitions of Guebwiller, France and Markneukirchen, Germany. His opus includes chamber music works, orchestral pieces and concerti for various wind instruments, most of it is published by Editions Bim
Duration: 5 mins
Difficulty level: 5/6
Supplied with solo part in TC annd BC, piano part and optional conga drum, part)
Sicilienne Op.78 - Gabriel Faure Arr. Misa Mead - Euphonium Duet |
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Here's a brand new arrangment from Misa Mead of the beautiful Sicilienne Op.78 by Gabriel Faure.
Watch Misa's performance of this piece on Youtube.
Sicilienne, Op. 78, is a short work by Gabriel Fauré, composed in 1893. It was originally an orchestral piece, written for a theatrical production that was abandoned. In 1898 Fauré arranged the unperformed music as a work for cello and piano, and in the same year incorporated it into his incidental music for Maurice Maeterlinck's play, Pelléas et Mélisande, in an orchestration for theatre orchestra. It took its final form as part of a suite arranged for full orchestra by Fauré, published in 1909.
The duet will work great for two equally talented euphonium or baritone (with 4v) players.
This is sure to be a popular concert or recital piece.
Duration Approx 3.20
Difficulty level 3.5,4/6
Supplied with duet parts in TC and BC
Brasstrail- Duet Series Vol.1 - Bass clef - NEW!! |
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From the people who brought you the popular Brass Trail Method book:
24 traditional duets for baritone, euphonium & tenor horn - this page is for the bass clef version
This collection contains 8 freshly written wind tunes, 8 german folk songs & 8 international folk songs composed and / or arranged for baritone, euphonium & tenor horn.
Wise: Longing for the distance, a bit of luck, in a good mood !, Dr Berlesmichl, Ds Herrgöttli, Auerbach waltz, As Grüassli vu da Hörnlihütta, Auf dem Hohen Ifen
German Folk Songs: Bajazzo, Egg girl from the country, how beautiful are you, Many despise the noble music, No beautiful country at this time, Heavily laden with the treasures of the Orient, We love the storms, the roaring waves, Good evening, good night
International Folk Songs: The last rose of summer, Un poquito cantas, Lueget, vo Bärg und Tal, Wellerman, The Wayfaring Stranger, Hava Nagila, Choson Kale Mazel Tov, Indodana
Level of Difficulty: 3/6
Duration N/A
Supplied with : duet book in Edition German / English, 32 pages in BC
Brasstrail- Duet Series Vol.1 - Treble clef - NEW!! |
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From the people who brought you the popular Brass Trail Method book:
24 traditional duets for baritone, euphonium & tenor horn - this page is for the treble clef version
This collection contains 8 freshly written wind tunes, 8 german folk songs & 8 international folk songs composed and / or arranged for baritone, euphonium & tenor horn.
Wise: Longing for the distance, a bit of luck, in a good mood !, Dr Berlesmichl, Ds Herrgöttli, Auerbach waltz, As Grüassli vu da Hörnlihütta, Auf dem Hohen Ifen
German Folk Songs: Bajazzo, Egg girl from the country, how beautiful are you, Many despise the noble music, No beautiful country at this time, Heavily laden with the treasures of the Orient, We love the storms, the roaring waves, Good evening, good night
International Folk Songs: The last rose of summer, Un poquito cantas, Lueget, vo Bärg und Tal, Wellerman, The Wayfaring Stranger, Hava Nagila, Choson Kale Mazel Tov, Indodana
Level of Difficulty: 3/6
Duration N/A
Supplied with : duet book in Edition German / English, 32 pages in TC
Euphonium Concerto - Edward Gregson - Euphonium and Piano |
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Here is the Euphonium Concerto by Edward Gregson, just published with piano accompaniment.
This is certain to be a highly sought-after concerto and one that advanced players will want to study and perform in the future.
Program notes by the composer:
The Euphonium Concerto was commissioned by the Euphonium Foundation UK and was written for, and dedicated to, David Childs. Lasting some 22 minutes, it is a large-scale symphonic work in both its structure and scale. Its three movements, subtitled Dialogues, Song without Words, and A Celtic Bacchanal, explore the full range of the technical, musical, and emotional scope of the euphonium.
The first movement, Dialogues, is concerned with contrast and development, using as a reference point a five note musical cypher (BACH – B flat, A, C, B natural – followed by a tritone F). This cypher is used in various guises throughout the movement and beyond and acts as a ‘pillar’ in an ever-changing musical canvass. The movement’s sonata form structure contrasts highly charged rhythmic ideas with a lyrical second section, where perhaps the euphonium takes on the cloak of a cello with its soaring melodicism. This leads to a central section, with scurrying semiquavers culminating in a frenetic fugal climax before returning to the opening ideas, now further explored and developed.
An extended cadenza, with brief but dramatic interruptions from the timpanist, leads directly into the slow movement – Song without Words. Here, the peaceful mood of the opening tutti section leads to a wistful ballad for the soloist, which pays nostalgic homage to another era long since gone. The opening music returns, this time developing into an intense climax, before quietly sinking into a reprise of the opening music, with the soloist’s ballad now transferred from minor to major. The movement ends quietly and leads without a break into the final movement.
A Celtic Bacchanal is, as the title suggests, a wild dance that takes on some of the character of Celtic folk music (the dedicatee is a Celt, and the composer half-Celt!). Whilst primarily being a technical tour-de-force, a lyrical central section once again exploits the euphonium’s singing qualities, reaching a majestic peroration before subsiding into tranquility. The folk-like dance starts up again, this time culminating, via a reference to the first movement, into an exuberant and life-affirming coda.
The work exists in FOUR versions, with symphony orchestra, wind orchestra, brass band and here on this site , with piano accompaniment.
Published by Novello.
Listen on Youtube:
1st movement. https://youtu.be/HQpRkoieEsU
2nd movement. https://youtu.be/s1jiTR68Avo
3rd movement. https://youtu.be/z-Q77JWaibo
Highlly recommended!
Duration: 22minutes
Difficulty level: 5/6
Supplied with: solo parts in TC and BC and piano part.
Contest Piece - Misa Mead - Euphonium and Piano |
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Here is a brand-new composition by Misa Mead entitled Contest Piece.
There are many solo competitions the world over, and Misa decided to create a work that would be very suitable for some of these events, that allows the soloist to demonstrate various skills and techniques, all within a two octave range and of a duration of four minutes.
To get a full appreciation of this work we recommend that you watch Misa's performance with piano accompaniment. We feel sure that this work is going to become very popular as it's accessible for many performers, creates a great impression of sound and technique, and also great fun to play.
Click HERE to view the video performance of this, performed by Misa accompanied by Dr. Howard J Evans.
Published by Bocchino Music, 2021.
Duration: 4 minutes
Difficulty level: 3/6
Supplied with solo parts in TC and BC and piano part.
Meditation from Thais - Jules Massenet Arr. John Golland - Euphonium and Piano (TC only) |
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Here is one of the most beautiful classical melodies ever to be arranged for brass solo. It is the famous Meditation from Thais.
Here the origin version for violin here played by Nicola Benedetti
For many years this has been seen as a real challenge for euphonium and baritone players.
Here, just arrived at the Euphoniumstore is the classic arrangement by the late John Golland.
Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece was written originally for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
Published by Hallamshire Music.
highly recommended.
Duration approx 6 minutes
Difficulty 4.5/6
Supplied with solo parts in TC only, and piano part.
Fantasie - Impromptu - Chopin Arr. Derek Ashmore - Euphonium and Piano |
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Hear the ORIGINAL version for piano here, So are there any advanced euphonium players who want a fantastic technical challenge?
Here is Chopin's famous fantasie impromptu. A more unlikely piece to arrange for euphonium you ccouldn't find!
However in this fantastic arrangement which tests flexibility and dexterity to the limits, there is perhaps here the most astonishing encore showpiece waiting to be played.
Even if you never actually get the chance to perform it, this can stay on your music stand to permanently remind you that there are challenges as yet unconquered!!
From the publishers:
Hear the ORIGINAL verison for piano here
Duration from 6 mins...!!
Difficulty level 5.5/6
Supplied with solo parts in TC and BC and piano part
Peace - John Golland - Euphonium or Baritone and Piano |
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This gentle and moving solo has its origins in an organ piece written by John Golland for the funeral of his niece who died tragically young.Later he arranged the work as a solo for euphonium and brass band, and its gentle, consoling phrases speak more than words ever could. This version is with piano accompaniment.
It's quite possibly one of the most popular and often played slow solos for euphonium and baritone.
Here's a recording by Tormod Flaten with brass band acc.
Highly recommended. (Also available with wind ensemble accompnaiment on this site)
Duration 5.00
Difficulty: 3/6
Supplied with solo part in TC and BC and piano part
Caprice - Ray Woodfield - Euphonium and Piano |
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Here is the popular solo Caprice by Ray Woodfield. This solo has been around since the late 1970's but still is sure to have a popular appeal.
This version is with piano accompaniment. The version with wind orchestra/harmonie accompaniment is also available on this site. Listen to a recording made by Robbert Vos wirth brass band acc.
It's a fun fast jazz waltz with frequent fast scales and intervallic phrases, with a showy cadenza in the middle of the work.
From the publishers Hallamshire Music:
Difficulty level 4.5/6
Duration 4.30 approx
Supplied with Solo part in TC and BC and piano part
Ave Maria - Astor Piazzolla Arr. Luc Vertommen - Euphonium and Piano - now back in stock |
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This is Piazzolla's beautiful and haunting Ave Maria. This is a brand-new release from Band Press, the company owned by the arranger of this work, Luc Vertommen. This was recently recorded on video by Steven Mead, and you can watch the video here.
PROGRAM NOTES
Ave Maria (Tanti anni prima – Many years ago) is one of two hauntingly beautiful tunes drawn from Ástor Piazzola’s score for the 1984 Marco Bellocchio film Enrico IV (Henry IV) based on the eponymous play by Luigi Pirandello with the same title, starring Marcello Mastroianni and Claudia Cardinale.
An unnamed Italian aristocrat falls off his horse while playing the role of Henry IV during carnevale festivities. After he comes to, he believes himself to be Henry. For the next twenty years, his family, maintain an elaborate charade in a remote Umbrian villa, staffed with servants hired to play the roles of Henry's privy councillors and simulate the eleventh-century court. During the play it appears that after 12 years of illness, he notices that he is cured, but decides to continue in his role.
The movie contains two of Piazzolla's most beautiful and haunting songs. Of the two songs, Oblivion, which is heard at the close of the movie, became one of Piazzolla’s best known songs and more frequently performed, but Tanti anni prima is no less beautiful. The theme is associated with the character Matilda, a widow whom Henry loved, unrequited, before the accident, portrayed by Claudia Cardinale in the movie.
The song is also known as Ave Maria, a later name most likely given it for commercial reasons by Piazzolla’s Italian agent, Aldo Pagani. One must agree that the new name fits, the Ave Maria does bring to mind a church organ during a meditative moment. Ave Maria consists of two parts, both with smooth, broad melodic lines to show of the composers lyrically sentimental side. In the second movement more passion and character is requiered especially to colour with the modern, more dissonant chords.
Although originally for oboe and piano, the version for cello and piano is among the more frequently performed. This version for euphonium and piano of Piazzolla’s Ave Maria is arranged by Luc Vertommen.
Highly recommended, sure to be very popular
Duration 4.45
Difficulty level 3.5/6
Supplied with Solo part in TC, BC in C, and BC in Bb and piano part.
Peace - John Golland Arr. Derek Ashmore - Euphonium with Woodwind accompaniment |
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This gentle and moving solo has its origins in an organ piece written by John Golland for the funeral of his niece who died tragically young.Later he arranged the work as a solo for euphonium and brass band, and its gentle, consoling phrases speak more than words ever could. This version is with woodwind accompaniment:
Here's a recording by Tormod Flaten , with brass band acc.
Highly recommended. (Also available with piano accompnaiment on this site)
Duration 5.00
Difficulty: 3/6
Supplied with solo part in TC and BC and full score and ww parts as above,
Highly recommended. (Also available with piano accompnaiment on this site)
Childs Play - John Golland Op.73 - Euphonium solo or duet and Piano |
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Written for Bob and Nick Childs by John Golland, 'Childs Play' is based on 'Twinkle, Twinkle, Little Star' and can be used either as a solo or duet for Euphoniums.
Lot's of fun. Good dexterity needed!!
Duration: approx 4 mins
Difficulty: 5/6
Supplied with: solo part in TC, 2 duet parts in TC, and piano part
Caprice - Ray Woodfield. Euphonium and Wind Orchestra/Harmonie |
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Here is the popular solo Caprice by Ray Woodfield. This solo has been around since the late 1970's but still this is sure to have a popular appeal.
This version is for wind orchestra/harmonie accompaniment. The version with piano accompaniment is also available on this site. Listen to a recording made by Robbert Vos wirth brass band acc.
It's a fun fast jazz waltz with frequent fast scales and intervallic phrases, with a showy cadenza in the middle of the work usually members of the band are invited to pick up percussion instruments to add to the carnival atmosphere!
From the publishers Hallamshire Music:
Difficulty level 4.5/6
Duration 4.30 approx
Supplied with Solo part in TC and BC and full set of wind band parts and full wind band score.
Three Fantasias (from Nos.7,8,9 from 12 Fantasias for Violin) - G.P.Telemann - adapted by Roland Szentpali |
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Here is a brand new publication from Editions BIM, for solo unaccompanied euphonium, and it's the music of George Philipp Telemann.
The great Hungarian tuba player, composer and arranger Roland Szentpali has adapted these three fantasias for Violin.
These are sure to prove to be great stylistic and musical challenges to euphonium players everywhere, for the keen amateur and advanced players.
From the publisher:
The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly evident. The fantasias no. 7, 8 and 9 selected by Roland Szentpali are the most suitable for adaptation for brass instruments, while the other nine make use of double-stopped technique, a rather Germanic tendency in works for solo violin.
We see this as a great new addition to the repertoire for solo euphonium; and very suitable for recitals, examinations and competitions.
Duration: total 22 minutes
Difficult level: 4.5/6
Supplied with solo part in TC and BC.
Brass Trail - Method book for Bariton/Euphonium/Tenorhorn - Treble Clef version - Michael Muller and Maria Sturm - NEW!! |
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Here is an exciting new method book, written and published in Germany, by two euphonium players Maria Sturm and Michael Muller, that is sure to win many friends and admirers.
This is an extremely well put together book, (desribed as a 'brass school') with loads of exercises covering all the basic skills that we need, and there are also in addition many original etudes, and some excerpts from very famous solos and classical solos. There are also lots of additional features including a practice diary, recommended literature, a note-taking section, fingering charts and lots of explanatory sections too.
It's a really good book to work through alone, and of course very suitable for a teacher to work with students as it covers so many things in a logical progression.
This is beautifully printed, very high quality publication, and we at the Euphoniumstore recommend this method book highly. It's a great addition to our education resources.
For more info and examples, and the mp3 downloads go to https://www.brasstrail.de/downloads/
Method book for tenorhorn (in Bb), baritone/bariton and euphonium (in TREBLE CLEF in Bb). The bass clef (in C) book is also available on this site.
Duration : n/a
Difficulty: 3-4.5/6
Supplied with: book in both German/English language, 88 pages + mp3 Audio (Download) - see. www.brasstrail.de
Brass Trail - Method book for Bariton/Euphonium/Tenorhorn - Bass Clef version - Michael Muller and Maria Sturm - NEW!! |
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Here is an exciting new method book, written and published in Germany, by two euphonium players Maria Sturm and Michael Muller, that is sure to win many friends and admirers.
This is an extremely well put together book, (desribed as a 'brass school') with loads of exercises covering all the basic skills that we need, and there are also in addition many original etudes, and some excerpts from very famous solos and classical solos. There are also lots of additional features including a practice diary, recommended literature, a note-taking section, fingering charts and lots of explanatory sections too.
It's a really good book to work through alone, and of course very suitable for a teacher to work with students as it covers so many things in a logical progression.
This is beautifully printed, very high quality publication, and we at the Euphoniumstore recommend this method book highly. It's a great addition to our education resources.
For more info and examples, and the mp3 downloads go to https://www.brasstrail.de/downloads/
Method book for tenorhorn (in Bb), baritone/bariton and euphonium (in BASS CLEF in C). The treble clef (in Bb) book is also available on this site.
Duration : n/a
Difficulty: 3-4.5/6
Supplied with: book in both German/English language, 88 pages + mp3 Audio (Download) - see. www.brasstrail.de
Valse Sentimentale (Op.51 No.6) - Tchaikovsky Arr. Eric Wilson - Euphonium and Piano |
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Here is a brand new arrangement of a delightful Tchaikovsky classic. Originally for piano, the arranger Eric Wilson has successfully created a beautiful euphonium solo that can be enjoyed by players of all ages and abilities.
Here is a link to enjoy the original for piano: https://youtu.be/4Puw49Bry7U
In treble clef pitch there are a couple of top C's, but the rest is all within the range and is a great work to study and perform.
Highly recommended.
Published by Winwood Music
Duration approx 5.00
Difficulty level: 3,3.5/6
Supplied with: Solo part in TC and BC/tenor clef and piano part.
Euphonium Concerto - Paul Mealor - Euphonium and Piano |
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Here is the new Euphonium Concerto, by Paul Mealor, composed in 2017, that was premiered and recorded (Chandos: Symphonic Euphonium Vol.2) by David Childs.
It is a truly wonderful and very difficult concerto, only for the advanced player!
The work is inspired by a Gaelic poem about lost love, telling the tale of a fisherman and his wife. She accompanies her love to the shores of the sea to wave him off; but tragically he never returns. Each day she returns to the sea and sings to him, but no answer ever comes. In the tradition of Celtic songs it is dark and full of passion and pain.
No I: Adagio
No II: Allegro
No III: Largo No
IV: Cadenza No
V: Allegro Vivace
Hear it hear on Youtube
Duration: 15.5 mins
Difficult level: 6/6
Suppplied with Solo parts in TC and BC and piano part
Selected Studies for Baritone/Euphonium - H. Voxman - Bass Clef version |
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Here is one of the most important study books that has been very popular in the US scene for decades. It is the classic Voxman 'Selected Studies' method book for Baritone (Euphonium) and this page is dedicated to the Bass Clef version of the book (TC also available).
Advanced Etudes, Scales and Arpgeggios in All Major and Minor Keys
"The next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level ofperformance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists."
Published by Rubank Publications
Duration: 72 pages
Difficulty: 3-4.5/6
Supplied with: Book in Bass Clef
Selected Studies for Baritone/Euphonium - H. Voxman - Treble Clef version |
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Here is one of the most important study books that has been very popular in the US scene for decades. It is the classic Voxman 'Selected Studies' method book for Baritone (Euphonium) and this page is dedicated to the Treble Clef version of the book (BC also available).
Advanced Etudes, Scales and Arpgeggios in All Major and Minor Keys
"The next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level ofperformance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists."
Published by Rubank Publications
Duration: 72 pages
Difficulty: 3-4.5/6
Supplied with: Book in Treble Clef
Selected Duets for Trombone of Baritone (Euphonium) Vol.2 (Medium-Advanced) - H. Voxman - Bass Clef |
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Here's Vol.2 of a famous series of duet books, published in the USA by Rubank/Hal Leonard.
A highly popular and classic book of duets
"This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians.Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles".
Volume 2 (Medium to Advanced)
(Vol. 1 Medium Easy to Medium also available on this site)
Duration: 72 pages
Difficulty level 3-4.5/6
Supplied with: Book in Bass Clef (and a little bit tenor clef)
Selected Duets for Trombone of Baritone (Euphonium) Vol.1 (Easy-Medium) - H. Voxman - Bass Clef |
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Here's Vol.1 of a famous series of duet books, published in the USA by Rubank/Hal Leonard.
A highly popular and classic book of duets
"This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians.Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles."
Vol. 1 Medium Easy to Medium
(Volume 2 Medium to Advanced also available on this site)
Duration: 72 pages
Difficulty level 2-4/6
Supplied with: Book in Bass Clef (and a little bit tenor clef)
Flight - Philip Wilby - Euphonium (or Flugel,Cornet,Trumpet) and Piano |
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Flight is a wonderful extended solo by the great British composer Philip Wilby.
It was composed in 1992 for Mark Walters who was then the flugel horn player with the Grimethorpe Colliery Band.
Since that time it's gone on to also be a very popular solo for advanced euphonium players, and fantastic for recitals, competitions and serious music events!
The composer writes:"Flight is a virtuoso solo which seeks to investigate many of the various aspects of flying. It attempts to portray the effort of powered flight, the ease of gliding and soaring, the thrill of rising on natural thermals, and the chaotic swirling of rapid descent."
Philip Wilby biography:
Born in Pontefract in 1949, Philip Wilby was educated at Leeds Grammar School and Keble College, Oxford. Wilby attributes the awakening of his interest in composition to Herbert Howells, whose extra-curricular composition classes he attended while a violinist in the National Youth Orchestra of Great Britain. A serious commitment to composition developed during the years at Oxford and, having gained his B Mus in composition in 1971, Wilby continued to write music even while working as a professional violinist (first at Covent Garden and later with the City of Birmingham Symphony Orchestra). He returned to Yorkshire in 1972 and is Principal Lecturer in Composition at the University of Leeds.
In recent years, Wilby has established a very significant reputation in the field of brass band and wind band music. His first commission for brass band - The New Jerusalem (1990) for the National Youth Brass Band - was an instant success and led to further commissions: Paganini Variations (a BBC commission in 1991 for the Grimethorpe Band); Flight for solo flugelhorn and band (Grimethorpe, 1991); Revelation (1995, for the British Open Championships). Much of Wilby's recent wind band music has been commissioned by the Fresno campus of the University of California, where he has had a regular residency since 1985.
Wilby has also given much time to writing for liturgical purposes and works include St Paul's Service (1988) commissioned by St Paul's Cathedral for John Scott and the Choir of St Paul's Cathedral, and The Trinity Service (1992) commissioned by Norwich Cathedral for the 1992 Norwich Festival of Contemporary Church Music.
Other recent projects include a commission (The Cry of Iona) for BBC2's 1992 series of music videos for Advent; and, in 1993, the second symphony Voyaging, commissioned and premiered by the BBC Philharmonic Orchestra; Partita, commissioned by Fine Arts Brass Ensemble and premiered at the Harrogate International Festival; An Imagined Fable commissioned by the Athelas Ensemble and premiered at the Danish Radio Concert House; and a Percussion Concerto commissioned by the English Northern Philharmonia and Yorkshire Youth and Music, premiered in Leeds, performed by Chris Bradley and the English Northern Philharmonia conducted by John Price-Jones. In January 1995 Philip Wilby was a featured composer in the PLG Young Artists New Year Series, London.
In addition to concert music, Philip Wilby has written educational works and incidental music for television. The academic environment at Leeds has also fostered a number of scholarly interests which have led to a remarkable series of reconstructions of Mozart fragments. In 1985 these were the subject of a Yorkshire television documentary featuring the Amadeus String Quartet, and in 1990 they were recorded by the Academy of St Martin-in-the-Fields for the complete Philips Mozart Edition.
As recorded by Steven Mead on The World of the Euphonium Vol.3
Published by Novello.
Duration: approx. 9.30 minutes
Difficulty: 5.5/6
Supplied with: solo part in TC only and piano part
La Belle Americaine - John Hartmann - Euphonium and Piano |
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This is indeed a classic solo for brass, and often played on euphonium, composed by the great John Hartmann. Check out his life and works on his wikipedia entry
Highly recommended, and this solo Is probably to be found in the personal library of many hundreds of euphonium players worldwide.
Publsihed by Wright & Round
Duration: approx 6 minutes
Difficulty level: 4/6
Supplied with solo part in TC only and piano part.
Weber's Last Waltz - William Rimmer - Euphonium and Piano |
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This is also one of the most popular of all team in variation solos, described on the title page as a Grand Fantasia. Hugely popular in its day, it also became one of the Rimmer solos that became 'adopted' by euphonium players.
It certainly finds its way into the top 10 of classic euphonium theme and variation solos, and therefore should be in the library of all keen amateur and professional players.
As recorded by Steven Mead on the World of the Euphonium Volume 1 CD (Polyphonic)
Duration: 9 minutes approx
Difficulty: 4,4.5/6
Supplied with solo part in TC only and piano part.
Long, Long Ago - Stanley Boddington - Euphonium and Piano |
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Here is another classic solo from way back when. Stanley Boddington MBE (1905-1986) was a famous brass band conductor, mainly remembered for his incredible work with the GUS (Footwear) Band, but he was also a prolific composer and arranger.
This theme and variations solo is part of our incredible heritage of variation solos that date back to the end of the 19th century.
See a recent article on Stanley Boddington posted on 4barsrest
It's also a great test for euphonium players, especially as it's written in C major (for Bb instruments), meaning it has some extra demands on stamina.
Published by Wright and Round
Duration 6 minutes approx
Difficulty level: 4.5/6
Supplied with solo part in TC only and piano part.
Grandfather's Clock - George Doughty - Euphonium and Piano |
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Could this possibly be the most-played theme and variation solo ever composed for the euphonium?!!
Steven Mead played this when he was a very young man, and has continued to play it at various intervals during his career. Most of the great euphonium players of the past have also performed this with brass bands, and sometimes with piano. Here is the original version with piano accompaniment, and if you are a euphonium player who doesn't know this, well this is a very important part of euphonium heritage which you should know and be able to 'rattle off', as the expression goes!
Published by Wright & Round
Duration: 5.50 approx (depends how fast you play it!)
Difficulty level: 4/6
Supplied with solo part in TC only and piano part
Rule Britannia - John Hartmann - Euphonium and Piano |
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Here is the classic theme and variation solo, Rule Britannia by John Hartman, that's been much loved by soloist and audiences for a century!
This has really been adopted by euphonium players for generations, and still is one of the most popular solos of its genre. Here is the full original version of the solo, and should be in all euphonium players repertoire!
Published by Wright&Round.
Duration - 10 minutes (It's possible to edit this of course for use in solo contests)
Difficulty level - 4.5/6
Supplied with: solo part in TC only and piano part
Hebridean Lullaby - Philip Harper - Baritone (or Euph) and Piano |
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Composed for the renowned soloist Katrina Marzella and the Cornwall Youth Brass Band, A Hebridean Lullaby is a beautiful and haunting melody from the pen of Philip Harper, taking its inspiration from the music and folksong of the Hebrides; a cluster of islands off the west coast of Scotland. Commissioned through a BBC Fame Academy Bursary, this piece is one which is enjoyed and admired by both performers and audiences the world over. The atmosphere created by the score is simply stunning. It’s an outstanding addition to the baritone horn’s concert repertoire
Highly recommended.
This is the version for soloist with piano accompaniment.
Duration approx 5 mins
Difficulty: 3/6
Supplied with solo part in TC only and piano part
Jenny Jones - William Rimmer - Euphonium and Piano |
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Here is the timeless classic solo Jenny Jones, by William Rimmer, in it's original version.
This famous fantasia on the Welsh melody Jenny Jones has tested soloist for generations, and is really a very important part of the solo repertoire of the cornet and euphonium.
Published by Wright & Round.
Duration (uncut version): approx 10 mimutes
Difficulty level 4.5/6
Supplied with solo part in TC only and piano part.
Donegal Bay - Paul Lovatt-Cooper Arr. Judith Hayes - Baritone or Euphonium and Piano |
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This is the arrangment of Paul Lovatt-Cooper's popular solo Donegal Bay with piano accompnaiment.
Donegal Bay was the first work for brass band that Paul Lovatt-Cooper composed when he was just 18 years old. Written for a solo baritone and brass band, Donegal Bay has become a staple in many band rooms around the world. It is a homage to an Irish lyrical style that has become even more popular in recent years. Lovatt-Cooper’s warm harmonies and lyrical baritone solo makes Donegal Bay a true delight to listen to and to play.
The MusicOpening with sonorous muted cornets, followed by warm lower band chords, the band set up a serene atmosphere for the soloist. The baritone enters with a nostalgic melody that hones in on the Irish Air style that Lovatt-Cooper was aiming for. The accompaniment is sparse, but each part that comes in and out adds to the overall shimmering effect. Muted cornets fluctuate underneath the soloist, with the basses playing a constant sequence of pedal notes.
As the melody begins to build traction, so do the dynamics written in the score. More of the band join into the mix, which leads to the cornets taking their mutes out and playing a lyrical response to the main melody. The baritone enters once more to play an obbligato line that is still very much lyrical in style. As the soloist begins to push into its upper register the harmonies below begin to cleverly knit together, creating a wholly warming experience.
The melodic material here soon leads back to the original opening theme. The baritone soloist and soprano cornet begin to intertwine their melody lines, creating a sense of sweetness together. Although the music begins to drop in dynamic, the warm harmonies and rich texture remains, creating that spine-tingling feeling before the emotionally-driven final few notes led by the baritone.
Paul Lovatt-Cooper’s Donegal Bay is a straightforward, no-nonsense work for a solo baritone and brass band. The simplicity in the harmonic movement adds to the feelings of nostalgia and sereneness. The solo line is lyrical, and demands much control from the soloist. Donegal Bay is a classy work that does not require gimmicks and other lavish techniques to make it effective.
Duration 4.30
Difficulty 3/6
Suppplied with solo part in TC only and piano part
In Gardens of Peace - Philip Harper - Euphonium with Brass Band accompaniment |
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In Gardens of Peace was composed in response to a commission from Micah Parsons in 2014 to commemorate the life of his great grandfather, Henry Nichols, killed in the battle of the Somme in 1917.
The music attempts to recreate the special and unique aura which provides burial grounds and cemeteries-there is a peaceful tranquillity, but also a deep sense of tragedy and loss. The euphonium is the ideal solo voice to articulate this mood, with its soulful depth of sound, and its ability to saw passionately over the ensemble, both characteristics which are developed throughout the piece.
The music ends positively, with the wish that hope can come from desperation.
As recorded by Steven Mead on his CD: Lyrical Virtuoso with BB Buizingen (BOCC125)
The version of this work with piano accompaniment is also available on this site.
Duration 5.30 mins
Difficulty: 4/6
Supplied with: solo part in TC only and brass band score and full set of brass band parts
In Gardens of Peace - Philip Harper - Euphonium and Piano |
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In Gardens of Peace was composed in response to a commission from Micah Parsons in 2014 to commemorate the life of his great grandfather, Henry Nichols, killed in the battle of the Somme in 1917.
The music attempts to recreate the special and unique aura which provides burial grounds and cemeteries-there is a peaceful tranquillity, but also a deep sense of tragedy and loss. The euphonium is the ideal solo voice to articulate this mood, with its soulful depth of sound, and its ability to saw passionately over the ensemble, both characteristics which are developed throughout the piece.
The music ends positively, with the wish that hope can come from desperation.
As recorded by Steven Mead on his CD: Lyrical Virtuoso with BB Buizingen (BOCC125)
The version of this work with brass band accompaniment is also available on this site.
Duration 5.30 mins
Difficulty: 4/6
Supplied with: solo part in TC only and piano part
Arban Studies 1-14 - Ed. Gomm and Mayes (solo part, piano part and 2CDs) Treble Clef version |
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Here is a superb new release from Brass Wind Publications which is sure to bring a new and fresh dimension to your technical practice, with these famous 14 Characteristic Studies, found at the back of the Arban Grand Method.
As well as a beautifully producted solo part and piano accompaniment, this set includes 2 two highquality cds with the piano accompaniment (with a real pianist and real piano!), each in three different tempi: 1. slow practice 2. performance tempo 3. fast performance tempo!
From the publishers:
For nearly 150 years Jean-Baptiste Arban's 14 studies have been an essential part of a brass player's practice routine. Arban's original parts contain many inaccuracies and inconsistencies. Whilst we had no intention of creating an 'Urtext' edition, we have attempted to make each study's phrasing, articulation and where necessary, dynamics consistent with itself, without losing the character and intentions of Arban's manuscript. We, therefore, chose not to add dynamics at the beginning of studies where Arban has omitted them, as you will quickly discover the right dynamic (for you) on practising the piece. You may also, as performer, wish to change or ignore our suggestions, for that is what they are and you must feel free to do so.
This edition includes imaginative piano accompaniments written to reflect the nature of the solo part and enhance the soloist's practice whilst lending these studies also to the concert repertoire. Our hope is that you will gain more from playing these great studies 'with accompaniment’ rather than the traditional way 'without'.
The CD that accompanies this edition contains John Alley's accompaniments in three tempi. One for slow practice, one for general performance and then one for the virtuoso! Also included are stylish performances of all 14 studies by leading UK trumpeter Paul Mayes which are retained for guidance in this euphonium edition. In order to produce an artistically cohesive CD Paul Mayes’ performances are a mix of the two featured performance tempi
Highly recommended!
Duration n/a
Diffiulty level 4-5.5/6
Supplied with: solo part in treble clef (bass clef version also available on this site), piano accompaniment, and 2CDs with playalong accompaniments in 3 different tempi (and demo performance)
Arban Studies 1-14 - Ed. Gomm and Mayes (solo part, piano part and 2CDs) Bass Clef version |
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Here is a superb new release from Brass Wind Publications which is sure to bring a new and fresh dimension to your technical practice, with these famous 14 Characteristic Studies, found at the back of the Arban Grand Method.
As well as a beautifully producted solo part and piano accompaniment, this set includes 2 two high quality cds with the piano accompaniment (with a real pianist and real piano!), each in three different tempi: 1. slow practice 2. performance tempo 3. fast performance tempo!
From the publishers:
For nearly 150 years Jean-Baptiste Arban's 14 studies have been an essential part of a brass player's practice routine. Arban's original parts contain many inaccuracies and inconsistencies. Whilst we had no intention of creating an 'Urtext' edition, we have attempted to make each study's phrasing, articulation and where necessary, dynamics consistent with itself, without losing the character and intentions of Arban's manuscript. We, therefore, chose not to add dynamics at the beginning of studies where Arban has omitted them, as you will quickly discover the right dynamic (for you) on practising the piece. You may also, as performer, wish to change or ignore our suggestions, for that is what they are and you must feel free to do so.
This edition includes imaginative piano accompaniments written to reflect the nature of the solo part and enhance the soloist's practice whilst lending these studies also to the concert repertoire. Our hope is that you will gain more from playing these great studies 'with accompaniment’ rather than the traditional way 'without'.
The CD that accompanies this edition contains John Alley's accompaniments in three tempi. One for slow practice, one for general performance and then one for the virtuoso! Also included are stylish performances of all 14 studies by leading UK trumpeter Paul Mayes which are retained for guidance in this euphonium edition. In order to produce an artistically cohesive CD Paul Mayes’ performances are a mix of the two featured performance tempi
Highly recommended!
Duration n/a
Diffiulty level 4-5.5/6
Supplied with: solo part in bass clef (treble clef version also available on this site), piano accompaniment, and 2CDs with playalong accompaniments in 3 different tempi (and demo performance)
The Swan - Saint-Saens Arr. Ray Steadman-Allen - Euphonium and Brass Band |
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Here is the classic melody for euphonium, The Swan, in it's version for euphonium and brass band.
The key is the normal euphonium version of treble clef F major (Concert Eflat).
It's a beautiful arrangement by Ray Steadman-Allen, and this is published by the salvation army.
A serene addition to any concert!
Duration: 3 mins
Difficulty : 4/6
Supplied with: solo part in TC and full score and brass band set of parts
Soliloquy IX - Chris Wiggins - euphonium solo |
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Here is the very popular solo piece for euphonium without accompaniment, entitled Soliloquy IX, By Chris Wiggins. The composer wrote a series of these for different instruments, and with each trying to bring out the essential characteristics, both lyrical and virtuosic, of the instrument he was writing for.
Very popular work for recitals, examinations and auditions.
As recorded by Steven Mead on Polyphonic QPRZ014D The World of Euphonium Vol.1 (Steven Mead)
Duration: 3.20
Difficulty: 4/6
Supplied with: Solo part in TC only.
Euphonium Concerto - Joseph Horovitz - Euphonium with Wind Band/Harmonie accompaniment - score and parts |
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Here is the iconic Euphonium Concerto by Horovitz, with wind band/harmonie accompaniment.
For the first time we are now now able to offer the full score and full set of wind band parts as well as solo part at the Euphoniumstore.
Duration: approx 17 minutes
Difficulty level: 4,5/6
Supplied with: solo part in TC and BC and full wind band score and full set of wind band parts.
Midnight Euphonium - Goff Richards arr. Dean Farrar - Euphonium and Wind Band/Harmonie |
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Here is the famous and beautiful solo Midnight Euphonium by Goff Richards, in the version for euphonium with wind band/harmonie accompaniment.
Always a real concert favourite, enjoyable for the performer, with excellent band parts, and always well received by the audience.
Duration: approx. 6 mins
Difficulty level: 3,4/6
Supplied with solo part in TC and BC and full set of wind band parts and full score.
Mozart Variations - Kenneth Downie - Euphonium and Brass Band |
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The main theme of this music comes from Mozart's opera The Magic Flute, a very well-known melody which is sometimes associated with sacred words. It is a beautiful tune which lends itself to variation treatment including these very light-hearted examples. While working on this music, the composer had the idea of incorporating references to other well-known Mozart themes, again, with a rather tongue-in-cheek approach. The result is a high-spirited, flamboyant solo that will be fun to play and to listen to.
Watch/listen to Steven Mead performing it live back in 2013 on Youtube!
Highly recommended.
Duration: 9 mins
Difficulty: 4.5/6
Supplied with: Solo part in TC, brass band score and full set of brass band parts.
The Sally Gardens - Kenneth Downie - Euphonium and Brass band |
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Ireland is the home of many fine folk songs, none more charming perhaps than 'The Sally Gardens'. The composer first encountered it in the arrangement by Benjamin Britten. The music has a poignant quality which is rather haunting, reflecting the tone of regret in the last lines of each stanza: "She bid me take life easy, as the grass grows on the weirs, But I was young and foolish, and now am full of tears'.
It's a beautiful melodic work for euphonium and brass band.
Duration : 4.40
Difficult: 3 or 4/6
Supplied with: solo part in TC and full set of brass band parts and full score
Fantasy for Euphonium - Philip Sparke - Euphonium and Wind Band/Harmonie |
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Here is the ever-popular work for euphonium, Fantasy for Euphonium by Philip Sparke, Perhaps the first euphonium solo that this composer wrote, back in 1978.
For sure this work deserves to be heard more in this version with wind band accompaniment.
The version of this solo with piano accompaniment is also available on this web store.
Duration: 11.50 mins
Difficulty: 4.5/6
Supplied with: solo parts in TC and BC and full set of wind band parts and full score.
Perhaps Love - John Denver Arr. B. Fraser - Euphonium Duet with brass band accompaniment |
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This is a really popular euphonium duet, with the classic melody Perhaps Love, by John Denver being set beautifully for both alternate voices and duet harmonic parts, with brass band accompaniment.
Always at winner at band concerts!
Youtube recording featuring Steven Mead and Romain Gumy
Published by Kirklees Music
Duration: 4.45
Diffiulty level: 3/6
Supplied with: duet parts (in TC only), brass band score and full set of brass band parts.
Napoli - Hermann Belstedt - Euphonium or Cornet and Piano |
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Here is the classic solo Napoli, making its debut in the Euphoniumstore!
This is the well known solo version with its characteristic piano part. It's full of verve and energy, and well loved by so many soloists over the years.
Please note the solo part is only available here in treble clef.
Published by Kirklees Music.
Duration: c.5 minutes
Difficulty level: 4.5/6
Supplied with: solo part (treble clef only) and piano part.
Euphonium Concerto - Michael Ball - Euphonium and Piano |
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This is a really outstanding euphonium concerto and deserves to be played a lot more than it is currently.
It was composed in 2002 and premiered by David Childs with the Parc and Dare Band.
Although active in all main areas of composition, in recent years Michael Ball has contributed particularly substantially to the repertoire for wind and brass.
The piece falls naturally into four interconnected sections. A gentle opening, marked 'as if awakening' , leads into an initially aggressive Allegro, gaining in energy and momentum as it proceeds. The succeeding slow movement is lyrical and wistful in character in its outer parts although containing a more urgent central passage this leads into a thoughtful cadenza which in its turn leads without a break into the scherzo finale.
The section now combines new figures with, in its later stages, return to the main ideas from the first movement.
This difficult and very beautiful concerto would suit advanced and professional players.
David Childs' recent recording Symphonic Euphonium II, which includes this concerto, can be found on Spotify.
Published by Kirklees Music.
Duration: c.19 minutes
Difficulty level 5/6
Supplied with : Solo part (in TREBLE CLEF ONLY) and piano part.
Robin Robin - Liz Lane - Euphonium and Piano (TC solo part) |
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Robin Robin was especially adapted for David Thornton (euphonium) from the song of the same name, originally recorded by Belinda Evans (soprano) with Stephen Marquis (piano), to help raise funds for Yeovil Hospitals Flying Colours Appeal.
Words written by Jennifer Henderson trace a robin's journey through the seasons: Spring-'fearless and bold', Summer-'a bird with attitude', through to Autumn-'when other birds fly away, you're loyal'.
This beautiful solo was also recorded by Steven Mead on his recent CD, UFO recorded with the Brighouse and Rastrick band.
This is the version for euphonium and piano and is sure to be in great demand.
Published by Kirklees Music.
Duration: 5 minutes
Difficulty level: 3.5,4/6
Supplied with: Solo part (in treble clef ONLY) and piano part.
200 Dances for Cornet or Saxhorn (euph/bari/tenor horn/tuba) from the Victorian Parlour - compiled by Andy Kershaw |
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Here is a brand-new collection of late 19th century pieces, perfect for study material, stylistic work, sight reading and etudes for audition etc. And, they are so much fun!
There is a wealth of inventive and absolutely delightful historic pieces here, a compendium of four books.
A high quality facsimile copy of a Compendium of 4 books originally published c. 1880 including ‘40 Polkas’, ‘25 Quadrilles’, ‘50 Anglaise, Bourbonnaise’ and ‘100 Melodies’.
Over 120 pages of music by composers including Strauss, Schubert, Musard, Rossini and many more. These were arranged and compiled for cornet and Saxhorns (now the modern day brass band family) and would have been played in Victorian parlours. They are perfect for sight reading and technical development.
Suitable for all treble clef reading brass instrumentalists!
Duration: It will take you hours to play them all !!!
Difficulty level: 2,3, 3.5/6
Supplied with : Book in TC. approx 120 pages
Journey - Misa Mead - Euphonium and Piano |
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This piece was originally composed for euphonium tuba octet (4 euphs and 4 tubas ideally), commissioned by Roger Bobo in 2013
Here is the version that Misa made for euphonium and piano.
There are many difficult pieces for euphonium in the world, so the composer wrote it especially for young students and amateur players.
There are 5 movements in this euphonium and piano version.
1. Morning
2. Hard Worker
3. Dream
4. Sloping Road
5. Scene
So here is a perfect suite of five pieces for young students and amateur players. Great fun, original and very creative!!
Difficulty level: 2or3/6
Total performance time: 8.00
Supplied with : Euphonium parts in both TC and BC and piano
Concerto Classico - Stuart Johnson - Euphonium and Piano |
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Here is a really fun and interesting 'classical' style concerto composed by Stuart Johnson, ex Head of music for Staffordshire.
This has some very challenging writing, but all of it a real joy to play. This has just been published by Brass Wind Publications in the UK.
Concerto Grosso was premiered at St. Mary's Church, Portsmouth in November 2016 by the Band of the Royal Marines, Collingwood. The soloist was Steven Boyes and the conductor was Lieutenant Nick Grace OBE, Principal Direcotr of the Royal Marines.
1st Mov. Andante Moderato/Allegro
2nd Mov. Sarabande
3rd Mov. Rondo Allegro vivace
Duration 15.00
Difficulty level 4.5/6
Supplied with solo parts in TC and BC and piano part
Albion (Remembrance of things part) - Stephen Roberts - Euphonium/Baritone and Piano |
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Here is a beautiful reflective solo from Stephen Roberts; an original that really captures the spirit of remembrance and casts a fond eye to the past.
It's a truly lovely solo, not difficult and one that should be played well by players of intermediate standard and higher. Ideal for a contrasting work in a recital, or a church service.
Duration: 3 minutes
Difficulty level: 2-3/6
Supplied with solo part in TC and BC and piano part.
The Lark in the Clear Air - Arr. Stephen Roberts - for Euphonium/Baritone or Horn in F and Piano |
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Stephen Roberts has penned this most attractive setting of this much-loved melody.
Altgough the melodic line is clearly central, there are some lovely extended florid passagesWhich gives the setting a really nice original and fresh touch. A good soloist will really make this sound beautiful and free.
I'm sure this is set to be a very popular work. It was first written in 1999.
Here is the youtube video where this is performed beautifully by Katrina Marzella and the Black Dyke Band.
The first use of this tune seems to have been as an eighteenth-century rebel song. A hundred years later, Belfast writer Samuel Ferguson wrote these words, that were to make it one of the most famous romantic songs in the tradition.
Here are the lyrics of this popular song:
Dear thoughts are in my mind and my soul it soars enchanted
As I hear the sweet lark sing in the clear air of the day
For a tender beaming smile to my hope has been granted
And tomorrow he shall hear all my fond heart longs to say I will tell him all my love, all my soul's pure adoration
And I know he will hear my voice and he will not answer me nay
It is this that gives my soul all it's joyous elation
As I hear the sweet lark sing in the clear air of the day
Published by Tanglewind Music
Wind band version also now available on this site - NEW!
Duration 5 minutes
Difficulty level 4/6
Supplied with solo part in TC, BC and for Horn in F, and piano part
Sicilienne - Maria Theresa Von Paradis Arr. S. Roberts - Brass (in Bb) solo and Piano |
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Maria Theresia Paradis (also von Paradies) (May 15, 1759 – February 1, 1824), was an Austrian musician and composer who lost her sight at an early age, and for whom Mozart may have written his Piano Concerto No. 18 in B-flat major.
The beautful Sicilienne is a much loved classic melody, with a gently lilt.
This arrangement by Stephen Roberts makes it very accessible to brass players, in a nice friendly key and not too high at the high climax.
Here's a nice version on youtube , played on the violin: https://www.youtube.com/watch?v=90z1KgGhtAw
Suitable for cornet, trumpet, Flugelhorn, euphonium, baritone, trombone.
Duration 2.40
Difficulty 3.5/6
Supplied with solo parts in TC annd BC and piano part.
Three Dances - Stephen Roberts - Euphonium or Baritone and Piano |
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Here is a brand new (2020) original work for Euphonium or Baritone and Piano from Stephen Roberts, the prolific brass pedagog, horn player, composer/arranger and brass band adjudicator.
This suite is really fun and quite challenging. In three movements:
1. Toreadors 2. Sarabande 3. Spring Dance
All are in beautiful stylistic settings, demanding quite advanced technique and a good high range. The last movement in particular with its rapid mixed meter writing will be quite a challenge.
This is a very welcome addition to the repertoire and short to be in demand from good students and players looking for something fresh in their recital.
Published by Tanglewind Music
Duration 11 minutes
Difficulty: 4/6
Supplied with solo part in TC and BC and piano part.
Cats Calling (A Suite of Seven Easy Pieces for Brass and Piano)- Stephen Roberts |
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Here is a really fun original suite for brass soloist and piano, suitable for young and intermediate players, composed by Stephen Roberts.
Instruments that this suite can be for: Bb trumpet, Cornet, Flugelhorn, Trombone, Euphonium, Baritone, Bb Tuba
The titles of the movements:
1. Copy Cat
2. Cat Nap
3. Cool Cat
4. Cat Burglar
5. Showbiz Cat
6. Ballet Cat
7. Alley Cat
The pieces are all composed in a light fun style, and is sure to popular with young players, and not so young players who have a youthful spirit!
Published by Tanglewind Music
Duration: approx 12 minutes
Difficulty: 3/6
Supplied with: solo parts in TC and BC and piano part.
Carrickfergus - Trad. Irish Air Arr. Stephen Roberts - Euphonium (or baritone or trombone) with piano accompaniment |
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Stephen Roberts' famous arrangement of the classic traditional Irish air Carrickfergus, as played by many fine euphonium, baritone and trombone soloists.
This version with piano accompaniment is sure to be very popular.
Highly recommended
Duration 3.45
Difficulty 3/6
Supplied with: solo parts in TC and BC and piano part
Carrickfergus - Trad. Irish Air Arr. Stephen Roberts - Euphonium (or baritone or trombone) and Brass Band |
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Stephen Roberts' famous arrangement of the classic traditional Irish air Carrickfergus, as played by many fine euphonium, baritone and trombone soloists.
This version with brass band accompaniment is sure to be very popular.
Highly recommended
Duration 3.45
Difficulty 3/6
Supplied with: solo parts in TC and BC and brass band score and full set of parts
Carrickfergus - Trad. Irish Air Arr. Stephen Roberts - Euphonium (or baritone or trombone) and Wind Band |
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Stephen Roberts' famous arrangement of the classic traditional Irish air Carrickfergus, as played by many fine euphonium, baritone and trombone soloists.
This version with concert band/wind band/harmonie is sure to be very popular.
Highly recommended
Duration 3.45
Difficulty 3/6
Supplied with: solo parts in TC and BC and wind band score and full set of parts
Euphory Concerto - Adam Wesolowski - Euphonium and Piano - DIGITAL DOWNLOAD sheet music |
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Here is the brand-new euphonium concerto by the Polish composer Adam Wesolowski, composed for Steven Mead and premiered by him in Poland in November 2019.
Here are the YouTube links to listen and watch each of the three movements:
1st movement: https://youtu.be/alXcOzzy658
2nd movement: https://youtu.be/Yq6l89avPJo
3rd movement: https://youtu.be/FLCUssb2BLA
This brilliant and fresh sounding concerto is now available for everyone to perform. This page is for the version with piano accompaniment.
As you can hear from the YouTube links. The first movement is a beautiful slow melody shared between soloist and the orchestra. It explores the rich lyrical sound of the euphonium, in the most romantic setting.
The second movement is the most original and daring, And we have happily described this movement as the beatbox movement, as you will see from the video. Maybe you need this challenge!
The final movement is a virtuoso tour-de-force with rapid scales, double tonguing, and contrasting motives.
We highly recommend this Concerto for outstanding students, advanced players and professionals, and all players who relish a challenge!
The parts for string orchestra are also available on this site.
Duration 12.00
Difficulty 4.5/6
Supplied with BASS CLEF (in C) solo part and piano accompaniment
Euphory Concerto - Adam Wesolowski - Euphonium and String Orchestra - DIGITAL DOWNLOAD sheet music |
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Here is the brand-new euphonium concerto by the Polish composer Adam Wesolowski, composed for Steven Mead and premiered by him in Poland in November 2019.
Here are the YouTube links to listen and watch each of the three movements:
1st movement: https://youtu.be/alXcOzzy658
2nd movement: https://youtu.be/Yq6l89avPJo
3rd movement: https://youtu.be/FLCUssb2BLA
This brilliant and fresh sounding concerto is now available for everyone to perform. This page is for the version with STRING ORCHESTRA accompaniment
As you can hear from the YouTube links. The first movement is a beautiful slow melody shared between soloist and the orchestra. It explores the rich lyrical sound of the euphonium, in the most romantic setting.
The second movement is the most original and daring, And we have happily described this movement as the beatbox movement, as you will see from the video. Maybe you need this challenge!
The final movement is a virtuoso tour-de-force with rapid scales, double tonguing, and contrasting motives.
We highly recommend this Concerto for outstanding students, advanced players and professionals, and all players who relish a challenge!
The version with piano accompaniment is also available on this site.
Duration 12.00
Difficulty 4.5/6
Supplied with BASS CLEF (in C) solo part, string orchestra full score and full set of string orchestra parts.
Digital Downland - Turkish March - Mozart Arr. Misa Mead - Euphonium Duo |
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The famous Turkish March is the last movement, marked Alla turca, of Mozart's Piano Sonata No.11. It's one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.
Misa Mead has made a new arrangement of this classic work, and it's scored for two unaccompanied euphoniums.
Misa has also just recorded of herself playing both parts on this super video, please take a look! https://youtu.be/wjXhBFVbduc
Published by Bocchino Music (2020)
Duration: 3.30
Difficulty : 4 or 4.5/6 (depending on tempo selected and whether you choose to do all the ornamentation)
Supplied with : full score and separate duet parts in both TC and BC
Digital Download - Czardas - Misa Mead - solo euphonium and quartet |
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Misa has made this very skilful arrangement of this famous brass player's classic, Vittorio Monti's Czardas.
It's based on the well known version but has some super original touches!
Great for concerts, as an encore piece, low brass events...wherever you want, it's always popular.
The solo part is pretty tough, but of course small easier 'alterations' can be made if the high notes are too scary!
Here is a video of Misa playing all the parts! This is the arrangment.
Try it, you'll have a lot of fun!
Duration: 4.30
Difficulty level: SOLO 5/6. ENSEMBLE 4/6
Supplied with : full score, Solo part and quartet parts in both TC and BC.
Digital Download - Journey - Misa Mead - Tuba Octet |
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Digital download
This piece was composed for euphonium tuba octet ( 4 euphs and 4 tubas ideally), commissioned by Roger Bobo in 2013
Later, the composer also arranged it for euphonium and piano.
There are many difficult pieces for euphonium in the world, so the composer wrote it especially for young students and amateur players.
There are 4 movements in this octet ensemble version (there are 5 movements for euphonium and piano version).
1. Morning
2. Sloping Road
3. Dream
4. Hard Worker
You can hear the music in this superb video that Misa has made herself: https://youtu.be/UpuaiBb7R20
So here is a perfect suite of four pieces for young students and amateur players. Great fun, original and very creative!!
Misa writes: "I composed this piece about seven years ago. I was always thinking I should publish it, and finally I did it! It's an easy and fun piece for all levels of euphonium and tuba players"
Difficulty level: 2or3/6
Total performance time: 6:30
Supplied with : Full score, and euphonium parts in both TC and BC and tuba parts in BC
When He Cometh - Howard Evans - Euphonium solo and brass band accompaniment - DIGITAL DOWNLOAD |
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Here is the stunningly beautiful solo When He Cometh by Howard Evans. (digital download - brass band sheet music)
It is very highly regarded by brass musicians who have heard it. Steven Mead recorded on his Locomotion CD with Boscombe Salvation Army Band, conducted by the composer.
Listen here: https://soundcloud.com/user9175576/when-he-cometh
Now, it's available, for the first time!!
Here you can download the solo part, brass band score and full set of brass band parts.
When He Cometh
Bandmaster Howard Evans writes of this work, “The song from which this melody comes was originally written for one of the Salvation Army Songster Leader's Councils Festival that took place in the Royal Albert Hall in 1989. Whilst the words are often viewed as a children’s song, they are very poignant. Although the song formed the basis of a major
band work entitled 'Elegiac Variations', I have often been presented with requests for a solo version of the melody. This recording, and the work of Steven, provided the inspiration and impetus to complete a solo version presented here on this disc. I dedicate this solo version to my two lovely daughters, Sarah and Louise."
Duration 4.50
Difficulty 4/6
Supplied with: brass band score, aolo prt TC, full set of brass band parts
After payment has been made, go to the front page of euphoniumstore.net when you are logged in, you will see on the right hand side My Downloads. If you click on that you should see When He Cometh there to click and download.
DIGITAL DOWNLOAD - Pastorale, My Joy and Crown - Howard Evans - Euphonium solo with brass band accompaniment - |
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Here is Howard Evans's beautiful new solo Pastorale, My Joy and Crown, composed for Steven Mead for the UFO album that he recorded with Brighouse and Rastrick. It's dedicated to Steve's father Rex Mead.
Pastorale; My Joy and Crown (sleeve notes from the UFO CD)
Howard penned this arrangement of the beautiful hymn tune Ascalon in the spring of 2019 and dedicated this euphonium solo to Rex Mead, the father of our soloist. Howard is close friends with Rex and Sylvia Mead and has also worked closely with Steven Mead, notably on two previous CDs, Brassin’Mozart 2006 and Locomotion. The tune was originally a Silesian folk song, and the German text were printed for the first time in 1842. Howard Evans is a Mus.B (Hons) graduate from the University of Manchester. He also holds LRAM, LTCL and ARCM (Hons) diplomas. As a postgraduate pianist at the Royal Northern College of Music, he gained a Diploma in Performance Studies. He completed his Performance based MA (Dist) from Salford University, majoring in conducting. This was followed in July 2009 by his subsequent award of ‘Doctor of Musical Arts’ (DMA) from Salford University. Howard has held posts including the National Bandmaster for the Salvation Army in the UK, Director of Music for the SA in the Netherlands, and conductor of the Amsterdam Staff Band. From 2007 to 2015 he held the post as Director of Classical Performance at the University of Salford. He was also Bandmaster of the Boscombe Salvation Army band from 2002-2019. Howard was often worked as a guest conductor for a number of major bands, including: appearing with the Leyland Band and Grimethorpe Colliery Band to name but two. In addition, he has undertaken work as an examiner for the Associated Board of the Royal Schools of Music in Singapore, Macao, China, Poland, Oman and the UK, since 1998.
Digital download
Once you have purchased this piece of music, then return to the front page of Euphoniumstore.net and look to the right hand side for the box marked My Downloads.
So long as you are logged in you will then be able to download your music.
Please do not circulate this music. This has been sold to you for your use. Please understand the situation, thank you, Steve
Duration: 6.45
Difficulty 4/6
Supplied with: brass band score, solo part in TC and full set of brass band parts
Listen to the full performance on the UFO CD, or here at Soundcloud
Turkish March - Mozart - Misa Mead - unaccompanied Euphonium Duet |
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The famous Turkish March is the last movement, marked Alla turca, of Mozart's Piano Sonata No.11. It's one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.
Misa Mead has made a new arrangement of this classic work, and it's scored for two unaccompanied euphoniums.
Misa has also just recorded of herself playing both parts on this super video, please take a look! https://youtu.be/wjXhBFVbduc
Published by Bocchino Music (2020)
Duration: 3.30
Difficulty : 4 or 4.5/6 (depending on tempo selected and whether you choose to do all the ornamentation)
Supplied with : full score and separate duet parts in both TC and BC
Largo - Frederic Chopin Arr. Eric Wilson - Euphonium and Piano |
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Here is a technically easy yet very beautiful melody by Chopin, arranged by Eric Wilson
It's a brand new publication from Winwood Music.
It's the third movement from the composer's Cello Sonata Op.65
Listen/watch the original version here: https://www.youtube.com/watch?v=BlzeUi9rv2w
Arranger Eric Wilson has unearthed a real gem here, and we hear it may be be on an Associated Board Euphonium exam list soon!
Only 3.45 in lduration, it will be a real delight to play in a longer recital, slow melody contest, or college performance.
Duration 3.45
Difficulty: 2.5 or 3/6
Supplied with solo part in TC and BC and piano score
Largo - Frederic Chopin Arr. Eric Wilson - Euphonium and Piano |
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Here is a technically easy yet very beautiful melody by Chopin, arranged by Eric Wilson
It's a brand new publication from Winwood Music.
It's the third movement from the composer's Cello Sonata Op.65
Listen/watch the original version here: https://www.youtube.com/watch?v=BlzeUi9rv2w
Arranger Eric Wilson has unearthed a real gem here, and we hear it may be be on an Associated Board Euphonium exam list soon!
Only 3.45 in lduration, it will be a real delight to play in a longer recital, slow melody contest, or college performance.
Duration 3.45
Difficulty: 2.5 or 3/6
Supplied with solo part in TC and BC and piano score
Czardas - Monti Arr. Misa Mead - for Solo Euphonium and Euphonium Quartet (or 3+1 tuba) |
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Misa has made this very skilful arrangement of this famous brass player's classic, Vittorio Monti's Czardas.
It's based on the well known version but has some super original touches!
Great for concerts, as an encore piece, low brass events...wherever you want, it's always popular.
The solo part is pretty tough, but of course small easier 'alterations' can be made if the high notes are too scary!
Here is a video of Misa playing all the parts! This is the arrangment.
Try it, you'll have a lot of fun!
Duration: 4.30
Difficulty level: SOLO 5/6. ENSEMBLE 4/6
Supplied with : full score, Solo part and quartet parts in both TC and BC.
Journey - Misa Mead - for Euphonium and Tuba Octet |
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This piece was composed for euphonium tuba octet ( 4 euphs and 4 tubas ideally), commissioned by Roger Bobo in 2013
Later, the composer also arranged it for euphonium and piano.
There are many difficult pieces for euphonium in the world, so the composer wrote it especially for young students and amateur players.
There are 4 movements in this octet ensemble version (there are 5 movements for euphonium and piano version).
1. Morning
2. Sloping Road
3. Dream
4. Hard Worker
You can hear the music in this superb video that Misa has made herself: https://youtu.be/UpuaiBb7R20
So here is a perfect suite of four pieces for young students and amateur players. Great fun, original and very creative!!
Misa writes: "I composed this piece about seven years ago. I was always thinking I should publish it, and finally I did it! It's an easy and fun piece for all levels of euphonium and tuba players"
Difficulty level: 2or3/6
Total performance time: 6:30
Supplied with : Full score, and euphonium parts in both TC and BC and tuba parts in BC
10 Classical Quartets - Corrado Maria Saglietti - for Euphonium Quartet |
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“10 Classical Quartets” is a collection of quartets for euphonium - richly detailed and written to use the whole range of the euphonium, with easy melodies and a lot of counterpoint so that each part is exciting and satisfying to play.
1. Giocando a 4 2. In modo andante 3. Richiami di caccia 4. Adagio drammatico 5. Invito al Ballo 6. Allegro deciso e agitato 7. Canone a 4 8. Vivace e spiritoso 9. Poco adagio ma ben ritmato 10. Epilogue brillanteGreat for students, for fun and for study. for concerts and competitions.
Duration about 15 mins
Difficulty 3,4/6
Supplied with full score and 4 quartet parts in TC and BC
Prelude and Tarantella - Anthony Plog - Euphonium and Piano |
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This super release is one the Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music, Indiana University, Bloomington, Indiana, USA. Anthony Plog’s characteristic and original style of composition is clearly in evidence here in this series of six contrasting and idiomatic short pieces (between 3’30’’ and 4’). Each of them can enrich a recital program.
Anthony Plog (*1947)
Anthony Plog was born on November 13th, 1947 in Glendale, California. He received his music degree from UCLA (University of California Los Angeles). Trumpet studies were first with his father Clifton Plog and later with Irving Bush, Thomas Stevens and James Stamp. He has a successful international career as a soloist and has made many recordings
Duration 4 mins
Difficulty: 3,4/6
Supplied with solo parts in TC and BC and piano part
Turbulence, Tide and Torque - Concerto for Baritone (or Euphonium) - Peter Graham - solo with piano accompaniment |
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Here is the brand new concerto for baritone (or euphonium) composed for and performed by Katrina Marzella.
Composer Peter Graham writes:
"Turbulence, Tide and Torque can be considered to be a companion piece to my 2008 Euphonium Concerto In League with Extraordinary Gentlemen, and indeed can be performed on Euphonium (vintage or medium bore instrument preferred). Whereas the gentlemen in question in the latter work were fictional (e.g. Sherlock Holmes and Phileas Fogg), the former pays tribute to three real life women who were very much true pioneers and heroines of their age.
Turbulence: Harriet Quimby (b. 1875) was one of the world's best woman aviators, her significant and historic achievement being the first woman to fly across the English Channel. Sadly, in her lifetime very few people were aware of her 1912 accomplishment; potential press coverage was dominated by the sinking of The Titanic only two days before.
Grace Darling (b. 1815) is a name much more familiar to the public today, and in her lifetime she was lauded as a national heroine. A humble lighthouse keeper's daughter from Northumberland, her participation in the rescue of survivors from the wrecked paddle-steamer Forfarshire is well documented (a museum dedicated to her achievements located in Bamburgh, the town of her birth). This movement, Tide, develops a main theme from my large scale work Harrison's Dream, reflecting on the souls lost in the disaster.
The final movement Torque, opens with a sudden gear change such as might have been undertaken by Dorothy Levitt (b. 1882), the woman's world land speed record holder, in her Napier racing car. Levitt, who following her 1906 record-breaking achievement was described as the Fastest Girl on Earth, went on to write extensively about her experiences, encouraging females to take up motoring through her articles in The Graphic newpaper.
Turbulence, Tide and Torque was commissioned by and is dedicated to Katrina Marzella as part of an Arts Council of England funded residency I was awarded with the Black Dyke Band in 2018.
Peter Graham
As recorded on Katrina's new CD with Black Dyke Band: Full recording available on Spotlight from World of Brass.com
Duration 15 mins
Difficulty 4.5/6
Supplied with Solo part in TC and BC and piano part
Step Out! - Robin Dewhurst Euphonium and Brass Band |
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A new and really fun new work by Robin Dewhurst, composed for Glenn Van Looy. Here an audio clip for euphonium and band.
This is the version for euphonium and brass band.
In a light easy style, in swing time, which should be very popular for audiences and soloists alike.
Robin also has contributed to the euphonium repertory with his Panache, composed around 20 years ago!!
Highly recommended!
Duration. 3.5 minutes
Difficulty: 3 or 4/6
Supplied with solo parts in TC, BC and BC in Bb and full brass band set and full score.
Step Out! - Robin Dewhurst Euphonium and Piano |
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A new and really fun new work by Robin Dewhurst, composed for Glenn Van Looy. Here an audio clip for euphonium and band.
This is the version for euphonium and piano.
In a light easy style, in swing time, which should be very popular for audiences and soloists alike.
Robin also has contributed to the euphonium repertory with his Panache, composed around 20 years ago!!
Highly recommended!
Duration. 3.5 minutes
Difficulty: 3 or 4/6
Supplied with solo parts in TC, BC and BC in Bb.
Concertino (originally for bassoon) - Ferdinand David Arr Vertommen - Euphonium and Piano |
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Ferdinand David (1810— 1873) was a German virtuoso violinist and composer.
David was born in the same house in Hamburg where Felix Mendelssohn had been born the previous year. David was a pupil of Louis Spohr and Moritz Hauptmann and became concertmaster (Konzertmeister) at the Gewandhaus in Leipzig working with Mendelssohn. In 1843 David became the first professor of violin at the newly founded Leipziger Konservatorium fu"r Musik. David worked closely with Mendelssohn, providing technical advice during the preparation of the latter's Violin Concerto. He was also the soloist in the premiere of the work in 1845. David's own compositions number about 50 opuses including Concertinos for violin, bassoon, clarinet & trombone and orchestra. David’s most played piece today is without a doubt his Concertino for trombone and orchestra. This piece is very often used as the test piece for trombonists auditioning for symphony orchestras around the world. His Concertino for bassoon was used as test piece at the Paris Conservatoire. During the first century of the Conservatoire’s existence, the pieces for the competition were mostly written by the bassoon professors but near the end of the 19th century the Conservatoire had a policy of commissioning new works from established composers in most years. The Concertino by Ferdinand David was used as a test piece in 1881. The arrangement for euphonium and piano (or orchestra/band) was made by Luc Vertommen. Duration 9.50 Difficulty 4.5/6 supplied with solo parts in TC, BC and BC in Bb and piano part
UFO Concerto - Johan de Meij - Euphonium and Brass Band |
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Here is the superb UFO Concerto by the Dutch composer Johan de Meij in the version for euphonium and BRASS BAND.
The composer writes of the work:
UFO Concerto, my first solo work for euphonium and wind orchestra, is not a traditional concerto in the classical sense. It consists of five movements that are thematically related to one another. The opening chord may sound familiar to some listeners: This chord and the first theme are based on the same five-note chord used in ‘Extreme Makeover’ and ‘Planet Earth’ in 2005: a major triad with an added 4th and a 7th. This chord has been obsessively present in my head ever since -- I could not resist using it again! Both the chord as well as the main theme make appearances in various shapes and forms throughout the entire piece.
I Andante – Con moto
II Giocoso – Vivo
III Andante cantabile
IV Vivace
V Alla Marcia – Vivace
Jason Ham, solo-euphonium player with the West Point Band (USA), initiated the consortium for UFO Concerto. He performed the world premiere on February 15th, 2012 in Baltimore (MD) with the Peabody Wind Ensemble, conducted by Harlan Parker. Jason also invited British virtuoso David Childs to join the consortium and play the European performances. At the request of both players, I also made a version for euphonium and brass band. David premiered this version with The Cory Band, conducted by his father Robert Childs at the 2012 RNCM Festival of Brass in Manchester, and recorded the wind version on CD [Extreme Beethoven] with the Banda de Lalín.
The UFO Concerto with piano accompaniment is available elsewhere on this site.
Watch highlights of the Concerto on YouTube HERE
IT'S THE TITLE TRACK FROM STEVE'S FORTHCOMING SOLO CD WITH BRIGHOUSE AND RASTRICK.
Duration approx 24 mins
Difficulty level 6/6
Supplied with Solo parts in TC and BC and full brass band score and full set of brass band parts, including parts for piano and harp.
Bliss - Hermann Pallhuber - Euphonium and Concert Band/Harmonie |
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Here is the full wind band/concert band/harmonie set to the hugely popular solo 'Bliss' by the Austrian composer Hermann Pallhuber.
Duration approx 11.5 mins
Difficult 5.5/6
Supplied with full band set (concert band/harmonie/wind orchestra), full score, and solo parts in TC and BC
Carmen Fantasy No.2 - Bizet Arr Vertommen - Euphonium and Piano |
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This is the new second set of variations that now exists for euphonium and piano!!
Georges Bizet’s opera Carmen is based on the story of the same title by Prosper Merimee and concerns the renowned Carmen, a beautiful gypsy with a fiery temper. Several well-known pieces from the opera have taken on a life separate to the work: the Prelude (overture), the Toreador song and the Habanera. A number of classical composers have used themes from Carmen as the basis for works of their own. This Carmen Fantasy is a virtuoso showpiece in the tradition of fantasias on operatic themes. Like in the opera, the soloist most not only have a great range, but also exhibit superior dramatic skills in order to portray Carmen’s character. Almost every technical challenge for the brass soloist is contained here or what is more the soloist must fully understand beautiful song like aspect and stylistic demands of this music. This Carmen Fantasy No.2 is mainly based on the ‘fantaisie brillante’ for flute by Francois Borne (1840-1920) which is a staple of the romantic flute repertoire. This is fun to play but not for the faint-hearted. It is a huge challenge for the advanced euphonium player. Fancy a challenge ?? Here it is! Duration : 12 minutes Difficulty 6/6 Supplied with solo parts in TC, BC and BC in Bb.
Pieces Breves Op. 84 - Gabriel Faure Arr. Luc Vertommen - Euphonium and Piano |
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A set of five movements from this suite of pieces by Gabriel Faure.
Faure did not intend these pieces to be published as a set; they were composed as individual works between 1869 and 1902. his publishers, insisted on issuing them together as "Eight Short Pieces" in 1902, the composer successfully demanded that none of the eight must be allocated its own title. When he moved on to another publisher, Hamelle ignored his earlier instructions and issued subsequent editions with titles for each piece.
1. Capriccio Dedicated to Madame Jean Leonard Koechlin.[Morrison calls it "capricious indeed", and notes a harmonic twist at the end "as nonchalant as it is acrobatic".It was originally written as a sight-reading test for students at the Paris Conservatoire, of which Faure was the professor of composition from 1896 and director from 1905 to 1920.
2. Adagietto An andante moderato, "serious, grave, at once firm and pliant, attaining real beauty" (Koechlin).
3. Improvisation Orledge calls this piece a middle period "song without words". It was composed as a sight-reading test for the Conservatoire.[
4. Allégresse "A bubbling perpetuum mobile whose surging romantic feelings are only just kept under restraint" (Orledge). "A song, pure and gay, uplifted to a sunlit sky, a youthful outpouring, full of happiness." (Koechlin).
5. Nocturne As noted above, this piece stands apart from the larger-scale works to which Fauré gave the title "nocturne". It would not be listed among them were it not for the publisher's unauthorised use of the title in this case. It is the longest of the eight pieces of Op 84, but is much shorter and simpler than the other 12 nocturnes, consisting of a song-like main theme with a delicate semiquaver accompaniment in the left hand.
What a super collection of music, and brilliantly edited and arranged by Gabriel Faure. Movements can of course by played separately.
Highly recommended
Duration approx 10 mins
Difficulty 4.5+/6
Supplied with solo parts in TC, BC and BC in Bb and piano score
A Dark Night - Gilles Rocha - Euphonium and Piano |
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Another exciting solo from the pen of Gilles Rocha, originally composed for trombone but in this edition for euphonium and piano it's clear it's a very effective and exciting solo for euphonium.
A great contest/display/recital solo.
Duration: 6.15
Difficulty 5/6
Supplied with solo parts in TC and BC and piano part
A Breath of Air - Gilles Rocha - Euphonium and Piano |
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This solo is another virtuoso piece from Gilles Rocha, dedicated to the superb bass trombonist Lionel Fumeaux.
Despite it's creation for the talened Mr. Fumeaux, it works great on euphonium. There are several writeen glisses, but we can have some fun trying to reaslise these!
In this euphonium edition there are not the crazy pedal tones that we have come to expect from the combination of Rocha and Fumeaux!
Duration 7.00
Difficulty 5/6
Supplied with solo parts in TC and BC and piano part
Love Is Here To Stay - George Gershwin Arr. Jirka Kadlec - Euphonium and Piano |
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A very good arrangment of this classic Gershwin song. Not difficult and can be used in a vareity of situations.
Highly recommended
Duration 3.50
Difficulty 3/6
Supplied with solo parts in TC and BC and piano score.
Don't Know Why (as sung by Norah Jones) - Jesse Harris Arr. Jirka Kadlec - Euphonium and Concert Band/Harmonie |
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This is an effective setting of this popular song, now for euphonium and concert band.
Watch /listen to Norak Jones https://www.youtube.com/watch?v=tO4dxvguQDk
An effective concert workm and not difficult!
Duration 3.10
Difficulty 3/6
Supplied with solo parts in TC and BC and full concert band/harmonie score and sets of parts.
Published by Editions Marc Reift.
Japanese Dance - Bertrand Moren - Euphonium and Piano |
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Bugaku is a very ancient form of traditional Japanese dance music. Executed only by men at imperial court ceremonies, Bugaku reinforces the gravity of Gagaku by the absence of string instruments. Some pieces are danced with masks, others with the face bare and without make-up. The Togaku (left-hand) dancers enter the stage from the left and are dressed in red with gold ornaments. The Komagaku (right-hand) dancers enter from the right and have blue costumes with silver accessories.
There are three movements in a Bugaku piece : Jo — very slow and free Ha - regular beat, but still slow Kyu - the tempo quickens and concludes the dance. This solo is inspired by Bugaku, trying to recreate the atmosphere of this music and using traditional Japanese modes and rhythms. The structure follows the three parts mentioned above, first a slow free cadenza, then a slow but metrically regular part, then a fast and virtuosic finale. The composer has not however attempted to create authentically Japanese music, because the latter does not use the same tuning, sounds or tonal structure as Western music. This is a free adaptation of oriental music to the Euphonium. Listen to this solo in a version for cornet: https://www.reift.ch/popupPlayerCd.php?id=15028&ModPagespeed=off
Duration 7.30
Difficulty 4+/6
Supplied with solo parts in TC and BC and piano score
American Sketches - Bertrand Moren - Euphonium and Piano |
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A superb concert/recital work by the Swiss composer Bertrand Moren.
Challenging and huge fun to play. Great for solo contests too!
Duration 5.30
Diffuculty 5/6
Supplied with solo parts in TC and BC and piano part
Concertino No.2 - Charles Gauchet - Euphonium and Piano |
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to be heard:
Complete recording: Anthology of Flemish Band Music volume 6 - Une soirée musicale chez Adolphe Sax - Glenn Van Looy (euphonium), Geert Callaert (piano) Lost Treasures - Glenn Van Looy (euphonium), Geert Callaert (piano) Duration 10 minutes Difficulty 4/6 sSpplied with piano part and solo parts in TC, BC and BC in Bb
Premier Concertino - Charles Gauchet - Euphonium and Piano |
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PROGRAM NOTES Charles Gauchet (1863—1922) was born in Liege and studied cornet at the conservatory in the class of Dieudonne Gerardy between 1880 and 1888. He won a first prize for fugue in the class of Jean-Théodore Radoux and a first prize for harmony in the class ofJoseph Delsemme and Sylvain Dupuis. Afterwards he became a teacher in a primary school and at the normal school in Liege. He was a member of the orchestra of the Theatre Royal and from 1890 to 1896 he was assistant in Gerardy's class. He conducted the Harmonie des Orphelins for over thirty years. In addition to the opera Else’a, he mainly composed works for brass, including Petit pie‘ce dans Ie style ancien (1893) for trumpet and a Concertina in fminor (1889) for trumpet and piano and a Concertino for horn. For the six-valved trombone, he composed a Romance with piano accompaniment and the well—known (Premier) Concertino with string quintet (or piano) accompaniment and a second Concertina. It was composed for the 1890 competition and dedicated to Emile Daloze, trombone teacher at the Lie‘ge conservatoire. The version with piano accompaniment was published in Liege by Veuve Léopod Muraille and the parts for string quintet were found in the archives of the Antwerp conservatoire. The Concertino became hugely popular and was used as test piece in Ghent (1892), Brussels (1894) and Antwerp (1895). Jules Blangenois (teacher at Brussels conservatoire) made a version with wind band or fanfare band accompaniment. It was soon followed by a second Concertino in a more romantic mood. A copy of the original version for trombone and piano is preserved in the library of the Antwerp conservatoire. Both concertinos by Gaucet follow the pattern of a three-movement concerto (fast-slow-fast) and remind us of a more romantic style and language in the style of the Russian national school. Both concertinos (although sadly neglected and unknown) could easily be compared with the much admired Trombone Concerto by Nicolai Rimski-Korsakov composed in 1877. The core of both concertinos is the slow movement which reminds us of the music of Camille Saint Saens and the era of salon music.
to be heard:
Complete recording: Anthology of Flemish Band Music volume 6 - Une soirée musicale chez Adolphe Sax - Glenn Van Looy (euphonium), Geert Callaert (piano) Lost Treasures - Glenn Van Looy (euphonium), Geert Callaert (piano) Duration 10 minutes Difficulty 4/6 sSpplied with piano part and solo parts in TC, BC and BC in Bb
UFO Concerto - Johan de Meij - Euphonium and Brass Band |
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Here is the superb UFO Concerto by the Dutch composer Johan de Meij in the version for euphonium and BRASS BAND.
The composer writes of the work:
UFO Concerto, my first solo work for euphonium and wind orchestra, is not a traditional concerto in the classical sense. It consists of five movements that are thematically related to one another. The opening chord may sound familiar to some listeners: This chord and the first theme are based on the same five-note chord used in ‘Extreme Makeover’ and ‘Planet Earth’ in 2005: a major triad with an added 4th and a 7th. This chord has been obsessively present in my head ever since -- I could not resist using it again! Both the chord as well as the main theme make appearances in various shapes and forms throughout the entire piece.
I Andante – Con moto
II Giocoso – Vivo
III Andante cantabile
IV Vivace
V Alla Marcia – Vivace
Jason Ham, solo-euphonium player with the West Point Band (USA), initiated the consortium for UFO Concerto. He performed the world premiere on February 15th, 2012 in Baltimore (MD) with the Peabody Wind Ensemble, conducted by Harlan Parker. Jason also invited British virtuoso David Childs to join the consortium and play the European performances. At the request of both players, I also made a version for euphonium and brass band. David premiered this version with The Cory Band, conducted by his father Robert Childs at the 2012 RNCM Festival of Brass in Manchester, and recorded the wind version on CD [Extreme Beethoven] with the Banda de Lalín.
The UFO Concerto with piano accompaniment is available elsewhere on this site.
Watch highlights of the Concerto on YouTube HERE
IT'S THE TITLE TRACK FROM STEVE'S FORTHCOMING SOLO CD WITH BRIGHOUSE AND RASTRICK.
Duration approx 24 mins
Difficulty level 6/6
Supplied with Solo parts in TC and BC and full brass band score and full set of brass band parts, including parts for piano and harp.
Cafe 1930 - Astor Piazzolla Arr. Luc Vertommen - Euphonium and Piano |
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I'm delighted to say that we can present this new published arrangement of this much-loved classic from Astor Piazzolla. Several euphonium artists including Steven Mead have performed and recorded this work, and this appears to be a virtually identical arrangements to those played by these artists during the last years.
Congratulations to Luc Vertommen and his company Brass Press VOF For now making this available. It's sure to be very popular indeed.
"Histoire du Tango" Is one of the most famous compositions by tango composer Astor Piazzolla, originally written for flute and guitar in 1986. It was Piazzolla's lifes work to bring the tango from the bordello's and dance halls of Argentina Into the concert halls of Europe and America. It attempted to convey their history and evolution of the tango in four movements, Bordello 1900, Cafe 1930, Nightclub 1960, and Concert d'Aujourd'hui.
Cafe 1930 describes another age of the tango. People stopped dancing it as they did in 1900, preferring instead simply to listen to it. It became more musical, and more romantic. This tango has undergone total transformation: the movements are slower, with new and often melancholy harmonies. Tango orchestras came to consist of two violins, two concertinas, a piano, and a bass. The tango is sometimes sung as well.
Highly recommended
Duration approx 6 mins
Difficulty 4/6
Supplied with solo parts in TC, BC and BC in Bb and piano score.
12 Duets for 2 Euphoniums (bass clef) - JS Bach Arr John Mortimer |
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Here are 12 very nice and not too difficult duets for two euphonium or baritones, ideal for study, for fun, or perhaps performance in a concert. At an intermediate level, but with some nice drills and ornaments to negotiate occasionally. Titles of the short duets include: Polonaise, Minuet, Bouree, March, Invention. These are sure to be very popular. Great to rehearse with your band companion for college, school friends. Difficulty level: 3/6 Supplied with 2 sets of bass clef duets scores. (the treble clef edition of these duets is also available at this webstore).
12 Duets for 2 Euphoniums (treble clef) - JS Bach Arr John Mortimer |
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Here are 12 very nice and not too difficult duets for two euphonium or baritones, ideal for study, for fun, or perhaps performance in a concert. At an intermediate level, but with some nice drills and ornaments to negotiate occasionally. Titles of the short duets include: Polonaise, Minuet, Bouree, March, Invention. These are sure to be very popular. Great to rehearse with your band companion for college, school friends. Difficulty level: 3/6 Supplied with 2 sets of treble clef duets scores. (the bass clef edition of these duets is also available at this webstore).
Blind Spot - Gilles Rocha - Euphonium and Piano |
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Gilles Rocha is a well-known Swiss music personality, known for his outstanding euphonium playing, teaching, composing and arranging. He teaches at the Conservatoire in Fribourg. This astonishing solo, with its huge demands placed on the soloist was composed for the young Swiss virtuoso Euphonium player Stephanie Gaspov for the Swiss national brass solo competition a couple of years ago. It is a real display work, suitable for the advanced player in a recital, concert even examination situation. Some extraordinary technical sections sitting side-by-side with some very beautiful sections in this 6.5 minute work.
This work is also available with brass band accompaniment on this website.
Duration: 6.30 mins
Difficulty level: 6/6
Supplied with, solo part in TC, and BC and piano accompaniment.
Blind Spot - Gilles Rocha - Euphonium and Brass Band |
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Gilles Rocha is a well-known Swiss music personality, known for his outstanding euphonium playing, teaching, composing and arranging. He teaches at the Conservatoire in Fribourg. This astonishing solo, with its huge demands placed on the soloist was composed for the young Swiss virtuoso Euphonium player Stephanie Gaspov for the Swiss national brass solo competition a couple of years ago. It is a real display work, suitable for the advanced player in a recital, concert even examination situation. Some extraordinary technical sections sitting side-by-side with some very beautiful sections in this 6.5 minute work. This work is also available with piano accompaniment on this website.
Recorded on the forthcoming new CD - UFO by Steven Mead and Brighouse and Rastrick Band
Duration approx 6.5 mins
Difficulty 6/6
Supplied with Allsolo part in TC, brass band sxore and full set of brass band parts.
Misa's Technicals Book 1 - Treble clef - Misa Mead **special offer** |
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Misa Mead has created this outstanding 75 page book of 40 extended technical studies for euphonium, that covers all tonalities and the full extended range of the instrument.
It is definitely not a book for beginners, but would suit good intermediate level, advanced and professional players.
Misa originally created 40 technical videos which she put on social media, and such was the overwhelming response to these, this book has now been written. This is how this wonderful book originated.
This book covers so many areas of technical study, and allows the student of freedom to work at them at their own pace and increase the tempo as facility comes.
This book covers all aspects of performance technique: different articulation exercises, range, intervals, finger studies, rhythmic studies, harmonic studies. This book is almost unique in the range that it demands, and reflects the range that is demanded by the modern euphonium player.
Misa writes: Technical skills for brass players also help with musicality. When we have developed the perfect technique we can play any music as we want. I hope this book helps you to enjoy your music-making.
You can see all the exercises being performed by Misa is an extended video: https://youtu.be/VI94RvcHbog
This book is available in TC and BC, and this page is for the treble clef book. It is attractively produced in high quality, with wire bound binding.
PDF download is also available (£13)
Misa's Technicals Book 1 - Bass clef - Misa Mead ** special offer** |
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Misa Mead has created this outstanding 75 page book of 40 extended technical studies for euphonium, that covers all tonalities and the full extended range of the instrument.
It is definitely not a book for beginners, but would suit good intermediate level, advanced and professional players. Misa originally created 40 technical videos which she put on social media, and such was the overwhelming response to these, this book has now been written. This is how this wonderful book originated.
This book covers so many areas of technical study, and allows the student of freedom to work at them at their own pace and increase the tempo as facility comes.
This book covers all aspects of performance technique: different articulation exercises, range, intervals, finger studies, rhythmic studies, harmonic studies.
This book is almost unique in the range that it demands, and reflects the range that is demanded by the modern euphonium player.
Misa writes: Technical skills for brass players also help with musicality. When we have developed the perfect technique we can play any music as we want. I hope this book helps you to enjoy your music-making.
You can see all the exercises being performed by Misa in an extended video: https://youtu.be/VI94RvcHbog
This book is available in TC and BC, and this page is for the bass clef book.
It is attractively produced in high quality, with wire bound binding.
This book will be available as a PDF download will also be available (£13) from 24th May.
15 Intermediate Christmas Carols - Arr. Philip Sparke - with piano accompaniment and play along CD accomp. |
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Philip Sparke's 15 Intermediate Christmas Carols, a bundle that is part of the Anglo Music Play-Along Series, is intended for the young instrumentalist who can play about one and a half octaves. The book, which in terms of notes is tailored to the instrument in question, is a sequel to 15 Easy Christmas Carols and allows musicians in development to discover some of the world's most popular Christmas songs - simple yet beautiful melodies that suit their limited range. This book contains valuable material that is an excellent addition to every teaching method; it comes with piano accompaniment and a CD with demo and play-along tracks.
Content:
- Angels We Have Heard on High
- Christians, Awake, Salute the Happy Morn
- Come, Thou Long-expected Jesus
- Coventry Carol
- Deck the Halls
- Ding Dong! Merrily on High
- He is Born, the Holy Child
- Here We Come A-Wassailing
- Joy to the World
- Lo, How a Rose E'er Blooming
- O Come, All Ye Faithful
- Or the Father's Love Begotten
- O Little Town of Bethlehem
- Silent Night
- The Twelve Days of Christmas
Difficulty 2,3/6
Duration approx 40 mins total
Supplied with : solo parts in TC and BC, piano part and play-along/demo CD
15 Easy Christmas Carols - Arr. Philip Sparke - with piano accompaniment and play along CD accomp. |
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Philip Sparke's 15 Easy Christmas Carols, a bundle that is part of the Anglo Music Play-Along Series, is meant for the young instrumentalist who can play just over an octave. The book is custom-tailored to the instrument concerned and introduces the novice musician to some of the world's most popular Christmas songs - simple yet beautiful melodies that suit their limited range. This book contains valuable material that is an excellent addition to every teaching method; it comes with piano accompaniment and a CD with demo and play-along tracks.
Content:
- As With Gladness Men of Old
- Away in a Manger
- The First Noël
- God Rest Ye Merry, Gentlemen
- Good Christian Men, Rejoice
- Good King Wenceslas
- Rake! The Herald Angels Sing
- The Holly and the Ivy
- In the Bleak Midwinter
- O Come, O Come, Immanuel
- On Christmas Night all Christians Sing
- Once at Royal David's City
- Rocking Carol
- We Three Kings of Orient Are
- We Wish You a Merry Christmas
Difficulty 1/6
Duration: approx 35 minutes total
Supplied with: solo parts in TC and BC, piano accompaniment and play-along CD backing.
Sonata - Doug Bristol - Euphonium and Piano |
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This is a challenging three movement work that Demondare Thurman and Kathryn Fouse premiered at the 2015 U.S. Army Tuba-Euphonium Workshop at Fort Myer, VA. This is a wonderful addition and perfect all aspiring college Euphonium players.
Highly recommend for all serious students and advanced players everywhere.
Listen!!
Published by Cimarron Music Press
Duration: 12.00
Difficulty: 5/6
Supplied with solo parts in TC and BC and piano part.
A Caged Bird - Barbara York - Trombone or Euphonium and Piano |
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An attractive work for trombone that will also work well for euphonium, and piano.
Barbara York writes, "This piece was not written specifically in response to either the poem by Maya Angelou or that by Paul Dunbar that both refer to the 'caged bird'. However, there is no doubt that both poems have inspired my own further exploration and now musical extrapolation on the subject of being 'caged' and still 'singing' in spite of this... Even within the many bonds and restrictive boundaries that we often find ourselves, it still seems to be a fundamental part of Nature as both human and spiritual beings that we cannot help but sing in both joy and praise both from ourselves and to our own Creator despite the sometimes, even apparently insurmountable obstacles we encounter."
listen: https://www.youtube.com/watch?v=H_KIuFa9dVQ or https://www.youtube.com/watch?v=WtgOld3IdVk
Concertino for Euphonium and Concert Band - Rolf Wilhelm |
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Version with concert band/wind band/harmonie.
This super work was composed for Steven Mead, at the suggestion of Bob Tucci, in 1998.
The composer wrote: "July 1997 the international tuba and euphonium conference was held under the motto Verson il Millenio at Riva del Garda. During those days that I spent at Lake Garda under sunny Italian skies, I met so many outstanding international instrumentalists and heard so much fascinating and wonderfully interpreted music, that I spontaneously resolved to compose a new work for euphonium. It would be a companion piece to my 1983 Concertino for Tuba and Wind Instruments which we also performed there. The present work is herewith made available to performing artists, and I hope that they, the musicians, as well as the public, receive it as well and enjoy it as much as they did its predecessor. This new work is also a short, uncomplicated peace, striving solely to express the love of music and joie de vivre."
Written in three movements: Allegro mon troppo; Andante ma non troppo, piacevole; Moderato con animo. A contemporary classic for the euphonium, the Concertino highlights the qualities of the euphonium very well. The opening movement features a slightly technical style with a great energy. There are no extremely awkward sections, but Wilhelm does occasionally use a bar with numerous accidentals. The second movement allows the soloist to show excellent control and features very lovely writing, especially the descending motive that reappears three times. The technique is manageable as the level dictates, but the range does occasionally create problems in the final movement. This remains the main challenge and features the most range extremes. The articulations are very detailed.
Highly recommended.
This is the version for euphonium and concert band (wind band). The piano accompaniment version is also available on this site.
Watch the Youtube version of the band version performed by Steven Mead, also available on the Concertino CD recorded by Steven Mead and the Lillestrom Musikorps
Duration approx 10 minutes
Difficulty level: 4/6
Supplied with : solo parts in TC (Bb) and BC (in C), Concert band score and full sets of parts.
A Little Prayer - Evelyn Glennie Arr. R.Childs - Euphonium and Brass Band |
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Originally composed for solo marimba, this popular version of A Little Prayer was made in 1998 following Evelyn Glennie's collaboration with Black Dyke Band during the recording of their Grammy nominated Reflected in Brass CD. Robert Childs, then principal euphonium with Black Dyke, requested Evelyn's permission to make the arrangement for his son, David. The composer obliged, and Robert presented the score and parts to his son as a seventeenth birthday present.
Evelyn Glennie revealed: "When I wrote this chorale for marimba, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life."
Having composed the work when she was only 13, Evelyn continued: "As a child I would never have believed that such a short and simple piece of music, would come to grow this much. A little Prayerserves to prove that one should always bet their chips on what they believe in, for nine out of ten it will be worth it!"
After twenty years of exclusivity, Prima Vista Musikk is proud to make this beautiful arrangement available to all. A Little Prayer provides the perfect reflective interlude for concert or devotional use by euphonium soloists and bands of all abilities.
Listen and watch this YouTube video
Sure to be popular !!
Duration: 3.10
Difficulty 2-3/6
Supplied with : solo part in TC Bb, brass band score and full set of brass band parts.
Concertino for Euphonium - Rolf Wilhelm - Euphonium and Piano |
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This super work was composed for Steven Mead, at the suggestion of Bob Tucci, in 1998.
The composer wrote: "July 1997 the international tuba and euphonium conference was held under the motto Verson il Millenio at Riva del Garda. During those days that I spent at Lake Garda under sunny Italian skies, I met so many outstanding international instrumentalists and heard so much fascinating and wonderfully interpreted music, that I spontaneously resolved to compose a new work for euphonium. It would be a companion piece to my 1983 Concertino for Tuba and Wind Instruments which we also performed there. The present work is herewith made available to performing artists, and I hope that they, the musicians, as well as the public, receive it as well and enjoy it as much as they did its predecessor. This new work is also a short, uncomplicated peace, striving solely to express the love of music and joie de vivre."
Written in three movements: Allegro mon troppo; Andante ma non troppo, piacevole; Moderato con animo. A contemporary classic for the euphonium, the Concertino highlights the qualities of the euphonium very well. The opening movement features a slightly technical style with a great energy. There are no extremely awkward sections, but Wilhelm does occasionally use a bar with numerous accidentals. The second movement allows the soloist to show excellent control and features very lovely writing, especially the descending motive that reappears three times. The technique is manageable as the level dictates, but the range does occasionally create problems in the final movement. This remains the main challenge and features the most range extremes. The articulations are very detailed.
Highly recommended.
This is the version for euphonium and piano. The concert band set is also available, and please contact us directly regarding this.
Watch the Youtube version of the band version performed by Steven Mead, also available on the Concertino CD recorded by Steven Mead and the Lillestrom Musikorps
Duration approx 10 minutes
Difficulty level: 4/6
Supplied with : solo parts in TC (Bb) and BC (in C)
Legend of a Big Friendly Giant - Kevin Houben (transcribed Alexandre Korovitch) - Euphonium and Piano |
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At night The Big Friendly Giant catches dreams and nightmares in jars. Playing on his ´big trumpet´, he gives the beautiful dreams back to the sleeping children and he keeps the nightmares with him.
The composition ´The legend of a big friendly giant´ is all about this ´big trumpet´, in this case the euphonium. The euphonium doesn´t need special effects.
All his lyrical and technical capacities are used in function of creating beautiful musical dreams. As in a classical concerto, the soloist combats with the orchestra. At first they are playing alternately, afterwords they play fraternal together.
This work was created in Torrent (Spain) and dedicated to Steven Mead and Frank De Vuyst.
Kevin Houben was born in Peer (Belgium) in 1977.
At the Lemmens Institute in Leuven, he attained a first prize in trumpet (with Leon Pétré) and pedagogy. He also obtained a masters in concert band conducting (with Jan Van der Roost), symphonic band conducting (with Edmond Saveniers), composition and orchestration (with Jan Van der Roost), chamber music and solfège.
Kevin Houben’s work (from 2001), composed only on commission, comprises pieces for solo instrument, brass quintet, brass ensemble, wind orchestra, fanfare orchestra, brass band and symphonic orchestra.
In 2003, he won the ‘Sabam’ and the public’s prize at the ‘2ième Concours International de composition pour orchestre à vents de Comines-Warneton’ for the work Arcana. With this same composition, he won the ‘3rd European Composer’s Competition 2006 European Brass Band Association’ in Belfast (Northern Ireland) in April 2006.
In 2009, he won the EBBC public’s prize with the work Thyellene – ‘Battle on the Heath’ as well as the 3th place at the composition contest for brass bands during the EBBC in Belgium (Ostend).
In 2016, he won the prestigious international BUMA brass award.
In 2017, he composed his first Symphony, it was premiered by the Belgium National Symphonic Orchestra (NOB) and conducted by the maestro, Brossé.
The same year he also was Composer in Residence in Lithuania and he wrote Where Angels Fly, Commissioned for the 2017 European Brass Band Championships by Vlamo, the Flemish Association for Music Bands and Musicians. It was the test piece for the champion division during the EBBC in Ostend.
Besides being a versatile and prolific composer he is also very much in demand as an adjudicator, clinician and guest conductor. His musical activities have taken place in various countries in three continents and his compositions have been performed and recorded around the world.During the 2015 festival ‘TOMORROWLAND’ in Belgium, he worked closely with the Belgium National Symphonic Orchestra (NOB) as an arranger and orchestrator of dance tracks including David Guetta, Armin van Buuren and Dimitri Vegas. Houben also orchestrated the special composition Hymne (by Hans Zimmer) for the event.
Duration : 10 minutes
Difficulty: 4.5-5/6 (due to sustained high range playing
Supplied with: Solo parts in TC (Bb) BC (Bb) nd BC (in C) and piano part
Cococerto Grosso - Frank Steckar - Euphonium/Saxhorn/Baritone and Piano |
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A brand new and truly original work, not too difficult, by one of France's most notable brass composers of the modern era, Frank Steckar.
Just released a few weeks ago, this workIs a superb vehicle for the intermediate player to play a work that has serious yet more relaxed and fun moments, very well constructed, an excellent piece for recitals, competitions and festivals. It has a rich harmonic language In the accompaniment, and is an fine work for a teacher coach a student on, as there are so many excellent musical elements involved.
Highly recommended.
Duration , approx. 8 mins
Difficulty level 3+
Supplied with solo parts in TC (Bb) BC (C) and BC (Bb)
Funky Kids - Tom Caudelle - 5 part ensemble (4 Euphs and 1 Tuba) |
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A brand new ensemble piece for young players or mature players who want to try some funky style music.
Sure to be popular in concerts/masterclasses.
Scored in 5 parts, 4 euphs and one tuba...all parts can be doubled of course.
Part of the new Duo Fact Collection published by Robert Martin, in France
Duration 4-5 minutes
Difficulty level: 3+/6
Supplied with 4 euph parts in TC (Bb), 1 tuba part in BC (C) and 1 tuba part in BC (Bb) and full score.
Holalola - Xavier Denis - Euphonium/Saxhorn/baritone and Piano |
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A brand new publication from the leading French publishers Robert Martin, with a really fun piece, in jazzy style, and not too difficult!!
A really fresh sounding piece for players who are cool...or want to be cool!
Fun jazzy rythms, some mixed metre sections...a really good recital/concert work and not too technically difficult.
From a new series called Collection Duo Fact,
Duration: approx 6 mins
Difficult: level 3/6
Supplied with solo parts in TC (Bb) BC (C) and BC (Bb) and piano part
Old Italian Arias for Brass - Trans. Donato Semeraro - Euphonium or Trombone (BC only) - with piano accompaniment + free mp3 backing tracks |
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Here is a fabulous collection of old Italian Arias, available in this album, transcribed for euphonium/baritone or trombone by Donato Semeraro. It comes with a beautifully produced book for piano and a set of free Mp3 backing tracking tracks (piano) - Euphoniumstore sends you the link to download these backing tracks once you've purchased this book.
"Old Italian Arias for Brass". Selection of ancient arias transcribed for brass and piano, composed by some of the most important Italian composers who lived between the seventeenth and eighteenth centuries. Songs belonging to the "Bel Canto" school, of great educational use for all those teachers and students of trumpet, horn, trombone, euphonium and tuba, who base their "musical belief" on the importance of singing, sound, phrasing and of musicality.
18 songs by composers such as :Scarlatti, Caccini, Cesti, Cimarosa, Giordani, Pergolesi, Wivaldi and Marcello
Duration: approx 1 hour
Difficult level 3/6
Supplied with solo book in BASS CLEF only and piano accompaniment book and free Mp3 backing tracks (we send you the link)!!!
The Legend of Spirit Island - Philip Sparke - Euphonium and Concert Band, Wind Band, Harmonie |
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Another superb lyrical work by Philip Sparke for euphonium and wind orchestra.
This is a new one and deserves to be widely performed!
The Legend of Spirit Island was commissioned by the Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, conductor), to honour the euphonium player, Dick Carlson. The piece takes its title from a local legend about Spirit Island, which lies in a gap of the St. Louis River called Spirit Lake. The legend tells the story of Chaska, the son of a Dakota Chief, and Wetona, the daughter of Ojibwe Chief Buckado. He was handsome and she was beautiful; it wasn’t long before they fell in love. This is a challenging euphonium solo in which the versatile soloist can explore very expressive melodic sequences, as well as energetic, technical sections.
The range isn't too extended, high C (TC) and one optional high D!, so it's accessible for many players with their wind orchestras, and for guest soloists looking for a beautiful contrasting work in the programme.
Hauntingly beautiful!
Watch the excellent Youtube video produced by Anglomusic Press
Duration: 8 mins
Difficulty: 4
Supplied with solo parts in TC and BC, full wind band score and complete set of parts.
Cantiphonia (Concerto for Euphonium) - Bert Appermont - Euphonium and Wind Band/Concert Band/Harmonie |
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The EuphoniumStore is proud to present this superb concerto by the Belgian composer Bert Appermont. Read all info on the composer on Wikipedia
This spectacular three-part concerto (Contrasti, Romanza and Fugato) for euphonium and symphonic wind orchestra was composed by order of the Swiss euphonium virtuoso Ueli Kipfer who created it in November 2004 with the Swiss Army Band conducted by Jan Cober.
Watch /listen to a superb live performance of Cantiphonia on Youtube
It is only for the very advanced player! It is a magnificent showpiece and pretty unrelenting on the demands it places on the soloist. But for the soloist wanting a spectacular challenge, this is it!!
This is exciting music and will create a totally thrilling effect for the audience when played well. Undoubtedly one of the finest extended works in the euphonium repertoire.
Published by Beriato Music
Dutation approx 22 minutes
Difficulty level 6/6
Supplied with solo parts in TC ad BC, full concert/wind/harmonie score and full set of parts.
Summer Isles - Philip Sparke - Euphonium and Concert/Wind Wind |
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The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece, written for solo euphonium and brass band, reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience.
This work is from the longer work, Hymn of the Highlands
One of Philip Sparke absolutely classic melodic works for euphonium.
Please note this version is with Wind/Concert band accompaniment!
Watch and listen to the Youtube video featuring the YBS Brass Band cond. Dr. David King
Duration: 4.15
Difficulty: 3,4/6
Supplied with euphonium solo part in TC and BC, Wind band score and complete set of parts
Dreamsong - Philip Sparke - Euphonium and Brass Band |
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Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim, Norway. After a short introduction, the soloist introduces a rather nostalgic melody, accompanied by the lower brass parts. A fast central section is then played by the band, which leads to a climax. Eventually, the main melody played by the solo cornet and flugel horn returns, overlaid with an ornamented counter-melody from the soloist, who then closes the piece with a short cadenza.
A really beautiful new solo, very 'playable' from the pen of the band world's favourite composers and one who has contributed so many quality works for the euphonium over the years!
Please watch this excellent Youtube video that shows of the work perfectly!!
Please note this piece is available with euphonium with brass band accompaniment only.
Duration: 4.25
Difficulty level 3/6
Supplied with solo euphonium part, brass band score and full set of brass band parts.
Quick March: 'Throw Away' - Tom Davoren - Euphonium and Piano |
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A brand new encore-type work from the pen of the popular composer Tom Davoren. Unashamedly virtuosic, of course!
Composed over Christmas 2017 for Steven Mead! Tom writes: "Intended as a tongue in cheek encore, the piece is a bombastic virtuoso take on an American style circus march".
Duration: approx 2 minutes
Difficulty: 5/6
Supplied with solo parts in TC and BC and piano part
Fantasia di Falcone - James Curnow - Euphonium and Piano |
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This is a superb extended work for euphonium, also available with wind orchestra accompaniment.
The title makes an obvious reference to Mr. Curnow's teacher, mentor and renowned baritone horn teacher/soloist Leonard. This is a four-movement suite of fantasy variations, based on a theme from one of Falcone's favorite band transcriptions: Andrea Chanier (Opera Excerpts) by Umberto Giordano. This theme is only referenced (not quoted) in the opening cadenza of Movement #1, then developed throughout the overall construction of all four movements.
Composed for the Falcone International Euphonium and Tuba Competition.
It is dedicated to Mrs. Beryl Falcone on the 20th anniversary of the festival in Leonard's name.
see Youtube VIDEO
Duration: 13.20
Difficulty 4.5/6
Supplied with solo parts in TC and BC and piano part.
Fantasia - Gordon Jacob - Euphonium and Piano |
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One of the earliest major works written for the euphonium, Gordon Jacob's Fantasia remains a standard work in the repertoire. Its haunting opening melody, fun and quirky Allegro section, lyrical melodic writing, triple tonguing intensity, low muted section, and demanding cadenza make it a composition worthy of performance. There are numerous ossias to assist with range limitations and the technical demands will prove a challenge for many players, but this should certainly be a familiar piece for all serious euphonium players.
This is undoubtedly one of our most important pillars in our historic original euphonium repertoire. It has for many years being a standard audition work for wind orchestra auditions and examination recitals.
Published by Boosey and Hawkes
Highly recommended
Duration approx 11 mins
Difficult 4/6
Supplied with solo parts in TC and BC and piano part
Concerto for Euphonium - Robert Jager - Euphonium and Piano (BC only) |
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Robert Jager's Concerto for Euphonium was originally commissioned as a concerto for trombone and orchestra, But in 1996 the composer decided to rewrite and rescore the work as a concerto for euphonium with accompaniments for band, symphony orchestra and piano.The Concerto for Euphonium is a highly demanding work for both soloist and the accompaniment. The outer movements are filled with rhythmic and metric complexities that demand a virtuoso group of musicians is the second movement, while less technically demanding, requires mature musicianship because of its sensitive lines and shaded instrumental colours.
After a dramatic introduction dominated by euphonium the first movement moves into a highly rhythmic dialogue between soloist and accompaniment.
The second movement is designed to be played at slowly and reflectively. It is this mood, one of reflection, that dominates the quasi-impressionistic character of the music.
The third movement returns to the fiery rhythmic character of the first movement but this time more emphasis is placed upon mixed and is symmetrical metres so that the solid feel of the barline is lost.The form of this movement is that of a Rondo, and in the typical capricious mood of the Rondo literally rushes headlong into an exciting and brilliant finale.
Written in three movements: Slowly, Dramatically, Freely; Slowly, Reflectively; Brightly, but Forcefully. This challenging work features high intensity writing that translates to complex rhythms and syncopations. Flutter tonguing, lip trills, double tonguing, rapid meter changes, awkward trills and sections in seven flats encapsulate most of the difficulties of the work. Yet, its vigor and drive, especially in the third movement, can compensate the performer and listener for these challenges. The second movement has some nice recitative sections with ornamental runs. A strong addition to the more contemporary repertoire of the euphonium.
This work deserves to be more widely used in recitals, concerts and competitions!
Difficultly level: 4.5,5/6
Duration approx 12.5 mins.
Supplied with solo part in BC only and piano part
Soliloquies - John Stevens - Unaccompanied Euphonium |
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John Stevens wrote Soliloquies for euphonium soloist Demondrae Thurman. Since its premiere in October 2000, the work has been programmed on many euphonium recitals, has appeared on the lists for several euphonium solo competitions. One of the finest unaccompanied pieces in the literature, it should be a staple in any euphonium player’s repertoire.
In three movements, each movement present significant challenges for the soloist, in terms of intervallic leaps, wide intervals, difficult technical passges and extremes of range.
Highly recommended.
Here is a link to an interesting article on the work in the ITEA journal.
Duration approx 10 mins
Difficulty level 5/6
Supplied with solo part in BASS CLEF (C) ONLY.
Scaramouche - Philip Sparke - Baritone or Euphonium and Piano |
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Scaramouche - Baritone or Euphonium Solo (with piano accompaniment)
From the composer Philip Sparke - "Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund. Undoubtedly the finest baritone player of her generation, Katrina was granted an education bursary from the BBC Performing Arts Fund as a result of winning the BBC Radio 2 Young Brass Soloist of the Year in 2004. This has allowed her to commission a series of new works for her instrument, including Scaramouche. In this version for euphonium and concert band, Scaramouche continues Sparke’s series of works which uses the Italian improvisational theatre tradition of commedia dell’arte as an inspiration. Pantomime, Harlequin and, now, Scaramouche draw on the contrasting moods of pathos and comedy characterised by the ‘happy/sad’ masks which symbolise European theatre. A slow expressive ballad, followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the euphonium, therefore giving the soloist the chance to display the full capabilities of their instrument."
A really super solo, sure to be widely played!
Watch Bastien Baumet perform it (euphonium and brass band) and Felix Geroldinger (baritone and piano) and Tobias Reifer (euph and wind band)
Published by Anglo Music
Duration: approx 6.45'
Difficulty: 4.5/6
Supplied with solo parts in TC and BC and piano part.
The Auld Noost - Ronald Jamieson/Anthony Swainson - Euphonium and Wind Orchestra |
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As heard and loved by many of the Lyrical Virtuoso CD recorded by Steve and BB Buizingen.
The Auld Noost - Ronald Jamieson/Anthony Swainson
This new version is for EUPHONIUM and WIND ORCHESTRA.
Noost is the Shetland word for a rocky creek where boats can be pulled up. This exquisite melody was composed for violin, or more correctly, ‘fiddle’, by Ronald Jamieson. The highly respected Scottish brass musician, conductor and arranger Tony Swainson sent his arrangement for euphonium and brass band to Steve a short while ago. After performing it once with a band, also in Belgium, he resolved to record it as soon as possible. This warmhearted work simply oozes charm.
This is the version for euph and piano. The version for euph and brass band and euph and piano is also available on this site.
Highly recommended.
Duration: 4 minutes
Difficulty: 3/6
Supplied with solo parts in TC, BC in C, BC in Bb, wind band score and full set of wind band parts.
Sweet Euphonium - Gilles Rocha - Euphonium and Piano |
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From the pen of one of Switzerland's most prolific brass composers and outstanding euphonium soloists, Gilles Rocha. Sweet Euphonim is a very elegant lyrical solo that really sings, especially in the upper register.
Ideal for lyrical slow melody contests. Highest note is treble clef high D. Gives great scope for a players artistry to shine.
Published by Editions Marc Reift
Duration c.4 minutes
Difficulty level 3.5,4/6
Supplied with solo parts in TC and BC and piano part
Bravo! Euphonium - Carol Barratt - 20 pieces for Euphonium and Piano |
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A fine collection of 20 easy pieces for Euphonium and Piano. A separate piano accompaniment is supplied, and the solo parts are published in both treble and bass clef.
From the pubishers: "The pieces in Bravo! Euphonium take the student progressively through the early grades.They consist mainly of original material, with a few arrangements too, some well known, some more unusual. These pieces are intended to encourage the student to perform, rather than merely play, whenever the opportunity arises. All too often, the early stages of learning an instrument can be a solitary process. Whenever possible, these pieces should be played with their keyboard accompaniments. Hearing the keyboard parts will lead to an awareness and appreciation of different musical styles and a sense of harmony, not just the melody. In addition, playing with an accompaniment develops the pupils ability to maintain his or her own part while listening to another.
Highly recommended for the beginner player who is starting to develop well.
Published by Boosey and Hawkes
Difficulty level 1,2/6
Supplied with piano part and solo parts in TC and BC.
Fasten Your Seatbelt - Roland Szentpali - A Jazz Suite for Euphonium Solo ( or Trom or Ten sax) and Jazz Band |
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Fasten Your Seatbelt is a septet in two movements for solo euphonium (with alternative parts for trombone or tenor saxophone), alto saxophone and trumpet, bass guitar, electric piano, drum set and marimba / congas.
It is a typical example of the versatile composing talent of Roland Szentpali. His approach to jazz is well structured, with virtuoso written sequences over a dynamic rhythm section sustaining the three melodic wind instruments (with optional improvisation spaces for them).
I. Hunting Instinct is a 7/4 speedy groove music running over long basso continuo ostinati of the rhythm section including collectiv virtuoso intrusions of the wind instruments and improvised sequences.
II. Transfer Passenger is pushing another kind of speedy groove, here on a more traditional 4/4, inspired by the human traffic jam in crowded international airports...
Indeed, fasten your seatbelt...
World premiere: 30th of June 2017, Theater 'de Schalm' in Veldhoven, the Netherlands with the Jazz Combo of “The Band of the Royal Netherlands Army Mounted Regiment” and soloist Rodin Rosendahl on the euphonium.
Published by Editions BIM
Instrumentationeuphonium solo (tenor saxophone or trombone) and alto saxophone, trumpet, bass guitar, electric piano, drum set, marimba.
Duration: c.20 minutes
Difficulty level: 5.5/6
Supplied with full score, solo parts for euph BC, trombone BC, teneor sax TC (euphs can read this TC part), and accompanying parts: alto saxophone, trumpet, bass guitar, electric piano, drum set, marimba
Textures - Michael Forbes - Symphony for 6 Euphoniums and 6 Tubas |
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Textures is a symphony in three movements that explores differing levels of thickness in scoring and harmonic timbre.
The first movement,Transparent, explores pentatonic harmonies, with intense multi-meter hocket and even a fugal structure. Rhythmic motives that permeate the entire work are introduced here. Translucent, slow and meditative, has a cloudy texture with its diatonic and modal character. The last movement, Opaque, opens with a recapitulation of the previous harmonic textures before exploring its more busy rhythmic, chromatic texture. The movement also recalls the various themes from previous movements before driving home its own theme followed by a rhythmic, bombastic finale.
The three movements:
1. Transparent (5')
2. Translucent (8')
3. Opaque (5')
Published by Editions BimMichael Forbes (born 1973 in Morgantown, West Virginia, USA), studied first with Mark Lusk and Marty Erickson (Bachelor’s Degree at Penn State University), then with tubist and composer, John Stevens (Master degree from the University of Wisconsin) and finally with world renowned tubist, Toby Hanks (Doctor’s Degree from the University of Maryland)
Duration 18 minutesDifficulty level: 4.5/6Supplied with full score, 12 parts all in BC
14 Intermediate Euphonium Quartets - Pascal Proust |
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The composer Pascal Proust can draw on his many years of experience as a musician and music educator; his oeuvre includes several hundred compositions for a variety of occupations.
He wrote "14 Intermediate Euphonium Quatets" for euphonium players with approximately 4-5 years of teaching experience, paying special attention to an easy-to-understand, attractive musical style. As a result, these quartets are ideally suited as lecture and competition pieces for young euphonium ensembles.
Content:
- Balade en foreet
- Le roi s'avance
- Palais d'ete
- Melancolie
- Interlude musical
- Appel
- Sur l'onde
- Quatre mousquetaires
- Cristal
- Blue cocktail
- Un jardin merveilleux
- Au voleur!
- Black Velvet
- Petit galop
A very attractive set of pieces, fun to play and of good musical value too.
Published by deHaske
Duration (total) 25-28 mins
Difficulty level : 3/6
Supplied with full score, quartet parts (4) in both TC and BC
David and Goliath - Michael Forbes, for tuba solo and euphonium-tuba ensemble 3:3 |
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Commissioned by Sergio Carolino and his ensemble How Low Can You Go, this major 10 minute work Is a fantastic challenge for a tuba soloist and low brass ensemble.
The accompaniment is either two euphonium parts and four tuba parts or three euphoniums and three tubas.
It is performable with trombones too, (solo bass trom and 6 trombones), as heard in this version: https://www.youtube.com/watch?v=m3kJk0bpcHU
Published by Editions BIM
Duration: 10 mins
Difficulty: 5/6
Supplied with full score, tuba solo part and 6 accompaniment parts all in BC.
Euphonium Concerto Op.120 - Derek Bourgeois - Euphonium and Piano |
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Here is one of the euphonium's most fearsome yet lyrical challenges, the Euphonium Concerto by Derek Bourgeois, commissioned and first performed by Wendy Picton.
Derek Bourgeois composed his Euphonium Concerto in the spring of 1990. It is a straightforward tuneful work in three contrasted movements. The first movement is in regular sonata form with a lively first subject that has a strong rhythmic character. The second subject is lyrical and wistful. The development is mainly concerned with material derived from the opening subject. The movement concludes with a jaunty coda.
The second movement again has two main themes. The first is slow and melancholy with a marching bass line. The second is more overtly melodic with lush accompanying harmonies.
The finale is brief, highly rhythmical, and in three sections. There is some complex time juggling in the outer portions, though the character of the music is light hearted. The central episode is more lyrical, with a close affinity to the second subject of the first movement.
The whole piece makes great virtuosic demands on the soloist, who for much of the time plays in a high tessitura. It calls for tremendous agility, yet also requires musicianship and shaping in its more reflective moments.
A version for Euphonium and Brass Band is available from the composer.
A magnificent concerto and a monumental challenge for the advanced soloist.
Published by Brass Wind Publications
Duration: 16.5 minutes
Difficulty: 6/6
Supplied with: solo parts in TC and BC and piano score.
Derek Bourgeois
Derek Bourgeois was born in Kingston on Thames in 1941. He graduated from Cambridge University with a first class honours degree in music, and a subsequent Doctorate. He spent two years at the Royal College of Music where he studied composition with Herbert Howells and conducting with Sir Adrian Boult.
He has composed seventeen symphonies, twelve concertos, several other extended orchestral works, seven major works for chorus and orchestra, two operas and a musical. As well as a considerable quantity of chamber, vocal and instrumental music, he has composed twelve extended works for Brass Band and five symphonies for Symphonic Wind Orchestra. He has also written a considerable amount of music for television productions.
He has written four works specifically about Mallorca: Symphony No 8 - "The Mountains of Mallorca", Symphony No 16 - "Songs of Mallorca", which is a setting for Soprano and Orchestra of four Poems by Miquel Costa I Llobera. A Symphonic Suite in four movements for Wind Band called simply "Mallorca", and a piece called "Felanitx Fantasy" for the Felanitx Band, of which he conductor elect.
From 1970 to 1984 he was a Lecturer in Music at Bristol University. He was the conductor of the Sun Life Band from 1980 until 1983, and during the same period was Chairman of the Composers' Guild of Great Britain, and a member of the Music Advisory Panel of the Arts Council.
In September 1984 he gave up his university post to become the Musical Director of the National Youth Orchestra of Great Britain. In 1988 he founded the National Youth Chamber Orchestra of Great Britain which held its first course in the Summer of 1989. In 1990 he was appointed Artistic Director of the Bristol Philharmonic Orchestra.
He left the National Youth Orchestra in August 1993 to become the Director of Music of St Paul's Girls' School in London. He retired to Mallorca in July 2002 where he now lives as a full-time composer.
Derek Bourgeois died in September 2017.
Pulse - Thomas Doss - for solo euphonium (or baritone) and piano |
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Just arrived at the store is this fantastic new solo by the Austrian composer, Thomas Doss.
The composer writes: Pulse, a solo work which was originally written for euphonium (or baritone) and wind orchestra, presented here with piano reduction.
As the title suggests this piece is very rhythmic nature, Pulse represents a life and vitality, which also characterises the work. The tempo remains virtually constant throughout the piece. Even during the cadenza, played by euphonium, the pulse continues to beat steadily.
This work is dedicated to the young baritone soloist Felix Geroldinger from Upper Austria.
You can watch Felix performing it here with the SBO Wind Orchestra from Upper Austria https://www.youtube.com/watch?v=Se-TjZVOEew
Published by Mitropa Music.
Highly recommended and sure to be popular.
Difficulty: 4.5/6
Duration: 7 mins
Supplied with : solo parts in TC, BC and BC in Bb, and piano part.
Set Adrift - Thomas Kelly - for Euphonium and CD (electronic acc.) |
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This is an outstanding fresh new composition for euphonium and electronic accompaniment (on CD).
It was commissioned by the Canadian euphonium player Carina Lam, while she was studying at the RNCM with Steven Mead. The composer, Thomas Kelly B.1989 Is a Dublin born composer and trombonist currently based in Manchester.
The piece is set outside of the earth's atmosphere, in space. It explores the idea of a person being completely detached from anything (Set Adrift) and having no human contact. There are three sections in this piece each with their own emotional ranges. The opening section has a feeling of loneliness, while the middle section has a feeling of enjoyment which turns to despair as the piece fades out into the dark, and unending universe.
This work was recorded on Steve's Dream Times album, and a sample of this work and others from this album can be heard here.
Highly recommded.
Duration: 7 minutes
Difficulty: 4/6
Supplied with: accompaniment CD and solo parts in TC and BC
Published by Potenza Music, USA
Flight of the Bumble Bee (for Euphonium Quartet) - Rimsky Korsakov Arr. Misa Mead |
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As played by Misa Mead in her hugely popular multitrack video on social media, April 2017.
It's a great new arrangement of this popular classic, and one that euphonium quartets everywhere will want to perform.
Publised by Bocchino Music
Duration: 1.30
Difficulty: 4/6 (some parts easier than others)
Supplied by full score, and quartet parts in TC and BC
Bliss - Hermann Pallhuber - Euphonium and Piano |
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Just released, the piano accompaniment version of this simply brilliant solo by Herman Pallhuber.
BLISS - now released for Euph & Piano. First Performed in 2011 by Steven Mead for Wind and BrassBand, performed recently at RNCM Brass Band Festival in Manchester in its present form (transcribed by Peter Knockaert).
In two main sections, the first being expressive and quite slow and then, following a short cadenza, a stunning rhythmic and virtuosic Allergo Vivace. A central slower contrasting section introduces the main 'blissful' them which then returns in the finale. A huge crowd pleaser.
Watch/listen to a live performance (with wind orchestra) in La Coruna, Spain by Steven Mead.
https://www.youtube.com/watch?v=Ren6ONUHVTU
From the publishers, Beriato Music : Bliss is one of the most spectacular euphonium solos around. It was commissioned by the euphonium virtuoso, Steven Mead. This two-part concerto brings all the characteristics of the instrument into the spotlight: it contains a slow, colourful section that resembles a typical English air, in which the full round warmth of the instrument is revealed, followed by an extremely virtuoso, dynamic fast movement. A great one for any soloist looking for a challenge!
As heard on the 'Diamonds' CD recorded by Steven Mead and the Central Band of the RAF
Duration : Approx 11.30
Difficulty: 5/6
Supplied with solo parts in BC and TC and piano accompaniment
As heard on the 'Diamonds' CD recorded by Steven Mead and the Central Band of the RAF
Symphony Concertante - Roland Szentpali - Euphonium and Piano |
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The Symphony Concertante was commissioned by the Belgrade Philharmonic Orchestra and premiered by the composer himself in July 2015 on serpent, cimbasso, ophicleïde and saxhorn. Roland Szentpali dedicates this work to his friend Steven Mead and to his French friends who play saxhorn and the French instruments.
This is a really outstanding addition to the euphonium repertory. Roland Szentpali is a supremely gifted composer, in addition to his tuba performing skills. His Pearls and PearlsII as well as his Sketches1998 have been well-received by performers and audiences. There is a freshness and spontaneity about his music.
With Symphony Concertante we see a maturing of his harmonic and melodic language, which ranks this is one of the most important works composed for our instrument in recent years.
The first movement is entitled Introduction, which alternates between some recitatives as well as bold striking gesture in an Allegro tempo. The recitative section returns at the end before a dramatic climax.
The second movement is entitled Passepied (a Breton dance similar to a quick minuet, popular in the 17th and 18th centuries.) and is absolutely charming and intoxicating.
The third moment, From Nora, once again shows Roland bringing elements of his personal and family life into his compositions, and here the music is a times passionate, gentle. it ends peacefully .
The final movement 'Play, is in a super-fast tempo, quarter note equals 240! As you might expect it is indeed fun to 'play', and you need three very fast fingers to coordinate all this at tempo. The quick figures are interspersed with a couple of andante sections with a short and exuberant finale, ending on high concert C.
This work is really highly recommended by Steve, and of course he is honoured to receive the dedication this work, along with mutual low brass friends, very active in France.
Duration: 25 mins
Difficulty level: 4.5,5/6
Supplied with: piano part and solo parts in BC and TC
Euphonium Concerto - Vladimir Cosma - Euphonium and Piano |
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Returning to the Euphonium Store is the famous Euphonium Concerto by Vladimir Cosma.
This is an epic and majestic euphonium concerto, written very much in a Spanish style, especially the two outer movements.
The middle movement, Andantino, is beautifully reflective and passionate.
One of the most challenging and rewarding solos in the repertoire, this concerto embodies in many ways the spirit of Paganini and Liszt for the euphonium and represents one of the most outstanding selections for euphonium and large ensemble. It features virtuoso technique, intense melody, and a need for panache and flair. The technical and range challenges are formidable, but WELL worth the practice. Of particular note involves the flexibility, clarity, and tone quality needed in the low range from BB-flat to F as there are numerous sections of slurred and tongued passages in these ranges. There is also a strong need for excellent double and triple tonguing as Cosma wrote the final few sections with the violin (his instrument) in mind versus the euphonium, so some of the passages are not as idiomatic as they could be. The Andantino creates an atmosphere mindful of Piazzolla, the famous tango writer. The melody sails with the euphonium. This piece stands at the top of the list of recommended repertoire for those capable. Taking this challenge will be extremely rewarding and the only caveat involves the cost of the large ensemble rental parts (more than $400) and the piano reduction. The publisher has chosen to make these choices and they greatly hinder the wide spread of this fantastic work.
I do feel I should apologise for the cost of this work, as it is very expensive. Since its release, the publishing company Larghetto Music has sought to make this perhaps the highest priced sheet music for euphonium and piano that exists. It is disappointing. Compare this to the price of the Horovitz or Sparke concerti.
Anyway, it's here and if you wish to play it, legally!!, you need to buy it!
Please enjoy this wonderful music
Duration: 23 mins
Difficulty level: 5/6
Supplied with : piano part and solo parts in Tc and BC
Steve has recorded this twice, once with piano, on the World of the Euphonium volume four CD and once with brass band, Bravura CD
Euphonium Concerto - Yukka Linkola - Euphonium and Piano |
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This is certainly near the top of the list of super impressive euphonium concertos we have, and that this was composed just over 20 years ago by the Finnish composer Yukka Linkola, who is equally skilled in the jazz world as he is in the modern classical world.
This concerto came to prominence thanks to the performances and CD recording by the Finnish euphonium star Yukka Myllys.
It goes without saying that this work is not for the fainthearted. The high range peaks at high concert F and goes down as low as pedal Eb.
It is quite beautiful music, with a few gentle jazz elements heard. This is very clever writing indeed and this concerto has justifiably and its place in perhaps one of the top five euphonium concertos in existence.
Total duration, depending on tempi is 26-27 minutes, and the concerto is in three movements.
Duration: 26-27 mins
Difficulty Level : 6/6
Supplied with: piano part part and solo part in TC.
Steve's recording of this, with piano, is on the Audacious double album
Euphonium Passion 2 - Gilles Martin - Book with CD accompaniment |
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This is the second volume of Euphonium Passion, composed and arranged by Gilles Martin.
Once again this book makes for very interesting and relaxing practice, but of course it is a step up in difficulty from book 1, and will make a nice challenge for high school and intermediate players. The accompaniment is a delight on the ears, and as with volume one, you have a piano part, and also this CD backing, which you can also perform. I'm convinced this series is going to prove to be very popular, as it is incidentally already in France.
Duration: approx. 50 mins (15 pieces)
Difficulty level: 3/6
Supplied with: CD, piano accompaniment, solo parts in BC and TC
Euphonium Passion 1 - Gilles Martin - Book with CD accompaniment |
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The two books in the series are very special in terms of what it offers the musician. This book, volume one, is really aimed at a young, junior high school player, but I'm convinced that many older players will also enjoy this too. The CD accompaniment is very well done, and many of the pieces are in the kind of pseudo-French folksong style, but with some very interesting harmonies and twists that make for very interesting study and hopefully enjoyable performances. There are 18 pieces in total here and arrange in duration from about 2-4 minutes for each piece.
Now your family really won't mind you practising! This is not guarantee, but I have sincere feeling about this!
Duration approx: 45-50 mins
Difficulty level: 2/6
Supplied with: CD backing, piano part, and solo parts in TC and BC.
Euphonium Concerto - Joseph Horovitz - Euphonium and Piano |
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What more can be said about this famous concerto. It was composed back in 1972 for Trevor Groom and he gave the premiere at the Royal Albert Hall with the GUS Footwear Band.
It probably is the most famous euphonium concerto in the world, and often used for examinations Competitions and auditions. The first and third movements are basically fast, although always lyrical and the second movement is one of the most beautiful second movements that we have in our entire repertoire.
Famous Sousa Marches - Arranged by Philip Sparke (15 wind band euphonium parts) - in Bass Clef only |
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This very attractive little book will create hours of fun for anyone who loves marches, and in particular, those of John Philip Sousa.
Philip Spark no less has collated this set of march parts. Feel free to play along with on Youtube, or on recordings, with your headphones on. You can imagine you are playing in Sousa's band
It's a great resource for this student and amateur enthusiast alike.
The 15 marches : The Beau Ideal, The Black Horse Troop, El Capitan, The Fairest of the Fair, Hands Across the Sea, The High School Cadets, The Invincible Eagle, King Cotton, The Liberty Bell, Manhattan Beach, Nobles of the Mystic Shrine, Semper Fidelis, The Stars and Stripes Forever, The Thunderer, The Washington Post.
Published by Anglo Music Press
Each March is approximately 3.5 minutes
Difficulty 3 or 4/6
Supplied with Solo Part in BC only
Euphonium Concerto - Karl Jenkins - Euphonium and Piano version |
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This has become a highly sought after Concerto in recent years. Karl Jenkins is no doubt one of the composers at the moment, and this four movement concerto, championed by David Childs is a real audience pleaser.
Duration: C. 23 mins
Difficulty: 5.5/6
Supplied with: piano part and solo parts in TC and BC
Euphonium Concerto No.1 - John Golland - solo euphonium with piano accompaniment |
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Here is the classic Euphonium Concerto No.1 by John Golland, published by Chester Music.
It is one of the absolute classics from euphonium repertoire, and recently recorded by Steve on his new album Lyrical Virtuoso.
John Golland wrote some extraordinary music in his life, and perhaps none finer than the works he wrote for euphonium, in particular his two concerti. The first was given its premiere in 1981 by Bob Childs whilst on tour in Australia with the Grimethorpe Colliery Band.
Although the music can be divided into three quite separate movements, it is performed without breaks, and each movement has quite clearly defined characteristics. It was written quite autobiographically and the underlying darkness of much of the music reflects the physical difficulties from which the composer suffered all his life. Richard Strauss in his masterwork Ein Heldenleben had showed us the full extent of such self-representation in music, and here with this Euphonium Concerto we are taken on a rollercoaster of emotions, that culminate in intensity at the close of the beautiful slow movement, where the euphonium accompanied by the slow heartbeat of a bass drum seems to represent the very life spirit of the composer hanging by a thread. The final movement is joyous and celebratory, perhaps another life hurdle temporarily overcome. John Golland died shortly after his 50th birthday
Difficult Level : 5/6
Duration: Approx: 17 minutes
Supplied with solo parts in TC and BC and piano accompaniment
The Green Hill - Bert Appermont - solo euphonium with piano accompaniment |
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EuphoniumStore now has in stock this excellent and popular work by Bert Appermont, The Green Hill
It was commissioned by the Swiss euphonium virtuoso Erich Schmidli. The composer dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of our instrument.
It's been recorded by Glenn Van Looy and is a well suited to popular concerts and recital
It's described as a Celtic Fantasy, and is always well received ...so long as you play it nice !
Publised by Beriato Music (part of Hal Leonard)
Difficulty level: 4/6
Duration: 7.20 mins
Supplied with : Solo parts in TC and BC and piano accompaniment.
Versions with brass band and wind band/harmonie also available now on this site.
Euphonium Romance - Book and CD - 10 Romantic Pieces |
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These books feature 10 romantic originals for solo instrumentalists. The accompanying CD features solos played by several instruments, as well as accompaniment-only tracks for practice.
A lot of fun to play these at home, parties, or who knows, even at a concert. Surprise your loved one with an impromptu concert !!
Difficulty level: 2/3 of 6
10 solos with TC and BC solo parts and supplied with accompanying CD.
Tours et Detours - for Saxhorn or Euphonium and Piano - Thierry Thibault |
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Here is a brand-new modern composition composed by very popular French performer (tuba) and composer, Thierry Thibault.
It has been specially commissioned for the 2017 solo competition in Tours, France.
At just over eight minutes duration, this will make for an exciting and challenging recital piece, audition work and competition repertoire.
Congratulations to Edition BIM for this beautifully produced new work.
Duration: 8.20
Difficulty: 4/5-6
Supplied with : Piano parts and solo parts in TC and BC.
Polar Vortex - for unaccompanied euphonium - Michael Forbes |
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Here is another brand-new work, beautifully produced by Editions BIM, by the American tuba player and composer/arranger Michael Forbes.
This is a very welcome addition to a genre that needs excellent new works. At around six minutes duration this work should be very popular at college level for recitals and auditions. It is challenging but not over difficult, with a range from low concert E to high concert B-flat. It is rhythmic and driving with some large intervals and superb use of varied dynamics.
It is certainly fun to play, and I think also entertaining for audiences on a first listen.
Duration : 6.00
Difficulty: 3/4-6
Supplied with: solo parts in TC and BC
The Four Elements (Partita for Solo Euphonium and Piano) - Martin Ellerby |
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The EuphoniumStore is proud to introduce a stunning new work from the pen of Martin Ellerby. This is a very advanced work for very mature performers!
Martin Ellerby: The Four Elements (Partita for Solo Euphonium and Brass Band) Commissioned by and dedicated to the Black Dyke Band (Musical Director Professor Nicholas J. Childs) and Gary Curtin (euphonium) with funds made available by the John Golland Trust.
This is the version for euphonium and piano.
Composer Martin Ellerby writes:
"The first performance was given by these forces in the RNCM Concert Hall, Manchester, on 23 January 2015 as part of the RNCM Festival of Brass.
The Four Elements was written for Gary Curtin and the Black Dyke Band as part of a recording project of my music for brass band, released in 2015.
Having previously written a large scale concerto for the euphonium I decided to write something much more concise though still enabling the soloist to display flair and lyricism in equal measure. I aimed at around two minutes per movement, which meant I would be creating a set of miniatures, and based each on one of the four elements of earth, water, air and fire though they are primarily given their Latin names of terra aqua aer ignis in the score. The term is used to indicate that the work is a collection, or suite of pieces, and in keeping with former examples uses both song and dance forms to provide suitable musical structures.
1. Terra (Earth) an intrada set in ABABAC form in which A, for the band, is built on a 12 note row, B is a duet between the soloist and elements of the band and C an enigmatic . The ‘elemental’ interval of a perfect 5th proves dominant in all aspects of the opening movement.
2. Aer (Air) cast in the form of a fleeting scherzando - the music makes play between the rhythmic possibilities of contrasting common and compound time signatures giving it an unsettled edge.
The flavour is light and breezy, possibly somewhat oriental in manner.
3. Aqua (Water) a lyrical interlude or intermezzo , where the soloist has more of a free reign to their lines and the band support in a delicate legato style.
4. Ignis (Fire) - the virtuosic fianel celebrates the spirit of a pagan dance. Much use is made of mixed metres and the cornets and trombones remain muted throughout giving a metallic quality to the ensemble. Just prior to the climax proper there is heard a fiery statement of the traditional Dies Irae (‘Day of Wrath’) melody in the form of a band interlude.
One other point of interest is that of the percussion section which I have tried to vary in each section, acknowledging their vital contribution to the overall sound world. ‘Earth’ has darker combinations of timpani, marimba, bass drum, a low suspended cymbal and tam-tam. ‘Air’ utilises two antiphonally placed glockenspiels, a bright suspended cymbal and triangle. ‘Water’features delicate tuned percussion consisting of vibraphone, a ‘guest’celesta, crotales and a binding mark-tree. ‘Fire’ exploits most of what has not gone before with rhythmic, punchy bongoes, side drum, xylophone and timpani plus a set of tubular bells, cymbals and tam-tam in the closing stages."
This version here is with Piano accompaniment and the brass band set is also available on this site
Duration: approx 9.25minutes
Difficult: 5-6/6
Supplied with piano part and TC and B solo parts
Publisher: Studio Music, UK
The Four Elements (Partita for Solo Euphonium and Brass Band) - Martin Ellerby - brass band set |
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The EuphoniumStore is proud to introduce a stunning new work from the pen of Martin Ellerby. This is a very advanced work for very mature performers!
Martin Ellerby: The Four Elements (Partita for Solo Euphonium and Brass Band) Commissioned by and dedicated to the Black Dyke Band (Musical Director Professor Nicholas J. Childs) and Gary Curtin (euphonium) with funds made available by the John Golland Trust.
This is the version for euphonium and brass band.
Composer Martin Ellerby writes:
"The first performance was given by these forces in the RNCM Concert Hall, Manchester, on 23 January 2015 as part of the RNCM Festival of Brass.
The Four Elements was written for Gary Curtin and the Black Dyke Band as part of a recording project of my music for brass band, released in 2015.
Having previously written a large scale concerto for the euphonium I decided to write something much more concise though still enabling the soloist to display flair and lyricism in equal measure. I aimed at around two minutes per movement, which meant I would be creating a set of miniatures, and based each on one of the four elements of earth, water, air and fire though they are primarily given their Latin names of terra aqua aer ignis in the score. The term is used to indicate that the work is a collection, or suite of pieces, and in keeping with former examples uses both song and dance forms to provide suitable musical structures.
1. Terra (Earth) an intrada set in ABABAC form in which A, for the band, is built on a 12 note row, B is a duet between the soloist and elements of the band and C an enigmatic . The ‘elemental’ interval of a perfect 5th proves dominant in all aspects of the opening movement.
2. Aer (Air) cast in the form of a fleeting scherzando - the music makes play between the rhythmic possibilities of contrasting common and compound time signatures giving it an unsettled edge.
The flavour is light and breezy, possibly somewhat oriental in manner.
3. Aqua (Water) a lyrical interlude or intermezzo , where the soloist has more of a free reign to their lines and the band support in a delicate legato style.
4. Ignis (Fire) - the virtuosic fianel celebrates the spirit of a pagan dance. Much use is made of mixed metres and the cornets and trombones remain muted throughout giving a metallic quality to the ensemble. Just prior to the climax proper there is heard a fiery statement of the traditional Dies Irae (‘Day of Wrath’) melody in the form of a band interlude.
One other point of interest is that of the percussion section which I have tried to vary in each section, acknowledging their vital contribution to the overall sound world. ‘Earth’ has darker combinations of timpani, marimba, bass drum, a low suspended cymbal and tam-tam. ‘Air’ utilises two antiphonally placed glockenspiels, a bright suspended cymbal and triangle. ‘Water’features delicate tuned percussion consisting of vibraphone, a ‘guest’celesta, crotales and a binding mark-tree. ‘Fire’ exploits most of what has not gone before with rhythmic, punchy bongoes, side drum, xylophone and timpani plus a set of tubular bells, cymbals and tam-tam in the closing stages."
This version here is with Brass band accompaniment and the piano accompaniment set is also available on this site
Duration: approx 9.25minutes
Difficult: 5-6/6
Supplied with brass band score, full set of brass band parts and solo part in TC and BC
Publisher: Studio Music, UK
Sonata for Euphonium (originally Bassoon) - C.Saint Saens Arr.E.Wilson- Euphonium and Piano |
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Arranger and Music Editor Eric Wilson has provided euphonium players with another gem!
Sonata for Tuba and Piano - Martin Ellerby |
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Programme Notes:
This Sonata for Bass Tuba, in one movement, was written for James Gourlay and this set of music comes complete with a CD of the Sonata, performed by James Gourlay.
The work is designed as a recital piece and is as concise in structure as the composer deemed possible. Cast in a single movement there are three independent 'mood' sections each of a contrasting nature. Mood 1 (Agitato) opens the work with a 'fanfare' style motif followed by a 'tango' subject. These alternate until Mood 2 (Delicato) is reached and a much more expressive quality emerges. Mood 1 returns briefly to be followed by a return of the Mood 2 material. This then leads into a new, and once only played, Mood 3 (Tranquillo – misterioso) in which the solo instrument is muted. The work closes with Mood 1 plus an additional coda/cadenza finale section which exhausts the 'tango' properties. The work has a tonal centre of F (it certainly begins and ends on that pitch) though moves around on a pair of related note rows, one aggressive, the other mild to provide contrasts based on classical sonata principles. As a closing comment, the tango property was included not just because I wanted a more familiar aspect to be present and something which audiences could relate to but, mischievously, because the work's dedicatee is married to a dancer, albeit a Brazilian and not an Argentinian!
The first performance of this work was given by James Gourlay (tuba) in the Bruckner Haus, Linz, Austria on 29th June 2012 as part of the International Tuba/Euphonium Conference.
James Gourlay also gave the US premiere with Siu Yan Luk (piano) in the Ford Hall, Ithaca College, School of Music, on 19th April 2013 as part of the North East Regional Tuba & Euphonium Conference.
Difficult level 4.5/6
Duration: 8 minutes
Supplied with piano part, solo parts in BC (in C) and TC (in Eb)
Song of India - Rimsky Korsakov Arr.E.Wilson - Euphonium and Piano |
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Here is a famous and totall gorgeous slow melody for ALL euphonium and baritone players to enjoy.
Sure to be popular!
Song of India’ (or more accurately the ‘Song of the Hindu’) from Rimsky-Korsakov’s 'opera-bilina’ Sadko provides not so much a technical challenge as a musical one, requiring a great degree of control and accurate intonation as the subtly varied chromatic phrases weave their way over a gently undulating, almost hypnotic accompaniment.
Engraved and presented to the highest standards as you’d expect from Winwood Music. Played by Steve in his recent recitals.
Difficult level: 2/6
Duration : 4 mins
Supplied with piano part and solo parts in TC and BC
Bordogni Vocalises (Rochut) in bass clef - Vol.1 (24 pieces) - with piano acc. on CD |
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Perhaps the most famous instrumental vocalises, now you can enjoy them with piano accompaniment on the supplied CD.
Please note the solo part is in Bass Clef.
The Bordogni Vocalises have been transcribed by David Schwartz for trombone or euphonium. This volume includes the first 24 vocalises along with an audio compact disc with Bordogni's original piano accompaniments for all 24 vocalises.
The perfect way to develop your 'vocal' style !
Difficulty level 2/6
Supplied with solo part in BC and accompanying CD.
These relatively new additions to the literature can really be useful to young players. With the employment of the piano CD the students will have to learn to keep good time and will also learn better intonation at a faster rate. The trombone part as transcribed from Bordogni is slightly different at times from the Rochut editions, but Schwartz does a good job indicating these differences. He also provides a list for comparison between the two edition numbers. Other benefits of the book are that there are 3 etudes provided again in different keys at the end of the book, and 2 etudes with faster tempos (although in one of these cases it is difficult to make music at such a tempo). Schwartz also provides a nice overview of Bordogni and concisely explains his edition. Overall this is a welcome addition to our literature, for we now have the ability to rehearse these famous etudes with a CD accompaniment, and it is likely that some may use these for public performances. Grade 2-3.
Comments from Teachers
"David, you have made a monumental contribution to trombone instruction, now and for the future."
- Richard W. Bowles, Gainesville, FL
"David, Thank You! My students and I love it. In my studio Bordogni/Rochut will be phased out and replaced with Bordogni/Schwartz. Thanks for providing this valuable service to the trombone community."
- Nathaniel O. Brickens, University of Texas at Austin
"David, I have my students working out of book one of your set and they are enjoying it immensely. Now that they have the CD versions you have done, they don't know how they ever played them without --- I had one girl yesterday who sang the piano intro before she began playing --- pretty darned neat!"
- Peter Ellefson, Indiana University
"David, Congratulations on your Bordogni editions. The Bordogni-Rochut vocalises have served as the musical basis for most trombonists' legato and "singing" standards. How wonderful it is to have them available in new editions which include CD piano accompaniments. Trombonists have the opportunity to develop and refine their harmonic understanding in the practice room."
- Tom Everett, Harvard University, Founder ITA
"David, You'll be happy to know that I have officially stopped using Rochut. All my students are now directed to use your editions. The accompaniments make such a difference in their practice and I appreciate the scholarly information and advice."
- Mike Hall, Old Dominion University
"David, Good for you! Your series of Bordogni etudes with accompaniment CD are a great addition to my active teaching and practicing materials. I use them to promote good intonation, rhythm, musicality, memorization and ensemble techniques. The simplicity of the accompaniments provides structure but places the musical responsibility upon the trombonist. Buzzing along with the CD in the car is a fun and easy, no-hands approach that not only serves as a good warm-up, but improves clarity of pitch and flexibility with pleasant melodies rather than rigid exercise."
- Scott Hartman, Yale University
Bordogni Vocalises (Rochut) in bass clef - Vol.2 (12 pieces) - with piano acc. on CD |
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Perhaps the most famous instrumental vocalises, now you can enjoy them with piano accompaniment on the supplied CD.
Please note the solo part is in Bass Clef.
The Bordogni Vocalises have been transcribed by David Schwartz for trombone or euphonium. This volume includes the 12 vocalises along with an audio compact disc with Bordogni's original piano accompaniments for all 12 vocalises.
The perfect way to develop your 'vocal' style !
Difficulty level 2/6
Supplied with solo part in BC and accompanying CD.
These relatively new additions to the literature can really be useful to young players. With the employment of the piano CD the students will have to learn to keep good time and will also learn better intonation at a faster rate. The trombone part as transcribed from Bordogni is slightly different at times from the Rochut editions, but Schwartz does a good job indicating these differences. He also provides a list for comparison between the two edition numbers. Other benefits of the book are that there are 3 etudes provided again in different keys at the end of the book, and 2 etudes with faster tempos (although in one of these cases it is difficult to make music at such a tempo). Schwartz also provides a nice overview of Bordogni and concisely explains his edition. Overall this is a welcome addition to our literature, for we now have the ability to rehearse these famous etudes with a CD accompaniment, and it is likely that some may use these for public performances. Grade 2-3.
Comments from Teachers
"David, you have made a monumental contribution to trombone instruction, now and for the future."
- Richard W. Bowles, Gainesville, FL
"David, Thank You! My students and I love it. In my studio Bordogni/Rochut will be phased out and replaced with Bordogni/Schwartz. Thanks for providing this valuable service to the trombone community."
- Nathaniel O. Brickens, University of Texas at Austin
"David, I have my students working out of book one of your set and they are enjoying it immensely. Now that they have the CD versions you have done, they don't know how they ever played them without --- I had one girl yesterday who sang the piano intro before she began playing --- pretty darned neat!"
- Peter Ellefson, Indiana University
"David, Congratulations on your Bordogni editions. The Bordogni-Rochut vocalises have served as the musical basis for most trombonists' legato and "singing" standards. How wonderful it is to have them available in new editions which include CD piano accompaniments. Trombonists have the opportunity to develop and refine their harmonic understanding in the practice room."
- Tom Everett, Harvard University, Founder ITA
"David, You'll be happy to know that I have officially stopped using Rochut. All my students are now directed to use your editions. The accompaniments make such a difference in their practice and I appreciate the scholarly information and advice."
- Mike Hall, Old Dominion University
"David, Good for you! Your series of Bordogni etudes with accompaniment CD are a great addition to my active teaching and practicing materials. I use them to promote good intonation, rhythm, musicality, memorization and ensemble techniques. The simplicity of the accompaniments provides structure but places the musical responsibility upon the trombonist. Buzzing along with the CD in the car is a fun and easy, no-hands approach that not only serves as a good warm-up, but improves clarity of pitch and flexibility with pleasant melodies rather than rigid exercise."
- Scott Hartman, Yale University
Bordogni Vocalises (Rochut) in bass clef - Vol.3 (24 pieces) - with piano acc. on CD |
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Perhaps the most famous instrumental vocalises, now you can enjoy them with piano accompaniment on the supplied CD.
Please note the solo part is in Bass Clef.
The Bordogni Vocalises have been transcribed by David Schwartz for trombone or euphonium. This volume (3) includes 24 vocalises along with an audio compact disc with Bordogni's original piano accompaniments for all 24 vocalises.
The perfect way to develop your 'vocal' style !
Difficulty level 3/6
Supplied with solo part in BC and accompanying CD.
These relatively new additions to the literature can really be useful to young players. With the employment of the piano CD the students will have to learn to keep good time and will also learn better intonation at a faster rate. The trombone part as transcribed from Bordogni is slightly different at times from the Rochut editions, but Schwartz does a good job indicating these differences. He also provides a list for comparison between the two edition numbers. Other benefits of the book are that there are 3 etudes provided again in different keys at the end of the book, and 2 etudes with faster tempos (although in one of these cases it is difficult to make music at such a tempo). Schwartz also provides a nice overview of Bordogni and concisely explains his edition. Overall this is a welcome addition to our literature, for we now have the ability to rehearse these famous etudes with a CD accompaniment, and it is likely that some may use these for public performances. Grade 2-3.
Comments from Teachers
"David, you have made a monumental contribution to trombone instruction, now and for the future."
- Richard W. Bowles, Gainesville, FL
"David, Thank You! My students and I love it. In my studio Bordogni/Rochut will be phased out and replaced with Bordogni/Schwartz. Thanks for providing this valuable service to the trombone community."
- Nathaniel O. Brickens, University of Texas at Austin
"David, I have my students working out of book one of your set and they are enjoying it immensely. Now that they have the CD versions you have done, they don't know how they ever played them without --- I had one girl yesterday who sang the piano intro before she began playing --- pretty darned neat!"
- Peter Ellefson, Indiana University
"David, Congratulations on your Bordogni editions. The Bordogni-Rochut vocalises have served as the musical basis for most trombonists' legato and "singing" standards. How wonderful it is to have them available in new editions which include CD piano accompaniments. Trombonists have the opportunity to develop and refine their harmonic understanding in the practice room."
- Tom Everett, Harvard University, Founder ITA
"David, You'll be happy to know that I have officially stopped using Rochut. All my students are now directed to use your editions. The accompaniments make such a difference in their practice and I appreciate the scholarly information and advice."
- Mike Hall, Old Dominion University
"David, Good for you! Your series of Bordogni etudes with accompaniment CD are a great addition to my active teaching and practicing materials. I use them to promote good intonation, rhythm, musicality, memorization and ensemble techniques. The simplicity of the accompaniments provides structure but places the musical responsibility upon the trombonist. Buzzing along with the CD in the car is a fun and easy, no-hands approach that not only serves as a good warm-up, but improves clarity of pitch and flexibility with pleasant melodies rather than rigid exercise."
- Scott Hartman, Yale University
Bordogni Vocalises (Rochut) in bass clef - Vol.4 (12 pieces) - with piano acc. on CD |
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Perhaps the most famous instrumental vocalises, now you can enjoy them with piano accompaniment on the supplied CD.
Please note the solo part is in Bass Clef.
The Bordogni Vocalises have been transcribed by David Schwartz for trombone or euphonium. This volume includes 12 more advanced vocalises along with an audio compact disc with Bordogni's original piano accompaniments for all 12 vocalises.
The perfect way to develop your 'vocal' style !
Difficulty level 3/6
Supplied with solo part in BC and accompanying CD.
These relatively new additions to the literature can really be useful to young players. With the employment of the piano CD the students will have to learn to keep good time and will also learn better intonation at a faster rate. The trombone part as transcribed from Bordogni is slightly different at times from the Rochut editions, but Schwartz does a good job indicating these differences. He also provides a list for comparison between the two edition numbers. Other benefits of the book are that there are 3 etudes provided again in different keys at the end of the book, and 2 etudes with faster tempos (although in one of these cases it is difficult to make music at such a tempo). Schwartz also provides a nice overview of Bordogni and concisely explains his edition. Overall this is a welcome addition to our literature, for we now have the ability to rehearse these famous etudes with a CD accompaniment, and it is likely that some may use these for public performances. Grade 2-3.
Comments from Teachers
"David, you have made a monumental contribution to trombone instruction, now and for the future."
- Richard W. Bowles, Gainesville, FL
"David, Thank You! My students and I love it. In my studio Bordogni/Rochut will be phased out and replaced with Bordogni/Schwartz. Thanks for providing this valuable service to the trombone community."
- Nathaniel O. Brickens, University of Texas at Austin
"David, I have my students working out of book one of your set and they are enjoying it immensely. Now that they have the CD versions you have done, they don't know how they ever played them without --- I had one girl yesterday who sang the piano intro before she began playing --- pretty darned neat!"
- Peter Ellefson, Indiana University
"David, Congratulations on your Bordogni editions. The Bordogni-Rochut vocalises have served as the musical basis for most trombonists' legato and "singing" standards. How wonderful it is to have them available in new editions which include CD piano accompaniments. Trombonists have the opportunity to develop and refine their harmonic understanding in the practice room."
- Tom Everett, Harvard University, Founder ITA
"David, You'll be happy to know that I have officially stopped using Rochut. All my students are now directed to use your editions. The accompaniments make such a difference in their practice and I appreciate the scholarly information and advice."
- Mike Hall, Old Dominion University
"David, Good for you! Your series of Bordogni etudes with accompaniment CD are a great addition to my active teaching and practicing materials. I use them to promote good intonation, rhythm, musicality, memorization and ensemble techniques. The simplicity of the accompaniments provides structure but places the musical responsibility upon the trombonist. Buzzing along with the CD in the car is a fun and easy, no-hands approach that not only serves as a good warm-up, but improves clarity of pitch and flexibility with pleasant melodies rather than rigid exercise."
- Scott Hartman, Yale University
Full brass band set - Euphonium Concerto - Karl Jenkins |
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This highly popular concerto has already become a favourite of many euphonium players, and now here it is in the full version with brass band.
This work was commissioned by David Childs who gave the first performance with the BBC Concert Orchestra at the Last Night of the Welsh Proms in 2009. 25 minutes in duration, the concerto is in four movements rather than three, loosely following the 'head-heart-feet-whole body' format of (humanist) symphonic design. Jenkins has stated, 'As is my wont, I've endeavoured to make the concerto somewhat quirky and "off the wall".'
It is a work overridingly designed to connect with the listener, arguably Jenkins' greatest gift and a task it achieves with considerable aplomb. The individual movements also stand alone equally well when presented as individual solo items.
This version, with brass band accompaniment, is a fantastic addition to the repertoire for any serious 21st century euphonium player!
Duration : 25'
Difficulty : 5/6
Supplied with brass band full score, full set of brass band parts and solo parts in TC and BC